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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #265141 it is the complementary color #D9AEBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #265141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #265141 shade: #2B513C, #3C634F, #4D7562, #5E8775 and #6F9988

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #265141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #265141 shade: #265141, #153F2E, #042D1B, #001B08 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #265141 shade: #265040, #265035, #265029, #2D5026 and #395026

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #265141 shade: #265040, #26504B, #264950, #263D50 and #263250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #265141 shade matches the following richer shades: #265040, #1C5942, #136345 and #096C47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #265141 shade: #265040, #2F463E, #393D3B, #423339 and #4B2A36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #265141 shade: #265029, #265034, #265040, #26504B and #264950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #265141 shade: #0B1813, #18342A, #265040, #336C57 and #40886D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #265141 shade: #265141, #262D50 and #502F26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #265141 shade: #265141, #402650 and #504026

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #265141 shade: #265141, #262D50, #502636 and #504826

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #265141 shade: #265141, #2A2650, #502636 and #4B5026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 20 / 68

HEX #265141

RGB 38 81 65

HSL 157.67, 0.36%, 0.23%

LAB 31.06, -19.39, 4.86

 

Complementary color

CMYK 0 / 20 / 12 / 15

HEX #D9AEBE

RGB 217 174 190

HSL 337.67, 0.36%, 0.77%

LAB 75.29, 18.17, -2.2

 

CMYK 47 / 0 / 26 / 68

HEX #2B513C

RGB 43 81 60

HSL 146.84, 0.31%, 0.24%

LAB 31.17, -19.1, 8.2

 

CMYK 39 / 0 / 20 / 61

HEX #3C634F

RGB 60 99 79

HSL 149.23, 0.25%, 0.31%

LAB 38.64, -18.81, 7.06

 

CMYK 34 / 0 / 16 / 54

HEX #4D7562

RGB 77 117 98

HSL 151.5, 0.21%, 0.38%

LAB 45.88, -18.53, 6.06

 

CMYK 30 / 0 / 13 / 47

HEX #5E8775

RGB 94 135 117

HSL 153.66, 0.18%, 0.45%

LAB 52.94, -18.29, 5.15

 

CMYK 27 / 0 / 11 / 40

HEX #6F9988

RGB 111 153 136

HSL 155.71, 0.17%, 0.52%

LAB 59.83, -18.07, 4.32

 

CMYK 53 / 0 / 20 / 68

HEX #265141

RGB 38 81 65

HSL 157.67, 0.36%, 0.23%

LAB 31.06, -19.39, 4.86

 

CMYK 67 / 0 / 27 / 75

HEX #153F2E

RGB 21 63 46

HSL 155.71, 0.5%, 0.16%

LAB 23.38, -19.46, 6.15

 

CMYK 91 / 0 / 40 / 82

HEX #042D1B

RGB 4 45 27

HSL 153.66, 0.84%, 0.1%

LAB 15.39, -19.32, 7.75

 

CMYK 100 / 0 / 70 / 89

HEX #001B08

RGB 0 27 8

HSL 137.78, 1%, 0.05%

LAB 7.24, -13.35, 7.31

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 53 / 0 / 20 / 69

HEX #265040

RGB 38 80 64

HSL 157.14, 0.36%, 0.23%

LAB 30.69, -19.11, 4.96

 

CMYK 53 / 0 / 34 / 69

HEX #265035

RGB 38 80 53

HSL 141.43, 0.36%, 0.23%

LAB 30.42, -21.76, 11.51

 

CMYK 53 / 0 / 49 / 69

HEX #265029

RGB 38 80 41

HSL 124.29, 0.36%, 0.23%

LAB 30.18, -24.15, 18.54

 

CMYK 44 / 0 / 53 / 69

HEX #2D5026

RGB 45 80 38

HSL 110, 0.36%, 0.23%

LAB 30.48, -22.19, 20.77

 

CMYK 29 / 0 / 53 / 69

HEX #395026

RGB 57 80 38

HSL 92.86, 0.36%, 0.23%

LAB 31.22, -17.39, 21.85

 

CMYK 53 / 0 / 20 / 69

HEX #265040

RGB 38 80 64

HSL 157.14, 0.36%, 0.23%

LAB 30.69, -19.11, 4.96

 

CMYK 53 / 0 / 6 / 69

HEX #26504B

RGB 38 80 75

HSL 172.86, 0.36%, 0.23%

LAB 31.01, -16.08, -1.58

 

CMYK 53 / 9 / 0 / 69

HEX #264950

RGB 38 73 80

HSL 190, 0.36%, 0.23%

LAB 28.79, -10.45, -8.11

 

CMYK 53 / 24 / 0 / 69

HEX #263D50

RGB 38 61 80

HSL 207.14, 0.36%, 0.23%

LAB 24.73, -2.87, -14.3

 

CMYK 53 / 38 / 0 / 69

HEX #263250

RGB 38 50 80

HSL 222.86, 0.36%, 0.23%

LAB 21.1, 4.62, -19.94

 

CMYK 53 / 0 / 20 / 69

HEX #265040

RGB 38 80 64

HSL 157.14, 0.36%, 0.23%

LAB 30.69, -19.11, 4.96

 

CMYK 69 / 0 / 26 / 65

HEX #1C5942

RGB 28 89 66

HSL 157.38, 0.52%, 0.23%

LAB 33.53, -25.72, 7.67

 

CMYK 81 / 0 / 30 / 61

HEX #136345

RGB 19 99 69

HSL 157.5, 0.68%, 0.23%

LAB 36.91, -31.18, 10.52

 

CMYK 92 / 0 / 34 / 58

HEX #096C47

RGB 9 108 71

HSL 157.58, 0.85%, 0.23%

LAB 39.98, -35.64, 13.52

 

