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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25CE5E it is the complementary color #DA31A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25CE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25CE5E shade: #2ACE59, #3BE06C, #4CF27F, #5DFF92 and #6EFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25CE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25CE5E shade: #25CE5E, #14BC4B, #03AA38, #009825 and #008612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25CE5E shade: #25D05F, #25D030, #47D025, #76D025 and #A4D025

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25CE5E shade: #25D05F, #25D08D, #25D0BB, #25B7D0 and #2589D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25CE5E shade matches the following richer shades: #25D05F and #11E458

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25CE5E shade: #25D05F, #39BC65, #4CA86B, #609572 and #748178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25CE5E shade: #47D025, #25D030, #25D05E, #25D08C and #25D0B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25CE5E shade: #188A3F, #1FAD4F, #25D05F, #41DD76 and #64E48F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25CE5E shade: #25CE5E, #2575D0 and #D02530

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25CE5E shade: #25CE5E, #5E25D0 and #D05E25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25CE5E shade: #25CE5E, #2575D0, #D02597 and #D08025

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25CE5E shade: #25CE5E, #2541D0, #D02597 and #D0B425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 54 / 19

HEX #25CE5E

RGB 37 206 94

HSL 140.24, 0.7%, 0.48%

LAB 73.12, -64.39, 43.82

 

Complementary color

CMYK 0 / 78 / 26 / 15

HEX #DA31A1

RGB 218 49 161

HSL 320.24, 0.7%, 0.52%

LAB 51.47, 72.44, -21.45

 

CMYK 80 / 0 / 57 / 19

HEX #2ACE59

RGB 42 206 89

HSL 137.2, 0.66%, 0.49%

LAB 73.13, -64.53, 46.19

 

CMYK 74 / 0 / 52 / 12

HEX #3BE06C

RGB 59 224 108

HSL 137.82, 0.73%, 0.55%

LAB 79.23, -65.68, 44.69

 

CMYK 69 / 0 / 48 / 5

HEX #4CF27F

RGB 76 242 127

HSL 138.43, 0.86%, 0.62%

LAB 85.29, -66.43, 43.21

 

CMYK 64 / 0 / 43 / 0

HEX #5DFF92

RGB 93 255 146

HSL 139.63, 1%, 0.68%

LAB 89.82, -65.11, 39.87

 

CMYK 57 / 0 / 35 / 0

HEX #6EFFA5

RGB 110 255 165

HSL 142.76, 1%, 0.72%

LAB 90.57, -58.51, 31.55

 

CMYK 82 / 0 / 54 / 19

HEX #25CE5E

RGB 37 206 94

HSL 140.24, 0.7%, 0.48%

LAB 73.12, -64.39, 43.82

 

CMYK 89 / 0 / 60 / 26

HEX #14BC4B

RGB 20 188 75

HSL 139.64, 0.81%, 0.41%

LAB 66.99, -62.62, 45.38

 

CMYK 98 / 0 / 67 / 33

HEX #03AA38

RGB 3 170 56

HSL 139.04, 0.97%, 0.34%

LAB 60.83, -60.21, 46.81

 

CMYK 100 / 0 / 76 / 40

HEX #009825

RGB 0 152 37

HSL 134.61, 1%, 0.3%

LAB 54.65, -56.77, 47.87

 

CMYK 100 / 0 / 87 / 47

HEX #008612

RGB 0 134 18

HSL 128.06, 1%, 0.26%

LAB 48.38, -52.72, 47.91

 

CMYK 82 / 0 / 54 / 18

HEX #25D05F

RGB 37 208 95

HSL 140.35, 0.7%, 0.48%

LAB 73.76, -64.9, 44.12

 

CMYK 82 / 0 / 77 / 18

HEX #25D030

RGB 37 208 48

HSL 123.86, 0.7%, 0.48%

LAB 73.36, -69.8, 62.76

 

CMYK 66 / 0 / 82 / 18

HEX #47D025

RGB 71 208 37

HSL 108.07, 0.7%, 0.48%

LAB 73.92, -65.17, 66.65

 

CMYK 43 / 0 / 82 / 18

HEX #76D025

RGB 118 208 37

HSL 91.58, 0.7%, 0.48%

LAB 75.51, -52.65, 68.68

 

CMYK 21 / 0 / 82 / 18

HEX #A4D025

RGB 164 208 37

HSL 75.44, 0.7%, 0.48%

LAB 77.96, -36, 71.78

 

CMYK 82 / 0 / 54 / 18

HEX #25D05F

RGB 37 208 95

HSL 140.35, 0.7%, 0.48%

LAB 73.76, -64.9, 44.12

 

CMYK 82 / 0 / 32 / 18

HEX #25D08D

RGB 37 208 141

HSL 156.49, 0.7%, 0.48%

LAB 74.46, -56.73, 21.8

 

CMYK 82 / 0 / 10 / 18

HEX #25D0BB

RGB 37 208 187

HSL 172.63, 0.7%, 0.48%

LAB 75.51, -45.56, -1.3

 

CMYK 82 / 12 / 0 / 18

HEX #25B7D0

RGB 37 183 208

HSL 188.77, 0.7%, 0.48%

LAB 68.62, -27.8, -23.06

 

CMYK 82 / 34 / 0 / 18

HEX #2589D0

RGB 37 137 208

HSL 204.91, 0.7%, 0.48%

LAB 54.91, -2.91, -44.38

 

CMYK 82 / 0 / 54 / 18

HEX #25D05F

RGB 37 208 95

HSL 140.35, 0.7%, 0.48%

LAB 73.76, -64.9, 44.12

 

CMYK 93 / 0 / 61 / 11

HEX #11E458

RGB 17 228 88

HSL 140.19, 0.86%, 0.48%

LAB 79.79, -73.46, 54.31

 

