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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #268CED it is the complementary color #D97312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #268CED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #268CED shade: #2B8CE8, #3C9EFB, #4DB0FF, #5EC2FF and #6FD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #268CED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #268CED shade: #268CED, #157ADA, #0468C7, #0056B4 and #0044A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #268CED shade: #268CED, #2656ED, #2B26ED, #6126ED and #9726ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #268CED shade: #268CED, #2656ED and #2626ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #268CED shade matches the following richer shades: #268CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #268CED shade: #268CED, #398CDA, #4C8BC7, #5F8BB4 and #728AA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #268CED shade: #26EDE3, #26C2ED, #268DED, #2658ED and #2926ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #268CED shade: #0E62B2, #1278D9, #268CED, #4CA0F0 and #72B5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #268CED shade: #268CED, #AE26ED and #DDED26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #268CED shade: #268CED, #ED268D and #8DED26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #268CED shade: #268CED, #AE26ED, #ED8626 and #65ED26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #268CED shade: #268CED, #EA26ED, #ED8626 and #29ED26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

Complementary color

CMYK 0 / 47 / 92 / 15

HEX #D97312

RGB 217 115 18

HSL 29.25, 0.85%, 0.46%

LAB 59.03, 34.5, 63.11

 

CMYK 81 / 40 / 0 / 9

HEX #2B8CE8

RGB 43 140 232

HSL 209.21, 0.8%, 0.54%

LAB 57.17, 4.72, -54.22

 

CMYK 76 / 37 / 0 / 2

HEX #3C9EFB

RGB 60 158 251

HSL 209.21, 0.96%, 0.61%

LAB 63.66, 2.68, -54.35

 

CMYK 70 / 31 / 0 / 0

HEX #4DB0FF

RGB 77 176 255

HSL 206.63, 1%, 0.65%

LAB 69.36, -4.06, -47.47

 

CMYK 63 / 24 / 0 / 0

HEX #5EC2FF

RGB 94 194 255

HSL 202.73, 1%, 0.68%

LAB 74.94, -11.27, -38.71

 

CMYK 56 / 17 / 0 / 0

HEX #6FD4FF

RGB 111 212 255

HSL 197.92, 1%, 0.72%

LAB 80.56, -17.64, -29.97

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 90 / 44 / 0 / 15

HEX #157ADA

RGB 21 122 218

HSL 209.24, 0.82%, 0.47%

LAB 50.85, 8.86, -56.51

 

CMYK 98 / 48 / 0 / 22

HEX #0468C7

RGB 4 104 199

HSL 209.23, 0.96%, 0.4%

LAB 44.3, 12.11, -56.21

 

CMYK 100 / 52 / 0 / 29

HEX #0056B4

RGB 0 86 180

HSL 211.33, 1%, 0.35%

LAB 37.75, 16.07, -55.73

 

CMYK 100 / 58 / 0 / 37

HEX #0044A1

RGB 0 68 161

HSL 214.66, 1%, 0.32%

LAB 31.13, 20.44, -55.17

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 84 / 64 / 0 / 7

HEX #2656ED

RGB 38 86 237

HSL 225.53, 0.85%, 0.54%

LAB 43.04, 39.99, -79.91

 

CMYK 82 / 84 / 0 / 7

HEX #2B26ED

RGB 43 38 237

HSL 241.51, 0.85%, 0.54%

LAB 34.01, 66.01, -94.82

 

CMYK 59 / 84 / 0 / 7

HEX #6126ED

RGB 97 38 237

HSL 257.79, 0.85%, 0.54%

LAB 37.92, 69.43, -88.23

 

CMYK 36 / 84 / 0 / 7

HEX #9726ED

RGB 151 38 237

HSL 274.07, 0.85%, 0.54%

LAB 44.35, 75.49, -77.41

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 84 / 64 / 0 / 7

HEX #2656ED

RGB 38 86 237

HSL 225.53, 0.85%, 0.54%

LAB 43.04, 39.99, -79.91

 

CMYK 84 / 84 / 0 / 7

HEX #2626ED

RGB 38 38 237

HSL 240, 0.85%, 0.54%

LAB 33.8, 65.83, -95.18

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 74 / 36 / 0 / 15

HEX #398CDA

RGB 57 140 218

HSL 209.07, 0.69%, 0.54%

LAB 56.77, 1.13, -47.02

 

CMYK 62 / 30 / 0 / 22

HEX #4C8BC7

RGB 76 139 199

HSL 209.27, 0.52%, 0.54%

LAB 56.21, -1.86, -37.16

 

