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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #267DA2 it is the complementary color #D9825D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #267DA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #267DA2 shade: #2B7D9D, #3C8FB0, #4DA1C3, #5EB3D6 and #6FC5E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #267DA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #267DA2 shade: #267DA2, #156B8F, #04597C, #004769 and #003556

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #267DA2 shade: #267CA1, #265BA1, #263AA1, #3326A1 and #5426A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #267DA2 shade: #267CA1, #265BA1, #263AA1 and #2626A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #267DA2 shade matches the following richer shades: #267CA1, #1683B1 and #0689C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #267DA2 shade: #267CA1, #367691, #466F81, #566971 and #666261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #267DA2 shade: #26A182, #269FA1, #267EA1, #265DA1 and #263CA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #267DA2 shade: #16495E, #1E6380, #267CA1, #2E96C3 and #46A9D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #267DA2 shade: #267DA2, #6126A1 and #A19326

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #267DA2 shade: #267DA2, #A1267E and #7EA126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #267DA2 shade: #267DA2, #6126A1, #A14926 and #66A126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #267DA2 shade: #267DA2, #8626A1, #A14926 and #41A126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 23 / 0 / 36

HEX #267DA2

RGB 38 125 162

HSL 197.9, 0.62%, 0.39%

LAB 49.12, -12.56, -27.08

 

Complementary color

CMYK 0 / 40 / 57 / 15

HEX #D9825D

RGB 217 130 93

HSL 17.9, 0.62%, 0.61%

LAB 62.93, 29.96, 34.18

 

CMYK 73 / 20 / 0 / 38

HEX #2B7D9D

RGB 43 125 157

HSL 196.84, 0.57%, 0.39%

LAB 49.03, -13.64, -24.29

 

CMYK 66 / 19 / 0 / 31

HEX #3C8FB0

RGB 60 143 176

HSL 197.07, 0.49%, 0.46%

LAB 55.83, -14.59, -24.72

 

CMYK 61 / 17 / 0 / 24

HEX #4DA1C3

RGB 77 161 195

HSL 197.29, 0.5%, 0.53%

LAB 62.51, -15.29, -25.12

 

CMYK 56 / 16 / 0 / 16

HEX #5EB3D6

RGB 94 179 214

HSL 197.5, 0.59%, 0.6%

LAB 69.09, -15.81, -25.49

 

CMYK 52 / 15 / 0 / 9

HEX #6FC5E9

RGB 111 197 233

HSL 197.7, 0.73%, 0.67%

LAB 75.57, -16.21, -25.85

 

CMYK 77 / 23 / 0 / 36

HEX #267DA2

RGB 38 125 162

HSL 197.9, 0.62%, 0.39%

LAB 49.12, -12.56, -27.08

 

CMYK 85 / 25 / 0 / 44

HEX #156B8F

RGB 21 107 143

HSL 197.7, 0.74%, 0.32%

LAB 42.24, -10.95, -26.57

 

CMYK 97 / 28 / 0 / 51

HEX #04597C

RGB 4 89 124

HSL 197.5, 0.94%, 0.25%

LAB 35.25, -8.77, -25.98

 

CMYK 100 / 32 / 0 / 59

HEX #004769

RGB 0 71 105

HSL 199.43, 1%, 0.21%

LAB 28.18, -5.6, -25.19

 

CMYK 100 / 38 / 0 / 66

HEX #003556

RGB 0 53 86

HSL 203.02, 1%, 0.17%

LAB 20.9, -1.86, -24.37

 

CMYK 76 / 23 / 0 / 37

HEX #267CA1

RGB 38 124 161

HSL 198.05, 0.62%, 0.39%

LAB 48.76, -12.35, -27.04

 

CMYK 76 / 43 / 0 / 37

HEX #265BA1

RGB 38 91 161

HSL 214.15, 0.62%, 0.39%

LAB 38.67, 7.83, -42.96

 

