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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #263441 it is the complementary color #D9CBBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #263441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #263441 shade: #2B343C, #3C464F, #4D5862, #5E6A75 and #6F7C88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #263441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #263441 shade: #263441, #15222E, #04101B, #000008 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #263441 shade: #263340, #262C40, #262640, #2D2640 and #352640

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #263441 shade: #263340, #262C40 and #262640

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #263441 shade matches the following richer shades: #263340, #1D3449, #153451, #0D3459 and #053561

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #263441 shade: #263340, #2E3338, #363330, #3E3328 and #47321F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #263441 shade: #26403E, #263B40, #263440, #262D40 and #262640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #263441 shade: #070A0C, #161F26, #263340, #35485A and #445D74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #263441 shade: #263441, #372640 and #3E4026

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #263441 shade: #263441, #402634 and #344026

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #263441 shade: #263441, #372640, #403226 and #2F4026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #263441 shade: #263441, #3F2640, #403226 and #274026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 20 / 0 / 75

HEX #263441

RGB 38 52 65

HSL 208.89, 0.26%, 0.2%

LAB 21.02, -1.87, -9.98

 

Complementary color

CMYK 0 / 6 / 12 / 15

HEX #D9CBBE

RGB 217 203 190

HSL 28.89, 0.26%, 0.8%

LAB 82.48, 2.69, 8.22

 

CMYK 28 / 13 / 0 / 76

HEX #2B343C

RGB 43 52 60

HSL 208.24, 0.17%, 0.2%

LAB 21.19, -1.6, -6.29

 

CMYK 24 / 11 / 0 / 69

HEX #3C464F

RGB 60 70 79

HSL 208.42, 0.14%, 0.27%

LAB 29.17, -1.73, -6.74

 

CMYK 21 / 10 / 0 / 62

HEX #4D5862

RGB 77 88 98

HSL 208.57, 0.12%, 0.34%

LAB 36.82, -1.85, -7.21

 

CMYK 20 / 9 / 0 / 54

HEX #5E6A75

RGB 94 106 117

HSL 208.7, 0.11%, 0.41%

LAB 44.19, -1.96, -7.67

 

CMYK 18 / 9 / 0 / 47

HEX #6F7C88

RGB 111 124 136

HSL 208.8, 0.1%, 0.48%

LAB 51.35, -2.07, -8.13

 

CMYK 42 / 20 / 0 / 75

HEX #263441

RGB 38 52 65

HSL 208.89, 0.26%, 0.2%

LAB 21.02, -1.87, -9.98

 

CMYK 54 / 26 / 0 / 82

HEX #15222E

RGB 21 34 46

HSL 208.8, 0.37%, 0.13%

LAB 12.61, -1.52, -9.71

 

CMYK 85 / 41 / 0 / 89

HEX #04101B

RGB 4 16 27

HSL 208.7, 0.74%, 0.06%

LAB 4.3, -0.77, -8.32

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 41 / 20 / 0 / 75

HEX #263340

RGB 38 51 64

HSL 210, 0.25%, 0.2%

LAB 20.63, -1.51, -9.89

 

CMYK 41 / 31 / 0 / 75

HEX #262C40

RGB 38 44 64

HSL 226.15, 0.25%, 0.2%

LAB 18.29, 3.33, -13.49

 

CMYK 41 / 41 / 0 / 75

HEX #262640

RGB 38 38 64

HSL 240, 0.25%, 0.2%

LAB 16.35, 7.62, -16.52

 

CMYK 30 / 41 / 0 / 75

HEX #2D2640

RGB 45 38 64

HSL 256.15, 0.25%, 0.2%

LAB 17.06, 10.09, -15.36

 

CMYK 17 / 41 / 0 / 75

HEX #352640

RGB 53 38 64

HSL 274.62, 0.25%, 0.2%

LAB 17.98, 13.06, -13.85

 

CMYK 41 / 20 / 0 / 75

HEX #263340

RGB 38 51 64

HSL 210, 0.25%, 0.2%

LAB 20.63, -1.51, -9.89

 

CMYK 41 / 31 / 0 / 75

HEX #262C40

RGB 38 44 64

HSL 226.15, 0.25%, 0.2%

LAB 18.29, 3.33, -13.49

 

CMYK 41 / 41 / 0 / 75

HEX #262640

RGB 38 38 64

HSL 240, 0.25%, 0.2%

LAB 16.35, 7.62, -16.52

 

CMYK 41 / 20 / 0 / 75

HEX #263340

RGB 38 51 64

HSL 210, 0.25%, 0.2%

LAB 20.63, -1.51, -9.89

 

CMYK 60 / 29 / 0 / 71

HEX #1D3449

RGB 29 52 73

HSL 208.64, 0.43%, 0.2%

LAB 20.82, -1.81, -15.73

 

CMYK 74 / 36 / 0 / 68

HEX #153451

RGB 21 52 81

HSL 209, 0.59%, 0.2%

LAB 20.86, -0.49, -21.05

 

CMYK 85 / 42 / 0 / 65

HEX #0D3459

RGB 13 52 89

HSL 209.21, 0.75%, 0.2%

LAB 21.07, 1.63, -26.06

 

CMYK 95 / 45 / 0 / 62

HEX #053561

RGB 5 53 97

HSL 208.7, 0.9%, 0.2%

LAB 21.73, 3.6, -30.27

 

CMYK 41 / 20 / 0 / 75

HEX #263340

RGB 38 51 64

HSL 210, 0.25%, 0.2%

LAB 20.63, -1.51, -9.89

 

