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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #267D23 it is the complementary color #D982DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #267D23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #267D23 shade: #2B7D1E, #3C8F31, #4DA144, #5EB357 and #6FC56A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #267D23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #267D23 shade: #267D23, #156B10, #045900, #004700 and #003500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #267D23 shade: #267B23, #3E7B23, #557B23, #6D7B23 and #7B7123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #267D23 shade: #267B23, #237B38, #237B50, #237B67 and #23777B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #267D23 shade matches the following richer shades: #267B23, #1A8816 and #0E9509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #267D23 shade: #267B23, #326F30, #3E623C, #4A5549 and #554856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #267D23 shade: #557B23, #3D7B23, #267B23, #237B37 and #237B4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #267D23 shade: #123B11, #1C5B1A, #267B23, #309C2C and #39BC35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #267D23 shade: #267D23, #236D7B and #7B2349

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #267D23 shade: #267D23, #23267B and #7B2326

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #267D23 shade: #267D23, #236D7B, #78237B and #7B3223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #267D23 shade: #267D23, #23527B, #78237B and #7B4C23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 72 / 51

HEX #267D23

RGB 38 125 35

HSL 118, 0.56%, 0.31%

LAB 45.91, -43.81, 39.81

 

Complementary color

CMYK 1 / 41 / 0 / 14

HEX #D982DC

RGB 217 130 220

HSL 298, 0.56%, 0.69%

LAB 66.43, 47.01, -32.14

 

CMYK 66 / 0 / 76 / 51

HEX #2B7D1E

RGB 43 125 30

HSL 111.79, 0.61%, 0.3%

LAB 46.01, -43.12, 41.98

 

CMYK 58 / 0 / 66 / 44

HEX #3C8F31

RGB 60 143 49

HSL 112.98, 0.49%, 0.38%

LAB 52.76, -43.88, 41.28

 

CMYK 52 / 0 / 58 / 37

HEX #4DA144

RGB 77 161 68

HSL 114.19, 0.41%, 0.45%

LAB 59.42, -44.21, 40.14

 

CMYK 47 / 0 / 51 / 30

HEX #5EB357

RGB 94 179 87

HSL 115.43, 0.38%, 0.52%

LAB 65.99, -44.29, 38.88

 

CMYK 44 / 0 / 46 / 23

HEX #6FC56A

RGB 111 197 106

HSL 116.7, 0.44%, 0.59%

LAB 72.46, -44.22, 37.59

 

CMYK 70 / 0 / 72 / 51

HEX #267D23

RGB 38 125 35

HSL 118, 0.56%, 0.31%

LAB 45.91, -43.81, 39.81

 

CMYK 80 / 0 / 85 / 58

HEX #156B10

RGB 21 107 16

HSL 116.7, 0.74%, 0.24%

LAB 39.09, -42.21, 40.02

 

CMYK 96 / 0 / 100 / 65

HEX #045900

RGB 4 89 0

HSL 117.3, 1%, 0.17%

LAB 32.19, -39.46, 38.67

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 69 / 0 / 72 / 52

HEX #267B23

RGB 38 123 35

HSL 117.95, 0.56%, 0.31%

LAB 45.22, -43.07, 39.09

 

CMYK 50 / 0 / 72 / 52

HEX #3E7B23

RGB 62 123 35

HSL 101.59, 0.56%, 0.31%

LAB 46.06, -36.49, 40.23

 

CMYK 31 / 0 / 72 / 52

HEX #557B23

RGB 85 123 35

HSL 85.91, 0.56%, 0.31%

LAB 47.26, -28.03, 41.85

 

CMYK 11 / 0 / 72 / 52

HEX #6D7B23

RGB 109 123 35

HSL 69.55, 0.56%, 0.31%

LAB 48.93, -17.76, 44.09

 

CMYK 0 / 8 / 72 / 52

HEX #7B7123

RGB 123 113 35

HSL 53.18, 0.56%, 0.31%

LAB 47.16, -5.84, 42.7

 

CMYK 69 / 0 / 72 / 52

HEX #267B23

RGB 38 123 35

HSL 117.95, 0.56%, 0.31%

LAB 45.22, -43.07, 39.09

 

CMYK 72 / 0 / 54 / 52

HEX #237B38

RGB 35 123 56

HSL 134.32, 0.56%, 0.31%

LAB 45.37, -41.02, 29.07

 

CMYK 72 / 0 / 35 / 52

HEX #237B50

RGB 35 123 80

HSL 150.68, 0.56%, 0.31%

LAB 45.77, -36.5, 16.22

 

CMYK 72 / 0 / 16 / 52

HEX #237B67

RGB 35 123 103

HSL 166.36, 0.56%, 0.31%

LAB 46.31, -30.8, 3.49

 

CMYK 72 / 3 / 0 / 52

HEX #23777B

RGB 35 119 123

HSL 182.73, 0.56%, 0.31%

LAB 45.61, -22.89, -9.44

 

CMYK 69 / 0 / 72 / 52

HEX #267B23

RGB 38 123 35

HSL 117.95, 0.56%, 0.31%

LAB 45.22, -43.07, 39.09

 

CMYK 81 / 0 / 84 / 47

HEX #1A8816

RGB 26 136 22

HSL 117.89, 0.72%, 0.31%

LAB 49.36, -50.69, 47.8

 

CMYK 91 / 0 / 94 / 42

HEX #0E9509

RGB 14 149 9

HSL 117.86, 0.89%, 0.31%

LAB 53.61, -56.54, 54.37

 

CMYK 69 / 0 / 72 / 52

HEX #267B23

RGB 38 123 35

HSL 117.95, 0.56%, 0.31%

LAB 45.22, -43.07, 39.09

 

