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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25D48A it is the complementary color #DA2B75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25D48A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25D48A shade: #2AD485, #3BE698, #4CF8AB, #5DFFBE and #6EFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25D48A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25D48A shade: #25D48A, #14C277, #03B064, #009E51 and #008C3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25D48A shade: #25D48A, #25D45B, #25D42C, #4ED425 and #7DD425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25D48A shade: #25D48A, #25D4BA, #25C0D4, #2591D4 and #2562D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25D48A shade matches the following richer shades: #25D48A and #11E98E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25D48A shade: #25D48A, #3AC087, #4EAC84, #629881 and #76847E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25D48A shade: #25D42B, #25D45A, #25D489, #25D4B7 and #25C3D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25D48A shade: #198E5D, #1FB174, #25D48A, #45DE9D and #68E4B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25D48A shade: #25D48A, #254ED4 and #D44325

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25D48A shade: #25D48A, #8925D4 and #D48925

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25D48A shade: #25D48A, #254ED4, #D42571 and #D4AC25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25D48A shade: #25D48A, #3125D4, #D42571 and #C9D425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

Complementary color

CMYK 0 / 80 / 46 / 15

HEX #DA2B75

RGB 218 43 117

HSL 334.63, 0.7%, 0.51%

LAB 49.4, 69.5, 1.88

 

CMYK 80 / 0 / 37 / 17

HEX #2AD485

RGB 42 212 133

HSL 152.12, 0.67%, 0.5%

LAB 75.62, -59.35, 27.56

 

CMYK 74 / 0 / 34 / 10

HEX #3BE698

RGB 59 230 152

HSL 152.63, 0.77%, 0.57%

LAB 81.72, -60.24, 26.02

 

CMYK 69 / 0 / 31 / 3

HEX #4CF8AB

RGB 76 248 171

HSL 153.14, 0.92%, 0.64%

LAB 87.78, -60.84, 24.6

 

CMYK 64 / 0 / 25 / 0

HEX #5DFFBE

RGB 93 255 190

HSL 155.93, 1%, 0.68%

LAB 90.58, -56.94, 18.82

 

CMYK 57 / 0 / 18 / 0

HEX #6EFFD1

RGB 110 255 209

HSL 160.97, 1%, 0.72%

LAB 91.43, -49.73, 10.32

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 90 / 0 / 39 / 24

HEX #14C277

RGB 20 194 119

HSL 154.14, 0.81%, 0.42%

LAB 69.52, -57.43, 26.66

 

CMYK 98 / 0 / 43 / 31

HEX #03B064

RGB 3 176 100

HSL 153.64, 0.97%, 0.35%

LAB 63.33, -55.56, 28.48

 

CMYK 100 / 0 / 49 / 38

HEX #009E51

RGB 0 158 81

HSL 150.76, 1%, 0.31%

LAB 57.12, -52.95, 30.46

 

CMYK 100 / 0 / 56 / 45

HEX #008C3E

RGB 0 140 62

HSL 146.57, 1%, 0.27%

LAB 50.81, -49.99, 32.46

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 83 / 0 / 57 / 17

HEX #25D45B

RGB 37 212 91

HSL 138.51, 0.7%, 0.49%

LAB 74.97, -66.74, 47.44

 

CMYK 83 / 0 / 79 / 17

HEX #25D42C

RGB 37 212 44

HSL 122.4, 0.7%, 0.49%

LAB 74.61, -71.23, 65.16

 

CMYK 63 / 0 / 83 / 17

HEX #4ED425

RGB 78 212 37

HSL 105.94, 0.7%, 0.49%

LAB 75.35, -65, 68.02

 

CMYK 41 / 0 / 83 / 17

HEX #7DD425

RGB 125 212 37

HSL 89.83, 0.7%, 0.49%

LAB 77.03, -51.94, 70.15

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 83 / 0 / 12 / 17

HEX #25D4BA

RGB 37 212 186

HSL 171.09, 0.7%, 0.49%

LAB 76.69, -47.52, 0.97

 

CMYK 83 / 9 / 0 / 17

HEX #25C0D4

RGB 37 192 212

HSL 186.86, 0.7%, 0.49%

LAB 71.45, -30.94, -20.93

 

CMYK 83 / 32 / 0 / 17

HEX #2591D4

RGB 37 145 212

HSL 202.97, 0.7%, 0.49%

LAB 57.46, -6.1, -42.6

 

CMYK 83 / 54 / 0 / 17

HEX #2562D4

RGB 37 98 212

HSL 219.09, 0.7%, 0.49%

LAB 44.06, 22.9, -64.04

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 93 / 0 / 39 / 9

HEX #11E98E

RGB 17 233 142

HSL 154.72, 0.86%, 0.49%

LAB 82.03, -66.72, 31.45

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 70 / 0 / 30 / 25

HEX #3AC087

RGB 58 192 135

HSL 154.48, 0.54%, 0.49%

LAB 69.72, -49.25, 18.53

 

