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Color name
HEX #25C316

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25C316 it is the complementary color #DA3CE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25C316. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25C316 shade: #2AC311, #3BD524, #4CE737, #5DF94A and #6EFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25C316. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25C316 shade: #25C316, #14B103, #039F00, #008D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25C316 shade: #25C516, #54C516, #84C516, #B3C516 and #C5A816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25C316 shade: #25C516, #16C536, #16C565, #16C595 and #16C5C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25C316 shade matches the following richer shades: #25C516 and #16D704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25C316 shade: #25C516, #34B428, #42A239, #51904B and #607E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25C316 shade: #85C516, #56C516, #27C516, #16C533 and #16C562

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25C316 shade: #177B0E, #1EA012, #25C516, #30E61F and #52EA44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25C316 shade: #25C316, #16B4C5 and #C5166E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25C316 shade: #25C316, #1627C5 and #C51627

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25C316 shade: #25C316, #16B4C5, #B416C5 and #C52716

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25C316 shade: #25C316, #167FC5, #B416C5 and #C55C16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 89 / 24

HEX #25C316

RGB 37 195 22

HSL 114.8, 0.8%, 0.43%

LAB 69.1, -67.33, 65.46

 

Complementary color

CMYK 6 / 74 / 0 / 9

HEX #DA3CE9

RGB 218 60 233

HSL 294.8, 0.8%, 0.57%

LAB 56.11, 79.57, -55.65

 

CMYK 78 / 0 / 91 / 24

HEX #2AC311

RGB 42 195 17

HSL 111.57, 0.84%, 0.42%

LAB 69.16, -66.86, 66.39

 

CMYK 72 / 0 / 83 / 16

HEX #3BD524

RGB 59 213 36

HSL 112.2, 0.71%, 0.49%

LAB 75.23, -69.01, 67.99

 

CMYK 67 / 0 / 76 / 9

HEX #4CE737

RGB 76 231 55

HSL 112.84, 0.79%, 0.56%

LAB 81.27, -70.55, 68.49

 

CMYK 63 / 0 / 70 / 2

HEX #5DF94A

RGB 93 249 74

HSL 113.49, 0.94%, 0.63%

LAB 87.28, -71.64, 68.27

 

CMYK 57 / 0 / 64 / 0

HEX #6EFF5D

RGB 110 255 93

HSL 113.7, 1%, 0.68%

LAB 89.69, -68.26, 63.75

 

CMYK 81 / 0 / 89 / 24

HEX #25C316

RGB 37 195 22

HSL 114.8, 0.8%, 0.43%

LAB 69.1, -67.33, 65.46

 

CMYK 89 / 0 / 98 / 31

HEX #14B103

RGB 20 177 3

HSL 114.14, 0.97%, 0.35%

LAB 63.01, -64.33, 63.01

 

CMYK 98 / 0 / 100 / 38

HEX #039F00

RGB 3 159 0

HSL 118.87, 1%, 0.31%

LAB 56.9, -60.37, 58.46

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 81 / 0 / 89 / 23

HEX #25C516

RGB 37 197 22

HSL 114.86, 0.8%, 0.43%

LAB 69.74, -67.91, 66.02

 

CMYK 57 / 0 / 89 / 23

HEX #54C516

RGB 84 197 22

HSL 98.74, 0.8%, 0.43%

LAB 70.78, -59.07, 67.32

 

CMYK 33 / 0 / 89 / 23

HEX #84C516

RGB 132 197 22

HSL 82.29, 0.8%, 0.43%

LAB 72.82, -43.84, 69.86

 

CMYK 9 / 0 / 89 / 23

HEX #B3C516

RGB 179 197 22

HSL 66.17, 0.8%, 0.43%

LAB 75.81, -25.13, 73.53

 

CMYK 0 / 15 / 89 / 23

HEX #C5A816

RGB 197 168 22

HSL 50.06, 0.8%, 0.43%

LAB 69.42, -2.55, 69.08

 

CMYK 81 / 0 / 89 / 23

HEX #25C516

RGB 37 197 22

HSL 114.86, 0.8%, 0.43%

LAB 69.74, -67.91, 66.02

 

CMYK 89 / 0 / 73 / 23

HEX #16C536

RGB 22 197 54

HSL 130.97, 0.8%, 0.43%

LAB 69.73, -67.44, 57.05

 

CMYK 89 / 0 / 49 / 23

HEX #16C565

RGB 22 197 101

HSL 147.09, 0.8%, 0.43%

LAB 70.21, -61.61, 36.79

 

CMYK 89 / 0 / 24 / 23

HEX #16C595

RGB 22 197 149

HSL 163.54, 0.8%, 0.43%

LAB 71.06, -51.84, 12.79

 

CMYK 89 / 0 / 1 / 23

HEX #16C5C4

RGB 22 197 196

HSL 179.66, 0.8%, 0.43%

LAB 72.29, -39.13, -10.96

 

CMYK 81 / 0 / 89 / 23

HEX #25C516

RGB 37 197 22

HSL 114.86, 0.8%, 0.43%

LAB 69.74, -67.91, 66.02

 

CMYK 90 / 0 / 98 / 16

HEX #16D704

RGB 22 215 4

HSL 114.88, 0.96%, 0.43%

LAB 75.31, -74.73, 72.87

 

CMYK 81 / 0 / 89 / 23

HEX #25C516

RGB 37 197 22

HSL 114.86, 0.8%, 0.43%

LAB 69.74, -67.91, 66.02

 

