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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #264316 it is the complementary color #D9BCE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #264316. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #264316 shade: #2B4311, #3C5524, #4D6737, #5E794A and #6F8B5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #264316. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #264316 shade: #264316, #153103, #041F00, #000D00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #264316 shade: #254115, #314115, #3D4115, #413A15 and #412E15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #264316 shade: #254115, #194115, #15411D, #154129 and #154135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #264316 shade matches the following richer shades: #254115, #23480E, #214F07 and #1F5700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #264316 shade: #254115, #273A1C, #293323, #2B2C2A and #2D2531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #264316 shade: #3D4115, #314115, #254115, #1A4115 and #15411D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #264316 shade: #020301, #13220B, #254115, #37611F and #488029

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #264316 shade: #264316, #15413A and #411537

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #264316 shade: #264316, #152541 and #411525

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #264316 shade: #264316, #15413A, #311541 and #41151D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #264316 shade: #264316, #153C41, #311541 and #411B15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 67 / 74

HEX #264316

RGB 38 67 22

HSL 98.67, 0.51%, 0.17%

LAB 25.21, -20.48, 23.44

 

Complementary color

CMYK 7 / 19 / 0 / 9

HEX #D9BCE9

RGB 217 188 233

HSL 278.67, 0.51%, 0.83%

LAB 79.95, 18.41, -18.56

 

CMYK 36 / 0 / 75 / 74

HEX #2B4311

RGB 43 67 17

HSL 88.8, 0.6%, 0.16%

LAB 25.47, -18.91, 26.4

 

CMYK 29 / 0 / 58 / 67

HEX #3C5524

RGB 60 85 36

HSL 90.61, 0.4%, 0.24%

LAB 33.1, -19.08, 25.3

 

CMYK 25 / 0 / 47 / 60

HEX #4D6737

RGB 77 103 55

HSL 92.5, 0.3%, 0.31%

LAB 40.5, -19.06, 23.97

 

CMYK 22 / 0 / 39 / 53

HEX #5E794A

RGB 94 121 74

HSL 94.47, 0.24%, 0.38%

LAB 47.69, -18.96, 22.67

 

CMYK 20 / 0 / 33 / 45

HEX #6F8B5D

RGB 111 139 93

HSL 96.52, 0.2%, 0.45%

LAB 54.69, -18.85, 21.45

 

CMYK 43 / 0 / 67 / 74

HEX #264316

RGB 38 67 22

HSL 98.67, 0.51%, 0.17%

LAB 25.21, -20.48, 23.44

 

CMYK 57 / 0 / 94 / 81

HEX #153103

RGB 21 49 3

HSL 96.52, 0.88%, 0.1%

LAB 17.29, -20.21, 23.12

 

CMYK 87 / 0 / 100 / 88

HEX #041F00

RGB 4 31 0

HSL 112.26, 1%, 0.06%

LAB 9.04, -16.84, 13.22

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 43 / 0 / 68 / 75

HEX #254115

RGB 37 65 21

HSL 98.18, 0.51%, 0.17%

LAB 24.41, -19.97, 23.06

 

CMYK 25 / 0 / 68 / 75

HEX #314115

RGB 49 65 21

HSL 81.82, 0.51%, 0.17%

LAB 25.22, -14.69, 24.19

 

CMYK 6 / 0 / 68 / 75

HEX #3D4115

RGB 61 65 21

HSL 65.45, 0.51%, 0.17%

LAB 26.24, -8.86, 25.6

 

CMYK 0 / 11 / 68 / 75

HEX #413A15

RGB 65 58 21

HSL 50.45, 0.51%, 0.17%

LAB 24.33, -2.46, 23.61

 

CMYK 0 / 29 / 68 / 75

HEX #412E15

RGB 65 46 21

HSL 34.09, 0.51%, 0.17%

LAB 20.56, 5.38, 19.28

 

CMYK 43 / 0 / 68 / 75

HEX #254115

RGB 37 65 21

HSL 98.18, 0.51%, 0.17%

LAB 24.41, -19.97, 23.06

 

CMYK 62 / 0 / 68 / 75

HEX #194115

RGB 25 65 21

HSL 114.55, 0.51%, 0.17%

LAB 23.81, -24.36, 22.21

 

CMYK 68 / 0 / 55 / 75

HEX #15411D

RGB 21 65 29

HSL 130.91, 0.51%, 0.17%

LAB 23.77, -24.28, 17.5

 

CMYK 68 / 0 / 37 / 75

HEX #154129

RGB 21 65 41

HSL 147.27, 0.51%, 0.17%

LAB 24, -21.76, 10.27

 

CMYK 68 / 0 / 18 / 75

HEX #154135

RGB 21 65 53

HSL 163.64, 0.51%, 0.17%

LAB 24.31, -18.57, 2.86

 

CMYK 43 / 0 / 68 / 75

HEX #254115

RGB 37 65 21

HSL 98.18, 0.51%, 0.17%

LAB 24.41, -19.97, 23.06

 

CMYK 51 / 0 / 81 / 72

HEX #23480E

RGB 35 72 14

HSL 98.28, 0.67%, 0.17%

LAB 26.8, -24.92, 29.02

 

CMYK 58 / 0 / 91 / 69

HEX #214F07

RGB 33 79 7

HSL 98.33, 0.84%, 0.17%

LAB 29.24, -29.25, 33.95

 

CMYK 64 / 0 / 100 / 66

HEX #1F5700

RGB 31 87 0

HSL 98.62, 1%, 0.17%

LAB 32.05, -33.59, 38.81

 

