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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25DB8A it is the complementary color #DA2475. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25DB8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25DB8A shade: #2ADB85, #3BED98, #4CFFAB, #5DFFBE and #6EFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25DB8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25DB8A shade: #25DB8A, #14C977, #03B764, #00A551 and #00933E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25DB8A shade: #24DB8A, #24DB58, #24DB27, #52DB24 and #84DB24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25DB8A shade: #24DB8A, #24DBBB, #24CADB, #2498DB and #2467DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25DB8A shade matches the following richer shades: #24DB8A and #0FF08C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25DB8A shade: #24DB8A, #38C787, #4DB285, #629D83 and #768981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25DB8A shade: #24DB27, #24DB58, #24DB89, #24DBBA and #24CCDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25DB8A shade: #18945D, #1EB873, #24DB8A, #47E19D and #6BE7B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25DB8A shade: #25DB8A, #2452DB and #DB3F24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25DB8A shade: #25DB8A, #8924DB and #DB8924

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25DB8A shade: #25DB8A, #2452DB, #DB2476 and #DBAD24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25DB8A shade: #25DB8A, #2D24DB, #DB2476 and #D2DB24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 37 / 14

HEX #25DB8A

RGB 37 219 138

HSL 153.3, 0.72%, 0.5%

LAB 77.81, -61.36, 27.89

 

Complementary color

CMYK 0 / 83 / 46 / 15

HEX #DA2475

RGB 218 36 117

HSL 333.3, 0.72%, 0.5%

LAB 48.82, 71.14, 1.05

 

CMYK 81 / 0 / 39 / 14

HEX #2ADB85

RGB 42 219 133

HSL 150.85, 0.71%, 0.51%

LAB 77.79, -61.86, 30.44

 

CMYK 75 / 0 / 36 / 7

HEX #3BED98

RGB 59 237 152

HSL 151.35, 0.83%, 0.58%

LAB 83.84, -62.81, 28.88

 

CMYK 70 / 0 / 33 / 0

HEX #4CFFAB

RGB 76 255 171

HSL 151.84, 1%, 0.65%

LAB 89.86, -63.46, 27.43

 

CMYK 64 / 0 / 25 / 0

HEX #5DFFBE

RGB 93 255 190

HSL 155.93, 1%, 0.68%

LAB 90.58, -56.94, 18.82

 

CMYK 57 / 0 / 18 / 0

HEX #6EFFD1

RGB 110 255 209

HSL 160.97, 1%, 0.72%

LAB 91.43, -49.73, 10.32

 

CMYK 83 / 0 / 37 / 14

HEX #25DB8A

RGB 37 219 138

HSL 153.3, 0.72%, 0.5%

LAB 77.81, -61.36, 27.89

 

CMYK 90 / 0 / 41 / 21

HEX #14C977

RGB 20 201 119

HSL 152.82, 0.82%, 0.43%

LAB 71.73, -59.9, 29.59

 

CMYK 98 / 0 / 45 / 28

HEX #03B764

RGB 3 183 100

HSL 152.33, 0.97%, 0.36%

LAB 65.6, -57.98, 31.41

 

CMYK 100 / 0 / 51 / 35

HEX #00A551

RGB 0 165 81

HSL 149.45, 1%, 0.32%

LAB 59.44, -55.32, 33.37

 

CMYK 100 / 0 / 58 / 42

HEX #00933E

RGB 0 147 62

HSL 145.31, 1%, 0.29%

LAB 53.18, -52.33, 35.32

 

CMYK 84 / 0 / 37 / 14

HEX #24DB8A

RGB 36 219 138

HSL 153.44, 0.72%, 0.5%

LAB 77.8, -61.45, 27.88

 

CMYK 84 / 0 / 60 / 14

HEX #24DB58

RGB 36 219 88

HSL 137.05, 0.72%, 0.5%

LAB 77.13, -69.43, 51.3

 

