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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #268472 it is the complementary color #D97B8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #268472. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #268472 shade: #2B846D, #3C9680, #4DA893, #5EBAA6 and #6FCCB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #268472. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #268472 shade: #268472, #15725F, #04604C, #004E39 and #003C26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #268472 shade: #268271, #268258, #26823F, #268226 and #3F8226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #268472 shade: #268271, #267B82, #266282, #264982 and #263082

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #268472 shade matches the following richer shades: #268271, #189079 and #0B9E82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #268472 shade: #268271, #337568, #416760, #4F5A58 and #5C4C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #268472 shade: #26823F, #268257, #268270, #267C82 and #266482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #268472 shade: #134239, #1D6255, #268271, #2FA28C and #38C2A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #268472 shade: #268472, #262682 and #824B26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #268472 shade: #268472, #702682 and #827026

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #268472 shade: #268472, #262682, #822638 and #828226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #268472 shade: #268472, #422682, #822638 and #678226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 14 / 48

HEX #268472

RGB 38 132 114

HSL 168.51, 0.55%, 0.33%

LAB 49.65, -31.54, 1.86

 

Complementary color

CMYK 0 / 43 / 35 / 15

HEX #D97B8D

RGB 217 123 141

HSL 348.51, 0.55%, 0.67%

LAB 62.37, 38.45, 6.42

 

CMYK 67 / 0 / 17 / 48

HEX #2B846D

RGB 43 132 109

HSL 164.49, 0.51%, 0.34%

LAB 49.64, -32.05, 4.78

 

CMYK 60 / 0 / 15 / 41

HEX #3C9680

RGB 60 150 128

HSL 165.33, 0.43%, 0.41%

LAB 56.42, -32.29, 3.64

 

CMYK 54 / 0 / 13 / 34

HEX #4DA893

RGB 77 168 147

HSL 166.15, 0.37%, 0.48%

LAB 63.09, -32.37, 2.63

 

CMYK 49 / 0 / 11 / 27

HEX #5EBAA6

RGB 94 186 166

HSL 166.96, 0.4%, 0.55%

LAB 69.65, -32.34, 1.72

 

CMYK 46 / 0 / 9 / 20

HEX #6FCCB9

RGB 111 204 185

HSL 167.74, 0.48%, 0.62%

LAB 76.11, -32.26, 0.88

 

CMYK 71 / 0 / 14 / 48

HEX #268472

RGB 38 132 114

HSL 168.51, 0.55%, 0.33%

LAB 49.65, -31.54, 1.86

 

CMYK 82 / 0 / 17 / 55

HEX #15725F

RGB 21 114 95

HSL 167.74, 0.69%, 0.26%

LAB 42.79, -30.78, 3.15

 

CMYK 96 / 0 / 21 / 62

HEX #04604C

RGB 4 96 76

HSL 166.96, 0.92%, 0.2%

LAB 35.82, -29.52, 4.65

 

CMYK 100 / 0 / 27 / 69

HEX #004E39

RGB 0 78 57

HSL 163.85, 1%, 0.15%

LAB 28.76, -27.16, 6.53

 

CMYK 100 / 0 / 37 / 76

HEX #003C26

RGB 0 60 38

HSL 158, 1%, 0.12%

LAB 21.47, -24.28, 8.68

 

CMYK 71 / 0 / 13 / 49

HEX #268271

RGB 38 130 113

HSL 168.91, 0.55%, 0.33%

LAB 48.97, -30.87, 1.46

 

CMYK 71 / 0 / 32 / 49

HEX #268258

RGB 38 130 88

HSL 152.61, 0.55%, 0.33%

LAB 48.36, -37.18, 15.15

 

CMYK 71 / 0 / 52 / 49

HEX #26823F

RGB 38 130 63

HSL 136.3, 0.55%, 0.33%

LAB 47.93, -42.05, 28.51

 

CMYK 71 / 0 / 71 / 49

HEX #268226

RGB 38 130 38

HSL 120, 0.55%, 0.33%

LAB 47.65, -45.33, 40.38

 

CMYK 52 / 0 / 71 / 49

HEX #3F8226

RGB 63 130 38

HSL 103.7, 0.55%, 0.33%

LAB 48.46, -38.85, 41.49

 

CMYK 71 / 0 / 13 / 49

HEX #268271

RGB 38 130 113

HSL 168.91, 0.55%, 0.33%

LAB 48.97, -30.87, 1.46

 

CMYK 71 / 5 / 0 / 49

HEX #267B82

RGB 38 123 130

HSL 184.57, 0.55%, 0.33%

LAB 47.22, -22.3, -11.16

 

CMYK 71 / 25 / 0 / 49

HEX #266282

RGB 38 98 130

HSL 200.87, 0.55%, 0.33%

LAB 39.17, -8.27, -23.49

 

CMYK 71 / 44 / 0 / 49

HEX #264982

RGB 38 73 130

HSL 217.17, 0.55%, 0.33%

LAB 31.32, 7.7, -35.86

 

CMYK 71 / 63 / 0 / 49

HEX #263082

RGB 38 48 130

HSL 233.48, 0.55%, 0.33%

LAB 24.12, 24.87, -47.48

 

CMYK 71 / 0 / 13 / 49

HEX #268271

RGB 38 130 113

HSL 168.91, 0.55%, 0.33%

LAB 48.97, -30.87, 1.46

 

CMYK 83 / 0 / 16 / 44

HEX #189079

RGB 24 144 121

HSL 168.5, 0.71%, 0.33%

LAB 53.52, -36.83, 3.36

 

CMYK 93 / 0 / 18 / 38

HEX #0B9E82

RGB 11 158 130

HSL 168.57, 0.87%, 0.33%

LAB 58.17, -41.36, 4.92

 

