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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #268AB4 it is the complementary color #D9754B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #268AB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #268AB4 shade: #2B8AAF, #3C9CC2, #4DAED5, #5EC0E8 and #6FD2FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #268AB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #268AB4 shade: #268AB4, #1578A1, #04668E, #00547B and #004268

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #268AB4 shade: #268AB4, #2664B4, #263DB4, #3526B4 and #5B26B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #268AB4 shade: #268AB4, #2664B4, #263DB4 and #2626B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #268AB4 shade matches the following richer shades: #268AB4, #1491C6 and #0299D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #268AB4 shade: #268AB4, #3883A3, #497C91, #5B757F and #6D6D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #268AB4 shade: #26B491, #26B2B4, #268CB4, #2666B4 and #2640B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #268AB4 shade: #175670, #1F7092, #268AB4, #31A3D3 and #53B2DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #268AB4 shade: #268AB4, #6B26B4 and #B4A426

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #268AB4 shade: #268AB4, #B4268C and #8CB426

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #268AB4 shade: #268AB4, #6B26B4, #B44E26 and #70B426

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #268AB4 shade: #268AB4, #9626B4, #B44E26 and #45B426

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

Complementary color

CMYK 0 / 46 / 65 / 15

HEX #D9754B

RGB 217 117 75

HSL 17.75, 0.65%, 0.57%

LAB 59.87, 35.55, 40.14

 

CMYK 75 / 21 / 0 / 31

HEX #2B8AAF

RGB 43 138 175

HSL 196.82, 0.61%, 0.43%

LAB 53.8, -14.67, -27.32

 

CMYK 69 / 20 / 0 / 24

HEX #3C9CC2

RGB 60 156 194

HSL 197.01, 0.53%, 0.5%

LAB 60.46, -15.78, -27.78

 

CMYK 64 / 18 / 0 / 16

HEX #4DAED5

RGB 77 174 213

HSL 197.21, 0.62%, 0.57%

LAB 67.02, -16.62, -28.18

 

CMYK 59 / 17 / 0 / 9

HEX #5EC0E8

RGB 94 192 232

HSL 197.39, 0.75%, 0.64%

LAB 73.48, -17.26, -28.56

 

CMYK 56 / 16 / 0 / 2

HEX #6FD2FB

RGB 111 210 251

HSL 197.57, 0.95%, 0.71%

LAB 79.86, -17.77, -28.92

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 87 / 25 / 0 / 37

HEX #1578A1

RGB 21 120 161

HSL 197.57, 0.77%, 0.36%

LAB 47.19, -11.76, -29.51

 

CMYK 97 / 28 / 0 / 44

HEX #04668E

RGB 4 102 142

HSL 197.39, 0.95%, 0.29%

LAB 40.38, -9.49, -28.9

 

CMYK 100 / 32 / 0 / 52

HEX #00547B

RGB 0 84 123

HSL 199.02, 1%, 0.24%

LAB 33.5, -6.35, -28.12

 

CMYK 100 / 37 / 0 / 59

HEX #004268

RGB 0 66 104

HSL 201.92, 1%, 0.2%

LAB 26.44, -2.75, -27.31

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 79 / 44 / 0 / 29

HEX #2664B4

RGB 38 100 180

HSL 213.8, 0.65%, 0.43%

LAB 42.49, 9.36, -48.06

 

CMYK 79 / 66 / 0 / 29

HEX #263DB4

RGB 38 61 180

HSL 230.28, 0.65%, 0.43%

LAB 31.91, 34.97, -65.23

 

CMYK 71 / 79 / 0 / 29

HEX #3526B4

RGB 53 38 180

HSL 246.34, 0.65%, 0.43%

LAB 27.95, 49.71, -71.73

 

CMYK 49 / 79 / 0 / 29

HEX #5B26B4

RGB 91 38 180

HSL 262.39, 0.65%, 0.43%

LAB 31.59, 54.09, -65.6

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 79 / 44 / 0 / 29

HEX #2664B4

RGB 38 100 180

HSL 213.8, 0.65%, 0.43%

LAB 42.49, 9.36, -48.06

 

CMYK 79 / 66 / 0 / 29

HEX #263DB4

RGB 38 61 180

HSL 230.28, 0.65%, 0.43%

LAB 31.91, 34.97, -65.23

 

CMYK 79 / 79 / 0 / 29

HEX #2626B4

RGB 38 38 180

HSL 240, 0.65%, 0.43%

LAB 27, 48.56, -73.33

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 90 / 27 / 0 / 22

HEX #1491C6

RGB 20 145 198

HSL 197.87, 0.82%, 0.43%

LAB 56.56, -12.39, -36.14

 

