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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25BE14 it is the complementary color #DA41EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25BE14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25BE14 shade: #2ABE0F, #3BD022, #4CE235, #5DF448 and #6EFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25BE14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25BE14 shade: #25BE14, #14AC01, #039A00, #008800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25BE14 shade: #25BD14, #52BD14, #80BD14, #AEBD14 and #BD9F14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25BE14 shade: #25BD14, #14BD31, #14BD5E, #14BD8C and #14BDBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25BE14 shade matches the following richer shades: #25BD14 and #17CE03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25BE14 shade: #25BD14, #32AC25, #409B36, #4D8A47 and #5B7A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25BE14 shade: #7FBD14, #52BD14, #25BD14, #14BD30 and #14BD5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25BE14 shade: #16730C, #1E9810, #25BD14, #2CE318 and #4BEA39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25BE14 shade: #25BE14, #14ACBD and #BD1469

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25BE14 shade: #25BE14, #1425BD and #BD1425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25BE14 shade: #25BE14, #14ACBD, #AC14BD and #BD2514

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25BE14 shade: #25BE14, #1479BD, #AC14BD and #BD5814

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 89 / 25

HEX #25BE14

RGB 37 190 20

HSL 114, 0.81%, 0.41%

LAB 67.48, -65.93, 64.43

 

Complementary color

CMYK 7 / 72 / 0 / 8

HEX #DA41EB

RGB 218 65 235

HSL 294, 0.81%, 0.59%

LAB 56.77, 78.34, -55.72

 

CMYK 78 / 0 / 92 / 25

HEX #2ABE0F

RGB 42 190 15

HSL 110.74, 0.85%, 0.4%

LAB 67.54, -65.43, 65.33

 

CMYK 72 / 0 / 84 / 18

HEX #3BD022

RGB 59 208 34

HSL 111.38, 0.72%, 0.47%

LAB 73.65, -67.56, 67.05

 

CMYK 66 / 0 / 77 / 11

HEX #4CE235

RGB 76 226 53

HSL 112.02, 0.75%, 0.55%

LAB 79.72, -69.08, 67.6

 

CMYK 62 / 0 / 70 / 4

HEX #5DF448

RGB 93 244 72

HSL 112.67, 0.89%, 0.62%

LAB 85.75, -70.14, 67.42

 

CMYK 57 / 0 / 64 / 0

HEX #6EFF5B

RGB 110 255 91

HSL 113.05, 1%, 0.68%

LAB 89.67, -68.45, 64.54

 

CMYK 81 / 0 / 89 / 25

HEX #25BE14

RGB 37 190 20

HSL 114, 0.81%, 0.41%

LAB 67.48, -65.93, 64.43

 

CMYK 88 / 0 / 99 / 33

HEX #14AC01

RGB 20 172 1

HSL 113.33, 0.99%, 0.34%

LAB 61.36, -62.95, 61.95

 

CMYK 98 / 0 / 100 / 40

HEX #039A00

RGB 3 154 0

HSL 118.83, 1%, 0.3%

LAB 55.21, -58.96, 57.11

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 80 / 0 / 89 / 26

HEX #25BD14

RGB 37 189 20

HSL 113.96, 0.81%, 0.41%

LAB 67.16, -65.63, 64.15

 

CMYK 57 / 0 / 89 / 26

HEX #52BD14

RGB 82 189 20

HSL 97.99, 0.81%, 0.41%

LAB 68.2, -56.84, 65.45

 

CMYK 32 / 0 / 89 / 26

HEX #80BD14

RGB 128 189 20

HSL 81.66, 0.81%, 0.41%

LAB 70.2, -41.96, 67.94

 

CMYK 8 / 0 / 89 / 26

HEX #AEBD14

RGB 174 189 20

HSL 65.33, 0.81%, 0.41%

LAB 73.18, -23.39, 71.61

 

CMYK 0 / 16 / 89 / 26

HEX #BD9F14

RGB 189 159 20

HSL 49.35, 0.81%, 0.41%

LAB 66.26, -1.36, 66.67

 

CMYK 80 / 0 / 89 / 26

HEX #25BD14

RGB 37 189 20

HSL 113.96, 0.81%, 0.41%

LAB 67.16, -65.63, 64.15

 

CMYK 89 / 0 / 74 / 26

HEX #14BD31

RGB 20 189 49

HSL 130.3, 0.81%, 0.41%

LAB 67.1, -65.63, 56.16

 

CMYK 89 / 0 / 50 / 26

HEX #14BD5E

RGB 20 189 94

HSL 146.27, 0.81%, 0.41%

LAB 67.54, -60.2, 36.94

 

CMYK 89 / 0 / 26 / 26

HEX #14BD8C

RGB 20 189 140

HSL 162.6, 0.81%, 0.41%

LAB 68.34, -50.98, 13.84

 

CMYK 89 / 0 / 2 / 26

HEX #14BDBA

RGB 20 189 186

HSL 178.93, 0.81%, 0.41%

LAB 69.53, -38.58, -9.61

 

CMYK 80 / 0 / 89 / 26

HEX #25BD14

RGB 37 189 20

HSL 113.96, 0.81%, 0.41%

LAB 67.16, -65.63, 64.15

 

CMYK 89 / 0 / 99 / 19

HEX #17CE03

RGB 23 206 3

HSL 114.09, 0.97%, 0.41%

LAB 72.45, -72.21, 70.66

 

CMYK 80 / 0 / 89 / 26

HEX #25BD14

RGB 37 189 20

HSL 113.96, 0.81%, 0.41%

LAB 67.16, -65.63, 64.15

 

