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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25D5E9 it is the complementary color #DA2A16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25D5E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25D5E9 shade: #2AD5E4, #3BE7F7, #4CF9FF, #5DFFFF and #6EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25D5E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25D5E9 shade: #25D5E9, #14C3D6, #03B1C3, #009FB0 and #008D9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25D5E9 shade: #25D5E9, #25A0E9, #256BE9, #2536E9 and #4825E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25D5E9 shade: #25D5E9, #25A0E9, #256BE9, #2536E9 and #2525E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25D5E9 shade matches the following richer shades: #25D5E9 and #11E5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25D5E9 shade: #25D5E9, #38C6D6, #4CB7C3, #5FA7AF and #72989C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25D5E9 shade: #25E994, #25E9C9, #25D6E9, #25A1E9 and #256DE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25D5E9 shade: #119BAB, #15BDD0, #25D5E9, #4ADDED and #70E4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25D5E9 shade: #25D5E9, #6025E9 and #E9AE25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25D5E9 shade: #25D5E9, #E925D6 and #D6E925

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25D5E9 shade: #25D5E9, #6025E9, #E93925 and #AEE925

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25D5E9 shade: #25D5E9, #9B25E9, #E93925 and #73E925

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

Complementary color

CMYK 0 / 81 / 90 / 15

HEX #DA2A16

RGB 218 42 22

HSL 6.12, 0.82%, 0.47%

LAB 47.78, 65.1, 53.95

 

CMYK 82 / 7 / 0 / 11

HEX #2AD5E4

RGB 42 213 228

HSL 184.84, 0.78%, 0.53%

LAB 78.28, -35.6, -19.21

 

CMYK 76 / 6 / 0 / 3

HEX #3BE7F7

RGB 59 231 247

HSL 185.11, 0.92%, 0.6%

LAB 84.38, -36.81, -20.05

 

CMYK 70 / 2 / 0 / 0

HEX #4CF9FF

RGB 76 249 255

HSL 182.01, 1%, 0.65%

LAB 90.09, -40.89, -15.6

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFF

RGB 93 255 255

HSL 180, 1%, 0.68%

LAB 92.16, -41.33, -12.47

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 91 / 9 / 0 / 16

HEX #14C3D6

RGB 20 195 214

HSL 185.88, 0.83%, 0.46%

LAB 72.25, -32.77, -20.81

 

CMYK 98 / 9 / 0 / 24

HEX #03B1C3

RGB 3 177 195

HSL 185.63, 0.97%, 0.39%

LAB 66.06, -30.77, -19.81

 

CMYK 100 / 10 / 0 / 31

HEX #009FB0

RGB 0 159 176

HSL 185.8, 1%, 0.35%

LAB 59.83, -28.28, -18.68

 

CMYK 100 / 10 / 0 / 38

HEX #008D9D

RGB 0 141 157

HSL 186.11, 1%, 0.31%

LAB 53.48, -25.64, -17.51

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 84 / 31 / 0 / 9

HEX #25A0E9

RGB 37 160 233

HSL 202.35, 0.82%, 0.53%

LAB 62.86, -7.05, -45.76

 

CMYK 84 / 54 / 0 / 9

HEX #256BE9

RGB 37 107 233

HSL 218.57, 0.82%, 0.53%

LAB 48, 25.12, -69.56

 

CMYK 84 / 77 / 0 / 9

HEX #2536E9

RGB 37 54 233

HSL 234.8, 0.82%, 0.53%

LAB 35.82, 57.19, -89.55

 

CMYK 69 / 84 / 0 / 9

HEX #4825E9

RGB 72 37 233

HSL 250.71, 0.82%, 0.53%

LAB 35.17, 66.79, -90.57

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 84 / 31 / 0 / 9

HEX #25A0E9

RGB 37 160 233

HSL 202.35, 0.82%, 0.53%

LAB 62.86, -7.05, -45.76

 

CMYK 84 / 54 / 0 / 9

HEX #256BE9

RGB 37 107 233

HSL 218.57, 0.82%, 0.53%

LAB 48, 25.12, -69.56

 

CMYK 84 / 77 / 0 / 9

HEX #2536E9

RGB 37 54 233

HSL 234.8, 0.82%, 0.53%

LAB 35.82, 57.19, -89.55

 

CMYK 84 / 84 / 0 / 9

HEX #2525E9

RGB 37 37 233

HSL 240, 0.82%, 0.53%

LAB 33.13, 65.05, -94.01

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 93 / 9 / 0 / 1

HEX #11E5FD

RGB 17 229 253

HSL 186.1, 0.98%, 0.53%

LAB 83.57, -36.69, -24.47

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 74 / 7 / 0 / 16

HEX #38C6D6

RGB 56 198 214

HSL 186.08, 0.66%, 0.53%

LAB 73.6, -31.4, -18.72

 

