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Color name
HEX #25C79A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25C79A it is the complementary color #DA3865. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25C79A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25C79A shade: #2AC795, #3BD9A8, #4CEBBB, #5DFDCE and #6EFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25C79A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25C79A shade: #25C79A, #14B587, #03A374, #009161 and #007F4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25C79A shade: #24C699, #24C66E, #24C642, #32C624 and #5EC624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25C79A shade: #24C699, #24C6C5, #249CC6, #2470C6 and #2445C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25C79A shade matches the following richer shades: #24C699 and #11D9A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25C79A shade: #24C699, #37B391, #4AA088, #5D8D80 and #707A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25C79A shade: #24C642, #24C66D, #24C698, #24C6C4 and #249EC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25C79A shade: #188163, #1EA37E, #24C699, #39DBAE and #5CE1BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25C79A shade: #25C79A, #2432C6 and #C65824

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25C79A shade: #25C79A, #9824C6 and #C69824

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25C79A shade: #25C79A, #2432C6, #C62452 and #C6B924

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25C79A shade: #25C79A, #4724C6, #C62452 and #A3C624

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 23 / 22

HEX #25C79A

RGB 37 199 154

HSL 163.33, 0.69%, 0.46%

LAB 71.94, -50.3, 11.36

 

Complementary color

CMYK 0 / 74 / 54 / 15

HEX #DA3865

RGB 218 56 101

HSL 343.33, 0.69%, 0.54%

LAB 50.3, 64.48, 12.91

 

CMYK 79 / 0 / 25 / 22

HEX #2AC795

RGB 42 199 149

HSL 160.89, 0.65%, 0.47%

LAB 71.9, -50.99, 14

 

CMYK 73 / 0 / 23 / 15

HEX #3BD9A8

RGB 59 217 168

HSL 161.39, 0.68%, 0.54%

LAB 78.1, -51.77, 12.64

 

CMYK 68 / 0 / 20 / 8

HEX #4CEBBB

RGB 76 235 187

HSL 161.89, 0.8%, 0.61%

LAB 84.25, -52.29, 11.39

 

CMYK 63 / 0 / 19 / 1

HEX #5DFDCE

RGB 93 253 206

HSL 162.38, 0.98%, 0.68%

LAB 90.34, -52.63, 10.25

 

CMYK 57 / 0 / 12 / 0

HEX #6EFFE1

RGB 110 255 225

HSL 167.59, 1%, 0.72%

LAB 91.81, -46.06, 2.6

 

CMYK 81 / 0 / 23 / 22

HEX #25C79A

RGB 37 199 154

HSL 163.33, 0.69%, 0.46%

LAB 71.94, -50.3, 11.36

 

CMYK 89 / 0 / 25 / 29

HEX #14B587

RGB 20 181 135

HSL 162.86, 0.8%, 0.39%

LAB 65.71, -49.02, 12.86

 

CMYK 98 / 0 / 29 / 36

HEX #03A374

RGB 3 163 116

HSL 162.38, 0.96%, 0.33%

LAB 59.41, -47.33, 14.52

 

CMYK 100 / 0 / 33 / 43

HEX #009161

RGB 0 145 97

HSL 160.14, 1%, 0.28%

LAB 53.07, -44.94, 16.41

 

CMYK 100 / 0 / 39 / 50

HEX #007F4E

RGB 0 127 78

HSL 156.85, 1%, 0.25%

LAB 46.62, -42.3, 18.42

 

CMYK 82 / 0 / 23 / 22

HEX #24C699

RGB 36 198 153

HSL 163.33, 0.69%, 0.46%

LAB 71.6, -50.23, 11.41

 

CMYK 82 / 0 / 44 / 22

HEX #24C66E

RGB 36 198 110

HSL 147.41, 0.69%, 0.46%

LAB 70.79, -59.25, 33.03

 

CMYK 82 / 0 / 67 / 22

HEX #24C642

RGB 36 198 66

HSL 131.11, 0.69%, 0.46%

LAB 70.29, -65.37, 53.03

 

CMYK 75 / 0 / 82 / 22

HEX #32C624

RGB 50 198 36

HSL 114.81, 0.69%, 0.46%

LAB 70.31, -65.84, 63.44

 

CMYK 53 / 0 / 82 / 22

HEX #5EC624

RGB 94 198 36

HSL 98.52, 0.69%, 0.46%

LAB 71.48, -56.18, 64.94

 

CMYK 82 / 0 / 23 / 22

HEX #24C699

RGB 36 198 153

HSL 163.33, 0.69%, 0.46%

LAB 71.6, -50.23, 11.41

 

CMYK 82 / 0 / 1 / 22

HEX #24C6C5

RGB 36 198 197

HSL 179.63, 0.69%, 0.46%

LAB 72.76, -38.4, -10.79

 

CMYK 82 / 21 / 0 / 22

HEX #249CC6

RGB 36 156 198

HSL 195.56, 0.69%, 0.46%

LAB 60.1, -17.28, -30.62

 

CMYK 82 / 43 / 0 / 22

HEX #2470C6

RGB 36 112 198

HSL 211.85, 0.69%, 0.46%

LAB 47.03, 8.46, -51.23

 

CMYK 82 / 65 / 0 / 22

HEX #2445C6

RGB 36 69 198

HSL 227.78, 0.69%, 0.46%

LAB 35.42, 36.31, -70.07

 

CMYK 82 / 0 / 23 / 22

HEX #24C699

RGB 36 198 153

HSL 163.33, 0.69%, 0.46%

LAB 71.6, -50.23, 11.41

 

CMYK 92 / 0 / 25 / 15

HEX #11D9A2

RGB 17 217 162

HSL 163.5, 0.85%, 0.46%

LAB 77.49, -56.73, 14.89

 