CMYK 71 / 0 / 78 / 29

HEX #34B428

RGB 52 180 40

HSL 114.86, 0.64%, 0.43%

LAB 64.58, -59.58, 56.87

 

CMYK 59 / 0 / 65 / 36

HEX #42A239

RGB 66 162 57

HSL 114.86, 0.48%, 0.43%

LAB 59.25, -48.8, 44.93

 

CMYK 44 / 0 / 48 / 44

HEX #51904B

RGB 81 144 75

HSL 114.78, 0.32%, 0.43%

LAB 54.24, -34.77, 30.36

 

CMYK 24 / 0 / 26 / 51

HEX #607E5D

RGB 96 126 93

HSL 114.55, 0.15%, 0.43%

LAB 49.74, -17.66, 14.56

 

CMYK 32 / 0 / 89 / 23

HEX #85C516

RGB 133 197 22

HSL 81.94, 0.8%, 0.43%

LAB 72.88, -43.48, 69.92

 

CMYK 56 / 0 / 89 / 23

HEX #56C516

RGB 86 197 22

HSL 98.06, 0.8%, 0.43%

LAB 70.85, -58.55, 67.4

 

CMYK 80 / 0 / 89 / 23

HEX #27C516

RGB 39 197 22

HSL 114.17, 0.8%, 0.43%

LAB 69.77, -67.67, 66.05

 

CMYK 89 / 0 / 74 / 23

HEX #16C533

RGB 22 197 51

HSL 129.94, 0.8%, 0.43%

LAB 69.71, -67.69, 58.1

 

CMYK 89 / 0 / 50 / 23

HEX #16C562

RGB 22 197 98

HSL 146.06, 0.8%, 0.43%

LAB 70.17, -62.09, 38.23

 

CMYK 81 / 0 / 89 / 52

HEX #177B0E

RGB 23 123 14

HSL 115.05, 0.8%, 0.27%

LAB 44.77, -47.34, 45.78

 

CMYK 81 / 0 / 89 / 37

HEX #1EA012

RGB 30 160 18

HSL 114.93, 0.8%, 0.35%

LAB 57.52, -57.88, 56.16

 

CMYK 81 / 0 / 89 / 23

HEX #25C516

RGB 37 197 22

HSL 114.86, 0.8%, 0.43%

LAB 69.74, -67.91, 66.02

 

CMYK 79 / 0 / 87 / 10

HEX #30E61F

RGB 48 230 31

HSL 114.87, 0.8%, 0.51%

LAB 80.36, -75.81, 73.58

 

CMYK 65 / 0 / 71 / 8

HEX #52EA44

RGB 82 234 68

HSL 114.94, 0.8%, 0.59%

LAB 82.41, -69.43, 65.32

 

CMYK 81 / 0 / 89 / 24

HEX #25C316

RGB 37 195 22

HSL 114.8, 0.8%, 0.43%

LAB 69.1, -67.33, 65.46

 

CMYK 89 / 9 / 0 / 23

HEX #16B4C5

RGB 22 180 197

HSL 185.83, 0.8%, 0.43%

LAB 67.16, -30.86, -19.24

 

CMYK 0 / 89 / 44 / 23

HEX #C5166E

RGB 197 22 110

HSL 329.83, 0.8%, 0.43%

LAB 43.61, 68.17, -2.75

 

CMYK 81 / 0 / 89 / 24

HEX #25C316

RGB 37 195 22

HSL 114.8, 0.8%, 0.43%

LAB 69.1, -67.33, 65.46

 

CMYK 89 / 80 / 0 / 23

HEX #1627C5

RGB 22 39 197

HSL 234.17, 0.8%, 0.43%

LAB 28.52, 52.76, -80.89

 

CMYK 0 / 89 / 80 / 23

HEX #C51627

RGB 197 22 39

HSL 354.17, 0.8%, 0.43%

LAB 42.14, 64.01, 39.16

 

CMYK 81 / 0 / 89 / 24

HEX #25C316

RGB 37 195 22

HSL 114.8, 0.8%, 0.43%

LAB 69.1, -67.33, 65.46

 

CMYK 89 / 9 / 0 / 23

HEX #16B4C5

RGB 22 180 197

HSL 185.83, 0.8%, 0.43%

LAB 67.16, -30.86, -19.24

 

CMYK 9 / 89 / 0 / 23

HEX #B416C5

RGB 180 22 197

HSL 294.17, 0.8%, 0.43%

LAB 44.67, 75.81, -53.75

 

CMYK 0 / 80 / 89 / 23

HEX #C52716

RGB 197 39 22

HSL 5.83, 0.8%, 0.43%

LAB 43.33, 59.84, 48.81

 

CMYK 81 / 0 / 89 / 24

HEX #25C316

RGB 37 195 22

HSL 114.8, 0.8%, 0.43%

LAB 69.1, -67.33, 65.46

 

CMYK 89 / 36 / 0 / 23

HEX #167FC5

RGB 22 127 197

HSL 204, 0.8%, 0.43%

LAB 51.13, -2.23, -44.13

 

CMYK 9 / 89 / 0 / 23

HEX #B416C5

RGB 180 22 197

HSL 294.17, 0.8%, 0.43%

LAB 44.67, 75.81, -53.75

 

CMYK 0 / 53 / 89 / 23

HEX #C55C16

RGB 197 92 22

HSL 24, 0.8%, 0.43%

LAB 51.36, 38.32, 54.97

 

Description

Color code: HEX #25C316 | qconv.com Color code: HEX #25C316 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 195 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 195 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 89 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 89% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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