CMYK 61 / 6 / 0 / 24

HEX #4CB7C3

RGB 76 183 195

HSL 186.05, 0.5%, 0.53%

LAB 69, -26.84, -15.25

 

CMYK 46 / 5 / 0 / 31

HEX #5FA7AF

RGB 95 167 175

HSL 186, 0.33%, 0.53%

LAB 64.29, -20.38, -11.17

 

CMYK 27 / 3 / 0 / 39

HEX #72989C

RGB 114 152 156

HSL 185.71, 0.18%, 0.53%

LAB 60.28, -12.02, -6.35

 

CMYK 84 / 0 / 36 / 9

HEX #25E994

RGB 37 233 148

HSL 153.98, 0.82%, 0.53%

LAB 82.28, -64.38, 28.76

 

CMYK 84 / 0 / 14 / 9

HEX #25E9C9

RGB 37 233 201

HSL 170.2, 0.82%, 0.53%

LAB 83.38, -52.3, 2.72

 

CMYK 84 / 8 / 0 / 9

HEX #25D6E9

RGB 37 214 233

HSL 185.82, 0.82%, 0.53%

LAB 78.68, -34.91, -21.28

 

CMYK 84 / 31 / 0 / 9

HEX #25A1E9

RGB 37 161 233

HSL 202.04, 0.82%, 0.53%

LAB 63.15, -7.62, -45.3

 

CMYK 84 / 53 / 0 / 9

HEX #256DE9

RGB 37 109 233

HSL 217.96, 0.82%, 0.53%

LAB 48.53, 23.84, -68.69

 

CMYK 90 / 9 / 0 / 33

HEX #119BAB

RGB 17 155 171

HSL 186.23, 0.82%, 0.37%

LAB 58.51, -27.27, -17.84

 

CMYK 90 / 9 / 0 / 18

HEX #15BDD0

RGB 21 189 208

HSL 186.1, 0.82%, 0.45%

LAB 70.25, -31.75, -20.58

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 69 / 7 / 0 / 7

HEX #4ADDED

RGB 74 221 237

HSL 185.89, 0.82%, 0.61%

LAB 81.45, -33.34, -19.16

 

CMYK 54 / 5 / 0 / 5

HEX #70E4F1

RGB 112 228 241

HSL 186.05, 0.82%, 0.69%

LAB 84.63, -29.31, -16.38

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 59 / 84 / 0 / 9

HEX #6025E9

RGB 96 37 233

HSL 258.06, 0.82%, 0.53%

LAB 37.29, 68.67, -87

 

CMYK 0 / 25 / 84 / 9

HEX #E9AE25

RGB 233 174 37

HSL 41.94, 0.82%, 0.53%

LAB 74.65, 10.37, 71.24

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 0 / 84 / 8 / 9

HEX #E925D6

RGB 233 37 214

HSL 305.82, 0.82%, 0.53%

LAB 55.59, 85.15, -45.59

 

CMYK 8 / 0 / 84 / 9

HEX #D6E925

RGB 214 233 37

HSL 65.82, 0.82%, 0.53%

LAB 88.31, -27.45, 81.95

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 59 / 84 / 0 / 9

HEX #6025E9

RGB 96 37 233

HSL 258.06, 0.82%, 0.53%

LAB 37.29, 68.67, -87

 

CMYK 0 / 76 / 84 / 9

HEX #E93925

RGB 233 57 37

HSL 6.12, 0.82%, 0.53%

LAB 52.27, 65.49, 52.24

 

CMYK 25 / 0 / 84 / 9

HEX #AEE925

RGB 174 233 37

HSL 78.06, 0.82%, 0.53%

LAB 85.71, -43.22, 78.71

 

CMYK 84 / 9 / 0 / 9

HEX #25D5E9

RGB 37 213 233

HSL 186.12, 0.82%, 0.53%

LAB 78.38, -34.44, -21.73

 

CMYK 33 / 84 / 0 / 9

HEX #9B25E9

RGB 155 37 233

HSL 276.12, 0.82%, 0.53%

LAB 44.48, 75.47, -74.91

 

CMYK 0 / 76 / 84 / 9

HEX #E93925

RGB 233 57 37

HSL 6.12, 0.82%, 0.53%

LAB 52.27, 65.49, 52.24

 

CMYK 51 / 0 / 84 / 9

HEX #73E925

RGB 115 233 37

HSL 96.12, 0.82%, 0.53%

LAB 82.94, -62.91, 75.23

 

Description

Color code: HEX #25D5E9 | qconv.com Color code: HEX #25D5E9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 213 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 213 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 9 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 9% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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