CMYK 18 / 9 / 0 / 78

HEX #2E3338

RGB 46 51 56

HSL 210, 0.1%, 0.2%

LAB 20.96, -0.86, -3.89

 

CMYK 0 / 6 / 11 / 79

HEX #363330

RGB 54 51 48

HSL 30, 0.06%, 0.2%

LAB 21.45, 0.67, 2.37

 

CMYK 0 / 18 / 35 / 76

HEX #3E3328

RGB 62 51 40

HSL 30, 0.22%, 0.2%

LAB 22.11, 2.94, 8.82

 

CMYK 0 / 30 / 56 / 72

HEX #47321F

RGB 71 50 31

HSL 28.5, 0.39%, 0.2%

LAB 22.72, 6.81, 15.77

 

CMYK 41 / 0 / 3 / 75

HEX #26403E

RGB 38 64 62

HSL 175.38, 0.25%, 0.2%

LAB 25.03, -10.49, -1.94

 

CMYK 41 / 8 / 0 / 75

HEX #263B40

RGB 38 59 64

HSL 191.54, 0.25%, 0.2%

LAB 23.37, -6.78, -5.74

 

CMYK 41 / 19 / 0 / 75

HEX #263440

RGB 38 52 64

HSL 207.69, 0.25%, 0.2%

LAB 20.97, -2.19, -9.37

 

CMYK 41 / 30 / 0 / 75

HEX #262D40

RGB 38 45 64

HSL 223.85, 0.25%, 0.2%

LAB 18.62, 2.63, -12.98

 

CMYK 41 / 41 / 0 / 75

HEX #262640

RGB 38 38 64

HSL 240, 0.25%, 0.2%

LAB 16.35, 7.62, -16.52

 

CMYK 42 / 17 / 0 / 95

HEX #070A0C

RGB 7 10 12

HSL 204, 0.26%, 0.04%

LAB 2.61, -0.49, -1.08

 

CMYK 42 / 18 / 0 / 85

HEX #161F26

RGB 22 31 38

HSL 206.25, 0.27%, 0.12%

LAB 11.21, -1.81, -6.04

 

CMYK 41 / 20 / 0 / 75

HEX #263340

RGB 38 51 64

HSL 210, 0.25%, 0.2%

LAB 20.63, -1.51, -9.89

 

CMYK 41 / 20 / 0 / 65

HEX #35485A

RGB 53 72 90

HSL 209.19, 0.26%, 0.28%

LAB 29.74, -2.23, -13.03

 

CMYK 41 / 20 / 0 / 55

HEX #445D74

RGB 68 93 116

HSL 208.75, 0.26%, 0.36%

LAB 38.41, -2.88, -15.99

 

CMYK 42 / 20 / 0 / 75

HEX #263441

RGB 38 52 65

HSL 208.89, 0.26%, 0.2%

LAB 21.02, -1.87, -9.98

 

CMYK 14 / 41 / 0 / 75

HEX #372640

RGB 55 38 64

HSL 279.23, 0.25%, 0.2%

LAB 18.23, 13.82, -13.45

 

CMYK 3 / 0 / 41 / 75

HEX #3E4026

RGB 62 64 38

HSL 64.62, 0.25%, 0.2%

LAB 26.25, -5.76, 15.65

 

CMYK 42 / 20 / 0 / 75

HEX #263441

RGB 38 52 65

HSL 208.89, 0.26%, 0.2%

LAB 21.02, -1.87, -9.98

 

CMYK 0 / 41 / 19 / 75

HEX #402634

RGB 64 38 52

HSL 327.69, 0.25%, 0.2%

LAB 18.9, 14.74, -3.98

 

CMYK 19 / 0 / 41 / 75

HEX #344026

RGB 52 64 38

HSL 87.69, 0.25%, 0.2%

LAB 25.37, -10.42, 14.34

 

CMYK 42 / 20 / 0 / 75

HEX #263441

RGB 38 52 65

HSL 208.89, 0.26%, 0.2%

LAB 21.02, -1.87, -9.98

 

CMYK 14 / 41 / 0 / 75

HEX #372640

RGB 55 38 64

HSL 279.23, 0.25%, 0.2%

LAB 18.23, 13.82, -13.45

 

CMYK 0 / 22 / 41 / 75

HEX #403226

RGB 64 50 38

HSL 27.69, 0.25%, 0.2%

LAB 21.98, 4.26, 10.03

 

CMYK 27 / 0 / 41 / 75

HEX #2F4026

RGB 47 64 38

HSL 99.23, 0.25%, 0.2%

LAB 24.99, -12.64, 13.76

 

CMYK 42 / 20 / 0 / 75

HEX #263441

RGB 38 52 65

HSL 208.89, 0.26%, 0.2%

LAB 21.02, -1.87, -9.98

 

CMYK 2 / 41 / 0 / 75

HEX #3F2640

RGB 63 38 64

HSL 297.69, 0.25%, 0.2%

LAB 19.28, 16.91, -11.74

 

CMYK 0 / 22 / 41 / 75

HEX #403226

RGB 64 50 38

HSL 27.69, 0.25%, 0.2%

LAB 21.98, 4.26, 10.03

 

CMYK 39 / 0 / 41 / 75

HEX #274026

RGB 39 64 38

HSL 117.69, 0.25%, 0.2%

LAB 24.44, -15.96, 12.94

 

Description

Color code: HEX #263441 | qconv.com Color code: HEX #263441 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 52 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 52 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 20 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 20% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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