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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #268352 it is the complementary color #D97CAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #268352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #268352 shade: #2B834D, #3C9560, #4DA773, #5EB986 and #6FCB99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #268352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #268352 shade: #268352, #15713F, #045F2C, #004D19 and #003B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #268352 shade: #268252, #268239, #2C8226, #458226 and #5E8226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #268352 shade: #268252, #26826B, #268182, #266882 and #264F82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #268352 shade matches the following richer shades: #268252, #189051 and #0B9E50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #268352 shade: #268252, #337552, #416753, #4F5A54 and #5C4C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #268352 shade: #2C8226, #268238, #268251, #26826A and #268282

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #268352 shade: #13422A, #1D623E, #268252, #2FA266 and #38C27A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #268352 shade: #268352, #264582 and #822C26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #268352 shade: #268352, #512682 and #825126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #268352 shade: #268352, #264582, #822657 and #826426

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #268352 shade: #268352, #262982, #822657 and #827F26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 37 / 49

HEX #268352

RGB 38 131 82

HSL 148.39, 0.55%, 0.33%

LAB 48.58, -38.91, 18.87

 

Complementary color

CMYK 0 / 43 / 20 / 15

HEX #D97CAD

RGB 217 124 173

HSL 328.39, 0.55%, 0.67%

LAB 63.49, 42.27, -10.2

 

CMYK 67 / 0 / 41 / 49

HEX #2B834D

RGB 43 131 77

HSL 143.18, 0.51%, 0.34%

LAB 48.61, -38.96, 21.75

 

CMYK 60 / 0 / 36 / 42

HEX #3C9560

RGB 60 149 96

HSL 144.27, 0.43%, 0.41%

LAB 55.38, -39.15, 20.26

 

CMYK 54 / 0 / 31 / 35

HEX #4DA773

RGB 77 167 115

HSL 145.33, 0.37%, 0.48%

LAB 62.04, -39.13, 18.92

 

CMYK 49 / 0 / 28 / 27

HEX #5EB986

RGB 94 185 134

HSL 146.37, 0.39%, 0.55%

LAB 68.61, -38.99, 17.7

 

CMYK 45 / 0 / 25 / 20

HEX #6FCB99

RGB 111 203 153

HSL 147.39, 0.47%, 0.62%

LAB 75.07, -38.79, 16.58

 

CMYK 71 / 0 / 37 / 49

HEX #268352

RGB 38 131 82

HSL 148.39, 0.55%, 0.33%

LAB 48.58, -38.91, 18.87

 

CMYK 81 / 0 / 44 / 56

HEX #15713F

RGB 21 113 63

HSL 147.39, 0.69%, 0.26%

LAB 41.73, -38.16, 20.55

 

CMYK 96 / 0 / 54 / 63

HEX #045F2C

RGB 4 95 44

HSL 146.37, 0.92%, 0.19%

LAB 34.79, -36.74, 22.43

 

CMYK 100 / 0 / 68 / 70

HEX #004D19

RGB 0 77 25

HSL 139.48, 1%, 0.15%

LAB 27.79, -33.77, 24.46

 

CMYK 100 / 0 / 90 / 77

HEX #003B06

RGB 0 59 6

HSL 126.1, 1%, 0.12%

LAB 20.6, -29.7, 25.59

 

CMYK 71 / 0 / 37 / 49

HEX #268252

RGB 38 130 82

HSL 148.7, 0.55%, 0.33%

LAB 48.24, -38.49, 18.42

 

CMYK 71 / 0 / 56 / 49

HEX #268239

RGB 38 130 57

HSL 132.39, 0.55%, 0.33%

LAB 47.85, -42.99, 31.56

 

CMYK 66 / 0 / 71 / 49

HEX #2C8226

RGB 44 130 38

HSL 116.09, 0.55%, 0.33%

LAB 47.8, -44.03, 40.59

 

CMYK 47 / 0 / 71 / 49

HEX #458226

RGB 69 130 38

HSL 99.78, 0.55%, 0.33%

LAB 48.72, -36.9, 41.84

 

CMYK 28 / 0 / 71 / 49

HEX #5E8226

RGB 94 130 38

HSL 83.48, 0.55%, 0.33%

LAB 50.08, -27.55, 43.68

 

CMYK 71 / 0 / 37 / 49

HEX #268252

RGB 38 130 82

HSL 148.7, 0.55%, 0.33%

LAB 48.24, -38.49, 18.42

 

CMYK 71 / 0 / 18 / 49

HEX #26826B

RGB 38 130 107

HSL 165, 0.55%, 0.33%

LAB 48.81, -32.51, 4.74

 

CMYK 71 / 1 / 0 / 49

HEX #268182

RGB 38 129 130

HSL 180.65, 0.55%, 0.33%

LAB 49.16, -25.39, -8.25

 

CMYK 71 / 20 / 0 / 49

HEX #266882

RGB 38 104 130

HSL 196.96, 0.55%, 0.33%

LAB 41.1, -11.81, -20.51

 

CMYK 71 / 39 / 0 / 49

HEX #264F82

RGB 38 79 130

HSL 213.26, 0.55%, 0.33%

LAB 33.17, 3.7, -32.92

 

CMYK 71 / 0 / 37 / 49

HEX #268252

RGB 38 130 82

HSL 148.7, 0.55%, 0.33%

LAB 48.24, -38.49, 18.42

 

CMYK 83 / 0 / 44 / 44

HEX #189051

RGB 24 144 81

HSL 148.5, 0.71%, 0.33%

LAB 52.66, -46.26, 24.77

 

CMYK 93 / 0 / 49 / 38

HEX #0B9E50

RGB 11 158 80

HSL 148.16, 0.87%, 0.33%

LAB 57.18, -52.54, 31.06

 

