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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25B7FDCE it is the complementary color #DA4802CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25B7FDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25B7FDCE shade: #2AB7F8CE, #3BC9FFCE, #4CDBFFCE, #5DEDFFCE and #6EFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25B7FDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25B7FDCE shade: #25B7FDCE, #14A5EACE, #0393D7CE, #0081C4CE and #006FB1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25B7FDCE shade: #26B7FD, #267DFD, #2643FD, #4226FD and #7C26FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25B7FDCE shade: #26B7FD, #267DFD, #2643FD and #2626FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25B7FDCE shade matches the following richer shades: #26B7FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25B7FDCE shade: #26B7FD, #38B1EB, #49ABD9, #5BA4C8 and #6D9EB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25B7FDCE shade: #26FDCE, #26F2FD, #26B9FD, #267FFD and #2646FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25B7FDCE shade: #028CCE, #02A8F7, #26B7FD, #4FC5FD and #78D2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25B7FDCE shade: #25B7FD, #9526FD and #FDEB26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25B7FDCE shade: #25B7FD, #FD26B9 and #B9FD26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25B7FDCE shade: #25B7FD, #9526FD, #FD6A26 and #8EFD26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25B7FDCE shade: #25B7FD, #D526FD, #FD6A26 and #4DFD26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 22 / 0 / 1

HEX #25B7FDCE

RGBA 37 183 253 0.81

HSLA 199.44, 0.98%, 0.57%, 0.81

LABA 70.42, -12.68, -44.78, 0.81

 

Complementary color

CMYK 0 / 54 / 80 / 12

HEX #DA4802CE

RGBA 218 72 2 0.81

HSLA 19.44, 0.98%, 0.43%, 0.81

LABA 51.32, 54.9, 61.73, 0.81

 

CMYK 67 / 21 / 0 / 2

HEX #2AB7F8CE

RGBA 42 183 248 0.81

HSLA 198.93, 0.94%, 0.57%, 0.81

LABA 70.27, -14.05, -42.31, 0.81

 

CMYK 62 / 17 / 0 / 0

HEX #3BC9FFCE

RGBA 59 201 255 0.81

HSLA 196.53, 1%, 0.62%, 0.81

LABA 76.02, -19.65, -37.1, 0.81

 

CMYK 57 / 11 / 0 / 0

HEX #4CDBFFCE

RGBA 76 219 255 0.81

HSLA 192.07, 1%, 0.65%, 0.81

LABA 81.52, -26.76, -28.59, 0.81

 

CMYK 51 / 6 / 0 / 0

HEX #5DEDFFCE

RGBA 93 237 255 0.81

HSLA 186.67, 1%, 0.68%, 0.81

LABA 87.05, -33.05, -20.14, 0.81

 

CMYK 46 / 0 / 0 / 0

HEX #6EFFFFCE

RGBA 110 255 255 0.81

HSLA 180, 1%, 0.72%, 0.81

LABA 92.6, -38.61, -11.77, 0.81

 

CMYK 69 / 22 / 0 / 1

HEX #25B7FDCE

RGBA 37 183 253 0.81

HSLA 199.44, 0.98%, 0.57%, 0.81

LABA 70.42, -12.68, -44.78, 0.81

 

CMYK 74 / 24 / 0 / 7

HEX #14A5EACE

RGBA 20 165 234 0.81

HSLA 199.35, 0.84%, 0.5%, 0.81

LABA 64.16, -10.49, -44.27, 0.81

 

CMYK 80 / 26 / 0 / 13

HEX #0393D7CE

RGBA 3 147 215 0.81

HSLA 199.25, 0.97%, 0.43%, 0.81

LABA 57.84, -7.89, -43.7, 0.81

 

CMYK 81 / 28 / 0 / 19

HEX #0081C4CE

RGBA 0 129 196 0.81

HSLA 200.51, 1%, 0.38%, 0.81

LABA 51.48, -4.72, -43.02, 0.81

 

