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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #259F92 it is the complementary color #DA606D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #259F92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #259F92 shade: #2A9F8D, #3BB1A0, #4CC3B3, #5DD5C6 and #6EE7D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #259F92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #259F92 shade: #259F92, #148D7F, #037B6C, #006959 and #005746

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #259F92 shade: #259D90, #259D70, #259D4F, #259D2F and #3B9D25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #259F92 shade: #259D90, #25899D, #25699D, #25499D and #25289D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #259F92 shade matches the following richer shades: #259D90, #15AD9D and #05BCA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #259F92 shade: #259D90, #358D84, #447E78, #546E6B and #645E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #259F92 shade: #259D4F, #259D6F, #259D8F, #258B9D and #256B9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #259F92 shade: #155A53, #1D7C71, #259D90, #2DBEAF and #42D3C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #259F92 shade: #259F92, #2F259D and #9D5F25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #259F92 shade: #259F92, #8F259D and #9D8F25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #259F92 shade: #259F92, #2F259D, #9D2533 and #939D25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #259F92 shade: #259F92, #53259D, #9D2533 and #6F9D25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 8 / 38

HEX #259F92

RGB 37 159 146

HSL 173.61, 0.62%, 0.38%

LAB 59.22, -35.24, -2.57

 

Complementary color

CMYK 0 / 56 / 50 / 15

HEX #DA606D

RGB 218 96 109

HSL 353.61, 0.62%, 0.62%

LAB 56.46, 48.95, 16.65

 

CMYK 74 / 0 / 11 / 38

HEX #2A9F8D

RGB 42 159 141

HSL 170.77, 0.58%, 0.39%

LAB 59.17, -36.02, 0.2

 

CMYK 67 / 0 / 10 / 31

HEX #3BB1A0

RGB 59 177 160

HSL 171.36, 0.5%, 0.46%

LAB 65.68, -36.61, -0.89

 

CMYK 61 / 0 / 8 / 24

HEX #4CC3B3

RGB 76 195 179

HSL 171.93, 0.5%, 0.53%

LAB 72.11, -36.97, -1.86

 

CMYK 56 / 0 / 7 / 16

HEX #5DD5C6

RGB 93 213 198

HSL 172.5, 0.59%, 0.6%

LAB 78.46, -37.19, -2.75

 

CMYK 52 / 0 / 6 / 9

HEX #6EE7D9

RGB 110 231 217

HSL 173.06, 0.72%, 0.67%

LAB 84.73, -37.31, -3.57

 

CMYK 77 / 0 / 8 / 38

HEX #259F92

RGB 37 159 146

HSL 173.61, 0.62%, 0.38%

LAB 59.22, -35.24, -2.57

 

CMYK 86 / 0 / 10 / 45

HEX #148D7F

RGB 20 141 127

HSL 173.06, 0.75%, 0.32%

LAB 52.65, -34.12, -1.36

 

CMYK 98 / 0 / 12 / 52

HEX #037B6C

RGB 3 123 108

HSL 172.5, 0.95%, 0.25%

LAB 46, -32.56, 0.02

 

CMYK 100 / 0 / 15 / 59

HEX #006959

RGB 0 105 89

HSL 170.86, 1%, 0.21%

LAB 39.28, -30.17, 1.66

 

CMYK 100 / 0 / 20 / 66

HEX #005746

RGB 0 87 70

HSL 168.28, 1%, 0.17%

LAB 32.39, -27.51, 3.47

 

CMYK 76 / 0 / 8 / 38

HEX #259D90

RGB 37 157 144

HSL 173.5, 0.62%, 0.38%

LAB 58.53, -34.89, -2.45

 

CMYK 76 / 0 / 29 / 38

HEX #259D70

RGB 37 157 112

HSL 157.5, 0.62%, 0.38%

LAB 57.73, -43.2, 14.47

 

CMYK 76 / 0 / 50 / 38

HEX #259D4F

RGB 37 157 79

HSL 141, 0.62%, 0.38%

LAB 57.15, -49.78, 31.61

 

CMYK 76 / 0 / 70 / 38

HEX #259D2F

RGB 37 157 47

HSL 125, 0.62%, 0.38%

LAB 56.79, -53.97, 46.33

 

CMYK 62 / 0 / 76 / 38

HEX #3B9D25

RGB 59 157 37

HSL 109, 0.62%, 0.38%

LAB 57.25, -50.45, 50.77

 

CMYK 76 / 0 / 8 / 38

HEX #259D90

RGB 37 157 144

HSL 173.5, 0.62%, 0.38%

LAB 58.53, -34.89, -2.45

 

CMYK 76 / 13 / 0 / 38

HEX #25899D

RGB 37 137 157

HSL 190, 0.62%, 0.38%

LAB 52.64, -20.97, -18.74

 

CMYK 76 / 33 / 0 / 38

HEX #25699D

RGB 37 105 157

HSL 206, 0.62%, 0.38%

LAB 42.66, -2.7, -34.24

 