CMYK 84 / 0 / 82 / 14

HEX #24DB27

RGB 36 219 39

HSL 120.98, 0.72%, 0.5%

LAB 76.79, -73.62, 68.54

 

CMYK 63 / 0 / 84 / 14

HEX #52DB24

RGB 82 219 36

HSL 104.92, 0.72%, 0.5%

LAB 77.63, -66.46, 70.35

 

CMYK 40 / 0 / 84 / 14

HEX #84DB24

RGB 132 219 36

HSL 88.52, 0.72%, 0.5%

LAB 79.44, -52.43, 72.65

 

CMYK 84 / 0 / 37 / 14

HEX #24DB8A

RGB 36 219 138

HSL 153.44, 0.72%, 0.5%

LAB 77.8, -61.45, 27.88

 

CMYK 84 / 0 / 15 / 14

HEX #24DBBB

RGB 36 219 187

HSL 169.51, 0.72%, 0.5%

LAB 78.83, -50.25, 3.53

 

CMYK 84 / 8 / 0 / 14

HEX #24CADB

RGB 36 202 219

HSL 185.57, 0.72%, 0.5%

LAB 74.65, -33.62, -19.86

 

CMYK 84 / 31 / 0 / 14

HEX #2498DB

RGB 36 152 219

HSL 201.97, 0.72%, 0.5%

LAB 59.84, -7.64, -42.76

 

CMYK 84 / 53 / 0 / 14

HEX #2467DB

RGB 36 103 219

HSL 218.03, 0.72%, 0.5%

LAB 45.89, 22.27, -65.06

 

CMYK 84 / 0 / 37 / 14

HEX #24DB8A

RGB 36 219 138

HSL 153.44, 0.72%, 0.5%

LAB 77.8, -61.45, 27.88

 

CMYK 94 / 0 / 42 / 6

HEX #0FF08C

RGB 15 240 140

HSL 153.33, 0.88%, 0.5%

LAB 84.13, -69.53, 35.21

 

CMYK 84 / 0 / 37 / 14

HEX #24DB8A

RGB 36 219 138

HSL 153.44, 0.72%, 0.5%

LAB 77.8, -61.45, 27.88

 

CMYK 72 / 0 / 32 / 22

HEX #38C787

RGB 56 199 135

HSL 153.15, 0.56%, 0.5%

LAB 71.85, -52.32, 21.45

 

CMYK 57 / 0 / 25 / 30

HEX #4DB285

RGB 77 178 133

HSL 153.27, 0.4%, 0.5%

LAB 65.84, -40.2, 14.3

 

CMYK 38 / 0 / 17 / 38

HEX #629D83

RGB 98 157 131

HSL 153.56, 0.23%, 0.5%

LAB 60.2, -25.28, 7.58

 

CMYK 14 / 0 / 6 / 46

HEX #768981

RGB 118 137 129

HSL 154.74, 0.07%, 0.5%

LAB 55.41, -8.53, 1.97

 

CMYK 84 / 0 / 82 / 14

HEX #24DB27

RGB 36 219 39

HSL 120.98, 0.72%, 0.5%

LAB 76.79, -73.62, 68.54

 

CMYK 84 / 0 / 60 / 14

HEX #24DB58

RGB 36 219 88

HSL 137.05, 0.72%, 0.5%

LAB 77.13, -69.43, 51.3

 

CMYK 84 / 0 / 37 / 14

HEX #24DB89

RGB 36 219 137

HSL 153.11, 0.72%, 0.5%

LAB 77.78, -61.65, 28.37

 

CMYK 84 / 0 / 15 / 14

HEX #24DBBA

RGB 36 219 186

HSL 169.18, 0.72%, 0.5%

LAB 78.8, -50.51, 4.02

 

CMYK 84 / 7 / 0 / 14

HEX #24CCDB

RGB 36 204 219

HSL 184.92, 0.72%, 0.5%

LAB 75.25, -34.57, -18.96

 

