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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25B5A8 it is the complementary color #DA4A57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25B5A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25B5A8 shade: #2AB5A3, #3BC7B6, #4CD9C9, #5DEBDC and #6EFDEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25B5A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25B5A8 shade: #25B5A8, #14A395, #039182, #007F6F and #006D5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25B5A8 shade: #25B6A8, #25B681, #25B65A, #25B633 and #3DB625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25B5A8 shade: #25B6A8, #259CB6, #2575B6, #254EB6 and #2526B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25B5A8 shade matches the following richer shades: #25B6A8, #13C7B7 and #01D9C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25B5A8 shade: #25B6A8, #37A49A, #48928B, #5A807D and #6C6F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25B5A8 shade: #25B65A, #25B680, #25B6A7, #259DB6 and #2577B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25B5A8 shade: #177169, #1E9389, #25B6A8, #2FD4C5 and #52DBCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25B5A8 shade: #25B5A8, #3325B6 and #B66D25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25B5A8 shade: #25B5A8, #A725B6 and #B6A725

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25B5A8 shade: #25B5A8, #3325B6, #B62533 and #A7B625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25B5A8 shade: #25B5A8, #5F25B6, #B62533 and #7CB625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 7 / 29

HEX #25B5A8

RGB 37 181 168

HSL 174.58, 0.66%, 0.43%

LAB 66.72, -38.99, -3.84

 

Complementary color

CMYK 0 / 66 / 60 / 15

HEX #DA4A57

RGB 218 74 87

HSL 354.58, 0.66%, 0.57%

LAB 52.39, 56.94, 24.12

 

CMYK 77 / 0 / 10 / 29

HEX #2AB5A3

RGB 42 181 163

HSL 172.23, 0.62%, 0.44%

LAB 66.66, -39.87, -1.16

 

CMYK 70 / 0 / 9 / 22

HEX #3BC7B6

RGB 59 199 182

HSL 172.71, 0.56%, 0.51%

LAB 72.99, -40.64, -2.25

 

CMYK 65 / 0 / 7 / 15

HEX #4CD9C9

RGB 76 217 201

HSL 173.19, 0.65%, 0.57%

LAB 79.26, -41.18, -3.23

 

CMYK 60 / 0 / 6 / 8

HEX #5DEBDC

RGB 93 235 220

HSL 173.66, 0.78%, 0.64%

LAB 85.46, -41.54, -4.13

 

CMYK 57 / 0 / 6 / 1

HEX #6EFDEF

RGB 110 253 239

HSL 174.13, 0.97%, 0.71%

LAB 91.59, -41.79, -4.97

 

CMYK 80 / 0 / 7 / 29

HEX #25B5A8

RGB 37 181 168

HSL 174.58, 0.66%, 0.43%

LAB 66.72, -38.99, -3.84

 

CMYK 88 / 0 / 9 / 36

HEX #14A395

RGB 20 163 149

HSL 174.13, 0.78%, 0.36%

LAB 60.35, -37.71, -2.63

 

CMYK 98 / 0 / 10 / 43

HEX #039182

RGB 3 145 130

HSL 173.66, 0.96%, 0.29%

LAB 53.9, -36.04, -1.28

 

CMYK 100 / 0 / 13 / 50

HEX #007F6F

RGB 0 127 111

HSL 172.44, 1%, 0.25%

LAB 47.4, -33.68, 0.28

 

CMYK 100 / 0 / 16 / 57

HEX #006D5C

RGB 0 109 92

HSL 170.64, 1%, 0.21%

LAB 40.75, -31.11, 1.97

 

CMYK 80 / 0 / 8 / 29

HEX #25B6A8

RGB 37 182 168

HSL 174.21, 0.66%, 0.43%

LAB 67.03, -39.44, -3.38

 

CMYK 80 / 0 / 29 / 29

HEX #25B681

RGB 37 182 129

HSL 158.07, 0.66%, 0.43%

LAB 66.09, -49.39, 16.69

 

