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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25E04D it is the complementary color #DA1FB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25E04D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25E04D shade: #2AE048, #3BF25B, #4CFF6E, #5DFF81 and #6EFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25E04D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25E04D shade: #25E04D, #14CE3A, #03BC27, #00AA14 and #009801

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25E04D shade: #24E04C, #2FE024, #61E024, #94E024 and #C6E024

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25E04D shade: #24E04C, #24E07F, #24E0B1, #24DBE0 and #24A9E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25E04D shade matches the following richer shades: #24E04C and #10F441

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25E04D shade: #24E04C, #39CC58, #4DB764, #61A36F and #758F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25E04D shade: #63E024, #31E024, #24E04A, #24E07C and #24E0AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25E04D shade: #169B33, #1BBF3E, #24E04C, #48E56A and #6DEA87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25E04D shade: #25E04D, #2495E0 and #E0244A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25E04D shade: #25E04D, #4A24E0 and #E04A24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25E04D shade: #25E04D, #2495E0, #E024BA and #E06F24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25E04D shade: #25E04D, #245DE0, #E024BA and #E0A824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 66 / 12

HEX #25E04D

RGB 37 224 77

HSL 132.83, 0.75%, 0.51%

LAB 78.6, -72.1, 57.62

 

Complementary color

CMYK 0 / 86 / 18 / 15

HEX #DA1FB2

RGB 218 31 178

HSL 312.83, 0.75%, 0.49%

LAB 50.8, 78.57, -32.5

 

CMYK 81 / 0 / 68 / 12

HEX #2AE048

RGB 42 224 72

HSL 129.89, 0.75%, 0.52%

LAB 78.62, -72.09, 59.64

 

CMYK 76 / 0 / 62 / 5

HEX #3BF25B

RGB 59 242 91

HSL 130.49, 0.88%, 0.59%

LAB 84.58, -73.65, 58.58

 

CMYK 70 / 0 / 57 / 0

HEX #4CFF6E

RGB 76 255 110

HSL 131.4, 1%, 0.65%

LAB 89.01, -73.14, 55.58

 

CMYK 64 / 0 / 49 / 0

HEX #5DFF81

RGB 93 255 129

HSL 133.33, 1%, 0.68%

LAB 89.6, -67.67, 47.72

 

CMYK 57 / 0 / 42 / 0

HEX #6EFF94

RGB 110 255 148

HSL 135.72, 1%, 0.72%

LAB 90.31, -61.35, 39.61

 

CMYK 83 / 0 / 66 / 12

HEX #25E04D

RGB 37 224 77

HSL 132.83, 0.75%, 0.51%

LAB 78.6, -72.1, 57.62

 

CMYK 90 / 0 / 72 / 19

HEX #14CE3A

RGB 20 206 58

HSL 132.26, 0.82%, 0.44%

LAB 72.63, -69.87, 58.56

 

CMYK 98 / 0 / 79 / 26

HEX #03BC27

RGB 3 188 39

HSL 131.68, 0.97%, 0.37%

LAB 66.62, -66.95, 58.95

 

CMYK 100 / 0 / 88 / 33

HEX #00AA14

RGB 0 170 20

HSL 127.06, 1%, 0.33%

LAB 60.6, -63.02, 58.34

 

CMYK 100 / 0 / 99 / 40

HEX #009801

RGB 0 152 1

HSL 120.39, 1%, 0.3%

LAB 54.51, -58.55, 56.37

 

CMYK 84 / 0 / 66 / 12

HEX #24E04C

RGB 36 224 76

HSL 132.77, 0.75%, 0.51%

LAB 78.58, -72.29, 58

 

CMYK 79 / 0 / 84 / 12

HEX #2FE024

RGB 47 224 36

HSL 116.49, 0.75%, 0.51%

LAB 78.49, -74, 70.85

 

CMYK 57 / 0 / 84 / 12

HEX #61E024

RGB 97 224 36

HSL 100.53, 0.75%, 0.51%

LAB 79.6, -64.59, 72.27

 

CMYK 34 / 0 / 84 / 12

HEX #94E024

RGB 148 224 36

HSL 84.26, 0.75%, 0.51%

LAB 81.69, -48.96, 74.91

 

CMYK 12 / 0 / 84 / 12

HEX #C6E024

RGB 198 224 36

HSL 68.3, 0.75%, 0.51%

LAB 84.71, -29.77, 78.69

 

CMYK 84 / 0 / 66 / 12

HEX #24E04C

RGB 36 224 76

HSL 132.77, 0.75%, 0.51%

LAB 78.58, -72.29, 58

 

CMYK 84 / 0 / 43 / 12

HEX #24E07F

RGB 36 224 127

HSL 149.04, 0.75%, 0.51%

LAB 79.17, -65.24, 35.27

 

CMYK 84 / 0 / 21 / 12

HEX #24E0B1

RGB 36 224 177

HSL 165, 0.75%, 0.51%

LAB 80.1, -54.76, 10.67

 

CMYK 84 / 2 / 0 / 12

HEX #24DBE0

RGB 36 219 224

HSL 181.6, 0.75%, 0.51%

LAB 79.85, -39.99, -14.7

 

CMYK 84 / 25 / 0 / 12

HEX #24A9E0

RGB 36 169 224

HSL 197.55, 0.75%, 0.51%

LAB 65.07, -15.28, -37.34

 

CMYK 84 / 0 / 66 / 12

HEX #24E04C

RGB 36 224 76

HSL 132.77, 0.75%, 0.51%

LAB 78.58, -72.29, 58

 

CMYK 93 / 0 / 73 / 4

HEX #10F441

RGB 16 244 65

HSL 132.89, 0.91%, 0.51%

LAB 84.58, -80.3, 68.28

 

