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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25A950 it is the complementary color #DA56AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25A950. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25A950 shade: #2AA94B, #3BBB5E, #4CCD71, #5DDF84 and #6EF197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25A950. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25A950 shade: #25A950, #14973D, #03852A, #007317 and #006104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25A950 shade: #25A74F, #25A72C, #41A725, #64A725 and #87A725

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25A950 shade: #25A74F, #25A772, #25A796, #2596A7 and #2572A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25A950 shade matches the following richer shades: #25A74F, #14B84A and #04C844

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25A950 shade: #25A74F, #359755, #46865B, #567661 and #676566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25A950 shade: #41A725, #25A72B, #25A74E, #25A771 and #25A794

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25A950 shade: #16642F, #1D853F, #25A74F, #2CC95F and #48D776

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25A950 shade: #25A950, #2564A7 and #A72530

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25A950 shade: #25A950, #4E25A7 and #A74E25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25A950 shade: #25A950, #2564A7, #A7257E and #A76825

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25A950 shade: #25A950, #253DA7, #A7257E and #A78F25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 53 / 34

HEX #25A950

RGB 37 169 80

HSL 139.55, 0.64%, 0.4%

LAB 61.09, -53.92, 35.99

 

Complementary color

CMYK 0 / 61 / 20 / 15

HEX #DA56AF

RGB 218 86 175

HSL 319.55, 0.64%, 0.6%

LAB 56.74, 61.1, -21.56

 

CMYK 75 / 0 / 56 / 34

HEX #2AA94B

RGB 42 169 75

HSL 135.59, 0.6%, 0.41%

LAB 61.11, -53.95, 38.52

 

CMYK 68 / 0 / 50 / 27

HEX #3BBB5E

RGB 59 187 94

HSL 136.41, 0.52%, 0.48%

LAB 67.49, -54.75, 37

 

CMYK 63 / 0 / 45 / 20

HEX #4CCD71

RGB 76 205 113

HSL 137.21, 0.56%, 0.55%

LAB 73.8, -55.2, 35.52

 

CMYK 58 / 0 / 41 / 13

HEX #5DDF84

RGB 93 223 132

HSL 138, 0.67%, 0.62%

LAB 80.05, -55.4, 34.12

 

CMYK 54 / 0 / 37 / 5

HEX #6EF197

RGB 110 241 151

HSL 138.78, 0.82%, 0.69%

LAB 86.24, -55.44, 32.79

 

CMYK 78 / 0 / 53 / 34

HEX #25A950

RGB 37 169 80

HSL 139.55, 0.64%, 0.4%

LAB 61.09, -53.92, 35.99

 

CMYK 87 / 0 / 60 / 41

HEX #14973D

RGB 20 151 61

HSL 138.78, 0.77%, 0.34%

LAB 54.68, -52.44, 37.61

 

CMYK 98 / 0 / 68 / 48

HEX #03852A

RGB 3 133 42

HSL 138, 0.96%, 0.27%

LAB 48.21, -50.21, 39.1

 

CMYK 100 / 0 / 80 / 55

HEX #007317

RGB 0 115 23

HSL 132, 1%, 0.23%

LAB 41.73, -46.62, 40.09

 

CMYK 100 / 0 / 96 / 62

HEX #006104

RGB 0 97 4

HSL 122.47, 1%, 0.19%

LAB 35.12, -42.23, 39.77

 

CMYK 78 / 0 / 53 / 35

HEX #25A74F

RGB 37 167 79

HSL 139.38, 0.64%, 0.4%

LAB 60.42, -53.37, 35.68

 

CMYK 78 / 0 / 74 / 35

HEX #25A72C

RGB 37 167 44

HSL 123.23, 0.64%, 0.4%

LAB 60.08, -57.51, 50.92

 

CMYK 61 / 0 / 78 / 35

HEX #41A725

RGB 65 167 37

HSL 107.08, 0.64%, 0.4%

LAB 60.69, -52.58, 54.19

 