CMYK 81 / 30 / 0 / 25

HEX #006FB1CE

RGBA 0 111 177 0.81

HSLA 202.37, 1%, 0.35%, 0.81

LABA 45, -1.29, -42.33, 0.81

 

CMYK 85 / 28 / 0 / 1

HEX #26B7FD

RGB 38 183 253

HSL 199.53, 0.98%, 0.57%

LAB 70.43, -12.61, -44.76

 

CMYK 85 / 51 / 0 / 1

HEX #267DFD

RGB 38 125 253

HSL 215.72, 0.98%, 0.57%

LAB 54.21, 21.38, -70.63

 

CMYK 85 / 74 / 0 / 1

HEX #2643FD

RGB 38 67 253

HSL 231.91, 0.98%, 0.57%

LAB 40.44, 56.75, -93.17

 

CMYK 74 / 85 / 0 / 1

HEX #4226FD

RGB 66 38 253

HSL 247.81, 0.98%, 0.57%

LAB 37.18, 71.45, -98.54

 

CMYK 51 / 85 / 0 / 1

HEX #7C26FD

RGB 124 38 253

HSL 264, 0.98%, 0.57%

LAB 42.4, 75.86, -89.73

 

CMYK 85 / 28 / 0 / 1

HEX #26B7FD

RGB 38 183 253

HSL 199.53, 0.98%, 0.57%

LAB 70.43, -12.61, -44.76

 

CMYK 85 / 51 / 0 / 1

HEX #267DFD

RGB 38 125 253

HSL 215.72, 0.98%, 0.57%

LAB 54.21, 21.38, -70.63

 

CMYK 85 / 74 / 0 / 1

HEX #2643FD

RGB 38 67 253

HSL 231.91, 0.98%, 0.57%

LAB 40.44, 56.75, -93.17

 

CMYK 85 / 85 / 0 / 1

HEX #2626FD

RGB 38 38 253

HSL 240, 0.98%, 0.57%

LAB 35.77, 70.33, -100.93

 

CMYK 85 / 28 / 0 / 1

HEX #26B7FD

RGB 38 183 253

HSL 199.53, 0.98%, 0.57%

LAB 70.43, -12.61, -44.76

 

CMYK 85 / 28 / 0 / 1

HEX #26B7FD

RGB 38 183 253

HSL 199.53, 0.98%, 0.57%

LAB 70.43, -12.61, -44.76

 

CMYK 76 / 25 / 0 / 8

HEX #38B1EB

RGB 56 177 235

HSL 199.44, 0.82%, 0.57%

LAB 68.23, -13.96, -38.41

 

CMYK 66 / 21 / 0 / 15

HEX #49ABD9

RGB 73 171 217

HSL 199.17, 0.65%, 0.57%

LAB 66.18, -14.4, -31.7

 

CMYK 55 / 18 / 0 / 22

HEX #5BA4C8

RGB 91 164 200

HSL 199.82, 0.5%, 0.57%

LAB 64.12, -12.58, -25.4

 

CMYK 40 / 13 / 0 / 29

HEX #6D9EB6

RGB 109 158 182

HSL 199.73, 0.33%, 0.57%

LAB 62.58, -10.1, -17.61

 

CMYK 85 / 0 / 19 / 1

HEX #26FDCE

RGB 38 253 206

HSL 166.88, 0.98%, 0.57%

LAB 89.45, -58.95, 8.86

 

CMYK 85 / 4 / 0 / 1

HEX #26F2FD

RGB 38 242 253

HSL 183.07, 0.98%, 0.57%

LAB 87.49, -41.69, -18.53

 

CMYK 85 / 27 / 0 / 1

HEX #26B9FD

RGB 38 185 253

HSL 198.98, 0.98%, 0.57%

LAB 71.01, -13.69, -43.86

 

CMYK 85 / 50 / 0 / 1

HEX #267FFD

RGB 38 127 253

HSL 215.16, 0.98%, 0.57%

LAB 54.74, 20.14, -69.76

 

