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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25AA3C it is the complementary color #DA55C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25AA3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25AA3C shade: #2AAA37, #3BBC4A, #4CCE5D, #5DE070 and #6EF283

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25AA3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25AA3C shade: #25AA3C, #149829, #038616, #007403 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25AA3C shade: #26AB3D, #33AB26, #57AB26, #7BAB26 and #9FAB26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25AA3C shade: #26AB3D, #26AB61, #26AB85, #26ABA9 and #268AAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25AA3C shade matches the following richer shades: #26AB3D, #15BC32 and #04CD27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25AA3C shade: #26AB3D, #379B48, #478A53, #58795E and #696869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25AA3C shade: #57AB26, #33AB26, #26AB3C, #26AB60 and #26AB83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25AA3C shade: #176825, #1E8A31, #26AB3D, #2DCD49 and #4CD864

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25AA3C shade: #25AA3C, #267AAB and #AB2645

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25AA3C shade: #25AA3C, #3C26AB and #AB3C26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25AA3C shade: #25AA3C, #267AAB, #AB2695 and #AB5726

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25AA3C shade: #25AA3C, #2652AB, #AB2695 and #AB7F26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 65 / 33

HEX #25AA3C

RGB 37 170 60

HSL 130.38, 0.64%, 0.41%

LAB 61.19, -56.92, 45.58

 

Complementary color

CMYK 0 / 61 / 11 / 15

HEX #DA55C3

RGB 218 85 195

HSL 310.38, 0.64%, 0.59%

LAB 57.41, 64.46, -32.04

 

CMYK 75 / 0 / 68 / 33

HEX #2AAA37

RGB 42 170 55

HSL 126.09, 0.6%, 0.42%

LAB 61.24, -56.73, 47.8

 

CMYK 69 / 0 / 61 / 26

HEX #3BBC4A

RGB 59 188 74

HSL 126.98, 0.52%, 0.48%

LAB 67.57, -57.83, 46.65

 

CMYK 63 / 0 / 55 / 19

HEX #4CCE5D

RGB 76 206 93

HSL 127.85, 0.57%, 0.55%

LAB 73.85, -58.48, 45.35

 

CMYK 58 / 0 / 50 / 12

HEX #5DE070

RGB 93 224 112

HSL 128.7, 0.68%, 0.62%

LAB 80.07, -58.84, 44

 

CMYK 55 / 0 / 46 / 5

HEX #6EF283

RGB 110 242 131

HSL 129.55, 0.84%, 0.69%

LAB 86.23, -58.99, 42.66

 

CMYK 78 / 0 / 65 / 33

HEX #25AA3C

RGB 37 170 60

HSL 130.38, 0.64%, 0.41%

LAB 61.19, -56.92, 45.58

 

CMYK 87 / 0 / 73 / 40

HEX #149829

RGB 20 152 41

HSL 129.55, 0.77%, 0.34%

LAB 54.83, -55.05, 46.59

 

CMYK 98 / 0 / 84 / 47

HEX #038616

RGB 3 134 22

HSL 128.7, 0.96%, 0.27%

LAB 48.42, -52.27, 46.84

 

CMYK 100 / 0 / 97 / 55

HEX #007403

RGB 0 116 3

HSL 121.55, 1%, 0.23%

LAB 42, -48.04, 45.78

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 78 / 0 / 64 / 33

HEX #26AB3D

RGB 38 171 61

HSL 130.38, 0.64%, 0.41%

LAB 61.55, -57, 45.54

 

CMYK 70 / 0 / 78 / 33

HEX #33AB26

RGB 51 171 38

HSL 114.14, 0.64%, 0.41%

LAB 61.63, -56.94, 54.65

 

CMYK 49 / 0 / 78 / 33

HEX #57AB26

RGB 87 171 38

HSL 97.89, 0.64%, 0.41%

LAB 62.75, -47.91, 56.12

 

