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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #266B41 it is the complementary color #D994BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #266B41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #266B41 shade: #2B6B3C, #3C7D4F, #4D8F62, #5EA175 and #6FB388

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #266B41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #266B41 shade: #266B41, #15592E, #04471B, #003508 and #002300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #266B41 shade: #256A40, #256A2D, #2F6A25, #426A25 and #546A25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #266B41 shade: #256A40, #256A52, #256A65, #255C6A and #25496A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #266B41 shade matches the following richer shades: #256A40, #1A753D, #0E813B and #028C38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #266B41 shade: #256A40, #315E42, #3C5345, #484747 and #533B4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #266B41 shade: #2F6A25, #256A2D, #256A3F, #256A52 and #256A64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #266B41 shade: #102D1B, #1A4B2D, #256A40, #308852 and #3BA765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #266B41 shade: #266B41, #25426A and #6A2526

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #266B41 shade: #266B41, #3F256A and #6A3F25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #266B41 shade: #266B41, #25426A, #6A254F and #6A4D25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #266B41 shade: #266B41, #252D6A, #6A254F and #6A6225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 39 / 58

HEX #266B41

RGB 38 107 65

HSL 143.48, 0.48%, 0.28%

LAB 40.1, -32.1, 17.31

 

Complementary color

CMYK 0 / 32 / 12 / 15

HEX #D994BE

RGB 217 148 190

HSL 323.48, 0.48%, 0.72%

LAB 69.22, 32.23, -11.2

 

CMYK 60 / 0 / 44 / 58

HEX #2B6B3C

RGB 43 107 60

HSL 135.94, 0.43%, 0.29%

LAB 40.17, -31.85, 20.35

 

CMYK 52 / 0 / 37 / 51

HEX #3C7D4F

RGB 60 125 79

HSL 137.54, 0.35%, 0.36%

LAB 47.23, -31.79, 18.88

 

CMYK 46 / 0 / 31 / 44

HEX #4D8F62

RGB 77 143 98

HSL 139.09, 0.3%, 0.43%

LAB 54.14, -31.59, 17.57

 

CMYK 42 / 0 / 27 / 37

HEX #5EA175

RGB 94 161 117

HSL 140.6, 0.26%, 0.5%

LAB 60.92, -31.34, 16.38

 

CMYK 38 / 0 / 24 / 30

HEX #6FB388

RGB 111 179 136

HSL 142.06, 0.31%, 0.57%

LAB 67.57, -31.06, 15.29

 

CMYK 64 / 0 / 39 / 58

HEX #266B41

RGB 38 107 65

HSL 143.48, 0.48%, 0.28%

LAB 40.1, -32.1, 17.31

 

CMYK 76 / 0 / 48 / 65

HEX #15592E

RGB 21 89 46

HSL 142.06, 0.62%, 0.22%

LAB 32.92, -31.68, 18.98

 

CMYK 94 / 0 / 62 / 72

HEX #04471B

RGB 4 71 27

HSL 140.6, 0.89%, 0.15%

LAB 25.6, -30.58, 20.82

 

CMYK 100 / 0 / 85 / 79

HEX #003508

RGB 0 53 8

HSL 129.06, 1%, 0.1%

LAB 18.2, -27.34, 22.02

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 65 / 0 / 40 / 58

HEX #256A40

RGB 37 106 64

HSL 143.48, 0.48%, 0.28%

LAB 39.7, -32.09, 17.37

 

CMYK 65 / 0 / 58 / 58

HEX #256A2D

RGB 37 106 45

HSL 126.96, 0.48%, 0.28%

LAB 39.4, -35.46, 27.68

 

CMYK 56 / 0 / 65 / 58

HEX #2F6A25

RGB 47 106 37

HSL 111.3, 0.48%, 0.28%

LAB 39.66, -33.77, 32.18

 

