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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #264D81 it is the complementary color #D9B27E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #264D81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #264D81 shade: #2B4D7C, #3C5F8F, #4D71A2, #5E83B5 and #6F95C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #264D81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #264D81 shade: #264D81, #153B6E, #04295B, #001748 and #000535

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #264D81 shade: #274E82, #273582, #312782, #492782 and #622782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #264D81 shade: #274E82, #273582 and #272782

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #264D81 shade matches the following richer shades: #274E82, #194C8F and #0B4A9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #264D81 shade: #274E82, #345074, #425266, #505359 and #5D554B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #264D81 shade: #277F82, #276682, #274E82, #273682 and #302782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #264D81 shade: #142842, #1D3B62, #274E82, #3061A1 and #3A74C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #264D81 shade: #264D81, #6C2782 and #728227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #264D81 shade: #264D81, #82274E and #4E8227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #264D81 shade: #264D81, #6C2782, #825A27 and #3C8227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #264D81 shade: #264D81, #82277C, #825A27 and #27822D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 40 / 0 / 49

HEX #264D81

RGB 38 77 129

HSL 214.29, 0.54%, 0.33%

LAB 32.49, 4.64, -33.38

 

Complementary color

CMYK 0 / 18 / 42 / 15

HEX #D9B27E

RGB 217 178 126

HSL 34.29, 0.54%, 0.67%

LAB 74.89, 7.25, 31.87

 

CMYK 65 / 38 / 0 / 51

HEX #2B4D7C

RGB 43 77 124

HSL 214.81, 0.49%, 0.33%

LAB 32.43, 3.68, -30.36

 

CMYK 58 / 34 / 0 / 44

HEX #3C5F8F

RGB 60 95 143

HSL 214.7, 0.41%, 0.4%

LAB 39.8, 2.52, -30.31

 

CMYK 52 / 30 / 0 / 36

HEX #4D71A2

RGB 77 113 162

HSL 214.59, 0.36%, 0.47%

LAB 46.97, 1.67, -30.31

 

CMYK 48 / 28 / 0 / 29

HEX #5E83B5

RGB 94 131 181

HSL 214.48, 0.37%, 0.54%

LAB 53.97, 1.02, -30.34

 

CMYK 45 / 26 / 0 / 22

HEX #6F95C8

RGB 111 149 200

HSL 214.38, 0.45%, 0.61%

LAB 60.82, 0.49, -30.41

 

CMYK 71 / 40 / 0 / 49

HEX #264D81

RGB 38 77 129

HSL 214.29, 0.54%, 0.33%

LAB 32.49, 4.64, -33.38

 

CMYK 81 / 46 / 0 / 57

HEX #153B6E

RGB 21 59 110

HSL 214.38, 0.68%, 0.26%

LAB 24.99, 6.67, -33.43

 

CMYK 96 / 55 / 0 / 64

HEX #04295B

RGB 4 41 91

HSL 214.48, 0.92%, 0.19%

LAB 17.31, 9.59, -33.44

 

CMYK 100 / 68 / 0 / 72

HEX #001748

RGB 0 23 72

HSL 220.83, 1%, 0.14%

LAB 9.65, 14.2, -32.98

 

CMYK 100 / 91 / 0 / 79

HEX #000535

RGB 0 5 53

HSL 234.34, 1%, 0.1%

LAB 3.3, 14.31, -29.71

 

CMYK 70 / 40 / 0 / 49

HEX #274E82

RGB 39 78 130

HSL 214.29, 0.54%, 0.33%

LAB 32.9, 4.54, -33.34

 

CMYK 70 / 59 / 0 / 49

HEX #273582

RGB 39 53 130

HSL 230.77, 0.54%, 0.33%

LAB 25.53, 21.6, -45.18

 

CMYK 62 / 70 / 0 / 49

HEX #312782

RGB 49 39 130

HSL 246.59, 0.54%, 0.33%

LAB 22.71, 32.48, -49.76

 

CMYK 44 / 70 / 0 / 49

HEX #492782

RGB 73 39 130

HSL 262.42, 0.54%, 0.33%

LAB 25.2, 36.91, -45.59

 

CMYK 25 / 70 / 0 / 49

HEX #622782

RGB 98 39 130

HSL 278.9, 0.54%, 0.33%

LAB 28.54, 42.43, -40.03

 

CMYK 70 / 40 / 0 / 49

HEX #274E82

RGB 39 78 130

HSL 214.29, 0.54%, 0.33%

LAB 32.9, 4.54, -33.34

 

CMYK 70 / 59 / 0 / 49

HEX #273582

RGB 39 53 130

HSL 230.77, 0.54%, 0.33%

LAB 25.53, 21.6, -45.18

 

CMYK 70 / 70 / 0 / 49

HEX #272782

RGB 39 39 130

HSL 240, 0.54%, 0.33%

LAB 21.92, 31, -51.08

 

CMYK 70 / 40 / 0 / 49

HEX #274E82

RGB 39 78 130

HSL 214.29, 0.54%, 0.33%

LAB 32.9, 4.54, -33.34

 

CMYK 83 / 47 / 0 / 44

HEX #194C8F

RGB 25 76 143

HSL 214.07, 0.7%, 0.33%

LAB 32.61, 9.08, -41.82

 

CMYK 93 / 53 / 0 / 38

HEX #0B4A9D

RGB 11 74 157

HSL 214.11, 0.87%, 0.33%

LAB 32.71, 15.15, -50.19

 

CMYK 70 / 40 / 0 / 49

HEX #274E82

RGB 39 78 130

HSL 214.29, 0.54%, 0.33%

LAB 32.9, 4.54, -33.34

 

