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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #263496 it is the complementary color #D9CB69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #263496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #263496: #2B3491, #3C46A4, #4D58B7, #5E6ACA and #6F7CDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #263496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #263496: #263496, #152283, #041070, #00005D and #00004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 65 / 0 / 41

HEX #263496

RGB 38 52 150

HSL 232.5, 0.6%, 0.37%

LAB 26.93, 29.71, -55.3

 

Complementary color

CMYK 0 / 6 / 52 / 15

HEX #D9CB69

RGB 217 203 105

HSL 52.5, 0.6%, 0.63%

LAB 81.01, -7.83, 50.1

 

CMYK 70 / 64 / 0 / 43

HEX #2B3491

RGB 43 52 145

HSL 234.71, 0.54%, 0.37%

LAB 26.77, 28.5, -52.47

 

CMYK 63 / 57 / 0 / 36

HEX #3C46A4

RGB 60 70 164

HSL 234.23, 0.46%, 0.44%

LAB 34.03, 26.2, -52.17

 

CMYK 58 / 52 / 0 / 28

HEX #4D58B7

RGB 77 88 183

HSL 233.77, 0.42%, 0.51%

LAB 41.18, 24.33, -51.83

 

CMYK 53 / 48 / 0 / 21

HEX #5E6ACA

RGB 94 106 202

HSL 233.33, 0.5%, 0.58%

LAB 48.2, 22.79, -51.5

 

CMYK 50 / 44 / 0 / 13

HEX #6F7CDD

RGB 111 124 221

HSL 232.91, 0.62%, 0.65%

LAB 55.09, 21.51, -51.22

 

CMYK 75 / 65 / 0 / 41

HEX #263496

RGB 38 52 150

HSL 232.5, 0.6%, 0.37%

LAB 26.93, 29.71, -55.3

 

CMYK 84 / 74 / 0 / 49

HEX #152283

RGB 21 34 131

HSL 232.91, 0.72%, 0.3%

LAB 19.81, 32.72, -55.22

 

CMYK 96 / 86 / 0 / 56

HEX #041070

RGB 4 16 112

HSL 233.33, 0.93%, 0.23%

LAB 13.02, 35.68, -54.31

 

CMYK 100 / 100 / 0 / 64

HEX #00005D

RGB 0 0 93

HSL 240, 1%, 0.18%

LAB 7.14, 37.74, -51.54

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 75 / 65 / 0 / 41

HEX #263496

RGB 38 52 150

HSL 232.5, 0.6%, 0.37%

LAB 26.93, 29.71, -55.3

 

CMYK 73 / 75 / 0 / 41

HEX #292596

RGB 41 37 150

HSL 242.12, 0.6%, 0.37%

LAB 23.66, 39.44, -60.67

 

CMYK 60 / 75 / 0 / 41

HEX #3C2596

RGB 60 37 150

HSL 252.21, 0.6%, 0.37%

LAB 25.22, 41.74, -58.05

 

CMYK 47 / 75 / 0 / 41

HEX #4F2596

RGB 79 37 150

HSL 262.3, 0.6%, 0.37%

LAB 27.26, 44.68, -54.62

 

CMYK 35 / 75 / 0 / 41

HEX #622596

RGB 98 37 150

HSL 272.39, 0.6%, 0.37%

LAB 29.72, 48.1, -50.51

 

CMYK 75 / 65 / 0 / 41

HEX #263496

RGB 38 52 150

HSL 232.5, 0.6%, 0.37%

LAB 26.93, 29.71, -55.3

 

CMYK 75 / 65 / 0 / 21

HEX #3346C9

RGB 51 70 201

HSL 232.4, 0.6%, 0.49%

LAB 36.56, 38.13, -69.92

 

CMYK 75 / 65 / 0 / 1

HEX #4057FC

RGB 64 87 252

HSL 232.66, 0.97%, 0.62%

LAB 45.54, 46.72, -84.16

 

CMYK 75 / 65 / 0 / 81

HEX #0C1130

RGB 12 17 48

HSL 231.67, 0.6%, 0.12%

LAB 6.25, 9.29, -21.24

 

CMYK 75 / 66 / 0 / 61

HEX #192263

RGB 25 34 99

HSL 232.7, 0.6%, 0.24%

LAB 16.76, 20.68, -39.6

 

CMYK 75 / 65 / 0 / 41

HEX #263496

RGB 38 52 150

HSL 232.5, 0.6%, 0.37%

LAB 26.93, 29.71, -55.3

 

CMYK 0 / 75 / 5 / 41

HEX #96258F

RGB 150 37 143

HSL 303.72, 0.6%, 0.37%

LAB 37.46, 57.73, -33.34

 

CMYK 35 / 0 / 75 / 41

HEX #629625

RGB 98 150 37

HSL 87.61, 0.6%, 0.37%

LAB 56.63, -35.39, 50.71

 

CMYK 75 / 65 / 0 / 41

HEX #263496

RGB 38 52 150

HSL 232.5, 0.6%, 0.37%

LAB 26.93, 29.71, -55.3

 

CMYK 0 / 75 / 65 / 41

HEX #962534

RGB 150 37 52

HSL 352.04, 0.6%, 0.37%

LAB 34.1, 47.23, 19.49

 

CMYK 65 / 0 / 75 / 41

HEX #349625

RGB 52 150 37

HSL 112.04, 0.6%, 0.37%

LAB 54.74, -49.58, 48.21

 

CMYK 75 / 65 / 0 / 41

HEX #263496

RGB 38 52 150

HSL 232.5, 0.6%, 0.37%

LAB 26.93, 29.71, -55.3

 

CMYK 0 / 75 / 5 / 41

HEX #96258F

RGB 150 37 143

HSL 303.72, 0.6%, 0.37%

LAB 37.46, 57.73, -33.34

 

CMYK 0 / 10 / 75 / 41

HEX #968725

RGB 150 135 37

HSL 52.04, 0.6%, 0.37%

LAB 56.03, -5.48, 51.47

 

CMYK 75 / 0 / 70 / 41

HEX #25962D

RGB 37 150 45

HSL 124.25, 0.6%, 0.37%

LAB 54.44, -51.81, 44.65

 

CMYK 75 / 65 / 0 / 41

HEX #263496

RGB 38 52 150

HSL 232.5, 0.6%, 0.37%

LAB 26.93, 29.71, -55.3

 

CMYK 0 / 75 / 27 / 41

HEX #96256D

RGB 150 37 109

HSL 321.77, 0.6%, 0.37%

LAB 35.81, 52.74, -14.75

 

CMYK 0 / 10 / 75 / 41

HEX #968725

RGB 150 135 37

HSL 52.04, 0.6%, 0.37%

LAB 56.03, -5.48, 51.47

 

CMYK 75 / 0 / 47 / 41

HEX #25964F

RGB 37 150 79

HSL 142.3, 0.6%, 0.37%

LAB 54.84, -47.18, 28.69

 

Description

Color code: HEX #263496 | qconv.com Color code: HEX #263496 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 52 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 52 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 65 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 65% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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