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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25D771 it is the complementary color #DA288E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25D771. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25D771 shade: #2AD76C, #3BE97F, #4CFB92, #5DFFA5 and #6EFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25D771. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25D771 shade: #25D771, #14C55E, #03B34B, #00A138 and #008F25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25D771 shade: #24D670, #24D640, #38D624, #68D624 and #98D624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25D771 shade: #24D670, #24D6A0, #24D6D0, #24ACD6 and #247CD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25D771 shade matches the following richer shades: #24D670 and #10EA6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25D771 shade: #24D670, #38C173, #4DAD76, #619979 and #75857C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25D771 shade: #39D624, #24D63F, #24D66E, #24D69D and #24D6CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25D771 shade: #188F4B, #1EB25E, #24D670, #44DF86 and #67E59D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25D771 shade: #25D771, #2468D6 and #D62724

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25D771 shade: #25D771, #6E24D6 and #D66E24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25D771 shade: #25D771, #2468D6, #D6248C and #D69224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25D771 shade: #25D771, #2433D6, #D6248C and #D6C724

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 47 / 16

HEX #25D771

RGB 37 215 113

HSL 145.62, 0.71%, 0.49%

LAB 76.18, -64.48, 38.41

 

Complementary color

CMYK 0 / 82 / 35 / 15

HEX #DA288E

RGB 218 40 142

HSL 325.62, 0.71%, 0.51%

LAB 49.95, 72.59, -12.44

 

CMYK 80 / 0 / 50 / 16

HEX #2AD76C

RGB 42 215 108

HSL 142.89, 0.68%, 0.5%

LAB 76.18, -64.77, 40.86

 

CMYK 75 / 0 / 45 / 9

HEX #3BE97F

RGB 59 233 127

HSL 143.45, 0.8%, 0.57%

LAB 82.24, -65.84, 39.28

 

CMYK 70 / 0 / 42 / 2

HEX #4CFB92

RGB 76 251 146

HSL 144, 0.96%, 0.64%

LAB 88.26, -66.55, 37.77

 

CMYK 64 / 0 / 35 / 0

HEX #5DFFA5

RGB 93 255 165

HSL 146.67, 1%, 0.68%

LAB 90.12, -61.84, 30.86

 

CMYK 57 / 0 / 28 / 0

HEX #6EFFB8

RGB 110 255 184

HSL 150.62, 1%, 0.72%

LAB 90.91, -54.96, 22.41

 

CMYK 83 / 0 / 47 / 16

HEX #25D771

RGB 37 215 113

HSL 145.62, 0.71%, 0.49%

LAB 76.18, -64.48, 38.41

 

CMYK 90 / 0 / 52 / 23

HEX #14C55E

RGB 20 197 94

HSL 145.08, 0.82%, 0.43%

LAB 70.1, -62.84, 40.1

 

CMYK 98 / 0 / 58 / 30

HEX #03B34B

RGB 3 179 75

HSL 144.55, 0.97%, 0.36%

LAB 63.97, -60.65, 41.83

 

CMYK 100 / 0 / 65 / 37

HEX #00A138

RGB 0 161 56

HSL 140.87, 1%, 0.32%

LAB 57.82, -57.59, 43.49

 

CMYK 100 / 0 / 74 / 44

HEX #008F25

RGB 0 143 37

HSL 135.52, 1%, 0.28%

LAB 51.59, -54.05, 44.75

 

CMYK 83 / 0 / 48 / 16

HEX #24D670

RGB 36 214 112

HSL 145.62, 0.71%, 0.49%

LAB 75.85, -64.4, 38.47

 

CMYK 83 / 0 / 70 / 16

HEX #24D640

RGB 36 214 64

HSL 129.44, 0.71%, 0.49%

LAB 75.35, -70.43, 59.21

 

CMYK 74 / 0 / 83 / 16

HEX #38D624

RGB 56 214 36

HSL 113.26, 0.71%, 0.49%

LAB 75.49, -69.79, 68.21

 

CMYK 51 / 0 / 83 / 16

HEX #68D624

RGB 104 214 36

HSL 97.08, 0.71%, 0.49%

LAB 76.78, -59.19, 69.85

 

CMYK 29 / 0 / 83 / 16

HEX #98D624

RGB 152 214 36

HSL 80.9, 0.71%, 0.49%

LAB 78.98, -43.29, 72.64

 

CMYK 83 / 0 / 48 / 16

HEX #24D670

RGB 36 214 112

HSL 145.62, 0.71%, 0.49%

LAB 75.85, -64.4, 38.47

 

CMYK 83 / 0 / 25 / 16

HEX #24D6A0

RGB 36 214 160

HSL 161.8, 0.71%, 0.49%

LAB 76.68, -54.88, 14.83

 

CMYK 83 / 0 / 3 / 16

HEX #24D6D0

RGB 36 214 208

HSL 177.98, 0.71%, 0.49%

LAB 77.89, -42.39, -9.08

 

CMYK 83 / 20 / 0 / 16

HEX #24ACD6

RGB 36 172 214

HSL 194.16, 0.71%, 0.49%

LAB 65.54, -20.3, -31.09

 

CMYK 83 / 42 / 0 / 16

HEX #247CD6

RGB 36 124 214

HSL 210.34, 0.71%, 0.49%

LAB 51.43, 7.09, -53.3

 

CMYK 83 / 0 / 48 / 16

HEX #24D670

RGB 36 214 112

HSL 145.62, 0.71%, 0.49%

LAB 75.85, -64.4, 38.47

 

CMYK 93 / 0 / 53 / 8

HEX #10EA6D

RGB 16 234 109

HSL 145.6, 0.87%, 0.49%

LAB 81.87, -72.59, 47.34

 

