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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25B1A0 it is the complementary color #DA4E5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25B1A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25B1A0 shade: #2AB19B, #3BC3AE, #4CD5C1, #5DE7D4 and #6EF9E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25B1A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25B1A0 shade: #25B1A0, #149F8D, #038D7A, #007B67 and #006954

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25B1A0 shade: #25B1A0, #25B17A, #25B155, #25B12F and #41B125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25B1A0 shade: #25B1A0, #259CB1, #2577B1, #2551B1 and #252BB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25B1A0 shade matches the following richer shades: #25B1A0, #14C2AD and #03D3BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25B1A0 shade: #25B1A0, #379F93, #488E86, #597D78 and #6B6B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25B1A0 shade: #25B154, #25B179, #25B19E, #259EB1 and #2579B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25B1A0 shade: #176D62, #1E8F81, #25B1A0, #2DD2BE and #4FDAC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25B1A0 shade: #25B1A0, #2F25B1 and #B16625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25B1A0 shade: #25B1A0, #9E25B1 and #B19E25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25B1A0 shade: #25B1A0, #2F25B1, #B12538 and #A7B125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25B1A0 shade: #25B1A0, #5925B1, #B12538 and #7EB125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

Complementary color

CMYK 0 / 64 / 56 / 15

HEX #DA4E5F

RGB 218 78 95

HSL 352.71, 0.65%, 0.58%

LAB 53.15, 55.86, 20.39

 

CMYK 76 / 0 / 12 / 31

HEX #2AB19B

RGB 42 177 155

HSL 170.22, 0.62%, 0.43%

LAB 65.2, -40.28, 1.15

 

CMYK 70 / 0 / 11 / 24

HEX #3BC3AE

RGB 59 195 174

HSL 170.74, 0.54%, 0.5%

LAB 71.57, -40.99, 0.02

 

CMYK 64 / 0 / 9 / 16

HEX #4CD5C1

RGB 76 213 193

HSL 171.24, 0.62%, 0.57%

LAB 77.86, -41.47, -1

 

CMYK 60 / 0 / 8 / 9

HEX #5DE7D4

RGB 93 231 212

HSL 171.74, 0.74%, 0.64%

LAB 84.09, -41.79, -1.93

 

CMYK 56 / 0 / 7 / 2

HEX #6EF9E7

RGB 110 249 231

HSL 172.23, 0.92%, 0.7%

LAB 90.25, -41.98, -2.79

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 87 / 0 / 11 / 38

HEX #149F8D

RGB 20 159 141

HSL 172.23, 0.78%, 0.35%

LAB 58.85, -38.22, -0.31

 

CMYK 98 / 0 / 13 / 45

HEX #038D7A

RGB 3 141 122

HSL 171.74, 0.96%, 0.28%

LAB 52.37, -36.58, 1.1

 

CMYK 100 / 0 / 16 / 52

HEX #007B67

RGB 0 123 103

HSL 170.24, 1%, 0.24%

LAB 45.83, -34.22, 2.74

 

CMYK 100 / 0 / 20 / 59

HEX #006954

RGB 0 105 84

HSL 168, 1%, 0.21%

LAB 39.14, -31.64, 4.51

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 79 / 0 / 31 / 31

HEX #25B17A

RGB 37 177 122

HSL 156.43, 0.65%, 0.42%

LAB 64.36, -48.98, 18.11

 

CMYK 79 / 0 / 52 / 31

HEX #25B155

RGB 37 177 85

HSL 140.57, 0.65%, 0.42%

LAB 63.75, -55.95, 36.77

 

CMYK 79 / 0 / 73 / 31

HEX #25B12F

RGB 37 177 47

HSL 124.29, 0.65%, 0.42%

LAB 63.38, -60.44, 53.17

 

CMYK 63 / 0 / 79 / 31

HEX #41B125

RGB 65 177 37

HSL 108, 0.65%, 0.42%

LAB 63.92, -56.1, 57.29

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 79 / 12 / 0 / 31

HEX #259CB1

RGB 37 156 177

HSL 189, 0.65%, 0.42%

LAB 59.29, -24.26, -20.03

 

CMYK 79 / 33 / 0 / 31

HEX #2577B1

RGB 37 119 177

HSL 204.86, 0.65%, 0.42%

LAB 47.96, -3.72, -37.62

 

CMYK 79 / 54 / 0 / 31

HEX #2551B1

RGB 37 81 177

HSL 221.14, 0.65%, 0.42%

LAB 36.84, 20.54, -55.41

 

CMYK 79 / 76 / 0 / 31

HEX #252BB1

RGB 37 43 177

HSL 237.43, 0.65%, 0.42%

LAB 27.56, 44.79, -70.61

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 90 / 0 / 11 / 24

HEX #14C2AD

RGB 20 194 173

HSL 172.76, 0.81%, 0.42%

LAB 70.7, -44.51, -0.77

 