CMYK 55 / 0 / 57 / 56

HEX #326F30

RGB 50 111 48

HSL 118.1, 0.4%, 0.31%

LAB 41.63, -33.62, 28.87

 

CMYK 37 / 0 / 39 / 62

HEX #3E623C

RGB 62 98 60

HSL 116.84, 0.24%, 0.31%

LAB 38, -21.48, 17.66

 

CMYK 13 / 0 / 14 / 67

HEX #4A5549

RGB 74 85 73

HSL 115, 0.08%, 0.31%

LAB 34.87, -6.98, 5.55

 

CMYK 1 / 16 / 0 / 66

HEX #554856

RGB 85 72 86

HSL 295.71, 0.09%, 0.31%

LAB 32.34, 8.38, -6.26

 

CMYK 31 / 0 / 72 / 52

HEX #557B23

RGB 85 123 35

HSL 85.91, 0.56%, 0.31%

LAB 47.26, -28.03, 41.85

 

CMYK 50 / 0 / 72 / 52

HEX #3D7B23

RGB 61 123 35

HSL 102.27, 0.56%, 0.31%

LAB 46.01, -36.81, 40.17

 

CMYK 69 / 0 / 72 / 52

HEX #267B23

RGB 38 123 35

HSL 117.95, 0.56%, 0.31%

LAB 45.22, -43.07, 39.09

 

CMYK 72 / 0 / 55 / 52

HEX #237B37

RGB 35 123 55

HSL 133.64, 0.56%, 0.31%

LAB 45.36, -41.18, 29.58

 

CMYK 72 / 0 / 36 / 52

HEX #237B4F

RGB 35 123 79

HSL 150, 0.56%, 0.31%

LAB 45.75, -36.71, 16.77

 

CMYK 69 / 0 / 71 / 77

HEX #123B11

RGB 18 59 17

HSL 118.57, 0.55%, 0.15%

LAB 21.2, -24.28, 21.35

 

CMYK 69 / 0 / 71 / 64

HEX #1C5B1A

RGB 28 91 26

HSL 118.15, 0.56%, 0.23%

LAB 33.57, -34.05, 30.57

 

CMYK 69 / 0 / 72 / 52

HEX #267B23

RGB 38 123 35

HSL 117.95, 0.56%, 0.31%

LAB 45.22, -43.07, 39.09

 

CMYK 69 / 0 / 72 / 39

HEX #309C2C

RGB 48 156 44

HSL 117.86, 0.56%, 0.39%

LAB 56.67, -51.96, 47.48

 

CMYK 70 / 0 / 72 / 26

HEX #39BC35

RGB 57 188 53

HSL 118.22, 0.56%, 0.47%

LAB 67.35, -60.31, 55.13

 

CMYK 70 / 0 / 72 / 51

HEX #267D23

RGB 38 125 35

HSL 118, 0.56%, 0.31%

LAB 45.91, -43.81, 39.81

 

CMYK 72 / 11 / 0 / 52

HEX #236D7B

RGB 35 109 123

HSL 189.55, 0.56%, 0.31%

LAB 42.35, -17.53, -14.37

 

CMYK 0 / 72 / 41 / 52

HEX #7B2349

RGB 123 35 73

HSL 334.09, 0.56%, 0.31%

LAB 29.14, 41.24, -1.96

 

CMYK 70 / 0 / 72 / 51

HEX #267D23

RGB 38 125 35

HSL 118, 0.56%, 0.31%

LAB 45.91, -43.81, 39.81

 

CMYK 72 / 69 / 0 / 52

HEX #23267B

RGB 35 38 123

HSL 237.95, 0.56%, 0.31%

LAB 20.73, 28.56, -48.62

 

CMYK 0 / 72 / 69 / 52

HEX #7B2326

RGB 123 35 38

HSL 357.95, 0.56%, 0.31%

LAB 28.26, 38.14, 20.03

 

CMYK 70 / 0 / 72 / 51

HEX #267D23

RGB 38 125 35

HSL 118, 0.56%, 0.31%

LAB 45.91, -43.81, 39.81

 

CMYK 72 / 11 / 0 / 52

HEX #236D7B

RGB 35 109 123

HSL 189.55, 0.56%, 0.31%

LAB 42.35, -17.53, -14.37

 

CMYK 2 / 72 / 0 / 52

HEX #78237B

RGB 120 35 123

HSL 297.95, 0.56%, 0.31%

LAB 30.94, 47.97, -31.59

 

CMYK 0 / 59 / 72 / 52

HEX #7B3223

RGB 123 50 35

HSL 10.23, 0.56%, 0.31%

LAB 30.91, 30.75, 25.12

 

CMYK 70 / 0 / 72 / 51

HEX #267D23

RGB 38 125 35

HSL 118, 0.56%, 0.31%

LAB 45.91, -43.81, 39.81

 

CMYK 72 / 33 / 0 / 52

HEX #23527B

RGB 35 82 123

HSL 207.95, 0.56%, 0.31%

LAB 33.61, -1.44, -27.9

 

CMYK 2 / 72 / 0 / 52

HEX #78237B

RGB 120 35 123

HSL 297.95, 0.56%, 0.31%

LAB 30.94, 47.97, -31.59

 

CMYK 0 / 38 / 72 / 52

HEX #7B4C23

RGB 123 76 35

HSL 27.95, 0.56%, 0.31%

LAB 36.93, 15.92, 31.94

 

Description

Color code: HEX #267D23 | qconv.com Color code: HEX #267D23 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 125 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 125 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 72 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 72% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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