CMYK 80 / 0 / 51 / 29

HEX #25B65A

RGB 37 182 90

HSL 141.93, 0.66%, 0.43%

LAB 65.43, -56.91, 36.34

 

CMYK 80 / 0 / 72 / 29

HEX #25B633

RGB 37 182 51

HSL 125.79, 0.66%, 0.43%

LAB 65.03, -61.68, 53.38

 

CMYK 66 / 0 / 80 / 29

HEX #3DB625

RGB 61 182 37

HSL 110.07, 0.66%, 0.43%

LAB 65.42, -58.67, 58.67

 

CMYK 80 / 0 / 8 / 29

HEX #25B6A8

RGB 37 182 168

HSL 174.21, 0.66%, 0.43%

LAB 67.03, -39.44, -3.38

 

CMYK 80 / 14 / 0 / 29

HEX #259CB6

RGB 37 156 182

HSL 190.76, 0.66%, 0.43%

LAB 59.48, -22.61, -22.57

 

CMYK 80 / 36 / 0 / 29

HEX #2575B6

RGB 37 117 182

HSL 206.9, 0.66%, 0.43%

LAB 47.62, -0.63, -41.06

 

CMYK 80 / 57 / 0 / 29

HEX #254EB6

RGB 37 78 182

HSL 223.03, 0.66%, 0.43%

LAB 36.4, 24.47, -59.07

 

CMYK 80 / 79 / 0 / 29

HEX #2526B6

RGB 37 38 182

HSL 239.59, 0.66%, 0.43%

LAB 27.18, 49.14, -74.23

 

CMYK 80 / 0 / 8 / 29

HEX #25B6A8

RGB 37 182 168

HSL 174.21, 0.66%, 0.43%

LAB 67.03, -39.44, -3.38

 

CMYK 90 / 0 / 8 / 22

HEX #13C7B7

RGB 19 199 183

HSL 174.67, 0.83%, 0.43%

LAB 72.5, -43.93, -3.58

 

CMYK 100 / 0 / 9 / 15

HEX #01D9C6

RGB 1 217 198

HSL 174.72, 0.99%, 0.43%

LAB 78.29, -47.99, -3.15

 

CMYK 80 / 0 / 8 / 29

HEX #25B6A8

RGB 37 182 168

HSL 174.21, 0.66%, 0.43%

LAB 67.03, -39.44, -3.38

 

CMYK 66 / 0 / 6 / 36

HEX #37A49A

RGB 55 164 154

HSL 174.5, 0.5%, 0.43%

LAB 61.39, -32.84, -3.85

 

CMYK 51 / 0 / 5 / 43

HEX #48928B

RGB 72 146 139

HSL 174.32, 0.34%, 0.43%

LAB 55.89, -24.8, -3.38

 

CMYK 30 / 0 / 2 / 50

HEX #5A807D

RGB 90 128 125

HSL 175.26, 0.17%, 0.43%

LAB 50.8, -13.94, -2.66

 

CMYK 3 / 0 / 1 / 56

HEX #6C6F6E

RGB 108 111 110

HSL 160, 0.01%, 0.43%

LAB 46.56, -1.35, 0.15

 

CMYK 80 / 0 / 51 / 29

HEX #25B65A

RGB 37 182 90

HSL 141.93, 0.66%, 0.43%

LAB 65.43, -56.91, 36.34

 

CMYK 80 / 0 / 30 / 29

HEX #25B680

RGB 37 182 128

HSL 157.66, 0.66%, 0.43%

LAB 66.06, -49.61, 17.21

 

CMYK 80 / 0 / 8 / 29

HEX #25B6A7

RGB 37 182 167

HSL 173.79, 0.66%, 0.43%

LAB 67.01, -39.72, -2.87

 

CMYK 80 / 14 / 0 / 29

HEX #259DB6

RGB 37 157 182

HSL 190.34, 0.66%, 0.43%

LAB 59.78, -23.13, -22.1

 

