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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #265EEACE it is the complementary color #D9A115CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #265EEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #265EEACE shade: #2B5EE5CE, #3C70F8CE, #4D82FFCE, #5E94FFCE and #6FA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #265EEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #265EEACE shade: #265EEACE, #154CD7CE, #043AC4CE, #0028B1CE and #00169ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #265EEACE shade: #255DE9, #2528E9, #5725E9, #8C25E9 and #C125E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #265EEACE shade: #255DE9, #2528E9 and #2525E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #265EEACE shade matches the following richer shades: #255DE9 and #1155FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #265EEACE shade: #255DE9, #3865D6, #4C6EC3, #5F76AF and #727E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #265EEACE shade: #25C9E9, #2594E9, #2560E9, #252BE9 and #5325E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #265EEACE shade: #113DAB, #154AD0, #255DE9, #4A79ED and #7095F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #265EEACE shade: #265EEA, #D625E9 and #AEE925

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #265EEACE shade: #265EEA, #E92560 and #60E925

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #265EEACE shade: #265EEA, #D625E9, #E9AE25 and #39E925

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #265EEACE shade: #265EEA, #E925C2, #E9AE25 and #25E94C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 48 / 0 / 7

HEX #265EEACE

RGBA 38 94 234 0.81

HSLA 222.86, 0.82%, 0.53%, 0.81

LABA 44.74, 33.85, -75.42, 0.81

 

Complementary color

CMYK 0 / 21 / 73 / 12

HEX #D9A115CE

RGBA 217 161 21 0.81

HSLA 42.86, 0.82%, 0.47%, 0.81

LABA 69.68, 10, 70.37, 0.81

 

CMYK 66 / 48 / 0 / 8

HEX #2B5EE5CE

RGBA 43 94 229 0.81

HSLA 223.55, 0.78%, 0.53%, 0.81

LABA 44.48, 32.37, -73.02, 0.81

 

CMYK 61 / 44 / 0 / 2

HEX #3C70F8CE

RGBA 60 112 248 0.81

HSLA 223.4, 0.93%, 0.6%, 0.81

LABA 51.07, 29.56, -72.92, 0.81

 

CMYK 57 / 40 / 0 / 0

HEX #4D82FFCE

RGBA 77 130 255 0.81

HSLA 222.13, 1%, 0.65%, 0.81

LABA 56.84, 22.99, -67.41, 0.81

 

CMYK 51 / 34 / 0 / 0

HEX #5E94FFCE

RGBA 94 148 255 0.81

HSLA 219.88, 1%, 0.68%, 0.81

LABA 62.32, 14.74, -58.59, 0.81

 

CMYK 46 / 28 / 0 / 0

HEX #6FA6FFCE

RGBA 111 166 255 0.81

HSLA 217.08, 1%, 0.72%, 0.81

LABA 67.93, 7.37, -49.64, 0.81

 

CMYK 68 / 48 / 0 / 7

HEX #265EEACE

RGBA 38 94 234 0.81

HSLA 222.86, 0.82%, 0.53%, 0.81

LABA 44.74, 33.85, -75.42, 0.81

 

CMYK 73 / 52 / 0 / 13

HEX #154CD7CE

RGBA 21 76 215 0.81

HSLA 222.99, 0.82%, 0.46%, 0.81

LABA 38.26, 37.28, -75.25, 0.81

 

CMYK 79 / 57 / 0 / 19

HEX #043AC4CE

RGBA 4 58 196 0.81

HSLA 223.13, 0.96%, 0.39%, 0.81

LABA 31.89, 41.06, -74.73, 0.81

 

CMYK 81 / 63 / 0 / 25

HEX #0028B1CE

RGBA 0 40 177 0.81

HSLA 226.44, 1%, 0.35%, 0.81

LABA 25.84, 44.95, -73.5, 0.81

 

CMYK 81 / 70 / 0 / 31

HEX #00169ECE

RGBA 0 22 158 0.81

HSLA 231.65, 1%, 0.31%, 0.81

LABA 20.21, 47.94, -71.35, 0.81

 