CMYK 28 / 0 / 78 / 33

HEX #7BAB26

RGB 123 171 38

HSL 81.65, 0.64%, 0.41%

LAB 64.55, -35.23, 58.45

 

CMYK 7 / 0 / 78 / 33

HEX #9FAB26

RGB 159 171 38

HSL 65.41, 0.64%, 0.41%

LAB 67, -20.35, 61.62

 

CMYK 78 / 0 / 64 / 33

HEX #26AB3D

RGB 38 171 61

HSL 130.38, 0.64%, 0.41%

LAB 61.55, -57, 45.54

 

CMYK 78 / 0 / 43 / 33

HEX #26AB61

RGB 38 171 97

HSL 146.62, 0.64%, 0.41%

LAB 62, -51.65, 28.39

 

CMYK 78 / 0 / 22 / 33

HEX #26AB85

RGB 38 171 133

HSL 162.86, 0.64%, 0.41%

LAB 62.7, -43.86, 9.76

 

CMYK 78 / 0 / 1 / 33

HEX #26ABA9

RGB 38 171 169

HSL 179.1, 0.64%, 0.41%

LAB 63.67, -34.01, -8.91

 

CMYK 78 / 19 / 0 / 33

HEX #268AAB

RGB 38 138 171

HSL 194.89, 0.64%, 0.41%

LAB 53.52, -16.65, -25.46

 

CMYK 78 / 0 / 64 / 33

HEX #26AB3D

RGB 38 171 61

HSL 130.38, 0.64%, 0.41%

LAB 61.55, -57, 45.54

 

CMYK 89 / 0 / 73 / 26

HEX #15BC32

RGB 21 188 50

HSL 130.42, 0.8%, 0.41%

LAB 66.79, -65.18, 55.49

 

CMYK 98 / 0 / 81 / 20

HEX #04CD27

RGB 4 205 39

HSL 130.45, 0.96%, 0.41%

LAB 72.12, -71.68, 64.14

 

CMYK 78 / 0 / 64 / 33

HEX #26AB3D

RGB 38 171 61

HSL 130.38, 0.64%, 0.41%

LAB 61.55, -57, 45.54

 

CMYK 65 / 0 / 54 / 39

HEX #379B48

RGB 55 155 72

HSL 130.2, 0.48%, 0.41%

LAB 56.8, -46.85, 34.87

 

CMYK 49 / 0 / 40 / 46

HEX #478A53

RGB 71 138 83

HSL 130.75, 0.32%, 0.41%

LAB 52, -33.84, 23.05

 

CMYK 27 / 0 / 22 / 53

HEX #58795E

RGB 88 121 94

HSL 130.91, 0.16%, 0.41%

LAB 47.7, -17.72, 11.07

 

CMYK 0 / 1 / 0 / 59

HEX #696869

RGB 105 104 105

HSL 300, 0%, 0.41%

LAB 44.12, 0.6, -0.43

 

CMYK 49 / 0 / 78 / 33

HEX #57AB26

RGB 87 171 38

HSL 97.89, 0.64%, 0.41%

LAB 62.75, -47.91, 56.12

 

CMYK 70 / 0 / 78 / 33

HEX #33AB26

RGB 51 171 38

HSL 114.14, 0.64%, 0.41%

LAB 61.63, -56.94, 54.65

 

CMYK 78 / 0 / 65 / 33

HEX #26AB3C

RGB 38 171 60

HSL 129.92, 0.64%, 0.41%

LAB 61.54, -57.11, 45.96

 

CMYK 78 / 0 / 44 / 33

HEX #26AB60

RGB 38 171 96

HSL 146.17, 0.64%, 0.41%

LAB 61.98, -51.83, 28.89

 

CMYK 78 / 0 / 23 / 33

HEX #26AB83

RGB 38 171 131

HSL 161.95, 0.64%, 0.41%

LAB 62.66, -44.35, 10.8

 