CMYK 40 / 0 / 78 / 35

HEX #64A725

RGB 100 167 37

HSL 90.92, 0.64%, 0.4%

LAB 62.07, -42.06, 55.99

 

CMYK 19 / 0 / 78 / 35

HEX #87A725

RGB 135 167 37

HSL 74.77, 0.64%, 0.4%

LAB 64.1, -28.59, 58.62

 

CMYK 78 / 0 / 53 / 35

HEX #25A74F

RGB 37 167 79

HSL 139.38, 0.64%, 0.4%

LAB 60.42, -53.37, 35.68

 

CMYK 78 / 0 / 32 / 35

HEX #25A772

RGB 37 167 114

HSL 155.54, 0.64%, 0.4%

LAB 61, -46.8, 17.87

 

CMYK 78 / 0 / 10 / 35

HEX #25A796

RGB 37 167 150

HSL 172.15, 0.64%, 0.4%

LAB 61.85, -37.76, -0.96

 

CMYK 78 / 10 / 0 / 35

HEX #2596A7

RGB 37 150 167

HSL 187.85, 0.64%, 0.4%

LAB 57.07, -24.45, -17.73

 

CMYK 78 / 32 / 0 / 35

HEX #2572A7

RGB 37 114 167

HSL 204.46, 0.64%, 0.4%

LAB 45.93, -4.43, -34.98

 

CMYK 78 / 0 / 53 / 35

HEX #25A74F

RGB 37 167 79

HSL 139.38, 0.64%, 0.4%

LAB 60.42, -53.37, 35.68

 

CMYK 89 / 0 / 60 / 28

HEX #14B84A

RGB 20 184 74

HSL 139.76, 0.8%, 0.4%

LAB 65.69, -61.48, 44.33

 

CMYK 98 / 0 / 66 / 22

HEX #04C844

RGB 4 200 68

HSL 139.59, 0.96%, 0.4%

LAB 70.7, -67.89, 52.59

 

CMYK 78 / 0 / 53 / 35

HEX #25A74F

RGB 37 167 79

HSL 139.38, 0.64%, 0.4%

LAB 60.42, -53.37, 35.68

 

CMYK 65 / 0 / 44 / 41

HEX #359755

RGB 53 151 85

HSL 139.59, 0.48%, 0.4%

LAB 55.63, -43.6, 26.58

 

CMYK 48 / 0 / 32 / 47

HEX #46865B

RGB 70 134 91

HSL 139.69, 0.31%, 0.4%

LAB 50.81, -30.77, 16.96

 

CMYK 27 / 0 / 18 / 54

HEX #567661

RGB 86 118 97

HSL 140.63, 0.16%, 0.4%

LAB 46.71, -16.2, 7.9

 

CMYK 0 / 2 / 1 / 60

HEX #676566

RGB 103 101 102

HSL 330, 0.01%, 0.4%

LAB 42.99, 0.99, -0.29

 

CMYK 61 / 0 / 78 / 35

HEX #41A725

RGB 65 167 37

HSL 107.08, 0.64%, 0.4%

LAB 60.69, -52.58, 54.19

 

CMYK 78 / 0 / 74 / 35

HEX #25A72B

RGB 37 167 43

HSL 122.77, 0.64%, 0.4%

LAB 60.07, -57.6, 51.28

 

CMYK 78 / 0 / 53 / 35

HEX #25A74E

RGB 37 167 78

HSL 138.92, 0.64%, 0.4%

LAB 60.41, -53.52, 36.16

 

CMYK 78 / 0 / 32 / 35

HEX #25A771

RGB 37 167 113

HSL 155.08, 0.64%, 0.4%

LAB 60.98, -47.02, 18.39

 

CMYK 78 / 0 / 11 / 35

HEX #25A794

RGB 37 167 148

HSL 171.23, 0.64%, 0.4%

LAB 61.8, -38.31, 0.08

 

