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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26849B it is the complementary color #D97B64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26849B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26849B shade: #2B8496, #3C96A9, #4DA8BC, #5EBACF and #6FCCE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26849B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26849B shade: #26849B, #157288, #046075, #004E62 and #003C4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26849B shade: #25849C, #25649C, #25459C, #26259C and #46259C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26849B shade: #25849C, #25649C, #25459C and #25259C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26849B shade matches the following richer shades: #25849C, #168EAB and #0697BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26849B shade: #25849C, #357B8C, #45717C, #54686C and #645E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26849B shade: #259C72, #259C92, #25869C, #25669C and #25479C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26849B shade: #154C59, #1D687A, #25849C, #2DA1BD and #42B5D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26849B shade: #26849B, #53259C and #9C8225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26849B shade: #26849B, #9C2586 and #869C25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26849B shade: #26849B, #53259C, #9C3B25 and #6E9C25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26849B shade: #26849B, #76259C, #9C3B25 and #4B9C25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 15 / 0 / 39

HEX #26849B

RGB 38 132 155

HSL 191.79, 0.61%, 0.38%

LAB 51.01, -18.85, -20.07

 

Complementary color

CMYK 0 / 43 / 54 / 15

HEX #D97B64

RGB 217 123 100

HSL 11.79, 0.61%, 0.62%

LAB 61.51, 34.23, 28.52

 

CMYK 71 / 12 / 0 / 41

HEX #2B8496

RGB 43 132 150

HSL 190.09, 0.55%, 0.38%

LAB 50.94, -19.83, -17.26

 

CMYK 64 / 11 / 0 / 34

HEX #3C96A9

RGB 60 150 169

HSL 190.46, 0.48%, 0.45%

LAB 57.69, -20.58, -17.88

 

CMYK 59 / 11 / 0 / 26

HEX #4DA8BC

RGB 77 168 188

HSL 190.81, 0.45%, 0.52%

LAB 64.33, -21.11, -18.43

 

CMYK 55 / 10 / 0 / 19

HEX #5EBACF

RGB 94 186 207

HSL 191.15, 0.54%, 0.59%

LAB 70.87, -21.48, -18.95

 

CMYK 51 / 10 / 0 / 11

HEX #6FCCE2

RGB 111 204 226

HSL 191.48, 0.66%, 0.66%

LAB 77.31, -21.75, -19.43

 

CMYK 75 / 15 / 0 / 39

HEX #26849B

RGB 38 132 155

HSL 191.79, 0.61%, 0.38%

LAB 51.01, -18.85, -20.07

 

CMYK 85 / 16 / 0 / 47

HEX #157288

RGB 21 114 136

HSL 191.48, 0.73%, 0.31%

LAB 44.19, -17.49, -19.37

 

CMYK 97 / 18 / 0 / 54

HEX #046075

RGB 4 96 117

HSL 191.15, 0.93%, 0.24%

LAB 37.25, -15.62, -18.56

 

CMYK 100 / 20 / 0 / 62

HEX #004E62

RGB 0 78 98

HSL 192.24, 1%, 0.19%

LAB 30.23, -12.82, -17.54

 

CMYK 100 / 24 / 0 / 69

HEX #003C4F

RGB 0 60 79

HSL 194.43, 1%, 0.15%

LAB 22.99, -9.55, -16.45

 

CMYK 76 / 15 / 0 / 39

HEX #25849C

RGB 37 132 156

HSL 192.1, 0.62%, 0.38%

LAB 51.03, -18.64, -20.63

 

CMYK 76 / 36 / 0 / 39

HEX #25649C

RGB 37 100 156

HSL 208.24, 0.62%, 0.38%

LAB 41.07, 0.02, -36.16

 

CMYK 76 / 56 / 0 / 39

HEX #25459C

RGB 37 69 156

HSL 223.87, 0.62%, 0.38%

LAB 31.92, 20.43, -50.83

 

CMYK 76 / 76 / 0 / 39

HEX #26259C

RGB 38 37 156

HSL 240.5, 0.62%, 0.38%

LAB 24.11, 41.19, -63.61

 

CMYK 55 / 76 / 0 / 39

HEX #46259C

RGB 70 37 156

HSL 256.64, 0.62%, 0.38%

LAB 26.81, 44.96, -59.08

 

CMYK 76 / 15 / 0 / 39

HEX #25849C

RGB 37 132 156

HSL 192.1, 0.62%, 0.38%

LAB 51.03, -18.64, -20.63

 

CMYK 76 / 36 / 0 / 39

HEX #25649C

RGB 37 100 156

HSL 208.24, 0.62%, 0.38%

LAB 41.07, 0.02, -36.16

 

CMYK 76 / 56 / 0 / 39

HEX #25459C

RGB 37 69 156

HSL 223.87, 0.62%, 0.38%

LAB 31.92, 20.43, -50.83

 

CMYK 76 / 76 / 0 / 39

HEX #25259C

RGB 37 37 156

HSL 240, 0.62%, 0.38%

LAB 24.05, 41.1, -63.71

 

CMYK 76 / 15 / 0 / 39

HEX #25849C

RGB 37 132 156

HSL 192.1, 0.62%, 0.38%

LAB 51.03, -18.64, -20.63

 

CMYK 87 / 17 / 0 / 33

HEX #168EAB

RGB 22 142 171

HSL 191.68, 0.77%, 0.38%

LAB 54.51, -20.26, -23.96

 

CMYK 97 / 19 / 0 / 27

HEX #0697BB

RGB 6 151 187

HSL 191.93, 0.94%, 0.38%

LAB 57.81, -20.19, -27.99

 