CMYK 71 / 0 / 78 / 33

HEX #32AC25

RGB 50 172 37

HSL 114.22, 0.65%, 0.41%

LAB 61.93, -57.52, 55.25

 

CMYK 59 / 0 / 65 / 39

HEX #409B36

RGB 64 155 54

HSL 114.06, 0.48%, 0.41%

LAB 56.88, -46.96, 43.62

 

CMYK 44 / 0 / 49 / 46

HEX #4D8A47

RGB 77 138 71

HSL 114.63, 0.32%, 0.41%

LAB 52.07, -33.93, 29.73

 

CMYK 25 / 0 / 28 / 52

HEX #5B7A58

RGB 91 122 88

HSL 114.71, 0.16%, 0.41%

LAB 48.07, -18.31, 15.11

 

CMYK 33 / 0 / 89 / 26

HEX #7FBD14

RGB 127 189 20

HSL 82.01, 0.81%, 0.41%

LAB 70.15, -42.33, 67.88

 

CMYK 57 / 0 / 89 / 26

HEX #52BD14

RGB 82 189 20

HSL 97.99, 0.81%, 0.41%

LAB 68.2, -56.84, 65.45

 

CMYK 80 / 0 / 89 / 26

HEX #25BD14

RGB 37 189 20

HSL 113.96, 0.81%, 0.41%

LAB 67.16, -65.63, 64.15

 

CMYK 89 / 0 / 75 / 26

HEX #14BD30

RGB 20 189 48

HSL 129.94, 0.81%, 0.41%

LAB 67.09, -65.71, 56.51

 

CMYK 89 / 0 / 51 / 26

HEX #14BD5D

RGB 20 189 93

HSL 145.92, 0.81%, 0.41%

LAB 67.53, -60.36, 37.42

 

CMYK 81 / 0 / 90 / 55

HEX #16730C

RGB 22 115 12

HSL 114.17, 0.81%, 0.25%

LAB 41.94, -44.96, 43.75

 

CMYK 80 / 0 / 89 / 40

HEX #1E9810

RGB 30 152 16

HSL 113.82, 0.81%, 0.33%

LAB 54.83, -55.49, 54.23

 

CMYK 80 / 0 / 89 / 26

HEX #25BD14

RGB 37 189 20

HSL 113.96, 0.81%, 0.41%

LAB 67.16, -65.63, 64.15

 

CMYK 81 / 0 / 89 / 11

HEX #2CE318

RGB 44 227 24

HSL 114.09, 0.81%, 0.49%

LAB 79.35, -75.66, 73.94

 

CMYK 68 / 0 / 76 / 8

HEX #4BEA39

RGB 75 234 57

HSL 113.9, 0.81%, 0.57%

LAB 82.18, -71.56, 68.74

 

CMYK 81 / 0 / 89 / 25

HEX #25BE14

RGB 37 190 20

HSL 114, 0.81%, 0.41%

LAB 67.48, -65.93, 64.43

 

CMYK 89 / 9 / 0 / 26

HEX #14ACBD

RGB 20 172 189

HSL 186.04, 0.81%, 0.41%

LAB 64.43, -29.64, -18.96

 

CMYK 0 / 89 / 44 / 26

HEX #BD1469

RGB 189 20 105

HSL 329.82, 0.81%, 0.41%

LAB 41.75, 66.17, -2.55

 

CMYK 81 / 0 / 89 / 25

HEX #25BE14

RGB 37 190 20

HSL 114, 0.81%, 0.41%

LAB 67.48, -65.93, 64.43

 

CMYK 89 / 80 / 0 / 26

HEX #1425BD

RGB 20 37 189

HSL 233.96, 0.81%, 0.41%

LAB 27.15, 51.13, -78.46

 

CMYK 0 / 89 / 80 / 26

HEX #BD1425

RGB 189 20 37

HSL 353.96, 0.81%, 0.41%

LAB 40.33, 62.17, 37.92

 

CMYK 81 / 0 / 89 / 25

HEX #25BE14

RGB 37 190 20

HSL 114, 0.81%, 0.41%

LAB 67.48, -65.93, 64.43

 

CMYK 89 / 9 / 0 / 26

HEX #14ACBD

RGB 20 172 189

HSL 186.04, 0.81%, 0.41%

LAB 64.43, -29.64, -18.96

 

CMYK 9 / 89 / 0 / 26

HEX #AC14BD

RGB 172 20 189

HSL 293.96, 0.81%, 0.41%

LAB 42.68, 73.5, -52.35

 

CMYK 0 / 80 / 89 / 26

HEX #BD2514

RGB 189 37 20

HSL 6.04, 0.81%, 0.41%

LAB 41.52, 58.01, 47.59

 

CMYK 81 / 0 / 89 / 25

HEX #25BE14

RGB 37 190 20

HSL 114, 0.81%, 0.41%

LAB 67.48, -65.93, 64.43

 

CMYK 89 / 36 / 0 / 26

HEX #1479BD

RGB 20 121 189

HSL 204.14, 0.81%, 0.41%

LAB 48.88, -1.8, -43.11

 

CMYK 9 / 89 / 0 / 26

HEX #AC14BD

RGB 172 20 189

HSL 293.96, 0.81%, 0.41%

LAB 42.68, 73.5, -52.35

 

CMYK 0 / 53 / 89 / 26

HEX #BD5814

RGB 189 88 20

HSL 24.14, 0.81%, 0.41%

LAB 49.31, 37.13, 53.5

 

Description

Color code: HEX #25BE14 | qconv.com Color code: HEX #25BE14 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 190 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 190 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 89 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 89% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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