CMYK 99 / 0 / 12 / 17

HEX #03D3BA

RGB 3 211 186

HSL 172.79, 0.97%, 0.42%

LAB 76.16, -48.72, 0.17

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 65 / 0 / 8 / 38

HEX #379F93

RGB 55 159 147

HSL 173.08, 0.49%, 0.42%

LAB 59.63, -32.41, -2.49

 

CMYK 49 / 0 / 6 / 44

HEX #488E86

RGB 72 142 134

HSL 173.14, 0.33%, 0.42%

LAB 54.5, -24.1, -2.55

 

CMYK 29 / 0 / 4 / 51

HEX #597D78

RGB 89 125 120

HSL 171.67, 0.17%, 0.42%

LAB 49.67, -13.82, -1.38

 

CMYK 0 / 0 / 0 / 58

HEX #6B6B6B

RGB 107 107 107

HSL 0, 0%, 0.42%

LAB 45.22, 0, -0.01

 

CMYK 79 / 0 / 53 / 31

HEX #25B154

RGB 37 177 84

HSL 140.14, 0.65%, 0.42%

LAB 63.74, -56.1, 37.25

 

CMYK 79 / 0 / 32 / 31

HEX #25B179

RGB 37 177 121

HSL 156, 0.65%, 0.42%

LAB 64.34, -49.2, 18.63

 

CMYK 79 / 0 / 11 / 31

HEX #25B19E

RGB 37 177 158

HSL 171.86, 0.65%, 0.42%

LAB 65.2, -40, -0.52

 

CMYK 79 / 11 / 0 / 31

HEX #259EB1

RGB 37 158 177

HSL 188.14, 0.65%, 0.42%

LAB 59.91, -25.28, -19.09

 

CMYK 79 / 32 / 0 / 31

HEX #2579B1

RGB 37 121 177

HSL 204, 0.65%, 0.42%

LAB 48.56, -4.91, -36.66

 

CMYK 79 / 0 / 10 / 57

HEX #176D62

RGB 23 109 98

HSL 172.33, 0.65%, 0.26%

LAB 41.22, -27.26, -0.95

 

CMYK 79 / 0 / 10 / 44

HEX #1E8F81

RGB 30 143 129

HSL 172.57, 0.65%, 0.34%

LAB 53.5, -33.51, -1.26

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 79 / 0 / 10 / 18

HEX #2DD2BE

RGB 45 210 190

HSL 172.73, 0.65%, 0.5%

LAB 76.3, -44.91, -1.75

 

CMYK 64 / 0 / 8 / 15

HEX #4FDAC9

RGB 79 218 201

HSL 172.66, 0.65%, 0.58%

LAB 79.63, -41.15, -2.68

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 73 / 79 / 0 / 31

HEX #2F25B1

RGB 47 37 177

HSL 244.29, 0.65%, 0.42%

LAB 27.02, 48.77, -71.49

 

CMYK 0 / 42 / 79 / 31

HEX #B16625

RGB 177 102 37

HSL 27.86, 0.65%, 0.42%

LAB 50.67, 25.19, 47.42

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 11 / 79 / 0 / 31

HEX #9E25B1

RGB 158 37 177

HSL 291.86, 0.65%, 0.42%

LAB 40.84, 65.2, -48.35

 

CMYK 0 / 11 / 79 / 31

HEX #B19E25

RGB 177 158 37

HSL 51.86, 0.65%, 0.42%

LAB 64.91, -5.72, 60.61

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 73 / 79 / 0 / 31

HEX #2F25B1

RGB 47 37 177

HSL 244.29, 0.65%, 0.42%

LAB 27.02, 48.77, -71.49

 

CMYK 0 / 79 / 68 / 31

HEX #B12538

RGB 177 37 56

HSL 351.86, 0.65%, 0.42%

LAB 39.51, 55.68, 24.91

 

CMYK 6 / 0 / 79 / 31

HEX #A7B125

RGB 167 177 37

HSL 64.29, 0.65%, 0.42%

LAB 69.32, -19.96, 64.24

 

CMYK 79 / 0 / 10 / 31

HEX #25B1A0

RGB 37 177 160

HSL 172.71, 0.65%, 0.42%

LAB 65.26, -39.45, -1.56

 

CMYK 50 / 79 / 0 / 31

HEX #5925B1

RGB 89 37 177

HSL 262.29, 0.65%, 0.42%

LAB 30.93, 53.45, -64.91

 

CMYK 0 / 79 / 68 / 31

HEX #B12538

RGB 177 37 56

HSL 351.86, 0.65%, 0.42%

LAB 39.51, 55.68, 24.91

 

CMYK 29 / 0 / 79 / 31

HEX #7EB125

RGB 126 177 37

HSL 81.86, 0.65%, 0.42%

LAB 66.53, -36.83, 60.67

 

Description

Color code: HEX #25B1A0 | qconv.com Color code: HEX #25B1A0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 177 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 177 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 10 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 10% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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