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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #264233 it is the complementary color #D9BDCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #264233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #264233 shade: #2B422E, #3C5441, #4D6654, #5E7867 and #6F8A7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #264233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #264233 shade: #264233, #153020, #041E0D, #000C00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #264233 shade: #254132, #25412B, #274125, #2F4125 and #364125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #264233 shade: #254132, #254139, #254141, #253941 and #253241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #264233 shade matches the following richer shades: #254132, #1D4931, #155131, #0C5A30 and #046230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #264233 shade: #254132, #2D3933, #363033, #3E2834 and #462034

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #264233 shade: #284125, #25412A, #254132, #254139 and #254140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #264233 shade: #070C0A, #16271E, #254132, #345B46 and #43755A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #264233 shade: #264233, #252F41 and #412725

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #264233 shade: #264233, #322541 and #413225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #264233 shade: #264233, #252F41, #412534 and #413725

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #264233 shade: #264233, #252741, #412534 and #413F25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 23 / 74

HEX #264233

RGB 38 66 51

HSL 147.86, 0.27%, 0.2%

LAB 25.4, -14.61, 5.84

 

Complementary color

CMYK 0 / 13 / 6 / 15

HEX #D9BDCC

RGB 217 189 204

HSL 327.86, 0.27%, 0.8%

LAB 79.33, 12.48, -3.86

 

CMYK 35 / 0 / 30 / 74

HEX #2B422E

RGB 43 66 46

HSL 127.83, 0.21%, 0.21%

LAB 25.59, -13.89, 9.39

 

CMYK 29 / 0 / 23 / 67

HEX #3C5441

RGB 60 84 65

HSL 132.5, 0.17%, 0.28%

LAB 33.31, -13.61, 8.21

 

CMYK 25 / 0 / 18 / 60

HEX #4D6654

RGB 77 102 84

HSL 136.8, 0.14%, 0.35%

LAB 40.77, -13.37, 7.18

 

CMYK 22 / 0 / 14 / 53

HEX #5E7867

RGB 94 120 103

HSL 140.77, 0.12%, 0.42%

LAB 48, -13.18, 6.26

 

CMYK 20 / 0 / 12 / 46

HEX #6F8A7A

RGB 111 138 122

HSL 144.44, 0.11%, 0.49%

LAB 55.03, -13.02, 5.41

 

CMYK 42 / 0 / 23 / 74

HEX #264233

RGB 38 66 51

HSL 147.86, 0.27%, 0.2%

LAB 25.4, -14.61, 5.84

 

CMYK 56 / 0 / 33 / 81

HEX #153020

RGB 21 48 32

HSL 144.44, 0.39%, 0.14%

LAB 17.36, -14.92, 7.14

 

CMYK 87 / 0 / 57 / 88

HEX #041E0D

RGB 4 30 13

HSL 140.77, 0.76%, 0.07%

LAB 8.85, -14.11, 7.54

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 43 / 0 / 23 / 75

HEX #254132

RGB 37 65 50

HSL 147.86, 0.27%, 0.2%

LAB 24.97, -14.64, 5.86

 

CMYK 43 / 0 / 34 / 75

HEX #25412B

RGB 37 65 43

HSL 132.86, 0.27%, 0.2%

LAB 24.79, -16.26, 10.18

 

CMYK 40 / 0 / 43 / 75

HEX #274125

RGB 39 65 37

HSL 115.71, 0.27%, 0.2%

LAB 24.78, -16.71, 14.02

 

CMYK 28 / 0 / 43 / 75

HEX #2F4125

RGB 47 65 37

HSL 98.57, 0.27%, 0.2%

LAB 25.32, -13.4, 14.82

 

CMYK 17 / 0 / 43 / 75

HEX #364125

RGB 54 65 37

HSL 83.57, 0.27%, 0.2%

LAB 25.86, -10.27, 15.63

 

CMYK 43 / 0 / 23 / 75

HEX #254132

RGB 37 65 50

HSL 147.86, 0.27%, 0.2%

LAB 24.97, -14.64, 5.86

 

CMYK 43 / 0 / 12 / 75

HEX #254139

RGB 37 65 57

HSL 162.86, 0.27%, 0.2%

LAB 25.17, -12.83, 1.55

 

CMYK 43 / 0 / 0 / 75

HEX #254141

RGB 37 65 65

HSL 180, 0.27%, 0.2%

LAB 25.43, -10.54, -3.34

 

CMYK 43 / 12 / 0 / 75

HEX #253941

RGB 37 57 65

HSL 197.14, 0.27%, 0.2%

LAB 22.66, -5.51, -7.49

 

CMYK 43 / 23 / 0 / 75

HEX #253241

RGB 37 50 65

HSL 212.14, 0.27%, 0.2%

LAB 20.27, -0.85, -11.13

 

CMYK 43 / 0 / 23 / 75

HEX #254132

RGB 37 65 50

HSL 147.86, 0.27%, 0.2%

LAB 24.97, -14.64, 5.86

 

CMYK 60 / 0 / 33 / 71

HEX #1D4931

RGB 29 73 49

HSL 147.27, 0.43%, 0.2%

LAB 27.43, -21.75, 9.88

 

CMYK 74 / 0 / 40 / 68

HEX #155131

RGB 21 81 49

HSL 148, 0.59%, 0.2%

LAB 30.07, -27.53, 13.43

 

CMYK 87 / 0 / 47 / 65

HEX #0C5A30

RGB 12 90 48

HSL 147.69, 0.76%, 0.2%

LAB 33.14, -33.1, 18.05

 

CMYK 96 / 0 / 51 / 62

HEX #046230

RGB 4 98 48

HSL 148.09, 0.92%, 0.2%

LAB 35.94, -37.12, 21.61

 