CMYK 78 / 0 / 64 / 59

HEX #176825

RGB 23 104 37

HSL 130.37, 0.64%, 0.25%

LAB 38.23, -38.75, 30.36

 

CMYK 78 / 0 / 64 / 46

HEX #1E8A31

RGB 30 138 49

HSL 130.56, 0.64%, 0.33%

LAB 50.3, -48.36, 38.32

 

CMYK 78 / 0 / 64 / 33

HEX #26AB3D

RGB 38 171 61

HSL 130.38, 0.64%, 0.41%

LAB 61.55, -57, 45.54

 

CMYK 78 / 0 / 64 / 20

HEX #2DCD49

RGB 45 205 73

HSL 130.5, 0.64%, 0.49%

LAB 72.69, -65.77, 52.8

 

CMYK 65 / 0 / 54 / 15

HEX #4CD864

RGB 76 216 100

HSL 130.29, 0.64%, 0.57%

LAB 77.02, -61.14, 45.87

 

CMYK 78 / 0 / 65 / 33

HEX #25AA3C

RGB 37 170 60

HSL 130.38, 0.64%, 0.41%

LAB 61.19, -56.92, 45.58

 

CMYK 78 / 29 / 0 / 33

HEX #267AAB

RGB 38 122 171

HSL 202.11, 0.64%, 0.41%

LAB 48.6, -7.59, -33.12

 

CMYK 0 / 78 / 60 / 33

HEX #AB2645

RGB 171 38 69

HSL 346.02, 0.64%, 0.41%

LAB 38.68, 54.4, 15.42

 

CMYK 78 / 0 / 65 / 33

HEX #25AA3C

RGB 37 170 60

HSL 130.38, 0.64%, 0.41%

LAB 61.19, -56.92, 45.58

 

CMYK 65 / 78 / 0 / 33

HEX #3C26AB

RGB 60 38 171

HSL 249.92, 0.64%, 0.41%

LAB 27.54, 47.65, -67

 

CMYK 0 / 65 / 78 / 33

HEX #AB3C26

RGB 171 60 38

HSL 9.92, 0.64%, 0.41%

LAB 41.26, 44.3, 37.22

 

CMYK 78 / 0 / 65 / 33

HEX #25AA3C

RGB 37 170 60

HSL 130.38, 0.64%, 0.41%

LAB 61.19, -56.92, 45.58

 

CMYK 78 / 29 / 0 / 33

HEX #267AAB

RGB 38 122 171

HSL 202.11, 0.64%, 0.41%

LAB 48.6, -7.59, -33.12

 

CMYK 0 / 78 / 13 / 33

HEX #AB2695

RGB 171 38 149

HSL 309.92, 0.64%, 0.41%

LAB 41.55, 63.1, -30.31

 

CMYK 0 / 49 / 78 / 33

HEX #AB5726

RGB 171 87 38

HSL 22.11, 0.64%, 0.41%

LAB 46.46, 30.87, 42.54

 

CMYK 78 / 0 / 65 / 33

HEX #25AA3C

RGB 37 170 60

HSL 130.38, 0.64%, 0.41%

LAB 61.19, -56.92, 45.58

 

CMYK 78 / 52 / 0 / 33

HEX #2652AB

RGB 38 82 171

HSL 220.15, 0.64%, 0.41%

LAB 36.72, 17.65, -52.05

 

CMYK 0 / 78 / 13 / 33

HEX #AB2695

RGB 171 38 149

HSL 309.92, 0.64%, 0.41%

LAB 41.55, 63.1, -30.31

 

CMYK 0 / 26 / 78 / 33

HEX #AB7F26

RGB 171 127 38

HSL 40.15, 0.64%, 0.41%

LAB 56.06, 8.6, 51.88

 

Description

Color code: HEX #25AA3C | qconv.com Color code: HEX #25AA3C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 170 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 170 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 65 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 65% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - Strategie- und Kreat...
Link: http://www.kochstrasse.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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