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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #264232 it is the complementary color #D9BDCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #264232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #264232 shade: #2B422D, #3C5440, #4D6653, #5E7866 and #6F8A79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #264232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #264232 shade: #264232, #15301F, #041E0C, #000C00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #264232 shade: #254131, #25412A, #284125, #304125 and #374125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #264232 shade: #254131, #254138, #254140, #253A41 and #253341

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #264232 shade matches the following richer shades: #254131, #1D4930, #15512F, #0C5A2D and #04622C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #264232 shade: #254131, #2D3932, #363033, #3E2835 and #462036

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #264232 shade: #284125, #254129, #254131, #254138 and #25413F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #264232 shade: #070C09, #16271D, #254131, #345B45 and #437559

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #264232 shade: #264232, #253041 and #412625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #264232 shade: #264232, #312541 and #413125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #264232 shade: #264232, #253041, #412535 and #413625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #264232 shade: #264232, #252841, #412535 and #413E25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 24 / 74

HEX #264232

RGB 38 66 50

HSL 145.71, 0.27%, 0.2%

LAB 25.38, -14.86, 6.45

 

Complementary color

CMYK 0 / 13 / 6 / 15

HEX #D9BDCD

RGB 217 189 205

HSL 325.71, 0.27%, 0.8%

LAB 79.36, 12.66, -4.36

 

CMYK 35 / 0 / 32 / 74

HEX #2B422D

RGB 43 66 45

HSL 125.22, 0.21%, 0.21%

LAB 25.56, -14.11, 10

 

CMYK 29 / 0 / 24 / 67

HEX #3C5440

RGB 60 84 64

HSL 130, 0.17%, 0.28%

LAB 33.29, -13.82, 8.8

 

CMYK 25 / 0 / 19 / 60

HEX #4D6653

RGB 77 102 83

HSL 134.4, 0.14%, 0.35%

LAB 40.74, -13.58, 7.75

 

CMYK 22 / 0 / 15 / 53

HEX #5E7866

RGB 94 120 102

HSL 138.46, 0.12%, 0.42%

LAB 47.97, -13.38, 6.81

 

CMYK 20 / 0 / 12 / 46

HEX #6F8A79

RGB 111 138 121

HSL 142.22, 0.11%, 0.49%

LAB 55.01, -13.22, 5.94

 

CMYK 42 / 0 / 24 / 74

HEX #264232

RGB 38 66 50

HSL 145.71, 0.27%, 0.2%

LAB 25.38, -14.86, 6.45

 

CMYK 56 / 0 / 35 / 81

HEX #15301F

RGB 21 48 31

HSL 142.22, 0.39%, 0.14%

LAB 17.33, -15.16, 7.78

 

CMYK 87 / 0 / 60 / 88

HEX #041E0C

RGB 4 30 12

HSL 138.46, 0.76%, 0.07%

LAB 8.83, -14.28, 7.98

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 43 / 0 / 25 / 75

HEX #254131

RGB 37 65 49

HSL 145.71, 0.27%, 0.2%

LAB 24.94, -14.88, 6.48

 

CMYK 43 / 0 / 35 / 75

HEX #25412A

RGB 37 65 42

HSL 130.71, 0.27%, 0.2%

LAB 24.77, -16.47, 10.79

 

CMYK 38 / 0 / 43 / 75

HEX #284125

RGB 40 65 37

HSL 113.57, 0.27%, 0.2%

LAB 24.84, -16.31, 14.12

 

CMYK 26 / 0 / 43 / 75

HEX #304125

RGB 48 65 37

HSL 96.43, 0.27%, 0.2%

LAB 25.39, -12.96, 14.93

 

CMYK 15 / 0 / 43 / 75

HEX #374125

RGB 55 65 37

HSL 81.43, 0.27%, 0.2%

LAB 25.94, -9.81, 15.75

 

CMYK 43 / 0 / 25 / 75

HEX #254131

RGB 37 65 49

HSL 145.71, 0.27%, 0.2%

LAB 24.94, -14.88, 6.48

 

CMYK 43 / 0 / 14 / 75

HEX #254138

RGB 37 65 56

HSL 160.71, 0.27%, 0.2%

LAB 25.14, -13.1, 2.16

 

CMYK 43 / 0 / 2 / 75

HEX #254140

RGB 37 65 64

HSL 177.86, 0.27%, 0.2%

LAB 25.39, -10.84, -2.74

 

CMYK 43 / 11 / 0 / 75

HEX #253A41

RGB 37 58 65

HSL 195, 0.27%, 0.2%

LAB 23, -6.16, -6.97

 

CMYK 43 / 22 / 0 / 75

HEX #253341

RGB 37 51 65

HSL 210, 0.27%, 0.2%

LAB 20.61, -1.53, -10.61

 

CMYK 43 / 0 / 25 / 75

HEX #254131

RGB 37 65 49

HSL 145.71, 0.27%, 0.2%

LAB 24.94, -14.88, 6.48

 

CMYK 60 / 0 / 34 / 71

HEX #1D4930

RGB 29 73 48

HSL 145.91, 0.43%, 0.2%

LAB 27.41, -21.99, 10.49

 

CMYK 74 / 0 / 42 / 68

HEX #15512F

RGB 21 81 47

HSL 146, 0.59%, 0.2%

LAB 30.03, -27.98, 14.6

 

CMYK 87 / 0 / 50 / 65

HEX #0C5A2D

RGB 12 90 45

HSL 145.38, 0.76%, 0.2%

LAB 33.09, -33.7, 19.74

 

CMYK 96 / 0 / 55 / 62

HEX #04622C

RGB 4 98 44

HSL 145.53, 0.92%, 0.2%

LAB 35.87, -37.86, 23.78

 