CMYK 55 / 0 / 23 / 33

HEX #4EAC84

RGB 78 172 132

HSL 154.47, 0.38%, 0.49%

LAB 63.99, -37.52, 12.27

 

CMYK 36 / 0 / 15 / 40

HEX #629881

RGB 98 152 129

HSL 154.44, 0.22%, 0.49%

LAB 58.64, -23.2, 6.47

 

CMYK 11 / 0 / 5 / 48

HEX #76847E

RGB 118 132 126

HSL 154.29, 0.06%, 0.49%

LAB 53.88, -6.36, 1.49

 

CMYK 83 / 0 / 80 / 17

HEX #25D42B

RGB 37 212 43

HSL 122.06, 0.7%, 0.49%

LAB 74.61, -71.29, 65.45

 

CMYK 83 / 0 / 58 / 17

HEX #25D45A

RGB 37 212 90

HSL 138.17, 0.7%, 0.49%

LAB 74.96, -66.87, 47.88

 

CMYK 83 / 0 / 35 / 17

HEX #25D489

RGB 37 212 137

HSL 154.29, 0.7%, 0.49%

LAB 75.63, -59.04, 25.48

 

CMYK 83 / 0 / 14 / 17

HEX #25D4B7

RGB 37 212 183

HSL 170.06, 0.7%, 0.49%

LAB 76.62, -48.31, 2.47

 

CMYK 83 / 8 / 0 / 17

HEX #25C3D4

RGB 37 195 212

HSL 185.83, 0.7%, 0.49%

LAB 72.35, -32.38, -19.57

 

CMYK 82 / 0 / 35 / 44

HEX #198E5D

RGB 25 142 93

HSL 154.87, 0.7%, 0.33%

LAB 52.22, -42.89, 17.53

 

CMYK 82 / 0 / 34 / 31

HEX #1FB174

RGB 31 177 116

HSL 154.93, 0.7%, 0.41%

LAB 64.16, -50.92, 21.08

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 69 / 0 / 29 / 13

HEX #45DE9D

RGB 69 222 157

HSL 154.51, 0.7%, 0.57%

LAB 79.58, -54.76, 20.52

 

CMYK 54 / 0 / 23 / 11

HEX #68E4B0

RGB 104 228 176

HSL 154.84, 0.7%, 0.65%

LAB 82.68, -46.67, 15.04

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 83 / 63 / 0 / 17

HEX #254ED4

RGB 37 78 212

HSL 225.94, 0.7%, 0.49%

LAB 38.89, 35.81, -72.48

 

CMYK 0 / 68 / 83 / 17

HEX #D44325

RGB 212 67 37

HSL 10.29, 0.7%, 0.49%

LAB 49.67, 55.44, 48.46

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 35 / 83 / 0 / 17

HEX #8925D4

RGB 137 37 212

HSL 274.29, 0.7%, 0.49%

LAB 40.24, 68.55, -69.94

 

CMYK 0 / 35 / 83 / 17

HEX #D48925

RGB 212 137 37

HSL 34.29, 0.7%, 0.49%

LAB 63.36, 21.13, 60.68

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 83 / 63 / 0 / 17

HEX #254ED4

RGB 37 78 212

HSL 225.94, 0.7%, 0.49%

LAB 38.89, 35.81, -72.48

 

CMYK 0 / 83 / 47 / 17

HEX #D42571

RGB 212 37 113

HSL 333.94, 0.7%, 0.49%

LAB 47.64, 69.1, 1.64

 

CMYK 0 / 19 / 83 / 17

HEX #D4AC25

RGB 212 172 37

HSL 46.29, 0.7%, 0.49%

LAB 71.98, 2.31, 68.12

 

CMYK 83 / 0 / 35 / 17

HEX #25D48A

RGB 37 212 138

HSL 154.63, 0.7%, 0.49%

LAB 75.65, -58.83, 24.98

 

CMYK 77 / 83 / 0 / 17

HEX #3125D4

RGB 49 37 212

HSL 244.11, 0.7%, 0.49%

LAB 31.18, 59.49, -85.18

 

CMYK 0 / 83 / 47 / 17

HEX #D42571

RGB 212 37 113

HSL 333.94, 0.7%, 0.49%

LAB 47.64, 69.1, 1.64

 

CMYK 5 / 0 / 83 / 17

HEX #C9D425

RGB 201 212 37

HSL 63.77, 0.7%, 0.49%

LAB 81.64, -22.79, 75.96

 

Description

Color code: HEX #25D48A | qconv.com Color code: HEX #25D48A | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 212 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 212 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 35 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 35% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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