CMYK 80 / 35 / 0 / 29

HEX #2577B6

RGB 37 119 182

HSL 206.07, 0.66%, 0.43%

LAB 48.22, -1.85, -40.11

 

CMYK 80 / 0 / 7 / 56

HEX #177169

RGB 23 113 105

HSL 174.67, 0.66%, 0.27%

LAB 42.78, -27.1, -2.88

 

CMYK 80 / 0 / 7 / 42

HEX #1E9389

RGB 30 147 137

HSL 174.87, 0.66%, 0.35%

LAB 55.02, -33.04, -3.64

 

CMYK 80 / 0 / 8 / 29

HEX #25B6A8

RGB 37 182 168

HSL 174.21, 0.66%, 0.43%

LAB 67.03, -39.44, -3.38

 

CMYK 78 / 0 / 7 / 17

HEX #2FD4C5

RGB 47 212 197

HSL 174.55, 0.66%, 0.51%

LAB 77.11, -43.68, -4.31

 

CMYK 63 / 0 / 5 / 14

HEX #52DBCF

RGB 82 219 207

HSL 174.74, 0.66%, 0.59%

LAB 80.16, -39.55, -5.09

 

CMYK 80 / 0 / 7 / 29

HEX #25B5A8

RGB 37 181 168

HSL 174.58, 0.66%, 0.43%

LAB 66.72, -38.99, -3.84

 

CMYK 72 / 80 / 0 / 29

HEX #3325B6

RGB 51 37 182

HSL 245.79, 0.66%, 0.43%

LAB 27.86, 50.65, -73.08

 

CMYK 0 / 40 / 80 / 29

HEX #B66D25

RGB 182 109 37

HSL 29.79, 0.66%, 0.43%

LAB 52.97, 23.49, 49.84

 

CMYK 80 / 0 / 7 / 29

HEX #25B5A8

RGB 37 181 168

HSL 174.58, 0.66%, 0.43%

LAB 66.72, -38.99, -3.84

 

CMYK 8 / 80 / 0 / 29

HEX #A725B6

RGB 167 37 182

HSL 293.79, 0.66%, 0.43%

LAB 42.64, 67.79, -48.35

 

CMYK 0 / 8 / 80 / 29

HEX #B6A725

RGB 182 167 37

HSL 53.79, 0.66%, 0.43%

LAB 67.81, -8.26, 63.37

 

CMYK 80 / 0 / 7 / 29

HEX #25B5A8

RGB 37 181 168

HSL 174.58, 0.66%, 0.43%

LAB 66.72, -38.99, -3.84

 

CMYK 72 / 80 / 0 / 29

HEX #3325B6

RGB 51 37 182

HSL 245.79, 0.66%, 0.43%

LAB 27.86, 50.65, -73.08

 

CMYK 0 / 80 / 72 / 29

HEX #B62533

RGB 182 37 51

HSL 354.21, 0.66%, 0.43%

LAB 40.42, 56.9, 29.33

 

CMYK 8 / 0 / 80 / 29

HEX #A7B625

RGB 167 182 37

HSL 66.21, 0.66%, 0.43%

LAB 70.74, -22.45, 65.5

 

CMYK 80 / 0 / 7 / 29

HEX #25B5A8

RGB 37 181 168

HSL 174.58, 0.66%, 0.43%

LAB 66.72, -38.99, -3.84

 

CMYK 48 / 80 / 0 / 29

HEX #5F25B6

RGB 95 37 182

HSL 264, 0.66%, 0.43%

LAB 32.11, 55.58, -65.92

 

CMYK 0 / 80 / 72 / 29

HEX #B62533

RGB 182 37 51

HSL 354.21, 0.66%, 0.43%

LAB 40.42, 56.9, 29.33

 

CMYK 32 / 0 / 80 / 29

HEX #7CB625

RGB 124 182 37

HSL 84, 0.66%, 0.43%

LAB 67.93, -39.81, 61.91

 

Description

Color code: HEX #25B5A8 | qconv.com Color code: HEX #25B5A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 181 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 181 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 7 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 7% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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