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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25E511 it is the complementary color #DA1AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25E511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25E511 shade: #2AE50C, #3BF71F, #4CFF32, #5DFF45 and #6EFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25E511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25E511 shade: #25E511, #14D300, #03C100, #00AF00 and #009D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25E511 shade: #25E411, #5EE411, #97E411, #CFE411 and #E4BF11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25E511 shade: #25E411, #11E436, #11E46F, #11E4A8 and #11E4E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25E511 shade matches the following richer shades: #25E411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25E511 shade: #25E411, #35D025, #45BC39, #55A84D and #659460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25E511 shade: #96E411, #5EE411, #26E411, #11E434 and #11E46C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25E511 shade: #19970B, #1FBD0E, #25E411, #41EF2F and #64F255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25E511 shade: #25E511, #11CFE4 and #E4117A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25E511 shade: #25E511, #1126E4 and #E41126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25E511 shade: #25E511, #11CFE4, #CF11E4 and #E42611

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25E511 shade: #25E511, #118FE4, #CF11E4 and #E46511

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 93 / 10

HEX #25E511

RGB 37 229 17

HSL 114.34, 0.86%, 0.48%

LAB 79.88, -77.13, 75.36

 

Complementary color

CMYK 8 / 89 / 0 / 7

HEX #DA1AEE

RGB 218 26 238

HSL 294.34, 0.86%, 0.52%

LAB 53.83, 87.87, -62.11

 

CMYK 82 / 0 / 95 / 10

HEX #2AE50C

RGB 42 229 12

HSL 111.71, 0.9%, 0.47%

LAB 79.93, -76.73, 75.97

 

CMYK 76 / 0 / 87 / 3

HEX #3BF71F

RGB 59 247 31

HSL 112.22, 0.93%, 0.55%

LAB 85.78, -79.27, 78.35

 

CMYK 70 / 0 / 80 / 0

HEX #4CFF32

RGB 76 255 50

HSL 112.39, 1%, 0.6%

LAB 88.58, -78.25, 76.82

 

CMYK 64 / 0 / 73 / 0

HEX #5DFF45

RGB 93 255 69

HSL 112.26, 1%, 0.64%

LAB 89.05, -73.96, 71.79

 

CMYK 57 / 0 / 65 / 0

HEX #6EFF58

RGB 110 255 88

HSL 112.1, 1%, 0.67%

LAB 89.65, -68.72, 65.69

 

CMYK 84 / 0 / 93 / 10

HEX #25E511

RGB 37 229 17

HSL 114.34, 0.86%, 0.48%

LAB 79.88, -77.13, 75.36

 

CMYK 91 / 0 / 100 / 17

HEX #14D300

RGB 20 211 0

HSL 114.31, 1%, 0.41%

LAB 74.02, -73.84, 72.22

 

CMYK 98 / 0 / 100 / 24

HEX #03C100

RGB 3 193 0

HSL 119.07, 1%, 0.38%

LAB 68.14, -69.76, 67.47

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 84 / 0 / 93 / 11

HEX #25E411

RGB 37 228 17

HSL 114.31, 0.86%, 0.48%

LAB 79.57, -76.85, 75.09

 

CMYK 59 / 0 / 93 / 11

HEX #5EE411

RGB 94 228 17

HSL 98.1, 0.86%, 0.48%

LAB 80.69, -67.26, 76.48

 

CMYK 34 / 0 / 93 / 11

HEX #97E411

RGB 151 228 17

HSL 81.9, 0.86%, 0.48%

LAB 82.97, -50.01, 79.28

 

CMYK 9 / 0 / 93 / 11

HEX #CFE411

RGB 207 228 17

HSL 65.97, 0.86%, 0.48%

LAB 86.4, -28.35, 83.45

 

CMYK 0 / 16 / 93 / 11

HEX #E4BF11

RGB 228 191 17

HSL 49.48, 0.86%, 0.48%

LAB 78.34, -1.08, 78.06

 

CMYK 84 / 0 / 93 / 11

HEX #25E411

RGB 37 228 17

HSL 114.31, 0.86%, 0.48%

LAB 79.57, -76.85, 75.09

 

CMYK 93 / 0 / 76 / 11

HEX #11E436

RGB 17 228 54

HSL 130.52, 0.86%, 0.48%

LAB 79.54, -76.61, 66.84

 

CMYK 93 / 0 / 51 / 11

HEX #11E46F

RGB 17 228 111

HSL 146.73, 0.86%, 0.48%

LAB 80.04, -70.37, 44.16

 

CMYK 93 / 0 / 26 / 11

HEX #11E4A8

RGB 17 228 168

HSL 162.94, 0.86%, 0.48%

LAB 80.98, -59.49, 16.62

 

CMYK 93 / 0 / 2 / 11

HEX #11E4E0

RGB 17 228 224

HSL 178.86, 0.86%, 0.48%

LAB 82.37, -44.91, -10.95

 

CMYK 84 / 0 / 93 / 11

HEX #25E411

RGB 37 228 17

HSL 114.31, 0.86%, 0.48%

LAB 79.57, -76.85, 75.09

 

CMYK 84 / 0 / 93 / 11

HEX #25E411

RGB 37 228 17

HSL 114.31, 0.86%, 0.48%

LAB 79.57, -76.85, 75.09

 

CMYK 75 / 0 / 82 / 18

HEX #35D025

RGB 53 208 37

HSL 114.39, 0.7%, 0.48%

LAB 73.55, -68.39, 66.17

 