CMYK 43 / 0 / 25 / 75

HEX #254131

RGB 37 65 49

HSL 145.71, 0.27%, 0.2%

LAB 24.94, -14.88, 6.48

 

CMYK 21 / 0 / 12 / 78

HEX #2D3932

RGB 45 57 50

HSL 145, 0.12%, 0.2%

LAB 22.7, -6.72, 2.72

 

CMYK 0 / 11 / 6 / 79

HEX #363033

RGB 54 48 51

HSL 330, 0.06%, 0.2%

LAB 20.59, 3.35, -0.94

 

CMYK 0 / 35 / 15 / 76

HEX #3E2835

RGB 62 40 53

HSL 324.55, 0.22%, 0.2%

LAB 19.22, 12.75, -4.23

 

CMYK 0 / 54 / 23 / 73

HEX #462036

RGB 70 32 54

HSL 325.26, 0.37%, 0.2%

LAB 18.37, 21.43, -6.08

 

CMYK 38 / 0 / 43 / 75

HEX #284125

RGB 40 65 37

HSL 113.57, 0.27%, 0.2%

LAB 24.84, -16.31, 14.12

 

CMYK 43 / 0 / 37 / 75

HEX #254129

RGB 37 65 41

HSL 128.57, 0.27%, 0.2%

LAB 24.75, -16.68, 11.41

 

CMYK 43 / 0 / 25 / 75

HEX #254131

RGB 37 65 49

HSL 145.71, 0.27%, 0.2%

LAB 24.94, -14.88, 6.48

 

CMYK 43 / 0 / 14 / 75

HEX #254138

RGB 37 65 56

HSL 160.71, 0.27%, 0.2%

LAB 25.14, -13.1, 2.16

 

CMYK 43 / 0 / 3 / 75

HEX #25413F

RGB 37 65 63

HSL 175.71, 0.27%, 0.2%

LAB 25.36, -11.13, -2.13

 

CMYK 42 / 0 / 25 / 95

HEX #070C09

RGB 7 12 9

HSL 144, 0.26%, 0.04%

LAB 2.96, -1.77, 0.71

 

CMYK 44 / 0 / 26 / 85

HEX #16271D

RGB 22 39 29

HSL 144.71, 0.28%, 0.12%

LAB 13.89, -9.92, 4.4

 

CMYK 43 / 0 / 25 / 75

HEX #254131

RGB 37 65 49

HSL 145.71, 0.27%, 0.2%

LAB 24.94, -14.88, 6.48

 

CMYK 43 / 0 / 24 / 64

HEX #345B45

RGB 52 91 69

HSL 146.15, 0.27%, 0.28%

LAB 35.29, -19.44, 8.42

 

CMYK 43 / 0 / 24 / 54

HEX #437559

RGB 67 117 89

HSL 146.4, 0.27%, 0.36%

LAB 45.13, -23.75, 10.25

 

CMYK 42 / 0 / 24 / 74

HEX #264232

RGB 38 66 50

HSL 145.71, 0.27%, 0.2%

LAB 25.38, -14.86, 6.45

 

CMYK 43 / 26 / 0 / 75

HEX #253041

RGB 37 48 65

HSL 216.43, 0.27%, 0.2%

LAB 19.59, 0.52, -12.17

 

CMYK 0 / 42 / 43 / 75

HEX #412625

RGB 65 38 37

HSL 2.14, 0.27%, 0.2%

LAB 18.56, 12.62, 6.02

 

CMYK 42 / 0 / 24 / 74

HEX #264232

RGB 38 66 50

HSL 145.71, 0.27%, 0.2%

LAB 25.38, -14.86, 6.45

 

CMYK 25 / 43 / 0 / 75

HEX #312541

RGB 49 37 65

HSL 265.71, 0.27%, 0.2%

LAB 17.26, 12.55, -15.69

 

CMYK 0 / 25 / 43 / 75

HEX #413125

RGB 65 49 37

HSL 25.71, 0.27%, 0.2%

LAB 21.78, 5.27, 10.44

 

CMYK 42 / 0 / 24 / 74

HEX #264232

RGB 38 66 50

HSL 145.71, 0.27%, 0.2%

LAB 25.38, -14.86, 6.45

 

CMYK 43 / 26 / 0 / 75

HEX #253041

RGB 37 48 65

HSL 216.43, 0.27%, 0.2%

LAB 19.59, 0.52, -12.17

 

CMYK 0 / 43 / 18 / 75

HEX #412535

RGB 65 37 53

HSL 325.71, 0.27%, 0.2%

LAB 18.82, 16.02, -4.79

 

CMYK 0 / 17 / 43 / 75

HEX #413625

RGB 65 54 37

HSL 36.43, 0.27%, 0.2%

LAB 23.32, 1.97, 12.51

 

CMYK 42 / 0 / 24 / 74

HEX #264232

RGB 38 66 50

HSL 145.71, 0.27%, 0.2%

LAB 25.38, -14.86, 6.45

 

CMYK 43 / 38 / 0 / 75

HEX #252841

RGB 37 40 65

HSL 233.57, 0.27%, 0.2%

LAB 16.95, 6.18, -16.27

 

CMYK 0 / 43 / 18 / 75

HEX #412535

RGB 65 37 53

HSL 325.71, 0.27%, 0.2%

LAB 18.82, 16.02, -4.79

 

CMYK 0 / 5 / 43 / 75

HEX #413E25

RGB 65 62 37

HSL 53.57, 0.27%, 0.2%

LAB 25.87, -3.19, 15.84

 

Description

Color code: HEX #264232 | qconv.com Color code: HEX #264232 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 66 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 66 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 24 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 24% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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