CMYK 84 / 60 / 0 / 9

HEX #255DE9

RGB 37 93 233

HSL 222.86, 0.82%, 0.53%

LAB 44.38, 34.04, -75.45

 

CMYK 84 / 83 / 0 / 9

HEX #2528E9

RGB 37 40 233

HSL 239.08, 0.82%, 0.53%

LAB 33.55, 63.81, -93.32

 

CMYK 63 / 84 / 0 / 9

HEX #5725E9

RGB 87 37 233

HSL 255.31, 0.82%, 0.53%

LAB 36.43, 67.9, -88.45

 

CMYK 40 / 84 / 0 / 9

HEX #8C25E9

RGB 140 37 233

HSL 271.53, 0.82%, 0.53%

LAB 42.43, 73.48, -78.34

 

CMYK 17 / 84 / 0 / 9

HEX #C125E9

RGB 193 37 233

HSL 287.76, 0.82%, 0.53%

LAB 50.15, 81.14, -65.44

 

CMYK 84 / 60 / 0 / 9

HEX #255DE9

RGB 37 93 233

HSL 222.86, 0.82%, 0.53%

LAB 44.38, 34.04, -75.45

 

CMYK 84 / 83 / 0 / 9

HEX #2528E9

RGB 37 40 233

HSL 239.08, 0.82%, 0.53%

LAB 33.55, 63.81, -93.32

 

CMYK 84 / 84 / 0 / 9

HEX #2525E9

RGB 37 37 233

HSL 240, 0.82%, 0.53%

LAB 33.13, 65.05, -94.01

 

CMYK 84 / 60 / 0 / 9

HEX #255DE9

RGB 37 93 233

HSL 222.86, 0.82%, 0.53%

LAB 44.38, 34.04, -75.45

 

CMYK 93 / 66 / 0 / 1

HEX #1155FD

RGB 17 85 253

HSL 222.71, 0.98%, 0.53%

LAB 43.81, 45.47, -87.62

 

CMYK 84 / 60 / 0 / 9

HEX #255DE9

RGB 37 93 233

HSL 222.86, 0.82%, 0.53%

LAB 44.38, 34.04, -75.45

 

CMYK 74 / 53 / 0 / 16

HEX #3865D6

RGB 56 101 214

HSL 222.91, 0.66%, 0.53%

LAB 45.64, 23.68, -62.6

 

CMYK 61 / 44 / 0 / 24

HEX #4C6EC3

RGB 76 110 195

HSL 222.86, 0.5%, 0.53%

LAB 47.79, 14.33, -48.2

 

CMYK 46 / 33 / 0 / 31

HEX #5F76AF

RGB 95 118 175

HSL 222.75, 0.33%, 0.53%

LAB 50.08, 7.2, -32.95

 

CMYK 27 / 19 / 0 / 39

HEX #727E9C

RGB 114 126 156

HSL 222.86, 0.18%, 0.53%

LAB 52.84, 2.65, -17.54

 

CMYK 84 / 14 / 0 / 9

HEX #25C9E9

RGB 37 201 233

HSL 189.8, 0.82%, 0.53%

LAB 74.86, -28.66, -27.11

 

CMYK 84 / 36 / 0 / 9

HEX #2594E9

RGB 37 148 233

HSL 206.02, 0.82%, 0.53%

LAB 59.39, -0.15, -51.24

 

CMYK 84 / 59 / 0 / 9

HEX #2560E9

RGB 37 96 233

HSL 221.94, 0.82%, 0.53%

LAB 45.14, 32.13, -74.21

 

CMYK 84 / 82 / 0 / 9

HEX #252BE9

RGB 37 43 233

HSL 238.16, 0.82%, 0.53%

LAB 33.99, 62.51, -92.59

 

CMYK 64 / 84 / 0 / 9

HEX #5325E9

RGB 83 37 233

HSL 254.08, 0.82%, 0.53%

LAB 36.07, 67.58, -89.05

 