CMYK 83 / 0 / 48 / 16

HEX #24D670

RGB 36 214 112

HSL 145.62, 0.71%, 0.49%

LAB 75.85, -64.4, 38.47

 

CMYK 71 / 0 / 40 / 24

HEX #38C173

RGB 56 193 115

HSL 145.84, 0.55%, 0.49%

LAB 69.62, -53.94, 28.99

 

CMYK 55 / 0 / 32 / 32

HEX #4DAD76

RGB 77 173 118

HSL 145.63, 0.38%, 0.49%

LAB 63.98, -41.15, 19.92

 

CMYK 37 / 0 / 21 / 40

HEX #619979

RGB 97 153 121

HSL 145.71, 0.22%, 0.49%

LAB 58.7, -25.72, 11.08

 

CMYK 12 / 0 / 7 / 48

HEX #75857C

RGB 117 133 124

HSL 146.25, 0.06%, 0.49%

LAB 54.04, -7.7, 2.87

 

CMYK 73 / 0 / 83 / 16

HEX #39D624

RGB 57 214 36

HSL 112.92, 0.71%, 0.49%

LAB 75.51, -69.64, 68.23

 

CMYK 83 / 0 / 71 / 16

HEX #24D63F

RGB 36 214 63

HSL 129.1, 0.71%, 0.49%

LAB 75.34, -70.52, 59.58

 

CMYK 83 / 0 / 49 / 16

HEX #24D66E

RGB 36 214 110

HSL 144.94, 0.71%, 0.49%

LAB 75.82, -64.72, 39.42

 

CMYK 83 / 0 / 27 / 16

HEX #24D69D

RGB 36 214 157

HSL 160.79, 0.71%, 0.49%

LAB 76.62, -55.57, 16.33

 

CMYK 83 / 0 / 4 / 16

HEX #24D6CD

RGB 36 214 205

HSL 176.97, 0.71%, 0.49%

LAB 77.8, -43.25, -7.6

 

CMYK 83 / 0 / 48 / 44

HEX #188F4B

RGB 24 143 75

HSL 145.71, 0.71%, 0.33%

LAB 52.23, -47.01, 27.46

 

CMYK 83 / 0 / 47 / 30

HEX #1EB25E

RGB 30 178 94

HSL 145.95, 0.71%, 0.41%

LAB 64.1, -55.62, 32.63

 

CMYK 83 / 0 / 48 / 16

HEX #24D670

RGB 36 214 112

HSL 145.62, 0.71%, 0.49%

LAB 75.85, -64.4, 38.47

 

CMYK 70 / 0 / 40 / 13

HEX #44DF86

RGB 68 223 134

HSL 145.55, 0.71%, 0.57%

LAB 79.46, -59.77, 32.21

 

CMYK 55 / 0 / 31 / 10

HEX #67E59D

RGB 103 229 157

HSL 145.71, 0.71%, 0.65%

LAB 82.57, -51.12, 24.77

 

CMYK 83 / 0 / 47 / 16

HEX #25D771

RGB 37 215 113

HSL 145.62, 0.71%, 0.49%

LAB 76.18, -64.48, 38.41

 

CMYK 83 / 51 / 0 / 16

HEX #2468D6

RGB 36 104 214

HSL 217.08, 0.71%, 0.49%

LAB 45.81, 19.71, -62.34

 

CMYK 0 / 82 / 83 / 16

HEX #D62724

RGB 214 39 36

HSL 1.01, 0.71%, 0.49%

LAB 46.81, 65.01, 46.47

 

CMYK 83 / 0 / 47 / 16

HEX #25D771

RGB 37 215 113

HSL 145.62, 0.71%, 0.49%

LAB 76.18, -64.48, 38.41

 

CMYK 49 / 83 / 0 / 16

HEX #6E24D6

RGB 110 36 214

HSL 264.94, 0.71%, 0.49%

LAB 36.8, 65.77, -76.87

 

CMYK 0 / 49 / 83 / 16

HEX #D66E24

RGB 214 110 36

HSL 24.94, 0.71%, 0.49%

LAB 57.63, 36.25, 56.14

 

CMYK 83 / 0 / 47 / 16

HEX #25D771

RGB 37 215 113

HSL 145.62, 0.71%, 0.49%

LAB 76.18, -64.48, 38.41

 

CMYK 83 / 51 / 0 / 16

HEX #2468D6

RGB 36 104 214

HSL 217.08, 0.71%, 0.49%

LAB 45.81, 19.71, -62.34

 

CMYK 0 / 83 / 35 / 16

HEX #D6248C

RGB 214 36 140

HSL 324.94, 0.71%, 0.49%

LAB 48.82, 72.35, -13

 

CMYK 0 / 32 / 83 / 16

HEX #D69224

RGB 214 146 36

HSL 37.08, 0.71%, 0.49%

LAB 65.73, 17.1, 63.15

 

CMYK 83 / 0 / 47 / 16

HEX #25D771

RGB 37 215 113

HSL 145.62, 0.71%, 0.49%

LAB 76.18, -64.48, 38.41

 

CMYK 83 / 76 / 0 / 16

HEX #2433D6

RGB 36 51 214

HSL 234.94, 0.71%, 0.49%

LAB 33.13, 52.6, -83.13

 

CMYK 0 / 83 / 35 / 16

HEX #D6248C

RGB 214 36 140

HSL 324.94, 0.71%, 0.49%

LAB 48.82, 72.35, -13

 

CMYK 0 / 7 / 83 / 16

HEX #D6C724

RGB 214 199 36

HSL 54.94, 0.71%, 0.49%

LAB 79.2, -10.85, 74.56

 

Description

Color code: HEX #25D771 | qconv.com Color code: HEX #25D771 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 215 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 215 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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