CMYK 84 / 0 / 37 / 42

HEX #18945D

RGB 24 148 93

HSL 153.39, 0.72%, 0.34%

LAB 54.2, -45.36, 20.21

 

CMYK 84 / 0 / 38 / 28

HEX #1EB873

RGB 30 184 115

HSL 153.12, 0.72%, 0.42%

LAB 66.36, -53.85, 24.59

 

CMYK 84 / 0 / 37 / 14

HEX #24DB8A

RGB 36 219 138

HSL 153.44, 0.72%, 0.5%

LAB 77.8, -61.45, 27.88

 

CMYK 68 / 0 / 30 / 12

HEX #47E19D

RGB 71 225 157

HSL 153.51, 0.72%, 0.58%

LAB 80.53, -55.62, 21.84

 

CMYK 54 / 0 / 24 / 9

HEX #6BE7B0

RGB 107 231 176

HSL 153.39, 0.72%, 0.66%

LAB 83.66, -47.29, 16.43

 

CMYK 83 / 0 / 37 / 14

HEX #25DB8A

RGB 37 219 138

HSL 153.3, 0.72%, 0.5%

LAB 77.81, -61.36, 27.89

 

CMYK 84 / 63 / 0 / 14

HEX #2452DB

RGB 36 82 219

HSL 224.92, 0.72%, 0.5%

LAB 40.45, 35.78, -73.94

 

CMYK 0 / 71 / 84 / 14

HEX #DB3F24

RGB 219 63 36

HSL 8.85, 0.72%, 0.5%

LAB 50.38, 59.17, 50.05

 

CMYK 83 / 0 / 37 / 14

HEX #25DB8A

RGB 37 219 138

HSL 153.3, 0.72%, 0.5%

LAB 77.81, -61.36, 27.89

 

CMYK 37 / 84 / 0 / 14

HEX #8924DB

RGB 137 36 219

HSL 273.11, 0.72%, 0.5%

LAB 40.73, 70.34, -73.17

 

CMYK 0 / 37 / 84 / 14

HEX #DB8924

RGB 219 137 36

HSL 33.11, 0.72%, 0.5%

LAB 64.22, 24.08, 62.1

 

CMYK 83 / 0 / 37 / 14

HEX #25DB8A

RGB 37 219 138

HSL 153.3, 0.72%, 0.5%

LAB 77.81, -61.36, 27.89

 

CMYK 84 / 63 / 0 / 14

HEX #2452DB

RGB 36 82 219

HSL 224.92, 0.72%, 0.5%

LAB 40.45, 35.78, -73.94

 

CMYK 0 / 84 / 46 / 14

HEX #DB2476

RGB 219 36 118

HSL 333.11, 0.72%, 0.5%

LAB 49.04, 71.46, 0.78

 

CMYK 0 / 21 / 84 / 14

HEX #DBAD24

RGB 219 173 36

HSL 44.92, 0.72%, 0.5%

LAB 72.94, 4.81, 69.49

 

CMYK 83 / 0 / 37 / 14

HEX #25DB8A

RGB 37 219 138

HSL 153.3, 0.72%, 0.5%

LAB 77.81, -61.36, 27.89

 

CMYK 79 / 84 / 0 / 14

HEX #2D24DB

RGB 45 36 219

HSL 242.95, 0.72%, 0.5%

LAB 31.66, 61.74, -88.45

 

CMYK 0 / 84 / 46 / 14

HEX #DB2476

RGB 219 36 118

HSL 333.11, 0.72%, 0.5%

LAB 49.04, 71.46, 0.78

 

CMYK 4 / 0 / 84 / 14

HEX #D2DB24

RGB 210 219 36

HSL 62.95, 0.72%, 0.5%

LAB 84.22, -22.45, 78.63

 

Description

Color code: HEX #25DB8A | qconv.com Color code: HEX #25DB8A | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 219 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 219 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 37% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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