CMYK 85 / 72 / 0 / 1

HEX #2646FD

RGB 38 70 253

HSL 231.07, 0.98%, 0.57%

LAB 41.03, 55.09, -92.2

 

CMYK 99 / 32 / 0 / 19

HEX #028CCE

RGB 2 140 206

HSL 199.41, 0.98%, 0.41%

LAB 55.3, -7.28, -42.65

 

CMYK 99 / 32 / 0 / 3

HEX #02A8F7

RGB 2 168 247

HSL 199.35, 0.98%, 0.49%

LAB 65.54, -7.98, -49.22

 

CMYK 85 / 28 / 0 / 1

HEX #26B7FD

RGB 38 183 253

HSL 199.53, 0.98%, 0.57%

LAB 70.43, -12.61, -44.76

 

CMYK 69 / 22 / 0 / 1

HEX #4FC5FD

RGB 79 197 253

HSL 199.31, 0.98%, 0.65%

LAB 75.26, -15.8, -37.18

 

CMYK 53 / 17 / 0 / 0

HEX #78D2FE

RGB 120 210 254

HSL 199.7, 0.99%, 0.73%

LAB 80.32, -15.1, -29.79

 

CMYK 85 / 28 / 0 / 1

HEX #25B7FD

RGB 37 183 253

HSL 199.44, 0.98%, 0.57%

LAB 70.42, -12.68, -44.78

 

CMYK 41 / 85 / 0 / 1

HEX #9526FD

RGB 149 38 253

HSL 270.98, 0.98%, 0.57%

LAB 45.45, 78.61, -84.6

 

CMYK 0 / 7 / 85 / 1

HEX #FDEB26

RGB 253 235 38

HSL 54.98, 0.98%, 0.57%

LAB 91.88, -12.26, 85.93

 

CMYK 85 / 28 / 0 / 1

HEX #25B7FD

RGB 37 183 253

HSL 199.44, 0.98%, 0.57%

LAB 70.42, -12.68, -44.78

 

CMYK 0 / 85 / 27 / 1

HEX #FD26B9

RGB 253 38 185

HSL 318.98, 0.98%, 0.57%

LAB 57.82, 85.33, -25.19

 

CMYK 27 / 0 / 85 / 1

HEX #B9FD26

RGB 185 253 38

HSL 78.98, 0.98%, 0.57%

LAB 92, -47.65, 84.1

 

CMYK 85 / 28 / 0 / 1

HEX #25B7FD

RGB 37 183 253

HSL 199.44, 0.98%, 0.57%

LAB 70.42, -12.68, -44.78

 

CMYK 41 / 85 / 0 / 1

HEX #9526FD

RGB 149 38 253

HSL 270.98, 0.98%, 0.57%

LAB 45.45, 78.61, -84.6

 

CMYK 0 / 58 / 85 / 1

HEX #FD6A26

RGB 253 106 38

HSL 18.98, 0.98%, 0.57%

LAB 62.79, 53, 62.1

 

CMYK 44 / 0 / 85 / 1

HEX #8EFD26

RGB 142 253 38

HSL 90.98, 0.98%, 0.57%

LAB 89.92, -62.22, 81.51

 

CMYK 85 / 28 / 0 / 1

HEX #25B7FD

RGB 37 183 253

HSL 199.44, 0.98%, 0.57%

LAB 70.42, -12.68, -44.78

 

CMYK 16 / 85 / 0 / 1

HEX #D526FD

RGB 213 38 253

HSL 288.84, 0.98%, 0.57%

LAB 54.68, 87.51, -69.16

 

CMYK 0 / 58 / 85 / 1

HEX #FD6A26

RGB 253 106 38

HSL 18.98, 0.98%, 0.57%

LAB 62.79, 53, 62.1

 

CMYK 70 / 0 / 85 / 1

HEX #4DFD26

RGB 77 253 38

HSL 109.12, 0.98%, 0.57%

LAB 87.95, -78.01, 79.03

 

Description

Color code: HEX #25B7FDCE | qconv.com Color code: HEX #25B7FDCE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 183 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 183 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 22 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 22% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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