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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #264EC2 it is the complementary color #D9B13D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #264EC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #264EC2 shade: #2B4EBD, #3C60D0, #4D72E3, #5E84F6 and #6F96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #264EC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #264EC2 shade: #264EC2, #153CAF, #042A9C, #001889 and #000676

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #264EC2 shade: #264DC0, #2826C0, #5126C0, #7B26C0 and #A426C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #264EC2 shade: #264DC0 and #2626C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #264EC2 shade matches the following richer shades: #264DC0, #1344D2 and #013BE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #264EC2 shade: #264DC0, #3856AD, #4B5F9A, #5E6888 and #707175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #264EC2 shade: #26A1C0, #2678C0, #264FC0, #2626C0 and #4F26C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #264EC2 shade: #18317B, #1F3F9D, #264DC0, #3760D8 and #5A7CDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #264EC2 shade: #264EC2, #B526C0 and #8CC026

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #264EC2 shade: #264EC2, #C0264F and #4FC026

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #264EC2 shade: #264EC2, #B526C0, #C09726 and #30C026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #264EC2 shade: #264EC2, #C0269C, #C09726 and #26C04A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 60 / 0 / 24

HEX #264EC2

RGB 38 78 194

HSL 224.62, 0.67%, 0.45%

LAB 37.4, 29.15, -64.48

 

Complementary color

CMYK 0 / 18 / 72 / 15

HEX #D9B13D

RGB 217 177 61

HSL 44.62, 0.67%, 0.55%

LAB 73.89, 2.76, 61.79

 

CMYK 77 / 59 / 0 / 26

HEX #2B4EBD

RGB 43 78 189

HSL 225.62, 0.63%, 0.45%

LAB 37.18, 27.76, -61.91

 

CMYK 71 / 54 / 0 / 18

HEX #3C60D0

RGB 60 96 208

HSL 225.41, 0.61%, 0.53%

LAB 44.06, 25.19, -61.71

 

CMYK 66 / 50 / 0 / 11

HEX #4D72E3

RGB 77 114 227

HSL 225.2, 0.73%, 0.6%

LAB 50.87, 23.08, -61.46

 

CMYK 62 / 46 / 0 / 4

HEX #5E84F6

RGB 94 132 246

HSL 225, 0.89%, 0.67%

LAB 57.59, 21.32, -61.2

 

CMYK 56 / 41 / 0 / 0

HEX #6F96FF

RGB 111 150 255

HSL 223.75, 1%, 0.72%

LAB 63.68, 16.66, -56.37

 

CMYK 80 / 60 / 0 / 24

HEX #264EC2

RGB 38 78 194

HSL 224.62, 0.67%, 0.45%

LAB 37.4, 29.15, -64.48

 

CMYK 88 / 66 / 0 / 31

HEX #153CAF

RGB 21 60 175

HSL 224.81, 0.79%, 0.38%

LAB 30.61, 32.47, -64.42

 

CMYK 97 / 73 / 0 / 39

HEX #042A9C

RGB 4 42 156

HSL 225, 0.95%, 0.31%

LAB 23.94, 36.21, -63.94

 

CMYK 100 / 82 / 0 / 46

HEX #001889

RGB 0 24 137

HSL 229.49, 1%, 0.27%

LAB 17.73, 39.95, -62.46

 

CMYK 100 / 95 / 0 / 54

HEX #000676

RGB 0 6 118

HSL 236.95, 1%, 0.23%

LAB 12.21, 42.1, -59.56

 

CMYK 80 / 60 / 0 / 25

HEX #264DC0

RGB 38 77 192

HSL 224.81, 0.67%, 0.45%

LAB 36.98, 29.05, -64.01

 

CMYK 79 / 80 / 0 / 25

HEX #2826C0

RGB 40 38 192

HSL 240.78, 0.67%, 0.45%

LAB 28.49, 52.49, -77.97

 

CMYK 58 / 80 / 0 / 25

HEX #5126C0

RGB 81 38 192

HSL 256.75, 0.67%, 0.45%

LAB 31.67, 56.04, -72.61

 

CMYK 36 / 80 / 0 / 25

HEX #7B26C0

RGB 123 38 192

HSL 273.12, 0.67%, 0.45%

LAB 36.75, 61.75, -64.09

 

CMYK 15 / 80 / 0 / 25

HEX #A426C0

RGB 164 38 192

HSL 289.09, 0.67%, 0.45%

LAB 42.89, 68.72, -53.84

 

CMYK 80 / 60 / 0 / 25

HEX #264DC0

RGB 38 77 192

HSL 224.81, 0.67%, 0.45%

LAB 36.98, 29.05, -64.01

 

CMYK 80 / 80 / 0 / 25

HEX #2626C0

RGB 38 38 192

HSL 240, 0.67%, 0.45%

LAB 28.39, 52.37, -78.14

 

CMYK 80 / 60 / 0 / 25

HEX #264DC0

RGB 38 77 192

HSL 224.81, 0.67%, 0.45%

LAB 36.98, 29.05, -64.01

 

CMYK 91 / 68 / 0 / 18

HEX #1344D2

RGB 19 68 210

HSL 224.61, 0.83%, 0.45%

LAB 35.84, 40.41, -76.35

 

CMYK 100 / 74 / 0 / 10

HEX #013BE5

RGB 1 59 229

HSL 224.74, 0.99%, 0.45%

LAB 35.58, 52.13, -87.7

 

CMYK 80 / 60 / 0 / 25

HEX #264DC0

RGB 38 77 192

HSL 224.81, 0.67%, 0.45%

LAB 36.98, 29.05, -64.01

 

