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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #266FA6 it is the complementary color #D99059. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #266FA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #266FA6 shade: #2B6FA1, #3C81B4, #4D93C7, #5EA5DA and #6FB7ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #266FA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #266FA6 shade: #266FA6, #155D93, #044B80, #00396D and #00275A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #266FA6 shade: #266FA6, #264CA6, #262AA6, #4426A6 and #6726A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #266FA6 shade: #266FA6, #264CA6, #262AA6 and #2626A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #266FA6 shade matches the following richer shades: #266FA6, #1571B7 and #0574C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #266FA6 shade: #266FA6, #366D96, #476A85, #576875 and #686664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #266FA6 shade: #26A697, #2693A6, #2671A6, #264EA6 and #262CA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #266FA6 shade: #164263, #1E5985, #266FA6, #2D85C8 and #4999D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #266FA6 shade: #266FA6, #7526A6 and #A4A626

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #266FA6 shade: #266FA6, #A62671 and #71A626

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #266FA6 shade: #266FA6, #7526A6, #A65B26 and #57A626

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #266FA6 shade: #266FA6, #9C26A6, #A65B26 and #30A626

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

Complementary color

CMYK 0 / 34 / 59 / 15

HEX #D99059

RGB 217 144 89

HSL 25.78, 0.63%, 0.6%

LAB 66.07, 22.15, 40.18

 

CMYK 73 / 31 / 0 / 37

HEX #2B6FA1

RGB 43 111 161

HSL 205.42, 0.58%, 0.4%

LAB 44.88, -4.05, -33.1

 

CMYK 67 / 28 / 0 / 29

HEX #3C81B4

RGB 60 129 180

HSL 205.5, 0.5%, 0.47%

LAB 51.79, -5.31, -33.29

 

CMYK 61 / 26 / 0 / 22

HEX #4D93C7

RGB 77 147 199

HSL 205.57, 0.52%, 0.54%

LAB 58.57, -6.27, -33.46

 

CMYK 57 / 24 / 0 / 15

HEX #5EA5DA

RGB 94 165 218

HSL 205.65, 0.63%, 0.61%

LAB 65.24, -7.02, -33.64

 

CMYK 53 / 23 / 0 / 7

HEX #6FB7ED

RGB 111 183 237

HSL 205.71, 0.78%, 0.68%

LAB 71.8, -7.62, -33.82

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 86 / 37 / 0 / 42

HEX #155D93

RGB 21 93 147

HSL 205.71, 0.75%, 0.33%

LAB 38.01, -0.85, -35.63

 

CMYK 97 / 41 / 0 / 50

HEX #044B80

RGB 4 75 128

HSL 205.65, 0.94%, 0.26%

LAB 30.92, 1.84, -35.32

 

CMYK 100 / 48 / 0 / 57

HEX #00396D

RGB 0 57 109

HSL 208.62, 1%, 0.21%

LAB 23.77, 5.67, -34.78

 

CMYK 100 / 57 / 0 / 65

HEX #00275A

RGB 0 39 90

HSL 214, 1%, 0.18%

LAB 16.45, 10.22, -34.17

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 77 / 54 / 0 / 35

HEX #264CA6

RGB 38 76 166

HSL 222.19, 0.63%, 0.4%

LAB 34.67, 19.72, -52.39

 

CMYK 77 / 75 / 0 / 35

HEX #262AA6

RGB 38 42 166

HSL 238.13, 0.63%, 0.4%

LAB 26.22, 41.71, -66.22

 

CMYK 59 / 77 / 0 / 35

HEX #4426A6

RGB 68 38 166

HSL 254.06, 0.63%, 0.4%

LAB 27.76, 47.11, -63.6

 

CMYK 38 / 77 / 0 / 35

HEX #6726A6

RGB 103 38 166

HSL 270.47, 0.63%, 0.4%

LAB 31.86, 52.44, -56.72

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 77 / 54 / 0 / 35

HEX #264CA6

RGB 38 76 166

HSL 222.19, 0.63%, 0.4%

LAB 34.67, 19.72, -52.39

 

CMYK 77 / 75 / 0 / 35

HEX #262AA6

RGB 38 42 166

HSL 238.13, 0.63%, 0.4%

LAB 26.22, 41.71, -66.22

 

CMYK 77 / 77 / 0 / 35

HEX #2626A6

RGB 38 38 166

HSL 240, 0.63%, 0.4%

LAB 25.42, 43.98, -67.54

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 89 / 38 / 0 / 28

HEX #1571B7

RGB 21 113 183

HSL 205.93, 0.79%, 0.4%

LAB 46.16, 0.82, -43.97

 

CMYK 97 / 42 / 0 / 22

HEX #0574C7

RGB 5 116 199

HSL 205.67, 0.95%, 0.4%

LAB 47.81, 4.53, -50.57

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 64 / 27 / 0 / 41

HEX #366D96

RGB 54 109 150

HSL 205.63, 0.47%, 0.4%

LAB 44.12, -4.92, -27.75

 