CMYK 76 / 64 / 0 / 37

HEX #263AA1

RGB 38 58 161

HSL 230.24, 0.62%, 0.39%

LAB 29.44, 29.86, -57.89

 

CMYK 68 / 76 / 0 / 37

HEX #3326A1

RGB 51 38 161

HSL 246.34, 0.62%, 0.39%

LAB 25.75, 43.55, -63.93

 

CMYK 48 / 76 / 0 / 37

HEX #5426A1

RGB 84 38 161

HSL 262.44, 0.62%, 0.39%

LAB 29.02, 48.01, -58.44

 

CMYK 76 / 23 / 0 / 37

HEX #267CA1

RGB 38 124 161

HSL 198.05, 0.62%, 0.39%

LAB 48.76, -12.35, -27.04

 

CMYK 76 / 43 / 0 / 37

HEX #265BA1

RGB 38 91 161

HSL 214.15, 0.62%, 0.39%

LAB 38.67, 7.83, -42.96

 

CMYK 76 / 64 / 0 / 37

HEX #263AA1

RGB 38 58 161

HSL 230.24, 0.62%, 0.39%

LAB 29.44, 29.86, -57.89

 

CMYK 76 / 76 / 0 / 37

HEX #2626A1

RGB 38 38 161

HSL 240, 0.62%, 0.39%

LAB 24.86, 42.3, -65.42

 

CMYK 76 / 23 / 0 / 37

HEX #267CA1

RGB 38 124 161

HSL 198.05, 0.62%, 0.39%

LAB 48.76, -12.35, -27.04

 

CMYK 88 / 26 / 0 / 31

HEX #1683B1

RGB 22 131 177

HSL 197.81, 0.78%, 0.39%

LAB 51.36, -12.07, -32.3

 

CMYK 97 / 29 / 0 / 24

HEX #0689C1

RGB 6 137 193

HSL 197.97, 0.94%, 0.39%

LAB 53.79, -10.3, -37.66

 

CMYK 76 / 23 / 0 / 37

HEX #267CA1

RGB 38 124 161

HSL 198.05, 0.62%, 0.39%

LAB 48.76, -12.35, -27.04

 

CMYK 63 / 19 / 0 / 43

HEX #367691

RGB 54 118 145

HSL 197.8, 0.46%, 0.39%

LAB 46.69, -11.88, -20.8

 

CMYK 46 / 14 / 0 / 49

HEX #466F81

RGB 70 111 129

HSL 198.31, 0.3%, 0.39%

LAB 44.6, -9.17, -14.42

 

CMYK 24 / 7 / 0 / 56

HEX #566971

RGB 86 105 113

HSL 197.78, 0.14%, 0.39%

LAB 43.17, -5.13, -6.84

 

CMYK 0 / 4 / 5 / 60

HEX #666261

RGB 102 98 97

HSL 12, 0.03%, 0.39%

LAB 41.88, 1.38, 1.12

 

CMYK 76 / 0 / 19 / 37

HEX #26A182

RGB 38 161 130

HSL 164.88, 0.62%, 0.39%

LAB 59.45, -40.36, 6.8

 

CMYK 76 / 1 / 0 / 37

HEX #269FA1

RGB 38 159 161

HSL 180.98, 0.62%, 0.39%

LAB 59.69, -30.7, -10.37

 

CMYK 76 / 22 / 0 / 37

HEX #267EA1

RGB 38 126 161

HSL 197.07, 0.62%, 0.39%

LAB 49.38, -13.48, -26.08

 

CMYK 76 / 42 / 0 / 37

HEX #265DA1

RGB 38 93 161

HSL 213.17, 0.62%, 0.39%

LAB 39.27, 6.53, -42

 

CMYK 76 / 63 / 0 / 37

HEX #263CA1

RGB 38 60 161

HSL 229.27, 0.62%, 0.39%

LAB 29.95, 28.53, -57.05

 

