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Color name
HEX #25DC5A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25DC5A it is the complementary color #DA23A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25DC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25DC5A shade: #2ADC55, #3BEE68, #4CFF7B, #5DFF8E and #6EFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25DC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25DC5A shade: #25DC5A, #14CA47, #03B834, #00A621 and #00940E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25DC5A shade: #24DB59, #24DB27, #52DB24, #83DB24 and #B5DB24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25DC5A shade: #24DB59, #24DB8A, #24DBBC, #24C9DB and #2498DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25DC5A shade matches the following richer shades: #24DB59 and #0FF050

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25DC5A shade: #24DB59, #38C762, #4DB26A, #629D73 and #76897C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25DC5A shade: #52DB24, #24DB27, #24DB58, #24DB89 and #24DBBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25DC5A shade: #18943C, #1EB84B, #24DB59, #47E174 and #6BE78F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25DC5A shade: #25DC5A, #2483DB and #DB2439

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25DC5A shade: #25DC5A, #5824DB and #DB5824

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25DC5A shade: #25DC5A, #2483DB, #DB24A7 and #DB7C24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25DC5A shade: #25DC5A, #244BDB, #DB24A7 and #DBB424

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 59 / 14

HEX #25DC5A

RGB 37 220 90

HSL 137.38, 0.72%, 0.5%

LAB 77.47, -69.4, 50.81

 

Complementary color

CMYK 0 / 84 / 24 / 15

HEX #DA23A5

RGB 218 35 165

HSL 317.38, 0.72%, 0.5%

LAB 50.48, 76.23, -25.34

 

CMYK 81 / 0 / 61 / 14

HEX #2ADC55

RGB 42 220 85

HSL 134.49, 0.72%, 0.51%

LAB 77.48, -69.5, 53.04

 

CMYK 75 / 0 / 56 / 7

HEX #3BEE68

RGB 59 238 104

HSL 135.08, 0.84%, 0.58%

LAB 83.48, -70.85, 51.67

 

CMYK 70 / 0 / 52 / 0

HEX #4CFF7B

RGB 76 255 123

HSL 135.75, 1%, 0.65%

LAB 89.15, -71.45, 49.89

 

CMYK 64 / 0 / 44 / 0

HEX #5DFF8E

RGB 93 255 142

HSL 138.15, 1%, 0.68%

LAB 89.77, -65.74, 41.74

 

CMYK 57 / 0 / 37 / 0

HEX #6EFFA1

RGB 110 255 161

HSL 141.1, 1%, 0.72%

LAB 90.51, -59.2, 33.46

 

CMYK 83 / 0 / 59 / 14

HEX #25DC5A

RGB 37 220 90

HSL 137.38, 0.72%, 0.5%

LAB 77.47, -69.4, 50.81

 

CMYK 90 / 0 / 65 / 21

HEX #14CA47

RGB 20 202 71

HSL 136.81, 0.82%, 0.44%

LAB 71.45, -67.42, 52.18

 

CMYK 98 / 0 / 72 / 28

HEX #03B834

RGB 3 184 52

HSL 136.24, 0.97%, 0.37%

LAB 65.4, -64.79, 53.28

 

CMYK 100 / 0 / 80 / 35

HEX #00A621

RGB 0 166 33

HSL 131.93, 1%, 0.33%

LAB 59.33, -61.19, 53.8

 

CMYK 100 / 0 / 91 / 42

HEX #00940E

RGB 0 148 14

HSL 125.68, 1%, 0.29%

LAB 53.18, -57, 53.08

 

CMYK 84 / 0 / 59 / 14

HEX #24DB59

RGB 36 219 89

HSL 137.38, 0.72%, 0.5%

LAB 77.14, -69.31, 50.87

 

CMYK 84 / 0 / 82 / 14

HEX #24DB27

RGB 36 219 39

HSL 120.98, 0.72%, 0.5%

LAB 76.79, -73.62, 68.54

 