CMYK 47 / 23 / 0 / 29

HEX #5F8BB4

RGB 95 139 180

HSL 208.94, 0.36%, 0.54%

LAB 56.28, -3.68, -26.18

 

CMYK 29 / 14 / 0 / 37

HEX #728AA1

RGB 114 138 161

HSL 209.36, 0.2%, 0.54%

LAB 56.41, -3.01, -15

 

CMYK 84 / 0 / 4 / 7

HEX #26EDE3

RGB 38 237 227

HSL 176.98, 0.85%, 0.54%

LAB 85.26, -46.93, -8.21

 

CMYK 84 / 18 / 0 / 7

HEX #26C2ED

RGB 38 194 237

HSL 192.96, 0.85%, 0.54%

LAB 72.96, -23.8, -32.18

 

CMYK 84 / 41 / 0 / 7

HEX #268DED

RGB 38 141 237

HSL 208.94, 0.85%, 0.54%

LAB 57.63, 5.56, -56.26

 

CMYK 84 / 63 / 0 / 7

HEX #2658ED

RGB 38 88 237

HSL 224.92, 0.85%, 0.54%

LAB 43.52, 38.74, -79.12

 

CMYK 83 / 84 / 0 / 7

HEX #2926ED

RGB 41 38 237

HSL 240.9, 0.85%, 0.54%

LAB 33.92, 65.93, -94.97

 

CMYK 92 / 45 / 0 / 30

HEX #0E62B2

RGB 14 98 178

HSL 209.27, 0.85%, 0.38%

LAB 41.28, 7.93, -48.85

 

CMYK 92 / 45 / 0 / 15

HEX #1278D9

RGB 18 120 217

HSL 209.25, 0.85%, 0.46%

LAB 50.18, 9.58, -57.02

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 68 / 33 / 0 / 6

HEX #4CA0F0

RGB 76 160 240

HSL 209.27, 0.85%, 0.62%

LAB 64.14, -0.21, -47.53

 

CMYK 53 / 26 / 0 / 4

HEX #72B5F4

RGB 114 181 244

HSL 209.08, 0.86%, 0.7%

LAB 71.66, -3.81, -37.81

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 27 / 84 / 0 / 7

HEX #AE26ED

RGB 174 38 237

HSL 281.01, 0.85%, 0.54%

LAB 47.62, 78.72, -71.93

 

CMYK 7 / 0 / 84 / 7

HEX #DDED26

RGB 221 237 38

HSL 64.82, 0.85%, 0.54%

LAB 89.9, -26.46, 83.27

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 0 / 84 / 41 / 7

HEX #ED268D

RGB 237 38 141

HSL 328.94, 0.85%, 0.54%

LAB 53.29, 77.35, -6.47

 

CMYK 41 / 0 / 84 / 7

HEX #8DED26

RGB 141 237 38

HSL 88.94, 0.85%, 0.54%

LAB 85.19, -56.46, 77.38

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 27 / 84 / 0 / 7

HEX #AE26ED

RGB 174 38 237

HSL 281.01, 0.85%, 0.54%

LAB 47.62, 78.72, -71.93

 

CMYK 0 / 43 / 84 / 7

HEX #ED8626

RGB 237 134 38

HSL 28.94, 0.85%, 0.54%

LAB 65.9, 33.19, 63.78

 

CMYK 57 / 0 / 84 / 7

HEX #65ED26

RGB 101 237 38

HSL 101.01, 0.85%, 0.54%

LAB 83.69, -67.94, 75.49

 

CMYK 84 / 41 / 0 / 7

HEX #268CED

RGB 38 140 237

HSL 209.25, 0.85%, 0.54%

LAB 57.35, 6.16, -56.72

 

CMYK 1 / 84 / 0 / 7

HEX #EA26ED

RGB 234 38 237

HSL 299.1, 0.85%, 0.54%

LAB 57.07, 88.44, -56.21

 

CMYK 0 / 43 / 84 / 7

HEX #ED8626

RGB 237 134 38

HSL 28.94, 0.85%, 0.54%

LAB 65.9, 33.19, 63.78

 

CMYK 83 / 0 / 84 / 7

HEX #29ED26

RGB 41 237 38

HSL 119.1, 0.85%, 0.54%

LAB 82.48, -78.27, 73.95

 

Description

Color code: HEX #268CED | qconv.com Color code: HEX #268CED | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 140 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 140 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 41 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 41% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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