CMYK 77 / 22 / 0 / 63

HEX #16495E

RGB 22 73 94

HSL 197.5, 0.62%, 0.23%

LAB 28.76, -8.96, -17.23

 

CMYK 77 / 23 / 0 / 50

HEX #1E6380

RGB 30 99 128

HSL 197.76, 0.62%, 0.31%

LAB 39.17, -10.81, -22.29

 

CMYK 76 / 23 / 0 / 37

HEX #267CA1

RGB 38 124 161

HSL 198.05, 0.62%, 0.39%

LAB 48.76, -12.35, -27.04

 

CMYK 76 / 23 / 0 / 24

HEX #2E96C3

RGB 46 150 195

HSL 198.12, 0.62%, 0.47%

LAB 58.35, -14.03, -31.63

 

CMYK 67 / 20 / 0 / 17

HEX #46A9D4

RGB 70 169 212

HSL 198.17, 0.62%, 0.55%

LAB 65.3, -15.4, -30.29

 

CMYK 77 / 23 / 0 / 36

HEX #267DA2

RGB 38 125 162

HSL 197.9, 0.62%, 0.39%

LAB 49.12, -12.56, -27.08

 

CMYK 40 / 76 / 0 / 37

HEX #6126A1

RGB 97 38 161

HSL 268.78, 0.62%, 0.39%

LAB 30.64, 50.18, -55.72

 

CMYK 0 / 9 / 76 / 37

HEX #A19326

RGB 161 147 38

HSL 53.17, 0.62%, 0.39%

LAB 60.41, -6.96, 55.61

 

CMYK 77 / 23 / 0 / 36

HEX #267DA2

RGB 38 125 162

HSL 197.9, 0.62%, 0.39%

LAB 49.12, -12.56, -27.08

 

CMYK 0 / 76 / 22 / 37

HEX #A1267E

RGB 161 38 126

HSL 317.07, 0.62%, 0.39%

LAB 38.67, 57.5, -20.83

 

CMYK 22 / 0 / 76 / 37

HEX #7EA126

RGB 126 161 38

HSL 77.07, 0.62%, 0.39%

LAB 61.71, -29.37, 55.85

 

CMYK 77 / 23 / 0 / 36

HEX #267DA2

RGB 38 125 162

HSL 197.9, 0.62%, 0.39%

LAB 49.12, -12.56, -27.08

 

CMYK 40 / 76 / 0 / 37

HEX #6126A1

RGB 97 38 161

HSL 268.78, 0.62%, 0.39%

LAB 30.64, 50.18, -55.72

 

CMYK 0 / 55 / 76 / 37

HEX #A14926

RGB 161 73 38

HSL 17.07, 0.62%, 0.39%

LAB 41.97, 34.19, 37.44

 

CMYK 37 / 0 / 76 / 37

HEX #66A126

RGB 102 161 38

HSL 88.78, 0.62%, 0.39%

LAB 60.3, -38.71, 54

 

CMYK 77 / 23 / 0 / 36

HEX #267DA2

RGB 38 125 162

HSL 197.9, 0.62%, 0.39%

LAB 49.12, -12.56, -27.08

 

CMYK 17 / 76 / 0 / 37

HEX #8626A1

RGB 134 38 161

HSL 286.83, 0.62%, 0.39%

LAB 36.04, 57.18, -46.72

 

CMYK 0 / 55 / 76 / 37

HEX #A14926

RGB 161 73 38

HSL 17.07, 0.62%, 0.39%

LAB 41.97, 34.19, 37.44

 

CMYK 60 / 0 / 76 / 37

HEX #41A126

RGB 65 161 38

HSL 106.83, 0.62%, 0.39%

LAB 58.75, -50.34, 51.96

 

Description

Color code: HEX #267DA2 | qconv.com Color code: HEX #267DA2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 125 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 125 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 23 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 23% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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