CMYK 63 / 0 / 84 / 14

HEX #52DB24

RGB 82 219 36

HSL 104.92, 0.72%, 0.5%

LAB 77.63, -66.46, 70.35

 

CMYK 40 / 0 / 84 / 14

HEX #83DB24

RGB 131 219 36

HSL 88.85, 0.72%, 0.5%

LAB 79.39, -52.77, 72.59

 

CMYK 17 / 0 / 84 / 14

HEX #B5DB24

RGB 181 219 36

HSL 72.46, 0.72%, 0.5%

LAB 82.17, -34.3, 76.08

 

CMYK 84 / 0 / 59 / 14

HEX #24DB59

RGB 36 219 89

HSL 137.38, 0.72%, 0.5%

LAB 77.14, -69.31, 50.87

 

CMYK 84 / 0 / 37 / 14

HEX #24DB8A

RGB 36 219 138

HSL 153.44, 0.72%, 0.5%

LAB 77.8, -61.45, 27.88

 

CMYK 84 / 0 / 14 / 14

HEX #24DBBC

RGB 36 219 188

HSL 169.84, 0.72%, 0.5%

LAB 78.85, -49.99, 3.03

 

CMYK 84 / 8 / 0 / 14

HEX #24C9DB

RGB 36 201 219

HSL 185.9, 0.72%, 0.5%

LAB 74.36, -33.15, -20.31

 

CMYK 84 / 31 / 0 / 14

HEX #2498DB

RGB 36 152 219

HSL 201.97, 0.72%, 0.5%

LAB 59.84, -7.64, -42.76

 

CMYK 84 / 0 / 59 / 14

HEX #24DB59

RGB 36 219 89

HSL 137.38, 0.72%, 0.5%

LAB 77.14, -69.31, 50.87

 

CMYK 94 / 0 / 67 / 6

HEX #0FF050

RGB 15 240 80

HSL 137.33, 0.88%, 0.5%

LAB 83.44, -77.9, 61.65

 

CMYK 84 / 0 / 59 / 14

HEX #24DB59

RGB 36 219 89

HSL 137.38, 0.72%, 0.5%

LAB 77.14, -69.31, 50.87

 

CMYK 72 / 0 / 51 / 22

HEX #38C762

RGB 56 199 98

HSL 137.62, 0.56%, 0.5%

LAB 71.26, -58.97, 39.69

 

CMYK 57 / 0 / 40 / 30

HEX #4DB26A

RGB 77 178 106

HSL 137.23, 0.4%, 0.5%

LAB 65.33, -45.5, 28.16

 

CMYK 38 / 0 / 27 / 38

HEX #629D73

RGB 98 157 115

HSL 137.29, 0.23%, 0.5%

LAB 59.84, -28.58, 16.04

 

CMYK 14 / 0 / 9 / 46

HEX #76897C

RGB 118 137 124

HSL 138.95, 0.07%, 0.5%

LAB 55.28, -9.56, 4.67

 

CMYK 63 / 0 / 84 / 14

HEX #52DB24

RGB 82 219 36

HSL 104.92, 0.72%, 0.5%

LAB 77.63, -66.46, 70.35

 

CMYK 84 / 0 / 82 / 14

HEX #24DB27

RGB 36 219 39

HSL 120.98, 0.72%, 0.5%

LAB 76.79, -73.62, 68.54

 

CMYK 84 / 0 / 60 / 14

HEX #24DB58

RGB 36 219 88

HSL 137.05, 0.72%, 0.5%

LAB 77.13, -69.43, 51.3

 

CMYK 84 / 0 / 37 / 14

HEX #24DB89

RGB 36 219 137

HSL 153.11, 0.72%, 0.5%

LAB 77.78, -61.65, 28.37

 

CMYK 84 / 0 / 15 / 14

HEX #24DBBA

RGB 36 219 186

HSL 169.18, 0.72%, 0.5%

LAB 78.8, -50.51, 4.02

 