CMYK 55 / 31 / 0 / 55

HEX #345074

RGB 52 80 116

HSL 213.75, 0.38%, 0.33%

LAB 33.41, 0.88, -23.8

 

CMYK 35 / 20 / 0 / 60

HEX #425266

RGB 66 82 102

HSL 213.33, 0.21%, 0.33%

LAB 34.3, -0.81, -13.6

 

CMYK 10 / 7 / 0 / 65

HEX #505359

RGB 80 83 89

HSL 220, 0.05%, 0.33%

LAB 35.23, 0.16, -3.91

 

CMYK 0 / 9 / 19 / 64

HEX #5D554B

RGB 93 85 75

HSL 33.33, 0.11%, 0.33%

LAB 36.62, 1.38, 7.01

 

CMYK 70 / 2 / 0 / 49

HEX #277F82

RGB 39 127 130

HSL 181.98, 0.54%, 0.33%

LAB 48.54, -24.22, -9.18

 

CMYK 70 / 22 / 0 / 49

HEX #276682

RGB 39 102 130

HSL 198.46, 0.54%, 0.33%

LAB 40.48, -10.48, -21.45

 

CMYK 70 / 40 / 0 / 49

HEX #274E82

RGB 39 78 130

HSL 214.29, 0.54%, 0.33%

LAB 32.9, 4.54, -33.34

 

CMYK 70 / 58 / 0 / 49

HEX #273682

RGB 39 54 130

HSL 230.11, 0.54%, 0.33%

LAB 25.81, 20.91, -44.74

 

CMYK 63 / 70 / 0 / 49

HEX #302782

RGB 48 39 130

HSL 245.93, 0.54%, 0.33%

LAB 22.62, 32.32, -49.9

 

CMYK 70 / 39 / 0 / 74

HEX #142842

RGB 20 40 66

HSL 213.91, 0.53%, 0.17%

LAB 15.8, 1.68, -18.86

 

CMYK 70 / 40 / 0 / 62

HEX #1D3B62

RGB 29 59 98

HSL 213.91, 0.54%, 0.25%

LAB 24.55, 3.04, -26.39

 

CMYK 70 / 40 / 0 / 49

HEX #274E82

RGB 39 78 130

HSL 214.29, 0.54%, 0.33%

LAB 32.9, 4.54, -33.34

 

CMYK 70 / 40 / 0 / 37

HEX #3061A1

RGB 48 97 161

HSL 213.98, 0.54%, 0.41%

LAB 40.82, 5.42, -39.51

 

CMYK 70 / 40 / 0 / 24

HEX #3A74C1

RGB 58 116 193

HSL 214.22, 0.54%, 0.49%

LAB 48.56, 6.79, -45.87

 

CMYK 71 / 40 / 0 / 49

HEX #264D81

RGB 38 77 129

HSL 214.29, 0.54%, 0.33%

LAB 32.49, 4.64, -33.38

 

CMYK 17 / 70 / 0 / 49

HEX #6C2782

RGB 108 39 130

HSL 285.49, 0.54%, 0.33%

LAB 30.04, 44.78, -37.54

 

CMYK 12 / 0 / 70 / 49

HEX #728227

RGB 114 130 39

HSL 70.55, 0.54%, 0.33%

LAB 51.48, -18.96, 45.14

 

CMYK 71 / 40 / 0 / 49

HEX #264D81

RGB 38 77 129

HSL 214.29, 0.54%, 0.33%

LAB 32.49, 4.64, -33.38

 

CMYK 0 / 70 / 40 / 49

HEX #82274E

RGB 130 39 78

HSL 334.29, 0.54%, 0.33%

LAB 31.22, 42.35, -2.05

 

CMYK 40 / 0 / 70 / 49

HEX #4E8227

RGB 78 130 39

HSL 94.29, 0.54%, 0.33%

LAB 49.17, -33.67, 42.02

 

CMYK 71 / 40 / 0 / 49

HEX #264D81

RGB 38 77 129

HSL 214.29, 0.54%, 0.33%

LAB 32.49, 4.64, -33.38

 

CMYK 17 / 70 / 0 / 49

HEX #6C2782

RGB 108 39 130

HSL 285.49, 0.54%, 0.33%

LAB 30.04, 44.78, -37.54

 

CMYK 0 / 31 / 70 / 49

HEX #825A27

RGB 130 90 39

HSL 33.63, 0.54%, 0.33%

LAB 41.54, 11.1, 35.15

 

CMYK 54 / 0 / 70 / 49

HEX #3C8227

RGB 60 130 39

HSL 106.15, 0.54%, 0.33%

LAB 48.35, -39.67, 40.91

 

CMYK 71 / 40 / 0 / 49

HEX #264D81

RGB 38 77 129

HSL 214.29, 0.54%, 0.33%

LAB 32.49, 4.64, -33.38

 

CMYK 0 / 70 / 5 / 49

HEX #82277C

RGB 130 39 124

HSL 303.96, 0.54%, 0.33%

LAB 33.25, 49.05, -28.46

 

CMYK 0 / 31 / 70 / 49

HEX #825A27

RGB 130 90 39

HSL 33.63, 0.54%, 0.33%

LAB 41.54, 11.1, 35.15

 

CMYK 70 / 0 / 65 / 49

HEX #27822D

RGB 39 130 45

HSL 123.96, 0.54%, 0.33%

LAB 47.73, -44.37, 37.35

 

Description

Color code: HEX #264D81 | qconv.com Color code: HEX #264D81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 77 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 77 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 40 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 40% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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