CMYK 43 / 0 / 23 / 75

HEX #254132

RGB 37 65 50

HSL 147.86, 0.27%, 0.2%

LAB 24.97, -14.64, 5.86

 

CMYK 21 / 0 / 11 / 78

HEX #2D3933

RGB 45 57 51

HSL 150, 0.12%, 0.2%

LAB 22.73, -6.47, 2.09

 

CMYK 0 / 11 / 6 / 79

HEX #363033

RGB 54 48 51

HSL 330, 0.06%, 0.2%

LAB 20.59, 3.35, -0.94

 

CMYK 0 / 35 / 16 / 76

HEX #3E2834

RGB 62 40 52

HSL 327.27, 0.22%, 0.2%

LAB 19.18, 12.54, -3.59

 

CMYK 0 / 54 / 26 / 73

HEX #462034

RGB 70 32 52

HSL 328.42, 0.37%, 0.2%

LAB 18.29, 21.07, -4.8

 

CMYK 38 / 0 / 43 / 75

HEX #284125

RGB 40 65 37

HSL 113.57, 0.27%, 0.2%

LAB 24.84, -16.31, 14.12

 

CMYK 43 / 0 / 35 / 75

HEX #25412A

RGB 37 65 42

HSL 130.71, 0.27%, 0.2%

LAB 24.77, -16.47, 10.79

 

CMYK 43 / 0 / 23 / 75

HEX #254132

RGB 37 65 50

HSL 147.86, 0.27%, 0.2%

LAB 24.97, -14.64, 5.86

 

CMYK 43 / 0 / 12 / 75

HEX #254139

RGB 37 65 57

HSL 162.86, 0.27%, 0.2%

LAB 25.17, -12.83, 1.55

 

CMYK 43 / 0 / 2 / 75

HEX #254140

RGB 37 65 64

HSL 177.86, 0.27%, 0.2%

LAB 25.39, -10.84, -2.74

 

CMYK 42 / 0 / 17 / 95

HEX #070C0A

RGB 7 12 10

HSL 156, 0.26%, 0.04%

LAB 2.98, -1.63, 0.33

 

CMYK 44 / 0 / 23 / 85

HEX #16271E

RGB 22 39 30

HSL 148.24, 0.28%, 0.12%

LAB 13.92, -9.66, 3.73

 

CMYK 43 / 0 / 23 / 75

HEX #254132

RGB 37 65 50

HSL 147.86, 0.27%, 0.2%

LAB 24.97, -14.64, 5.86

 

CMYK 43 / 0 / 23 / 64

HEX #345B46

RGB 52 91 70

HSL 147.69, 0.27%, 0.28%

LAB 35.31, -19.21, 7.83

 

CMYK 43 / 0 / 23 / 54

HEX #43755A

RGB 67 117 90

HSL 147.6, 0.27%, 0.36%

LAB 45.16, -23.53, 9.7

 

CMYK 42 / 0 / 23 / 74

HEX #264233

RGB 38 66 51

HSL 147.86, 0.27%, 0.2%

LAB 25.4, -14.61, 5.84

 

CMYK 43 / 28 / 0 / 75

HEX #252F41

RGB 37 47 65

HSL 218.57, 0.27%, 0.2%

LAB 19.26, 1.22, -12.69

 

CMYK 0 / 40 / 43 / 75

HEX #412725

RGB 65 39 37

HSL 4.29, 0.27%, 0.2%

LAB 18.84, 11.96, 6.41

 

CMYK 42 / 0 / 23 / 74

HEX #264233

RGB 38 66 51

HSL 147.86, 0.27%, 0.2%

LAB 25.4, -14.61, 5.84

 

CMYK 23 / 43 / 0 / 75

HEX #322541

RGB 50 37 65

HSL 267.86, 0.27%, 0.2%

LAB 17.38, 12.91, -15.5

 

CMYK 0 / 23 / 43 / 75

HEX #413225

RGB 65 50 37

HSL 27.86, 0.27%, 0.2%

LAB 22.08, 4.61, 10.85

 

CMYK 42 / 0 / 23 / 74

HEX #264233

RGB 38 66 51

HSL 147.86, 0.27%, 0.2%

LAB 25.4, -14.61, 5.84

 

CMYK 43 / 28 / 0 / 75

HEX #252F41

RGB 37 47 65

HSL 218.57, 0.27%, 0.2%

LAB 19.26, 1.22, -12.69

 

CMYK 0 / 43 / 20 / 75

HEX #412534

RGB 65 37 52

HSL 327.86, 0.27%, 0.2%

LAB 18.78, 15.83, -4.15

 

CMYK 0 / 15 / 43 / 75

HEX #413725

RGB 65 55 37

HSL 38.57, 0.27%, 0.2%

LAB 23.64, 1.31, 12.93

 

CMYK 42 / 0 / 23 / 74

HEX #264233

RGB 38 66 51

HSL 147.86, 0.27%, 0.2%

LAB 25.4, -14.61, 5.84

 

CMYK 43 / 40 / 0 / 75

HEX #252741

RGB 37 39 65

HSL 235.71, 0.27%, 0.2%

LAB 16.63, 6.9, -16.77

 

CMYK 0 / 43 / 20 / 75

HEX #412534

RGB 65 37 52

HSL 327.86, 0.27%, 0.2%

LAB 18.78, 15.83, -4.15

 

CMYK 0 / 3 / 43 / 75

HEX #413F25

RGB 65 63 37

HSL 55.71, 0.27%, 0.2%

LAB 26.19, -3.83, 16.26

 

Description

Color code: HEX #264233 | qconv.com Color code: HEX #264233 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 66 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 66 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 23 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 23% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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