CMYK 68 / 50 / 0 / 32

HEX #3856AD

RGB 56 86 173

HSL 224.62, 0.51%, 0.45%

LAB 38.75, 18.29, -49.92

 

CMYK 51 / 38 / 0 / 40

HEX #4B5F9A

RGB 75 95 154

HSL 224.81, 0.34%, 0.45%

LAB 41.24, 9.75, -34.58

 

CMYK 31 / 24 / 0 / 47

HEX #5E6888

RGB 94 104 136

HSL 225.71, 0.18%, 0.45%

LAB 44.32, 4.14, -18.91

 

CMYK 4 / 3 / 0 / 54

HEX #707175

RGB 112 113 117

HSL 228, 0.02%, 0.45%

LAB 47.67, 0.45, -2.35

 

CMYK 80 / 16 / 0 / 25

HEX #26A1C0

RGB 38 161 192

HSL 192.08, 0.67%, 0.45%

LAB 61.4, -21.78, -25.24

 

CMYK 80 / 38 / 0 / 25

HEX #2678C0

RGB 38 120 192

HSL 208.05, 0.67%, 0.45%

LAB 49.07, 1.41, -44.52

 

CMYK 80 / 59 / 0 / 25

HEX #264FC0

RGB 38 79 192

HSL 224.03, 0.67%, 0.45%

LAB 37.5, 27.74, -63.16

 

CMYK 80 / 80 / 0 / 25

HEX #2626C0

RGB 38 38 192

HSL 240, 0.67%, 0.45%

LAB 28.39, 52.37, -78.14

 

CMYK 59 / 80 / 0 / 25

HEX #4F26C0

RGB 79 38 192

HSL 255.97, 0.67%, 0.45%

LAB 31.47, 55.81, -72.95

 

CMYK 80 / 60 / 0 / 52

HEX #18317B

RGB 24 49 123

HSL 224.85, 0.67%, 0.29%

LAB 23.07, 19.57, -44.81

 

CMYK 80 / 60 / 0 / 38

HEX #1F3F9D

RGB 31 63 157

HSL 224.76, 0.67%, 0.37%

LAB 30.11, 24.22, -54.39

 

CMYK 80 / 60 / 0 / 25

HEX #264DC0

RGB 38 77 192

HSL 224.81, 0.67%, 0.45%

LAB 36.98, 29.05, -64.01

 

CMYK 75 / 56 / 0 / 15

HEX #3760D8

RGB 55 96 216

HSL 224.72, 0.67%, 0.53%

LAB 44.43, 27.48, -65.7

 

CMYK 59 / 44 / 0 / 13

HEX #5A7CDE

RGB 90 124 222

HSL 224.55, 0.67%, 0.61%

LAB 53.88, 17.47, -53.78

 

CMYK 80 / 60 / 0 / 24

HEX #264EC2

RGB 38 78 194

HSL 224.62, 0.67%, 0.45%

LAB 37.4, 29.15, -64.48

 

CMYK 6 / 80 / 0 / 25

HEX #B526C0

RGB 181 38 192

HSL 295.71, 0.67%, 0.45%

LAB 45.66, 71.87, -49.25

 

CMYK 27 / 0 / 80 / 25

HEX #8CC026

RGB 140 192 38

HSL 80.26, 0.67%, 0.45%

LAB 71.84, -38.11, 65.52

 

CMYK 80 / 60 / 0 / 24

HEX #264EC2

RGB 38 78 194

HSL 224.62, 0.67%, 0.45%

LAB 37.4, 29.15, -64.48

 

CMYK 0 / 80 / 59 / 25

HEX #C0264F

RGB 192 38 79

HSL 344.03, 0.67%, 0.45%

LAB 43, 61.03, 15.65

 

CMYK 59 / 0 / 80 / 25

HEX #4FC026

RGB 79 192 38

HSL 104.03, 0.67%, 0.45%

LAB 69.11, -57.91, 62.03

 

CMYK 80 / 60 / 0 / 24

HEX #264EC2

RGB 38 78 194

HSL 224.62, 0.67%, 0.45%

LAB 37.4, 29.15, -64.48

 

CMYK 6 / 80 / 0 / 25

HEX #B526C0

RGB 181 38 192

HSL 295.71, 0.67%, 0.45%

LAB 45.66, 71.87, -49.25

 

CMYK 0 / 21 / 80 / 25

HEX #C09726

RGB 192 151 38

HSL 44.03, 0.67%, 0.45%

LAB 64.55, 4.78, 60.52

 

CMYK 75 / 0 / 80 / 25

HEX #30C026

RGB 48 192 38

HSL 116.1, 0.67%, 0.45%

LAB 68.36, -64.18, 61.06

 

CMYK 80 / 60 / 0 / 24

HEX #264EC2

RGB 38 78 194

HSL 224.62, 0.67%, 0.45%

LAB 37.4, 29.15, -64.48

 

CMYK 0 / 80 / 19 / 25

HEX #C0269C

RGB 192 38 156

HSL 314.03, 0.67%, 0.45%

LAB 45.62, 68.77, -27.89

 

CMYK 0 / 21 / 80 / 25

HEX #C09726

RGB 192 151 38

HSL 44.03, 0.67%, 0.45%

LAB 64.55, 4.78, 60.52

 

CMYK 80 / 0 / 61 / 25

HEX #26C04A

RGB 38 192 74

HSL 134.03, 0.67%, 0.45%

LAB 68.46, -62.35, 47.58

 

Description

Color code: HEX #264EC2 | qconv.com Color code: HEX #264EC2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 78 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 78 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 60 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 60% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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