CMYK 43 / 0 / 68 / 75

HEX #254115

RGB 37 65 21

HSL 98.18, 0.51%, 0.17%

LAB 24.41, -19.97, 23.06

 

CMYK 33 / 0 / 52 / 77

HEX #273A1C

RGB 39 58 28

HSL 98, 0.35%, 0.17%

LAB 22.09, -14.33, 16.21

 

CMYK 20 / 0 / 31 / 80

HEX #293323

RGB 41 51 35

HSL 97.5, 0.19%, 0.17%

LAB 19.88, -7.95, 8.79

 

CMYK 2 / 0 / 5 / 83

HEX #2B2C2A

RGB 43 44 42

HSL 90, 0.02%, 0.17%

LAB 17.84, -0.92, 1.14

 

CMYK 8 / 24 / 0 / 81

HEX #2D2531

RGB 45 37 49

HSL 280, 0.14%, 0.17%

LAB 16.02, 6.58, -6.46

 

CMYK 6 / 0 / 68 / 75

HEX #3D4115

RGB 61 65 21

HSL 65.45, 0.51%, 0.17%

LAB 26.24, -8.86, 25.6

 

CMYK 25 / 0 / 68 / 75

HEX #314115

RGB 49 65 21

HSL 81.82, 0.51%, 0.17%

LAB 25.22, -14.69, 24.19

 

CMYK 43 / 0 / 68 / 75

HEX #254115

RGB 37 65 21

HSL 98.18, 0.51%, 0.17%

LAB 24.41, -19.97, 23.06

 

CMYK 60 / 0 / 68 / 75

HEX #1A4115

RGB 26 65 21

HSL 113.18, 0.51%, 0.17%

LAB 23.85, -24.04, 22.27

 

CMYK 68 / 0 / 55 / 75

HEX #15411D

RGB 21 65 29

HSL 130.91, 0.51%, 0.17%

LAB 23.77, -24.28, 17.5

 

CMYK 33 / 0 / 67 / 99

HEX #020301

RGB 2 3 1

HSL 90, 0.5%, 0.01%

LAB 0.72, -0.54, 0.66

 

CMYK 44 / 0 / 68 / 87

HEX #13220B

RGB 19 34 11

HSL 99.13, 0.51%, 0.09%

LAB 11.32, -11.95, 12.06

 

CMYK 43 / 0 / 68 / 75

HEX #254115

RGB 37 65 21

HSL 98.18, 0.51%, 0.17%

LAB 24.41, -19.97, 23.06

 

CMYK 43 / 0 / 68 / 62

HEX #37611F

RGB 55 97 31

HSL 98.18, 0.52%, 0.25%

LAB 36.86, -27.67, 32.09

 

CMYK 44 / 0 / 68 / 50

HEX #488029

RGB 72 128 41

HSL 98.62, 0.51%, 0.33%

LAB 48.23, -34.74, 40.06

 

CMYK 43 / 0 / 67 / 74

HEX #264316

RGB 38 67 22

HSL 98.67, 0.51%, 0.17%

LAB 25.21, -20.48, 23.44

 

CMYK 68 / 0 / 11 / 75

HEX #15413A

RGB 21 65 58

HSL 170.45, 0.51%, 0.17%

LAB 24.47, -17.06, -0.22

 

CMYK 0 / 68 / 15 / 75

HEX #411537

RGB 65 21 55

HSL 313.64, 0.51%, 0.17%

LAB 15.15, 26.14, -11.79

 

CMYK 43 / 0 / 67 / 74

HEX #264316

RGB 38 67 22

HSL 98.67, 0.51%, 0.17%

LAB 25.21, -20.48, 23.44

 

CMYK 68 / 43 / 0 / 75

HEX #152541

RGB 21 37 65

HSL 218.18, 0.51%, 0.17%

LAB 14.76, 3.71, -19.81

 

CMYK 0 / 68 / 43 / 75

HEX #411525

RGB 65 21 37

HSL 338.18, 0.51%, 0.17%

LAB 14.37, 23.21, 0.03

 

CMYK 43 / 0 / 67 / 74

HEX #264316

RGB 38 67 22

HSL 98.67, 0.51%, 0.17%

LAB 25.21, -20.48, 23.44

 

CMYK 68 / 0 / 11 / 75

HEX #15413A

RGB 21 65 58

HSL 170.45, 0.51%, 0.17%

LAB 24.47, -17.06, -0.22

 

CMYK 25 / 68 / 0 / 75

HEX #311541

RGB 49 21 65

HSL 278.18, 0.51%, 0.17%

LAB 13.05, 23.25, -22.35

 

CMYK 0 / 68 / 55 / 75

HEX #41151D

RGB 65 21 29

HSL 349.09, 0.51%, 0.17%

LAB 14.11, 22.21, 5.52

 

CMYK 43 / 0 / 67 / 74

HEX #264316

RGB 38 67 22

HSL 98.67, 0.51%, 0.17%

LAB 25.21, -20.48, 23.44

 

CMYK 68 / 8 / 0 / 75

HEX #153C41

RGB 21 60 65

HSL 186.82, 0.51%, 0.17%

LAB 22.91, -11.83, -7.2

 

CMYK 25 / 68 / 0 / 75

HEX #311541

RGB 49 21 65

HSL 278.18, 0.51%, 0.17%

LAB 13.05, 23.25, -22.35

 

CMYK 0 / 58 / 68 / 75

HEX #411B15

RGB 65 27 21

HSL 8.18, 0.51%, 0.17%

LAB 15.29, 17.85, 12.83

 

Description

Color code: HEX #264316 | qconv.com Color code: HEX #264316 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 67 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 67 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 67 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 67% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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