CMYK 84 / 0 / 66 / 12

HEX #24E04C

RGB 36 224 76

HSL 132.77, 0.75%, 0.51%

LAB 78.58, -72.29, 58

 

CMYK 72 / 0 / 57 / 20

HEX #39CC58

RGB 57 204 88

HSL 132.65, 0.59%, 0.51%

LAB 72.73, -61.94, 46.25

 

CMYK 58 / 0 / 45 / 28

HEX #4DB764

RGB 77 183 100

HSL 133.02, 0.42%, 0.51%

LAB 66.8, -48.53, 33.19

 

CMYK 40 / 0 / 32 / 36

HEX #61A36F

RGB 97 163 111

HSL 132.73, 0.26%, 0.51%

LAB 61.55, -32.51, 20.58

 

CMYK 18 / 0 / 14 / 44

HEX #758F7B

RGB 117 143 123

HSL 133.85, 0.1%, 0.51%

LAB 56.94, -13.39, 7.61

 

CMYK 56 / 0 / 84 / 12

HEX #63E024

RGB 99 224 36

HSL 99.89, 0.75%, 0.51%

LAB 79.67, -64.08, 72.35

 

CMYK 78 / 0 / 84 / 12

HEX #31E024

RGB 49 224 36

HSL 115.85, 0.75%, 0.51%

LAB 78.52, -73.75, 70.89

 

CMYK 84 / 0 / 67 / 12

HEX #24E04A

RGB 36 224 74

HSL 132.13, 0.75%, 0.51%

LAB 78.57, -72.49, 58.78

 

CMYK 84 / 0 / 45 / 12

HEX #24E07C

RGB 36 224 124

HSL 148.09, 0.75%, 0.51%

LAB 79.12, -65.76, 36.7

 

CMYK 84 / 0 / 22 / 12

HEX #24E0AE

RGB 36 224 174

HSL 164.04, 0.75%, 0.51%

LAB 80.03, -55.48, 12.15

 

CMYK 86 / 0 / 67 / 39

HEX #169B33

RGB 22 155 51

HSL 133.08, 0.75%, 0.35%

LAB 55.94, -54.8, 43.65

 

CMYK 86 / 0 / 68 / 25

HEX #1BBF3E

RGB 27 191 62

HSL 132.8, 0.75%, 0.43%

LAB 67.9, -64.5, 52.05

 

CMYK 84 / 0 / 66 / 12

HEX #24E04C

RGB 36 224 76

HSL 132.77, 0.75%, 0.51%

LAB 78.58, -72.29, 58

 

CMYK 69 / 0 / 54 / 10

HEX #48E56A

RGB 72 229 106

HSL 132.99, 0.75%, 0.59%

LAB 80.99, -65.61, 47.83

 

CMYK 53 / 0 / 42 / 8

HEX #6DEA87

RGB 109 234 135

HSL 132.48, 0.75%, 0.67%

LAB 83.89, -55.53, 37.7

 

CMYK 83 / 0 / 66 / 12

HEX #25E04D

RGB 37 224 77

HSL 132.83, 0.75%, 0.51%

LAB 78.6, -72.1, 57.62

 

CMYK 84 / 33 / 0 / 12

HEX #2495E0

RGB 36 149 224

HSL 203.94, 0.75%, 0.51%

LAB 59.21, -4.11, -46.54

 

CMYK 0 / 84 / 67 / 12

HEX #E0244A

RGB 224 36 74

HSL 347.87, 0.75%, 0.51%

LAB 49.01, 69.8, 27.77

 

CMYK 83 / 0 / 66 / 12

HEX #25E04D

RGB 37 224 77

HSL 132.83, 0.75%, 0.51%

LAB 78.6, -72.1, 57.62

 

CMYK 67 / 84 / 0 / 12

HEX #4A24E0

RGB 74 36 224

HSL 252.13, 0.75%, 0.51%

LAB 34.19, 64.88, -87.06

 

CMYK 0 / 67 / 84 / 12

HEX #E04A24

RGB 224 74 36

HSL 12.13, 0.75%, 0.51%

LAB 52.81, 56.62, 52.53

 

CMYK 83 / 0 / 66 / 12

HEX #25E04D

RGB 37 224 77

HSL 132.83, 0.75%, 0.51%

LAB 78.6, -72.1, 57.62

 

CMYK 84 / 33 / 0 / 12

HEX #2495E0

RGB 36 149 224

HSL 203.94, 0.75%, 0.51%

LAB 59.21, -4.11, -46.54

 

CMYK 0 / 84 / 17 / 12

HEX #E024BA

RGB 224 36 186

HSL 312.13, 0.75%, 0.51%

LAB 52.57, 79.87, -34.33

 

CMYK 0 / 50 / 84 / 12

HEX #E06F24

RGB 224 111 36

HSL 23.94, 0.75%, 0.51%

LAB 59.29, 39.71, 58.14

 

CMYK 83 / 0 / 66 / 12

HEX #25E04D

RGB 37 224 77

HSL 132.83, 0.75%, 0.51%

LAB 78.6, -72.1, 57.62

 

CMYK 84 / 58 / 0 / 12

HEX #245DE0

RGB 36 93 224

HSL 221.81, 0.75%, 0.51%

LAB 43.63, 30.61, -71.58

 

CMYK 0 / 84 / 17 / 12

HEX #E024BA

RGB 224 36 186

HSL 312.13, 0.75%, 0.51%

LAB 52.57, 79.87, -34.33

 

CMYK 0 / 25 / 84 / 12

HEX #E0A824

RGB 224 168 36

HSL 42.13, 0.75%, 0.51%

LAB 72.22, 9.64, 69.09

 

Description

Color code: HEX #25E04D | qconv.com Color code: HEX #25E04D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 224 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 224 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 66 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 66% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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