CMYK 76 / 15 / 0 / 39

HEX #25849C

RGB 37 132 156

HSL 192.1, 0.62%, 0.38%

LAB 51.03, -18.64, -20.63

 

CMYK 62 / 12 / 0 / 45

HEX #357B8C

RGB 53 123 140

HSL 191.72, 0.45%, 0.38%

LAB 48.03, -16.5, -15.81

 

CMYK 44 / 9 / 0 / 51

HEX #45717C

RGB 69 113 124

HSL 192, 0.28%, 0.38%

LAB 44.98, -12.05, -10.85

 

CMYK 22 / 4 / 0 / 58

HEX #54686C

RGB 84 104 108

HSL 190, 0.13%, 0.38%

LAB 42.56, -6.48, -4.73

 

CMYK 0 / 6 / 7 / 61

HEX #645E5D

RGB 100 94 93

HSL 8.57, 0.04%, 0.38%

LAB 40.42, 2.2, 1.42

 

CMYK 76 / 0 / 27 / 39

HEX #259C72

RGB 37 156 114

HSL 158.82, 0.62%, 0.38%

LAB 57.45, -42.31, 12.96

 

CMYK 76 / 0 / 6 / 39

HEX #259C92

RGB 37 156 146

HSL 174.96, 0.62%, 0.38%

LAB 58.27, -33.85, -3.97

 

CMYK 76 / 14 / 0 / 39

HEX #25869C

RGB 37 134 156

HSL 191.09, 0.62%, 0.38%

LAB 51.66, -19.71, -19.66

 

CMYK 76 / 35 / 0 / 39

HEX #25669C

RGB 37 102 156

HSL 207.23, 0.62%, 0.38%

LAB 41.68, -1.23, -35.19

 

CMYK 76 / 54 / 0 / 39

HEX #25479C

RGB 37 71 156

HSL 222.86, 0.62%, 0.38%

LAB 32.48, 19.07, -49.92

 

CMYK 76 / 15 / 0 / 65

HEX #154C59

RGB 21 76 89

HSL 191.47, 0.62%, 0.22%

LAB 29.54, -12.8, -12.83

 

CMYK 76 / 15 / 0 / 52

HEX #1D687A

RGB 29 104 122

HSL 191.61, 0.62%, 0.3%

LAB 40.52, -15.98, -16.57

 

CMYK 76 / 15 / 0 / 39

HEX #25849C

RGB 37 132 156

HSL 192.1, 0.62%, 0.38%

LAB 51.03, -18.64, -20.63

 

CMYK 76 / 15 / 0 / 26

HEX #2DA1BD

RGB 45 161 189

HSL 191.67, 0.62%, 0.46%

LAB 61.41, -22.04, -23.53

 

CMYK 68 / 13 / 0 / 18

HEX #42B5D1

RGB 66 181 209

HSL 191.75, 0.61%, 0.54%

LAB 68.61, -23.23, -23.56

 

CMYK 75 / 15 / 0 / 39

HEX #26849B

RGB 38 132 155

HSL 191.79, 0.61%, 0.38%

LAB 51.01, -18.85, -20.07

 

CMYK 47 / 76 / 0 / 39

HEX #53259C

RGB 83 37 156

HSL 263.19, 0.62%, 0.38%

LAB 28.28, 46.97, -56.61

 

CMYK 0 / 17 / 76 / 39

HEX #9C8225

RGB 156 130 37

HSL 46.89, 0.62%, 0.38%

LAB 55.24, 0.04, 50.92

 

CMYK 75 / 15 / 0 / 39

HEX #26849B

RGB 38 132 155

HSL 191.79, 0.61%, 0.38%

LAB 51.01, -18.85, -20.07

 

CMYK 0 / 76 / 14 / 39

HEX #9C2586

RGB 156 37 134

HSL 311.09, 0.62%, 0.38%

LAB 38.04, 57.73, -26.83

 

CMYK 14 / 0 / 76 / 39

HEX #869C25

RGB 134 156 37

HSL 71.09, 0.62%, 0.38%

LAB 60.76, -23.63, 55.48

 

CMYK 75 / 15 / 0 / 39

HEX #26849B

RGB 38 132 155

HSL 191.79, 0.61%, 0.38%

LAB 51.01, -18.85, -20.07

 

CMYK 47 / 76 / 0 / 39

HEX #53259C

RGB 83 37 156

HSL 263.19, 0.62%, 0.38%

LAB 28.28, 46.97, -56.61

 

CMYK 0 / 62 / 76 / 39

HEX #9C3B25

RGB 156 59 37

HSL 11.09, 0.62%, 0.38%

LAB 38.43, 39.2, 33.97

 

CMYK 29 / 0 / 76 / 39

HEX #6E9C25

RGB 110 156 37

HSL 83.19, 0.62%, 0.38%

LAB 59.18, -33.5, 53.42

 

CMYK 75 / 15 / 0 / 39

HEX #26849B

RGB 38 132 155

HSL 191.79, 0.61%, 0.38%

LAB 51.01, -18.85, -20.07

 

CMYK 24 / 76 / 0 / 39

HEX #76259C

RGB 118 37 156

HSL 280.84, 0.62%, 0.38%

LAB 33.08, 53.34, -48.58

 

CMYK 0 / 62 / 76 / 39

HEX #9C3B25

RGB 156 59 37

HSL 11.09, 0.62%, 0.38%

LAB 38.43, 39.2, 33.97

 

CMYK 52 / 0 / 76 / 39

HEX #4B9C25

RGB 75 156 37

HSL 100.84, 0.62%, 0.38%

LAB 57.47, -45.73, 51.17

 

Description

Color code: HEX #26849B | qconv.com Color code: HEX #26849B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 132 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 132 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 15 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 15% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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