CMYK 38 / 0 / 65 / 58

HEX #426A25

RGB 66 106 37

HSL 94.78, 0.48%, 0.28%

LAB 40.57, -27.18, 33.46

 

CMYK 21 / 0 / 65 / 58

HEX #546A25

RGB 84 106 37

HSL 79.13, 0.48%, 0.28%

LAB 41.73, -19.73, 35.06

 

CMYK 65 / 0 / 40 / 58

HEX #256A40

RGB 37 106 64

HSL 143.48, 0.48%, 0.28%

LAB 39.7, -32.09, 17.37

 

CMYK 65 / 0 / 23 / 58

HEX #256A52

RGB 37 106 82

HSL 159.13, 0.48%, 0.28%

LAB 40.1, -27.92, 7.17

 

CMYK 65 / 0 / 5 / 58

HEX #256A65

RGB 37 106 101

HSL 175.65, 0.48%, 0.28%

LAB 40.64, -22.61, -3.59

 

CMYK 65 / 13 / 0 / 58

HEX #255C6A

RGB 37 92 106

HSL 192.17, 0.48%, 0.28%

LAB 36.15, -13.32, -13.4

 

CMYK 65 / 31 / 0 / 58

HEX #25496A

RGB 37 73 106

HSL 208.7, 0.48%, 0.28%

LAB 29.91, -1.64, -23.05

 

CMYK 65 / 0 / 40 / 58

HEX #256A40

RGB 37 106 64

HSL 143.48, 0.48%, 0.28%

LAB 39.7, -32.09, 17.37

 

CMYK 78 / 0 / 48 / 54

HEX #1A753D

RGB 26 117 61

HSL 143.08, 0.64%, 0.28%

LAB 43.18, -39.4, 23.57

 

CMYK 89 / 0 / 54 / 49

HEX #0E813B

RGB 14 129 59

HSL 143.48, 0.8%, 0.28%

LAB 47.12, -45.69, 29.54

 

CMYK 99 / 0 / 60 / 45

HEX #028C38

RGB 2 140 56

HSL 143.48, 0.97%, 0.28%

LAB 50.75, -50.76, 35.4

 

CMYK 65 / 0 / 40 / 58

HEX #256A40

RGB 37 106 64

HSL 143.48, 0.48%, 0.28%

LAB 39.7, -32.09, 17.37

 

CMYK 48 / 0 / 30 / 63

HEX #315E42

RGB 49 94 66

HSL 142.67, 0.31%, 0.28%

LAB 36.08, -22.66, 11.35

 

CMYK 28 / 0 / 17 / 67

HEX #3C5345

RGB 60 83 69

HSL 143.48, 0.16%, 0.28%

LAB 33.09, -12.15, 5.38

 

CMYK 0 / 1 / 1 / 72

HEX #484747

RGB 72 71 71

HSL 0, 0.01%, 0.28%

LAB 30.25, 0.42, 0.14

 

CMYK 0 / 29 / 11 / 67

HEX #533B4A

RGB 83 59 74

HSL 322.5, 0.17%, 0.28%

LAB 28.01, 13.37, -4.98

 

CMYK 56 / 0 / 65 / 58

HEX #2F6A25

RGB 47 106 37

HSL 111.3, 0.48%, 0.28%

LAB 39.66, -33.77, 32.18

 

CMYK 65 / 0 / 58 / 58

HEX #256A2D

RGB 37 106 45

HSL 126.96, 0.48%, 0.28%

LAB 39.4, -35.46, 27.68

 

CMYK 65 / 0 / 41 / 58

HEX #256A3F

RGB 37 106 63

HSL 142.61, 0.48%, 0.28%

LAB 39.68, -32.3, 17.92

 

CMYK 65 / 0 / 23 / 58

HEX #256A52

RGB 37 106 82

HSL 159.13, 0.48%, 0.28%

LAB 40.1, -27.92, 7.17

 

CMYK 65 / 0 / 6 / 58

HEX #256A64

RGB 37 106 100

HSL 174.78, 0.48%, 0.28%

LAB 40.61, -22.91, -3.02

 