CMYK 82 / 0 / 23 / 22

HEX #24C699

RGB 36 198 153

HSL 163.33, 0.69%, 0.46%

LAB 71.6, -50.23, 11.41

 

CMYK 69 / 0 / 19 / 30

HEX #37B391

RGB 55 179 145

HSL 163.55, 0.53%, 0.46%

LAB 65.82, -41.99, 7.61

 

CMYK 54 / 0 / 15 / 37

HEX #4AA088

RGB 74 160 136

HSL 163.26, 0.37%, 0.46%

LAB 60.23, -31.97, 4.66

 

CMYK 34 / 0 / 9 / 45

HEX #5D8D80

RGB 93 141 128

HSL 163.75, 0.21%, 0.46%

LAB 55.01, -19.27, 1.77

 

CMYK 8 / 0 / 2 / 52

HEX #707A78

RGB 112 122 120

HSL 168, 0.04%, 0.46%

LAB 50.36, -4.14, -0.19

 

CMYK 82 / 0 / 67 / 22

HEX #24C642

RGB 36 198 66

HSL 131.11, 0.69%, 0.46%

LAB 70.29, -65.37, 53.03

 

CMYK 82 / 0 / 45 / 22

HEX #24C66D

RGB 36 198 109

HSL 147.04, 0.69%, 0.46%

LAB 70.78, -59.42, 33.52

 

CMYK 82 / 0 / 23 / 22

HEX #24C698

RGB 36 198 152

HSL 162.96, 0.69%, 0.46%

LAB 71.58, -50.47, 11.92

 

CMYK 82 / 0 / 1 / 22

HEX #24C6C4

RGB 36 198 196

HSL 179.26, 0.69%, 0.46%

LAB 72.73, -38.69, -10.29

 

CMYK 82 / 20 / 0 / 22

HEX #249EC6

RGB 36 158 198

HSL 194.81, 0.69%, 0.46%

LAB 60.7, -18.36, -29.69

 

CMYK 81 / 0 / 23 / 49

HEX #188163

RGB 24 129 99

HSL 162.86, 0.69%, 0.3%

LAB 48, -36.11, 8.23

 

CMYK 82 / 0 / 23 / 36

HEX #1EA37E

RGB 30 163 126

HSL 163.31, 0.69%, 0.38%

LAB 59.87, -43.12, 9.62

 

CMYK 82 / 0 / 23 / 22

HEX #24C699

RGB 36 198 153

HSL 163.33, 0.69%, 0.46%

LAB 71.6, -50.23, 11.41

 

CMYK 74 / 0 / 21 / 14

HEX #39DBAE

RGB 57 219 174

HSL 163.33, 0.69%, 0.54%

LAB 78.8, -51.42, 10.45

 

CMYK 59 / 0 / 16 / 12

HEX #5CE1BC

RGB 92 225 188

HSL 163.31, 0.69%, 0.62%

LAB 81.71, -45.16, 7.29

 

CMYK 81 / 0 / 23 / 22

HEX #25C79A

RGB 37 199 154

HSL 163.33, 0.69%, 0.46%

LAB 71.94, -50.3, 11.36

 

CMYK 82 / 75 / 0 / 22

HEX #2432C6

RGB 36 50 198

HSL 234.81, 0.69%, 0.46%

LAB 31.19, 47.84, -77.03

 

CMYK 0 / 56 / 82 / 22

HEX #C65824

RGB 198 88 36

HSL 19.26, 0.69%, 0.46%

LAB 50.82, 41.06, 49.11

 

CMYK 81 / 0 / 23 / 22

HEX #25C79A

RGB 37 199 154

HSL 163.33, 0.69%, 0.46%

LAB 71.94, -50.3, 11.36

 

CMYK 23 / 82 / 0 / 22

HEX #9824C6

RGB 152 36 198

HSL 282.96, 0.69%, 0.46%

LAB 41.24, 68.31, -60.1

 

CMYK 0 / 23 / 82 / 22

HEX #C69824

RGB 198 152 36

HSL 42.96, 0.69%, 0.46%

LAB 65.43, 6.84, 62.19

 

CMYK 81 / 0 / 23 / 22

HEX #25C79A

RGB 37 199 154

HSL 163.33, 0.69%, 0.46%

LAB 71.94, -50.3, 11.36

 

CMYK 82 / 75 / 0 / 22

HEX #2432C6

RGB 36 50 198

HSL 234.81, 0.69%, 0.46%

LAB 31.19, 47.84, -77.03

 

CMYK 0 / 82 / 59 / 22

HEX #C62452

RGB 198 36 82

HSL 342.96, 0.69%, 0.46%

LAB 44.06, 63.38, 15.4

 

CMYK 0 / 7 / 82 / 22

HEX #C6B924

RGB 198 185 36

HSL 55.19, 0.69%, 0.46%

LAB 74.08, -10.63, 69.67

 

CMYK 81 / 0 / 23 / 22

HEX #25C79A

RGB 37 199 154

HSL 163.33, 0.69%, 0.46%

LAB 71.94, -50.3, 11.36

 

CMYK 64 / 82 / 0 / 22

HEX #4724C6

RGB 71 36 198

HSL 252.96, 0.69%, 0.46%

LAB 31.06, 57.52, -77.17

 

CMYK 0 / 82 / 59 / 22

HEX #C62452

RGB 198 36 82

HSL 342.96, 0.69%, 0.46%

LAB 44.06, 63.38, 15.4

 

CMYK 18 / 0 / 82 / 22

HEX #A3C624

RGB 163 198 36

HSL 72.96, 0.69%, 0.46%

LAB 75.02, -31.83, 69.43

 

Description

Color code: HEX #25C79A | qconv.com Color code: HEX #25C79A | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 199 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 199 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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