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Color name
HEX #25DAAD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25DAAD it is the complementary color #DA2552. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25DAAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25DAAD shade: #2ADAA8, #3BECBB, #4CFECE, #5DFFE1 and #6EFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25DAAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25DAAD shade: #25DAAD, #14C89A, #03B687, #00A474 and #009261

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25DAAD shade: #25DAAD, #25DA7C, #25DA4B, #2FDA25 and #60DA25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25DAAD shade: #25DAAD, #25D6DA, #25A5DA, #2575DA and #2544DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25DAAD shade matches the following richer shades: #25DAAD and #10EFB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25DAAD shade: #25DAAD, #3AC5A3, #4EB198, #639C8E and #778884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25DAAD shade: #25DA4C, #25DA7C, #25DAAD, #25D7DA and #25A7DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25DAAD shade: #199375, #1FB791, #25DAAD, #48E0BA and #6CE6C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25DAAD shade: #25DAAD, #252EDA and #DA6425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25DAAD shade: #25DAAD, #AD25DA and #DAAD25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25DAAD shade: #25DAAD, #252EDA, #DA2552 and #DAD125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25DAAD shade: #25DAAD, #5225DA, #DA2552 and #ADDA25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

Complementary color

CMYK 0 / 83 / 62 / 15

HEX #DA2552

RGB 218 37 82

HSL 345.08, 0.71%, 0.5%

LAB 48.05, 68.44, 21.44

 

CMYK 81 / 0 / 23 / 15

HEX #2ADAA8

RGB 42 218 168

HSL 162.95, 0.7%, 0.51%

LAB 78.15, -54.05, 12.67

 

CMYK 75 / 0 / 21 / 7

HEX #3BECBB

RGB 59 236 187

HSL 163.39, 0.82%, 0.58%

LAB 84.23, -54.95, 11.32

 

CMYK 70 / 0 / 19 / 0

HEX #4CFECE

RGB 76 254 206

HSL 163.82, 0.99%, 0.65%

LAB 90.26, -55.59, 10.09

 

CMYK 64 / 0 / 12 / 0

HEX #5DFFE1

RGB 93 255 225

HSL 168.89, 1%, 0.68%

LAB 91.36, -49, 1.9

 

CMYK 57 / 0 / 4 / 0

HEX #6EFFF4

RGB 110 255 244

HSL 175.45, 1%, 0.72%

LAB 92.29, -41.43, -6.52

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 90 / 0 / 23 / 22

HEX #14C89A

RGB 20 200 154

HSL 164.67, 0.82%, 0.43%

LAB 72.09, -51.92, 11.54

 

CMYK 98 / 0 / 26 / 29

HEX #03B687

RGB 3 182 135

HSL 164.25, 0.97%, 0.36%

LAB 65.92, -50.18, 13.15

 

CMYK 100 / 0 / 29 / 36

HEX #00A474

RGB 0 164 116

HSL 162.44, 1%, 0.32%

LAB 59.72, -47.86, 14.95

 

CMYK 100 / 0 / 34 / 43

HEX #009261

RGB 0 146 97

HSL 159.86, 1%, 0.29%

LAB 53.41, -45.33, 16.86

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 83 / 0 / 43 / 15

HEX #25DA7C

RGB 37 218 124

HSL 148.84, 0.71%, 0.5%

LAB 77.28, -63.63, 34.32

 

CMYK 83 / 0 / 66 / 15

HEX #25DA4B

RGB 37 218 75

HSL 132.6, 0.71%, 0.5%

LAB 76.71, -70.49, 56.36

 

CMYK 78 / 0 / 83 / 15

HEX #2FDA25

RGB 47 218 37

HSL 116.69, 0.71%, 0.5%

LAB 76.61, -72.21, 68.92

 

CMYK 56 / 0 / 83 / 15

HEX #60DA25

RGB 96 218 37

HSL 100.44, 0.71%, 0.5%

LAB 77.73, -62.73, 70.36

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 83 / 2 / 0 / 15

HEX #25D6DA

RGB 37 214 218

HSL 181.33, 0.71%, 0.5%

LAB 78.2, -39.42, -13.98

 

CMYK 83 / 24 / 0 / 15

HEX #25A5DA

RGB 37 165 218

HSL 197.57, 0.71%, 0.5%

LAB 63.64, -15.12, -36.25

 

CMYK 83 / 46 / 0 / 15

HEX #2575DA

RGB 37 117 218

HSL 213.48, 0.71%, 0.5%

LAB 49.71, 13.06, -58.32

 