CMYK 53 / 0 / 20 / 69

HEX #265040

RGB 38 80 64

HSL 157.14, 0.36%, 0.23%

LAB 30.69, -19.11, 4.96

 

CMYK 33 / 0 / 11 / 73

HEX #2F463E

RGB 47 70 62

HSL 159.13, 0.2%, 0.23%

LAB 27.66, -10.98, 1.96

 

CMYK 7 / 0 / 3 / 76

HEX #393D3B

RGB 57 61 59

HSL 150, 0.03%, 0.23%

LAB 25.33, -2.15, 0.65

 

CMYK 0 / 23 / 14 / 74

HEX #423339

RGB 66 51 57

HSL 336, 0.13%, 0.23%

LAB 23.07, 7.92, -1.21

 

CMYK 0 / 44 / 28 / 71

HEX #4B2A36

RGB 75 42 54

HSL 338.18, 0.28%, 0.23%

LAB 21.65, 17.2, -1.12

 

CMYK 53 / 0 / 49 / 69

HEX #265029

RGB 38 80 41

HSL 124.29, 0.36%, 0.23%

LAB 30.18, -24.15, 18.54

 

CMYK 53 / 0 / 35 / 69

HEX #265034

RGB 38 80 52

HSL 140, 0.36%, 0.23%

LAB 30.39, -21.98, 12.11

 

CMYK 53 / 0 / 20 / 69

HEX #265040

RGB 38 80 64

HSL 157.14, 0.36%, 0.23%

LAB 30.69, -19.11, 4.96

 

CMYK 53 / 0 / 6 / 69

HEX #26504B

RGB 38 80 75

HSL 172.86, 0.36%, 0.23%

LAB 31.01, -16.08, -1.58

 

CMYK 53 / 9 / 0 / 69

HEX #264950

RGB 38 73 80

HSL 190, 0.36%, 0.23%

LAB 28.79, -10.45, -8.11

 

CMYK 54 / 0 / 21 / 91

HEX #0B1813

RGB 11 24 19

HSL 156.92, 0.37%, 0.07%

LAB 6.97, -6.19, 1.51

 

CMYK 54 / 0 / 19 / 80

HEX #18342A

RGB 24 52 42

HSL 158.57, 0.37%, 0.15%

LAB 19.3, -13.59, 3.06

 

CMYK 53 / 0 / 20 / 69

HEX #265040

RGB 38 80 64

HSL 157.14, 0.36%, 0.23%

LAB 30.69, -19.11, 4.96

 

CMYK 53 / 0 / 19 / 58

HEX #336C57

RGB 51 108 87

HSL 157.89, 0.36%, 0.31%

LAB 41.4, -24.28, 6.07

 

CMYK 53 / 0 / 20 / 47

HEX #40886D

RGB 64 136 109

HSL 157.5, 0.36%, 0.39%

LAB 51.61, -29.41, 7.69

 

CMYK 53 / 0 / 20 / 68

HEX #265141

RGB 38 81 65

HSL 157.67, 0.36%, 0.23%

LAB 31.06, -19.39, 4.86

 

CMYK 53 / 44 / 0 / 69

HEX #262D50

RGB 38 45 80

HSL 230, 0.36%, 0.23%

LAB 19.51, 8.16, -22.46

 

CMYK 0 / 41 / 53 / 69

HEX #502F26

RGB 80 47 38

HSL 12.86, 0.36%, 0.23%

LAB 23.27, 13.94, 12.13

 

CMYK 53 / 0 / 20 / 68

HEX #265141

RGB 38 81 65

HSL 157.67, 0.36%, 0.23%

LAB 31.06, -19.39, 4.86

 

CMYK 20 / 53 / 0 / 69

HEX #402650

RGB 64 38 80

HSL 277.14, 0.36%, 0.23%

LAB 20.26, 21.23, -21.08

 

CMYK 0 / 20 / 53 / 69

HEX #504026

RGB 80 64 38

HSL 37.14, 0.36%, 0.23%

LAB 28.15, 3.01, 18.46

 

CMYK 53 / 0 / 20 / 68

HEX #265141

RGB 38 81 65

HSL 157.67, 0.36%, 0.23%

LAB 31.06, -19.39, 4.86

 

CMYK 53 / 44 / 0 / 69

HEX #262D50

RGB 38 45 80

HSL 230, 0.36%, 0.23%

LAB 19.51, 8.16, -22.46

 

CMYK 0 / 53 / 33 / 69

HEX #502636

RGB 80 38 54

HSL 337.14, 0.36%, 0.23%

LAB 21.42, 21.78, -1.36

 

CMYK 0 / 10 / 53 / 69

HEX #504826

RGB 80 72 38

HSL 48.57, 0.36%, 0.23%

LAB 30.59, -2.02, 21.51

 

CMYK 53 / 0 / 20 / 68

HEX #265141

RGB 38 81 65

HSL 157.67, 0.36%, 0.23%

LAB 31.06, -19.39, 4.86

 

CMYK 48 / 53 / 0 / 69

HEX #2A2650

RGB 42 38 80

HSL 245.71, 0.36%, 0.23%

LAB 17.73, 14.31, -25.27

 

CMYK 0 / 53 / 33 / 69

HEX #502636

RGB 80 38 54

HSL 337.14, 0.36%, 0.23%

LAB 21.42, 21.78, -1.36

 

CMYK 6 / 0 / 53 / 69

HEX #4B5026

RGB 75 80 38

HSL 67.14, 0.36%, 0.23%

LAB 32.64, -9.26, 23.9

 

Description

Color code: HEX #265141 | qconv.com Color code: HEX #265141 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 81 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 81 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 20 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 20% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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