CMYK 99 / 29 / 0 / 15

HEX #0299D8

RGB 2 153 216

HSL 197.66, 0.98%, 0.43%

LAB 59.67, -10.95, -41.39

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 66 / 20 / 0 / 36

HEX #3883A3

RGB 56 131 163

HSL 197.94, 0.49%, 0.43%

LAB 51.52, -12.9, -23.9

 

CMYK 50 / 14 / 0 / 43

HEX #497C91

RGB 73 124 145

HSL 197.5, 0.33%, 0.43%

LAB 49.35, -11.06, -16.67

 

CMYK 28 / 8 / 0 / 50

HEX #5B757F

RGB 91 117 127

HSL 196.67, 0.17%, 0.43%

LAB 47.6, -6.92, -8.58

 

CMYK 0 / 0 / 0 / 57

HEX #6D6D6D

RGB 109 109 109

HSL 0, 0%, 0.43%

LAB 46.03, 0, -0.01

 

CMYK 79 / 0 / 19 / 29

HEX #26B491

RGB 38 180 145

HSL 165.21, 0.65%, 0.43%

LAB 65.83, -44.63, 7.57

 

CMYK 79 / 1 / 0 / 29

HEX #26B2B4

RGB 38 178 180

HSL 180.85, 0.65%, 0.43%

LAB 66.17, -34.02, -11.3

 

CMYK 79 / 22 / 0 / 29

HEX #268CB4

RGB 38 140 180

HSL 196.9, 0.65%, 0.43%

LAB 54.52, -14.62, -29.08

 

CMYK 79 / 43 / 0 / 29

HEX #2666B4

RGB 38 102 180

HSL 212.96, 0.65%, 0.43%

LAB 43.08, 8.08, -47.12

 

CMYK 79 / 64 / 0 / 29

HEX #2640B4

RGB 38 64 180

HSL 229.01, 0.65%, 0.43%

LAB 32.64, 33.03, -64.03

 

CMYK 79 / 23 / 0 / 56

HEX #175670

RGB 23 86 112

HSL 197.53, 0.66%, 0.26%

LAB 34, -9.94, -20.48

 

CMYK 79 / 23 / 0 / 43

HEX #1F7092

RGB 31 112 146

HSL 197.74, 0.65%, 0.35%

LAB 44.17, -11.71, -25.35

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 77 / 23 / 0 / 17

HEX #31A3D3

RGB 49 163 211

HSL 197.78, 0.65%, 0.51%

LAB 62.97, -15.31, -33.4

 

CMYK 62 / 18 / 0 / 15

HEX #53B2DA

RGB 83 178 218

HSL 197.78, 0.65%, 0.59%

LAB 68.56, -16.15, -28.53

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 41 / 79 / 0 / 29

HEX #6B26B4

RGB 107 38 180

HSL 269.15, 0.65%, 0.43%

LAB 33.58, 56.47, -62.27

 

CMYK 0 / 9 / 79 / 29

HEX #B4A426

RGB 180 164 38

HSL 53.24, 0.65%, 0.43%

LAB 66.82, -7.53, 62.11

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 0 / 79 / 22 / 29

HEX #B4268C

RGB 180 38 140

HSL 316.9, 0.65%, 0.43%

LAB 42.74, 63.94, -22.87

 

CMYK 22 / 0 / 79 / 29

HEX #8CB426

RGB 140 180 38

HSL 76.9, 0.65%, 0.43%

LAB 68.28, -32.65, 62.29

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 41 / 79 / 0 / 29

HEX #6B26B4

RGB 107 38 180

HSL 269.15, 0.65%, 0.43%

LAB 33.58, 56.47, -62.27

 

CMYK 0 / 57 / 79 / 29

HEX #B44E26

RGB 180 78 38

HSL 16.9, 0.65%, 0.43%

LAB 46.03, 39.14, 42.57

 

CMYK 38 / 0 / 79 / 29

HEX #70B426

RGB 112 180 38

HSL 88.73, 0.65%, 0.43%

LAB 66.69, -43.27, 60.24

 

CMYK 79 / 23 / 0 / 29

HEX #268AB4

RGB 38 138 180

HSL 197.75, 0.65%, 0.43%

LAB 53.9, -13.51, -30.03

 

CMYK 17 / 79 / 0 / 29

HEX #9626B4

RGB 150 38 180

HSL 287.32, 0.65%, 0.43%

LAB 39.86, 63.93, -51.78

 

CMYK 0 / 57 / 79 / 29

HEX #B44E26

RGB 180 78 38

HSL 16.9, 0.65%, 0.43%

LAB 46.03, 39.14, 42.57

 

CMYK 62 / 0 / 79 / 29

HEX #45B426

RGB 69 180 38

HSL 106.9, 0.65%, 0.43%

LAB 65, -56.14, 58.05

 

Description

Color code: HEX #268AB4 | qconv.com Color code: HEX #268AB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 138 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 138 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 23 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 23% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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