CMYK 78 / 0 / 53 / 61

HEX #16642F

RGB 22 100 47

HSL 139.23, 0.64%, 0.24%

LAB 36.91, -35.84, 23.46

 

CMYK 78 / 0 / 53 / 48

HEX #1D853F

RGB 29 133 63

HSL 139.62, 0.64%, 0.32%

LAB 48.75, -44.72, 29.5

 

CMYK 78 / 0 / 53 / 35

HEX #25A74F

RGB 37 167 79

HSL 139.38, 0.64%, 0.4%

LAB 60.42, -53.37, 35.68

 

CMYK 78 / 0 / 53 / 21

HEX #2CC95F

RGB 44 201 95

HSL 139.49, 0.64%, 0.48%

LAB 71.65, -61.8, 41.58

 

CMYK 67 / 0 / 45 / 16

HEX #48D776

RGB 72 215 118

HSL 139.3, 0.64%, 0.56%

LAB 76.85, -58.88, 36.9

 

CMYK 78 / 0 / 53 / 34

HEX #25A950

RGB 37 169 80

HSL 139.55, 0.64%, 0.4%

LAB 61.09, -53.92, 35.99

 

CMYK 78 / 40 / 0 / 35

HEX #2564A7

RGB 37 100 167

HSL 210.92, 0.64%, 0.4%

LAB 41.69, 4.23, -41.7

 

CMYK 0 / 78 / 71 / 35

HEX #A72530

RGB 167 37 48

HSL 354.92, 0.64%, 0.4%

LAB 37.39, 52.29, 26.84

 

CMYK 78 / 0 / 53 / 34

HEX #25A950

RGB 37 169 80

HSL 139.55, 0.64%, 0.4%

LAB 61.09, -53.92, 35.99

 

CMYK 53 / 78 / 0 / 35

HEX #4E25A7

RGB 78 37 167

HSL 258.92, 0.64%, 0.4%

LAB 28.73, 49.22, -62.57

 

CMYK 0 / 53 / 78 / 35

HEX #A74E25

RGB 167 78 37

HSL 18.92, 0.64%, 0.4%

LAB 43.94, 33.96, 40.29

 

CMYK 78 / 0 / 53 / 34

HEX #25A950

RGB 37 169 80

HSL 139.55, 0.64%, 0.4%

LAB 61.09, -53.92, 35.99

 

CMYK 78 / 40 / 0 / 35

HEX #2564A7

RGB 37 100 167

HSL 210.92, 0.64%, 0.4%

LAB 41.69, 4.23, -41.7

 

CMYK 0 / 78 / 25 / 35

HEX #A7257E

RGB 167 37 126

HSL 318.92, 0.64%, 0.4%

LAB 39.66, 59.29, -19.22

 

CMYK 0 / 38 / 78 / 35

HEX #A76825

RGB 167 104 37

HSL 30.92, 0.64%, 0.4%

LAB 49.8, 19.72, 46.11

 

CMYK 78 / 0 / 53 / 34

HEX #25A950

RGB 37 169 80

HSL 139.55, 0.64%, 0.4%

LAB 61.09, -53.92, 35.99

 

CMYK 78 / 63 / 0 / 35

HEX #253DA7

RGB 37 61 167

HSL 228.92, 0.64%, 0.4%

LAB 30.69, 30.03, -59.47

 

CMYK 0 / 78 / 25 / 35

HEX #A7257E

RGB 167 37 126

HSL 318.92, 0.64%, 0.4%

LAB 39.66, 59.29, -19.22

 

CMYK 0 / 14 / 78 / 35

HEX #A78F25

RGB 167 143 37

HSL 48.92, 0.64%, 0.4%

LAB 59.88, -2.12, 55.67

 

Description

Color code: HEX #25A950 | qconv.com Color code: HEX #25A950 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 169 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 169 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 53 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 53% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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