CMYK 64 / 0 / 40 / 82

HEX #102D1B

RGB 16 45 27

HSL 142.76, 0.48%, 0.12%

LAB 15.83, -16.11, 8.42

 

CMYK 65 / 0 / 40 / 71

HEX #1A4B2D

RGB 26 75 45

HSL 143.27, 0.49%, 0.2%

LAB 27.96, -24.47, 13.1

 

CMYK 65 / 0 / 40 / 58

HEX #256A40

RGB 37 106 64

HSL 143.48, 0.48%, 0.28%

LAB 39.7, -32.09, 17.37

 

CMYK 65 / 0 / 40 / 47

HEX #308852

RGB 48 136 82

HSL 143.18, 0.48%, 0.36%

LAB 50.51, -39.04, 21.49

 

CMYK 65 / 0 / 40 / 35

HEX #3BA765

RGB 59 167 101

HSL 143.33, 0.48%, 0.44%

LAB 61.23, -45.89, 25.33

 

CMYK 64 / 0 / 39 / 58

HEX #266B41

RGB 38 107 65

HSL 143.48, 0.48%, 0.28%

LAB 40.1, -32.1, 17.31

 

CMYK 65 / 38 / 0 / 58

HEX #25426A

RGB 37 66 106

HSL 214.78, 0.48%, 0.28%

LAB 27.66, 3, -26.59

 

CMYK 0 / 65 / 64 / 58

HEX #6A2526

RGB 106 37 38

HSL 359.13, 0.48%, 0.28%

LAB 25.34, 30.93, 15.67

 

CMYK 64 / 0 / 39 / 58

HEX #266B41

RGB 38 107 65

HSL 143.48, 0.48%, 0.28%

LAB 40.1, -32.1, 17.31

 

CMYK 41 / 65 / 0 / 58

HEX #3F256A

RGB 63 37 106

HSL 262.61, 0.48%, 0.28%

LAB 21.65, 28.87, -36.06

 

CMYK 0 / 41 / 65 / 58

HEX #6A3F25

RGB 106 63 37

HSL 22.61, 0.48%, 0.28%

LAB 31.24, 16.02, 23.64

 

CMYK 64 / 0 / 39 / 58

HEX #266B41

RGB 38 107 65

HSL 143.48, 0.48%, 0.28%

LAB 40.1, -32.1, 17.31

 

CMYK 65 / 38 / 0 / 58

HEX #25426A

RGB 37 66 106

HSL 214.78, 0.48%, 0.28%

LAB 27.66, 3, -26.59

 

CMYK 0 / 65 / 25 / 58

HEX #6A254F

RGB 106 37 79

HSL 323.48, 0.48%, 0.28%

LAB 26.6, 35.67, -10.08

 

CMYK 0 / 27 / 65 / 58

HEX #6A4D25

RGB 106 77 37

HSL 34.78, 0.48%, 0.28%

LAB 35.01, 7.43, 28.08

 

CMYK 64 / 0 / 39 / 58

HEX #266B41

RGB 38 107 65

HSL 143.48, 0.48%, 0.28%

LAB 40.1, -32.1, 17.31

 

CMYK 65 / 58 / 0 / 58

HEX #252D6A

RGB 37 45 106

HSL 233.04, 0.48%, 0.28%

LAB 21.25, 17.65, -36.84

 

CMYK 0 / 65 / 25 / 58

HEX #6A254F

RGB 106 37 79

HSL 323.48, 0.48%, 0.28%

LAB 26.6, 35.67, -10.08

 

CMYK 0 / 8 / 65 / 58

HEX #6A6225

RGB 106 98 37

HSL 53.04, 0.48%, 0.28%

LAB 41.11, -5.15, 34.92

 

Description

Color code: HEX #266B41 | qconv.com Color code: HEX #266B41 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 107 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 107 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 39 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 39% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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