CMYK 90 / 64 / 0 / 33

HEX #113DAB

RGB 17 61 171

HSL 222.86, 0.82%, 0.37%

LAB 30.39, 30.02, -62.38

 

CMYK 90 / 64 / 0 / 18

HEX #154AD0

RGB 21 74 208

HSL 222.99, 0.82%, 0.45%

LAB 37.14, 35.92, -73.07

 

CMYK 84 / 60 / 0 / 9

HEX #255DE9

RGB 37 93 233

HSL 222.86, 0.82%, 0.53%

LAB 44.38, 34.04, -75.45

 

CMYK 69 / 49 / 0 / 7

HEX #4A79ED

RGB 74 121 237

HSL 222.7, 0.82%, 0.61%

LAB 53.22, 21.79, -63.29

 

CMYK 54 / 38 / 0 / 5

HEX #7095F1

RGB 112 149 241

HSL 222.79, 0.82%, 0.69%

LAB 62.75, 13.06, -50.17

 

CMYK 84 / 60 / 0 / 8

HEX #265EEA

RGB 38 94 234

HSL 222.86, 0.82%, 0.53%

LAB 44.74, 33.85, -75.42

 

CMYK 8 / 84 / 0 / 9

HEX #D625E9

RGB 214 37 233

HSL 294.18, 0.82%, 0.53%

LAB 53.5, 84.59, -59.87

 

CMYK 25 / 0 / 84 / 9

HEX #AEE925

RGB 174 233 37

HSL 78.06, 0.82%, 0.53%

LAB 85.71, -43.22, 78.71

 

CMYK 84 / 60 / 0 / 8

HEX #265EEA

RGB 38 94 234

HSL 222.86, 0.82%, 0.53%

LAB 44.74, 33.85, -75.42

 

CMYK 0 / 84 / 59 / 9

HEX #E92560

RGB 233 37 96

HSL 341.94, 0.82%, 0.53%

LAB 51.26, 73.12, 17.7

 

CMYK 59 / 0 / 84 / 9

HEX #60E925

RGB 96 233 37

HSL 101.94, 0.82%, 0.53%

LAB 82.32, -67.84, 74.45

 

CMYK 84 / 60 / 0 / 8

HEX #265EEA

RGB 38 94 234

HSL 222.86, 0.82%, 0.53%

LAB 44.74, 33.85, -75.42

 

CMYK 8 / 84 / 0 / 9

HEX #D625E9

RGB 214 37 233

HSL 294.18, 0.82%, 0.53%

LAB 53.5, 84.59, -59.87

 

CMYK 0 / 25 / 84 / 9

HEX #E9AE25

RGB 233 174 37

HSL 41.94, 0.82%, 0.53%

LAB 74.65, 10.37, 71.24

 

CMYK 76 / 0 / 84 / 9

HEX #39E925

RGB 57 233 37

HSL 113.88, 0.82%, 0.53%

LAB 81.45, -75.26, 73.33

 

CMYK 84 / 60 / 0 / 8

HEX #265EEA

RGB 38 94 234

HSL 222.86, 0.82%, 0.53%

LAB 44.74, 33.85, -75.42

 

CMYK 0 / 84 / 17 / 9

HEX #E925C2

RGB 233 37 194

HSL 311.94, 0.82%, 0.53%

LAB 54.6, 82.5, -35.68

 

CMYK 0 / 25 / 84 / 9

HEX #E9AE25

RGB 233 174 37

HSL 41.94, 0.82%, 0.53%

LAB 74.65, 10.37, 71.24

 

CMYK 84 / 0 / 67 / 9

HEX #25E94C

RGB 37 233 76

HSL 131.94, 0.82%, 0.53%

LAB 81.4, -74.88, 61.04

 

Description

Color code: HEX #265EEACE | qconv.com Color code: HEX #265EEACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 94 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 94 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 48 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 48% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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