CMYK 71 / 0 / 13 / 49

HEX #268271

RGB 38 130 113

HSL 168.91, 0.55%, 0.33%

LAB 48.97, -30.87, 1.46

 

CMYK 56 / 0 / 11 / 54

HEX #337568

RGB 51 117 104

HSL 168.18, 0.39%, 0.33%

LAB 44.84, -24.43, 0.82

 

CMYK 37 / 0 / 7 / 60

HEX #416760

RGB 65 103 96

HSL 168.95, 0.23%, 0.33%

LAB 40.68, -15.25, -0.34

 

CMYK 12 / 0 / 2 / 65

HEX #4F5A58

RGB 79 90 88

HSL 169.09, 0.07%, 0.33%

LAB 37.26, -4.74, -0.31

 

CMYK 0 / 17 / 14 / 64

HEX #5C4C4F

RGB 92 76 79

HSL 348.75, 0.1%, 0.33%

LAB 34, 7.28, 0.73

 

CMYK 71 / 0 / 52 / 49

HEX #26823F

RGB 38 130 63

HSL 136.3, 0.55%, 0.33%

LAB 47.93, -42.05, 28.51

 

CMYK 71 / 0 / 33 / 49

HEX #268257

RGB 38 130 87

HSL 151.96, 0.55%, 0.33%

LAB 48.34, -37.41, 15.7

 

CMYK 71 / 0 / 14 / 49

HEX #268270

RGB 38 130 112

HSL 168.26, 0.55%, 0.33%

LAB 48.94, -31.15, 2

 

CMYK 71 / 5 / 0 / 49

HEX #267C82

RGB 38 124 130

HSL 183.91, 0.55%, 0.33%

LAB 47.55, -22.82, -10.68

 

CMYK 71 / 23 / 0 / 49

HEX #266482

RGB 38 100 130

HSL 199.57, 0.55%, 0.33%

LAB 39.81, -9.46, -22.49

 

CMYK 71 / 0 / 14 / 74

HEX #134239

RGB 19 66 57

HSL 168.51, 0.55%, 0.17%

LAB 24.73, -18.35, 0.82

 

CMYK 70 / 0 / 13 / 62

HEX #1D6255

RGB 29 98 85

HSL 168.7, 0.54%, 0.25%

LAB 37.21, -24.74, 1.17

 

CMYK 71 / 0 / 13 / 49

HEX #268271

RGB 38 130 113

HSL 168.91, 0.55%, 0.33%

LAB 48.97, -30.87, 1.46

 

CMYK 71 / 0 / 14 / 36

HEX #2FA28C

RGB 47 162 140

HSL 168.52, 0.55%, 0.41%

LAB 60.19, -36.96, 2.26

 

CMYK 71 / 0 / 13 / 24

HEX #38C2A8

RGB 56 194 168

HSL 168.7, 0.55%, 0.49%

LAB 71.04, -42.53, 2.52

 

CMYK 71 / 0 / 14 / 48

HEX #268472

RGB 38 132 114

HSL 168.51, 0.55%, 0.33%

LAB 49.65, -31.54, 1.86

 

CMYK 71 / 71 / 0 / 49

HEX #262682

RGB 38 38 130

HSL 240, 0.55%, 0.33%

LAB 21.62, 31.51, -51.58

 

CMYK 0 / 42 / 71 / 49

HEX #824B26

RGB 130 75 38

HSL 24.13, 0.55%, 0.33%

LAB 37.69, 19.89, 31.43

 

CMYK 71 / 0 / 14 / 48

HEX #268472

RGB 38 132 114

HSL 168.51, 0.55%, 0.33%

LAB 49.65, -31.54, 1.86

 

CMYK 14 / 71 / 0 / 49

HEX #702682

RGB 112 38 130

HSL 288.26, 0.55%, 0.33%

LAB 30.5, 46.17, -36.76

 

CMYK 0 / 14 / 71 / 49

HEX #827026

RGB 130 112 38

HSL 48.26, 0.55%, 0.33%

LAB 47.59, -1.81, 42.04

 

CMYK 71 / 0 / 14 / 48

HEX #268472

RGB 38 132 114

HSL 168.51, 0.55%, 0.33%

LAB 49.65, -31.54, 1.86

 

CMYK 71 / 71 / 0 / 49

HEX #262682

RGB 38 38 130

HSL 240, 0.55%, 0.33%

LAB 21.62, 31.51, -51.58

 

CMYK 0 / 71 / 57 / 49

HEX #822638

RGB 130 38 56

HSL 348.26, 0.55%, 0.33%

LAB 30.44, 40.59, 11.33

 

CMYK 0 / 0 / 71 / 49

HEX #828226

RGB 130 130 38

HSL 60, 0.55%, 0.33%

LAB 52.79, -11.84, 47.29

 

CMYK 71 / 0 / 14 / 48

HEX #268472

RGB 38 132 114

HSL 168.51, 0.55%, 0.33%

LAB 49.65, -31.54, 1.86

 

CMYK 49 / 71 / 0 / 49

HEX #422682

RGB 66 38 130

HSL 258.26, 0.55%, 0.33%

LAB 24.18, 36.08, -47.28

 

CMYK 0 / 71 / 57 / 49

HEX #822638

RGB 130 38 56

HSL 348.26, 0.55%, 0.33%

LAB 30.44, 40.59, 11.33

 

CMYK 21 / 0 / 71 / 49

HEX #678226

RGB 103 130 38

HSL 77.61, 0.55%, 0.33%

LAB 50.67, -23.8, 44.48

 

Description

Color code: HEX #268472 | qconv.com Color code: HEX #268472 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 132 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 132 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 14 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 14% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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