CMYK 84 / 0 / 59 / 42

HEX #18943C

RGB 24 148 60

HSL 137.42, 0.72%, 0.34%

LAB 53.71, -51.16, 36.97

 

CMYK 84 / 0 / 59 / 28

HEX #1EB84B

RGB 30 184 75

HSL 137.53, 0.72%, 0.42%

LAB 65.8, -60.51, 44.02

 

CMYK 84 / 0 / 59 / 14

HEX #24DB59

RGB 36 219 89

HSL 137.38, 0.72%, 0.5%

LAB 77.14, -69.31, 50.87

 

CMYK 68 / 0 / 48 / 12

HEX #47E174

RGB 71 225 116

HSL 137.53, 0.72%, 0.58%

LAB 79.87, -62.96, 41.7

 

CMYK 54 / 0 / 38 / 9

HEX #6BE78F

RGB 107 231 143

HSL 137.42, 0.72%, 0.66%

LAB 83.05, -53.52, 32.59

 

CMYK 83 / 0 / 59 / 14

HEX #25DC5A

RGB 37 220 90

HSL 137.38, 0.72%, 0.5%

LAB 77.47, -69.4, 50.81

 

CMYK 84 / 40 / 0 / 14

HEX #2483DB

RGB 36 131 219

HSL 208.85, 0.72%, 0.5%

LAB 53.73, 4.7, -52.45

 

CMYK 0 / 84 / 74 / 14

HEX #DB2439

RGB 219 36 57

HSL 353.11, 0.72%, 0.5%

LAB 47.77, 67.73, 36.17

 

CMYK 83 / 0 / 59 / 14

HEX #25DC5A

RGB 37 220 90

HSL 137.38, 0.72%, 0.5%

LAB 77.47, -69.4, 50.81

 

CMYK 60 / 84 / 0 / 14

HEX #5824DB

RGB 88 36 219

HSL 257.05, 0.72%, 0.5%

LAB 34.9, 64.71, -82.96

 

CMYK 0 / 60 / 84 / 14

HEX #DB5824

RGB 219 88 36

HSL 17.05, 0.72%, 0.5%

LAB 54.2, 48.9, 53.43

 

CMYK 83 / 0 / 59 / 14

HEX #25DC5A

RGB 37 220 90

HSL 137.38, 0.72%, 0.5%

LAB 77.47, -69.4, 50.81

 

CMYK 84 / 40 / 0 / 14

HEX #2483DB

RGB 36 131 219

HSL 208.85, 0.72%, 0.5%

LAB 53.73, 4.7, -52.45

 

CMYK 0 / 84 / 24 / 14

HEX #DB24A7

RGB 219 36 167

HSL 317.05, 0.72%, 0.5%

LAB 50.82, 76.48, -25.99

 

CMYK 0 / 43 / 84 / 14

HEX #DB7C24

RGB 219 124 36

HSL 28.85, 0.72%, 0.5%

LAB 61.31, 30.99, 59.6

 

CMYK 83 / 0 / 59 / 14

HEX #25DC5A

RGB 37 220 90

HSL 137.38, 0.72%, 0.5%

LAB 77.47, -69.4, 50.81

 

CMYK 84 / 66 / 0 / 14

HEX #244BDB

RGB 36 75 219

HSL 227.21, 0.72%, 0.5%

LAB 38.76, 40.2, -76.71

 

CMYK 0 / 84 / 24 / 14

HEX #DB24A7

RGB 219 36 167

HSL 317.05, 0.72%, 0.5%

LAB 50.82, 76.48, -25.99

 

CMYK 0 / 18 / 84 / 14

HEX #DBB424

RGB 219 180 36

HSL 47.21, 0.72%, 0.5%

LAB 74.72, 1.12, 70.98

 

Description

Color code: HEX #25DC5A | qconv.com Color code: HEX #25DC5A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 220 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 220 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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