CMYK 82 / 0 / 54 / 18

HEX #25D05F

RGB 37 208 95

HSL 140.35, 0.7%, 0.48%

LAB 73.76, -64.9, 44.12

 

CMYK 70 / 0 / 46 / 26

HEX #39BC65

RGB 57 188 101

HSL 140.15, 0.53%, 0.48%

LAB 67.86, -54.36, 33.92

 

CMYK 55 / 0 / 36 / 34

HEX #4CA86B

RGB 76 168 107

HSL 140.22, 0.38%, 0.48%

LAB 62.17, -41.36, 23.45

 

CMYK 36 / 0 / 23 / 42

HEX #609572

RGB 96 149 114

HSL 140.38, 0.22%, 0.48%

LAB 57.27, -25.47, 13.01

 

CMYK 10 / 0 / 7 / 49

HEX #748178

RGB 116 129 120

HSL 138.46, 0.05%, 0.48%

LAB 52.7, -6.64, 3.25

 

CMYK 66 / 0 / 82 / 18

HEX #47D025

RGB 71 208 37

HSL 108.07, 0.7%, 0.48%

LAB 73.92, -65.17, 66.65

 

CMYK 82 / 0 / 77 / 18

HEX #25D030

RGB 37 208 48

HSL 123.86, 0.7%, 0.48%

LAB 73.36, -69.8, 62.76

 

CMYK 82 / 0 / 55 / 18

HEX #25D05E

RGB 37 208 94

HSL 140, 0.7%, 0.48%

LAB 73.75, -65.04, 44.58

 

CMYK 82 / 0 / 33 / 18

HEX #25D08C

RGB 37 208 140

HSL 156.14, 0.7%, 0.48%

LAB 74.44, -56.94, 22.3

 

CMYK 82 / 0 / 11 / 18

HEX #25D0B9

RGB 37 208 185

HSL 171.93, 0.7%, 0.48%

LAB 75.46, -46.1, -0.3

 

CMYK 83 / 0 / 54 / 46

HEX #188A3F

RGB 24 138 63

HSL 140.53, 0.7%, 0.32%

LAB 50.37, -47.22, 31.47

 

CMYK 82 / 0 / 54 / 32

HEX #1FAD4F

RGB 31 173 79

HSL 140.28, 0.7%, 0.4%

LAB 62.29, -56.19, 37.94

 

CMYK 82 / 0 / 54 / 18

HEX #25D05F

RGB 37 208 95

HSL 140.35, 0.7%, 0.48%

LAB 73.76, -64.9, 44.12

 

CMYK 71 / 0 / 47 / 13

HEX #41DD76

RGB 65 221 118

HSL 140.38, 0.7%, 0.56%

LAB 78.55, -62.22, 39.03

 

CMYK 56 / 0 / 37 / 11

HEX #64E48F

RGB 100 228 143

HSL 140.16, 0.7%, 0.64%

LAB 81.94, -53.93, 31.07

 

CMYK 82 / 0 / 54 / 19

HEX #25CE5E

RGB 37 206 94

HSL 140.24, 0.7%, 0.48%

LAB 73.12, -64.39, 43.82

 

CMYK 82 / 44 / 0 / 18

HEX #2575D0

RGB 37 117 208

HSL 211.93, 0.7%, 0.48%

LAB 49.09, 9.24, -53.64

 

CMYK 0 / 82 / 77 / 18

HEX #D02530

RGB 208 37 48

HSL 356.14, 0.7%, 0.48%

LAB 45.56, 64.18, 38.31

 

CMYK 82 / 0 / 54 / 19

HEX #25CE5E

RGB 37 206 94

HSL 140.24, 0.7%, 0.48%

LAB 73.12, -64.39, 43.82

 

CMYK 55 / 82 / 0 / 18

HEX #5E25D0

RGB 94 37 208

HSL 260, 0.7%, 0.48%

LAB 34.51, 62.11, -77.23

 

CMYK 0 / 55 / 82 / 18

HEX #D05E25

RGB 208 94 37

HSL 20, 0.7%, 0.48%

LAB 53.55, 41.98, 51.74

 

CMYK 82 / 0 / 54 / 19

HEX #25CE5E

RGB 37 206 94

HSL 140.24, 0.7%, 0.48%

LAB 73.12, -64.39, 43.82

 

CMYK 82 / 44 / 0 / 18

HEX #2575D0

RGB 37 117 208

HSL 211.93, 0.7%, 0.48%

LAB 49.09, 9.24, -53.64

 

CMYK 0 / 82 / 27 / 18

HEX #D02597

RGB 208 37 151

HSL 320, 0.7%, 0.48%

LAB 48.22, 71.97, -20.64

 

CMYK 0 / 38 / 82 / 18

HEX #D08025

RGB 208 128 37

HSL 31.93, 0.7%, 0.48%

LAB 60.77, 24.28, 58.2

 

CMYK 82 / 0 / 54 / 19

HEX #25CE5E

RGB 37 206 94

HSL 140.24, 0.7%, 0.48%

LAB 73.12, -64.39, 43.82

 

CMYK 82 / 69 / 0 / 18

HEX #2541D0

RGB 37 65 208

HSL 230.18, 0.7%, 0.48%

LAB 35.46, 42.51, -75.81

 

CMYK 0 / 82 / 27 / 18

HEX #D02597

RGB 208 37 151

HSL 320, 0.7%, 0.48%

LAB 48.22, 71.97, -20.64

 

CMYK 0 / 13 / 82 / 18

HEX #D0B425

RGB 208 180 37

HSL 50.18, 0.7%, 0.48%

LAB 73.67, -3.65, 69.4

 

Description

Color code: HEX #25CE5E | qconv.com Color code: HEX #25CE5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 206 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 206 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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