CMYK 47 / 20 / 0 / 48

HEX #476A85

RGB 71 106 133

HSL 206.13, 0.3%, 0.4%

LAB 43.27, -4.75, -18.84

 

CMYK 26 / 11 / 0 / 54

HEX #576875

RGB 87 104 117

HSL 206, 0.15%, 0.4%

LAB 43.08, -3.18, -9.39

 

CMYK 0 / 2 / 4 / 59

HEX #686664

RGB 104 102 100

HSL 30, 0.02%, 0.4%

LAB 43.31, 0.38, 1.4

 

CMYK 77 / 0 / 9 / 35

HEX #26A697

RGB 38 166 151

HSL 172.97, 0.63%, 0.4%

LAB 61.58, -36.91, -1.92

 

CMYK 77 / 11 / 0 / 35

HEX #2693A6

RGB 38 147 166

HSL 188.91, 0.63%, 0.4%

LAB 56.12, -23.12, -18.61

 

CMYK 77 / 32 / 0 / 35

HEX #2671A6

RGB 38 113 166

HSL 204.84, 0.63%, 0.4%

LAB 45.6, -4.08, -34.91

 

CMYK 77 / 53 / 0 / 35

HEX #264EA6

RGB 38 78 166

HSL 221.25, 0.63%, 0.4%

LAB 35.23, 18.38, -51.48

 

CMYK 77 / 73 / 0 / 35

HEX #262CA6

RGB 38 44 166

HSL 237.19, 0.63%, 0.4%

LAB 26.64, 40.53, -65.52

 

CMYK 78 / 33 / 0 / 61

HEX #164263

RGB 22 66 99

HSL 205.71, 0.64%, 0.24%

LAB 26.64, -2.51, -23.74

 

CMYK 77 / 33 / 0 / 48

HEX #1E5985

RGB 30 89 133

HSL 205.63, 0.63%, 0.32%

LAB 36.2, -2.82, -29.98

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 78 / 34 / 0 / 22

HEX #2D85C8

RGB 45 133 200

HSL 205.94, 0.63%, 0.48%

LAB 53.5, -2.68, -42.07

 

CMYK 66 / 29 / 0 / 16

HEX #4999D6

RGB 73 153 214

HSL 205.96, 0.63%, 0.56%

LAB 60.83, -5.44, -38.36

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 30 / 77 / 0 / 35

HEX #7526A6

RGB 117 38 166

HSL 277.03, 0.63%, 0.4%

LAB 33.82, 54.94, -53.44

 

CMYK 1 / 0 / 77 / 35

HEX #A4A626

RGB 164 166 38

HSL 60.94, 0.63%, 0.4%

LAB 65.99, -15.64, 60.84

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 0 / 77 / 32 / 35

HEX #A62671

RGB 166 38 113

HSL 324.84, 0.63%, 0.4%

LAB 39.05, 57.12, -12.07

 

CMYK 32 / 0 / 77 / 35

HEX #71A626

RGB 113 166 38

HSL 84.84, 0.63%, 0.4%

LAB 62.44, -36.82, 56.26

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 30 / 77 / 0 / 35

HEX #7526A6

RGB 117 38 166

HSL 277.03, 0.63%, 0.4%

LAB 33.82, 54.94, -53.44

 

CMYK 0 / 45 / 77 / 35

HEX #A65B26

RGB 166 91 38

HSL 24.84, 0.63%, 0.4%

LAB 46.62, 26.58, 42.46

 

CMYK 48 / 0 / 77 / 35

HEX #57A626

RGB 87 166 38

HSL 97.03, 0.63%, 0.4%

LAB 61.17, -45.93, 54.59

 

CMYK 77 / 33 / 0 / 35

HEX #266FA6

RGB 38 111 166

HSL 205.78, 0.63%, 0.4%

LAB 44.99, -2.87, -35.88

 

CMYK 6 / 77 / 0 / 35

HEX #9C26A6

RGB 156 38 166

HSL 295.31, 0.63%, 0.4%

LAB 39.93, 62.57, -43.29

 

CMYK 0 / 45 / 77 / 35

HEX #A65B26

RGB 166 91 38

HSL 24.84, 0.63%, 0.4%

LAB 46.62, 26.58, 42.46

 

CMYK 71 / 0 / 77 / 35

HEX #30A626

RGB 48 166 38

HSL 115.31, 0.63%, 0.4%

LAB 59.93, -55.84, 52.96

 

Description

Color code: HEX #266FA6 | qconv.com Color code: HEX #266FA6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 111 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 111 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 33 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 33% 0% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - LL教室、マイク会議システム | 株式会...
Link: http://edu.ampere.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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