CMYK 83 / 69 / 0 / 15

HEX #2544DA

RGB 37 68 218

HSL 229.72, 0.71%, 0.5%

LAB 37.1, 44.22, -78.88

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 93 / 0 / 23 / 6

HEX #10EFB7

RGB 16 239 183

HSL 164.93, 0.87%, 0.5%

LAB 84.62, -60.17, 13.9

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 71 / 0 / 17 / 23

HEX #3AC5A3

RGB 58 197 163

HSL 165.32, 0.55%, 0.5%

LAB 71.88, -44.82, 6.45

 

CMYK 56 / 0 / 14 / 31

HEX #4EB198

RGB 78 177 152

HSL 164.85, 0.39%, 0.5%

LAB 66.01, -35.13, 4.08

 

CMYK 37 / 0 / 9 / 39

HEX #639C8E

RGB 99 156 142

HSL 165.26, 0.22%, 0.5%

LAB 60.23, -21.98, 1.42

 

CMYK 13 / 0 / 3 / 47

HEX #778884

RGB 119 136 132

HSL 165.88, 0.07%, 0.5%

LAB 55.27, -6.99, 0.06

 

CMYK 83 / 0 / 65 / 15

HEX #25DA4C

RGB 37 218 76

HSL 132.93, 0.71%, 0.5%

LAB 76.71, -70.38, 55.96

 

CMYK 83 / 0 / 43 / 15

HEX #25DA7C

RGB 37 218 124

HSL 148.84, 0.71%, 0.5%

LAB 77.28, -63.63, 34.32

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 83 / 1 / 0 / 15

HEX #25D7DA

RGB 37 215 218

HSL 180.99, 0.71%, 0.5%

LAB 78.49, -39.87, -13.53

 

CMYK 83 / 23 / 0 / 15

HEX #25A7DA

RGB 37 167 218

HSL 196.91, 0.71%, 0.5%

LAB 64.24, -16.2, -35.32

 

CMYK 83 / 0 / 20 / 42

HEX #199375

RGB 25 147 117

HSL 165.25, 0.71%, 0.34%

LAB 54.41, -39.13, 6.94

 

CMYK 83 / 0 / 21 / 28

HEX #1FB791

RGB 31 183 145

HSL 165, 0.71%, 0.42%

LAB 66.67, -46.55, 8.77

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 68 / 0 / 17 / 12

HEX #48E0BA

RGB 72 224 186

HSL 165, 0.71%, 0.58%

LAB 80.87, -48.58, 7.08

 

CMYK 53 / 0 / 13 / 10

HEX #6CE6C8

RGB 108 230 200

HSL 165.25, 0.71%, 0.66%

LAB 83.94, -41.35, 4.24

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 83 / 79 / 0 / 15

HEX #252EDA

RGB 37 46 218

HSL 237.02, 0.71%, 0.5%

LAB 32.72, 56.51, -86.11

 

CMYK 0 / 54 / 83 / 15

HEX #DA6425

RGB 218 100 37

HSL 20.88, 0.71%, 0.5%

LAB 56.24, 42.87, 54.74

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 21 / 83 / 0 / 15

HEX #AD25DA

RGB 173 37 218

HSL 285.08, 0.71%, 0.5%

LAB 46, 75.26, -63.78

 

CMYK 0 / 21 / 83 / 15

HEX #DAAD25

RGB 218 173 37

HSL 45.08, 0.71%, 0.5%

LAB 72.84, 4.4, 69.09

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 83 / 79 / 0 / 15

HEX #252EDA

RGB 37 46 218

HSL 237.02, 0.71%, 0.5%

LAB 32.72, 56.51, -86.11

 

CMYK 0 / 83 / 62 / 15

HEX #DA2552

RGB 218 37 82

HSL 345.08, 0.71%, 0.5%

LAB 48.05, 68.44, 21.44

 

CMYK 0 / 4 / 83 / 15

HEX #DAD125

RGB 218 209 37

HSL 57.02, 0.71%, 0.5%

LAB 82.18, -14.15, 76.96

 

CMYK 83 / 0 / 21 / 15

HEX #25DAAD

RGB 37 218 173

HSL 165.08, 0.71%, 0.5%

LAB 78.2, -53.28, 10.08

 

CMYK 62 / 83 / 0 / 15

HEX #5225DA

RGB 82 37 218

HSL 254.92, 0.71%, 0.5%

LAB 34.35, 63.54, -83.32

 

CMYK 0 / 83 / 62 / 15

HEX #DA2552

RGB 218 37 82

HSL 345.08, 0.71%, 0.5%

LAB 48.05, 68.44, 21.44

 

CMYK 21 / 0 / 83 / 15

HEX #ADDA25

RGB 173 218 37

HSL 74.92, 0.71%, 0.5%

LAB 81.38, -36.98, 74.97

 

Description

Color code: HEX #25DAAD | qconv.com Color code: HEX #25DAAD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 218 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 218 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 21% 15% C M Y K

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Provide designers and agencies with accurate color values.

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