CMYK 63 / 0 / 70 / 26

HEX #45BC39

RGB 69 188 57

HSL 114.5, 0.53%, 0.48%

LAB 67.67, -57.54, 54.03

 

CMYK 49 / 0 / 54 / 34

HEX #55A84D

RGB 85 168 77

HSL 114.73, 0.37%, 0.48%

LAB 62.06, -43.66, 38.97

 

CMYK 32 / 0 / 35 / 42

HEX #659460

RGB 101 148 96

HSL 114.23, 0.21%, 0.48%

LAB 56.87, -26.61, 22.58

 

CMYK 34 / 0 / 93 / 11

HEX #96E411

RGB 150 228 17

HSL 82.18, 0.86%, 0.48%

LAB 82.92, -50.37, 79.22

 

CMYK 59 / 0 / 93 / 11

HEX #5EE411

RGB 94 228 17

HSL 98.1, 0.86%, 0.48%

LAB 80.69, -67.26, 76.48

 

CMYK 83 / 0 / 93 / 11

HEX #26E411

RGB 38 228 17

HSL 114.03, 0.86%, 0.48%

LAB 79.58, -76.76, 75.11

 

CMYK 93 / 0 / 77 / 11

HEX #11E434

RGB 17 228 52

HSL 129.95, 0.86%, 0.48%

LAB 79.53, -76.74, 67.45

 

CMYK 93 / 0 / 53 / 11

HEX #11E46C

RGB 17 228 108

HSL 145.88, 0.86%, 0.48%

LAB 80, -70.82, 45.54

 

CMYK 83 / 0 / 93 / 41

HEX #19970B

RGB 25 151 11

HSL 114, 0.86%, 0.32%

LAB 54.41, -56, 54.77

 

CMYK 84 / 0 / 93 / 26

HEX #1FBD0E

RGB 31 189 14

HSL 114.17, 0.86%, 0.4%

LAB 67.07, -66.5, 65.01

 

CMYK 84 / 0 / 93 / 11

HEX #25E411

RGB 37 228 17

HSL 114.31, 0.86%, 0.48%

LAB 79.57, -76.85, 75.09

 

CMYK 73 / 0 / 80 / 6

HEX #41EF2F

RGB 65 239 47

HSL 114.38, 0.86%, 0.56%

LAB 83.48, -75.37, 72.79

 

CMYK 59 / 0 / 65 / 5

HEX #64F255

RGB 100 242 85

HSL 114.27, 0.86%, 0.64%

LAB 85.44, -66.81, 62.23

 

CMYK 84 / 0 / 93 / 10

HEX #25E511

RGB 37 229 17

HSL 114.34, 0.86%, 0.48%

LAB 79.88, -77.13, 75.36

 

CMYK 93 / 9 / 0 / 11

HEX #11CFE4

RGB 17 207 228

HSL 185.97, 0.86%, 0.48%

LAB 76.28, -34.18, -22.26

 

CMYK 0 / 93 / 46 / 11

HEX #E4117A

RGB 228 17 122

HSL 330.14, 0.86%, 0.48%

LAB 49.86, 76.91, -0.26

 

CMYK 84 / 0 / 93 / 10

HEX #25E511

RGB 37 229 17

HSL 114.34, 0.86%, 0.48%

LAB 79.88, -77.13, 75.36

 

CMYK 93 / 83 / 0 / 11

HEX #1126E4

RGB 17 38 228

HSL 234.03, 0.86%, 0.48%

LAB 32.05, 62.66, -92.99

 

CMYK 0 / 93 / 83 / 11

HEX #E41126

RGB 228 17 38

HSL 354.03, 0.86%, 0.48%

LAB 48.3, 72.63, 47.85

 

CMYK 84 / 0 / 93 / 10

HEX #25E511

RGB 37 229 17

HSL 114.34, 0.86%, 0.48%

LAB 79.88, -77.13, 75.36

 

CMYK 93 / 9 / 0 / 11

HEX #11CFE4

RGB 17 207 228

HSL 185.97, 0.86%, 0.48%

LAB 76.28, -34.18, -22.26

 

CMYK 9 / 93 / 0 / 11

HEX #CF11E4

RGB 207 17 228

HSL 294.03, 0.86%, 0.48%

LAB 51, 85.71, -61.12

 

CMYK 0 / 83 / 93 / 11

HEX #E42611

RGB 228 38 17

HSL 5.97, 0.86%, 0.48%

LAB 49.4, 68.78, 57.78

 

CMYK 84 / 0 / 93 / 10

HEX #25E511

RGB 37 229 17

HSL 114.34, 0.86%, 0.48%

LAB 79.88, -77.13, 75.36

 

CMYK 93 / 37 / 0 / 11

HEX #118FE4

RGB 17 143 228

HSL 204.17, 0.86%, 0.48%

LAB 57.43, -0.23, -51.6

 

CMYK 9 / 93 / 0 / 11

HEX #CF11E4

RGB 207 17 228

HSL 294.03, 0.86%, 0.48%

LAB 51, 85.71, -61.12

 

CMYK 0 / 56 / 93 / 11

HEX #E46511

RGB 228 101 17

HSL 23.89, 0.86%, 0.48%

LAB 57.89, 45.78, 63.31

 

Description

Color code: HEX #25E511 | qconv.com Color code: HEX #25E511 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 229 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 229 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 93 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 93% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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