CMYK 71 / 0 / 37 / 49

HEX #268252

RGB 38 130 82

HSL 148.7, 0.55%, 0.33%

LAB 48.24, -38.49, 18.42

 

CMYK 56 / 0 / 30 / 54

HEX #337552

RGB 51 117 82

HSL 148.18, 0.39%, 0.33%

LAB 44.28, -29.86, 13.09

 

CMYK 37 / 0 / 19 / 60

HEX #416753

RGB 65 103 83

HSL 148.42, 0.23%, 0.33%

LAB 40.33, -18.39, 7.06

 

CMYK 12 / 0 / 7 / 65

HEX #4F5A54

RGB 79 90 84

HSL 147.27, 0.07%, 0.33%

LAB 37.14, -5.63, 2.01

 

CMYK 0 / 17 / 8 / 64

HEX #5C4C55

RGB 92 76 85

HSL 326.25, 0.1%, 0.33%

LAB 34.19, 8.46, -2.8

 

CMYK 66 / 0 / 71 / 49

HEX #2C8226

RGB 44 130 38

HSL 116.09, 0.55%, 0.33%

LAB 47.8, -44.03, 40.59

 

CMYK 71 / 0 / 57 / 49

HEX #268238

RGB 38 130 56

HSL 131.74, 0.55%, 0.33%

LAB 47.83, -43.13, 32.06

 

CMYK 71 / 0 / 38 / 49

HEX #268251

RGB 38 130 81

HSL 148.04, 0.55%, 0.33%

LAB 48.22, -38.7, 18.96

 

CMYK 71 / 0 / 18 / 49

HEX #26826A

RGB 38 130 106

HSL 164.35, 0.55%, 0.33%

LAB 48.78, -32.77, 5.29

 

CMYK 71 / 0 / 0 / 49

HEX #268282

RGB 38 130 130

HSL 180, 0.55%, 0.33%

LAB 49.48, -25.89, -7.77

 

CMYK 71 / 0 / 36 / 74

HEX #13422A

RGB 19 66 42

HSL 149.36, 0.55%, 0.17%

LAB 24.33, -22.51, 10.06

 

CMYK 70 / 0 / 37 / 62

HEX #1D623E

RGB 29 98 62

HSL 148.7, 0.54%, 0.25%

LAB 36.64, -30.68, 14.4

 

CMYK 71 / 0 / 37 / 49

HEX #268252

RGB 38 130 82

HSL 148.7, 0.55%, 0.33%

LAB 48.24, -38.49, 18.42

 

CMYK 71 / 0 / 37 / 36

HEX #2FA266

RGB 47 162 102

HSL 148.7, 0.55%, 0.41%

LAB 59.35, -45.9, 22.23

 

CMYK 71 / 0 / 37 / 24

HEX #38C27A

RGB 56 194 122

HSL 148.7, 0.55%, 0.49%

LAB 70.06, -53, 25.9

 

CMYK 71 / 0 / 37 / 49

HEX #268352

RGB 38 131 82

HSL 148.39, 0.55%, 0.33%

LAB 48.58, -38.91, 18.87

 

CMYK 71 / 47 / 0 / 49

HEX #264582

RGB 38 69 130

HSL 219.78, 0.55%, 0.33%

LAB 30.11, 10.41, -37.8

 

CMYK 0 / 66 / 71 / 49

HEX #822C26

RGB 130 44 38

HSL 3.91, 0.55%, 0.33%

LAB 31.08, 36.63, 23.78

 

CMYK 71 / 0 / 37 / 49

HEX #268352

RGB 38 131 82

HSL 148.39, 0.55%, 0.33%

LAB 48.58, -38.91, 18.87

 

CMYK 38 / 71 / 0 / 49

HEX #512682

RGB 81 38 130

HSL 268.04, 0.55%, 0.33%

LAB 26, 39.13, -44.24

 

CMYK 0 / 38 / 71 / 49

HEX #825126

RGB 130 81 38

HSL 28.04, 0.55%, 0.33%

LAB 39.19, 16.36, 33.09

 

CMYK 71 / 0 / 37 / 49

HEX #268352

RGB 38 131 82

HSL 148.39, 0.55%, 0.33%

LAB 48.58, -38.91, 18.87

 

CMYK 71 / 47 / 0 / 49

HEX #264582

RGB 38 69 130

HSL 219.78, 0.55%, 0.33%

LAB 30.11, 10.41, -37.8

 

CMYK 0 / 71 / 33 / 49

HEX #822657

RGB 130 38 87

HSL 328.04, 0.55%, 0.33%

LAB 31.39, 43.87, -7.67

 

CMYK 0 / 23 / 71 / 49

HEX #826426

RGB 130 100 38

HSL 40.43, 0.55%, 0.33%

LAB 44.23, 5.14, 38.54

 

CMYK 71 / 0 / 37 / 49

HEX #268352

RGB 38 131 82

HSL 148.39, 0.55%, 0.33%

LAB 48.58, -38.91, 18.87

 

CMYK 71 / 68 / 0 / 49

HEX #262982

RGB 38 41 130

HSL 238.04, 0.55%, 0.33%

LAB 22.34, 29.57, -50.4

 

CMYK 0 / 71 / 33 / 49

HEX #822657

RGB 130 38 87

HSL 328.04, 0.55%, 0.33%

LAB 31.39, 43.87, -7.67

 

CMYK 0 / 2 / 71 / 49

HEX #827F26

RGB 130 127 38

HSL 58.04, 0.55%, 0.33%

LAB 51.91, -10.2, 46.42

 

Description

Color code: HEX #268352 | qconv.com Color code: HEX #268352 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 131 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 131 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 37 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 37% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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