CMYK 76 / 54 / 0 / 38

HEX #25499D

RGB 37 73 157

HSL 222, 0.62%, 0.38%

LAB 33.12, 18.11, -49.49

 

CMYK 76 / 75 / 0 / 38

HEX #25289D

RGB 37 40 157

HSL 238.5, 0.62%, 0.38%

LAB 24.78, 39.7, -63.12

 

CMYK 76 / 0 / 8 / 38

HEX #259D90

RGB 37 157 144

HSL 173.5, 0.62%, 0.38%

LAB 58.53, -34.89, -2.45

 

CMYK 88 / 0 / 9 / 32

HEX #15AD9D

RGB 21 173 157

HSL 173.68, 0.78%, 0.38%

LAB 63.74, -39.81, -2.14

 

CMYK 97 / 0 / 10 / 26

HEX #05BCA9

RGB 5 188 169

HSL 173.77, 0.95%, 0.38%

LAB 68.65, -43.64, -1.58

 

CMYK 76 / 0 / 8 / 38

HEX #259D90

RGB 37 157 144

HSL 173.5, 0.62%, 0.38%

LAB 58.53, -34.89, -2.45

 

CMYK 62 / 0 / 6 / 45

HEX #358D84

RGB 53 141 132

HSL 173.86, 0.45%, 0.38%

LAB 53.46, -28.26, -2.99

 

CMYK 46 / 0 / 5 / 51

HEX #447E78

RGB 68 126 120

HSL 173.79, 0.3%, 0.38%

LAB 48.89, -20.55, -2.65

 

CMYK 24 / 0 / 3 / 57

HEX #546E6B

RGB 84 110 107

HSL 173.08, 0.13%, 0.38%

LAB 44.37, -10.19, -1.46

 

CMYK 0 / 6 / 5 / 61

HEX #645E5F

RGB 100 94 95

HSL 350, 0.03%, 0.38%

LAB 40.48, 2.59, 0.28

 

CMYK 76 / 0 / 50 / 38

HEX #259D4F

RGB 37 157 79

HSL 141, 0.62%, 0.38%

LAB 57.15, -49.78, 31.61

 

CMYK 76 / 0 / 29 / 38

HEX #259D6F

RGB 37 157 111

HSL 157, 0.62%, 0.38%

LAB 57.71, -43.43, 15

 

CMYK 76 / 0 / 9 / 38

HEX #259D8F

RGB 37 157 143

HSL 173, 0.62%, 0.38%

LAB 58.5, -35.17, -1.93

 

CMYK 76 / 11 / 0 / 38

HEX #258B9D

RGB 37 139 157

HSL 189, 0.62%, 0.38%

LAB 53.27, -22.03, -17.78

 

CMYK 76 / 32 / 0 / 38

HEX #256B9D

RGB 37 107 157

HSL 205, 0.62%, 0.38%

LAB 43.28, -3.93, -33.27

 

CMYK 77 / 0 / 8 / 65

HEX #155A53

RGB 21 90 83

HSL 173.91, 0.62%, 0.22%

LAB 34.18, -22.6, -2.04

 

CMYK 77 / 0 / 9 / 51

HEX #1D7C71

RGB 29 124 113

HSL 173.05, 0.62%, 0.3%

LAB 46.8, -29.31, -1.73

 

CMYK 76 / 0 / 8 / 38

HEX #259D90

RGB 37 157 144

HSL 173.5, 0.62%, 0.38%

LAB 58.53, -34.89, -2.45

 

CMYK 76 / 0 / 8 / 25

HEX #2DBEAF

RGB 45 190 175

HSL 173.79, 0.62%, 0.46%

LAB 69.81, -40.24, -3.13

 

CMYK 69 / 0 / 8 / 17

HEX #42D3C3

RGB 66 211 195

HSL 173.38, 0.62%, 0.54%

LAB 77.09, -41.55, -3.23

 

CMYK 77 / 0 / 8 / 38

HEX #259F92

RGB 37 159 146

HSL 173.61, 0.62%, 0.38%

LAB 59.22, -35.24, -2.57

 

CMYK 70 / 76 / 0 / 38

HEX #2F259D

RGB 47 37 157

HSL 245, 0.62%, 0.38%

LAB 24.83, 42.38, -63.02

 

CMYK 0 / 39 / 76 / 38

HEX #9D5F25

RGB 157 95 37

HSL 29, 0.62%, 0.38%

LAB 46.29, 20.38, 42.2

 

CMYK 77 / 0 / 8 / 38

HEX #259F92

RGB 37 159 146

HSL 173.61, 0.62%, 0.38%

LAB 59.22, -35.24, -2.57

 

CMYK 9 / 76 / 0 / 38

HEX #8F259D

RGB 143 37 157

HSL 293, 0.62%, 0.38%

LAB 37.11, 58.61, -42.5

 

CMYK 0 / 9 / 76 / 38

HEX #9D8F25

RGB 157 143 37

HSL 53, 0.62%, 0.38%

LAB 58.92, -6.65, 54.44

 

CMYK 77 / 0 / 8 / 38

HEX #259F92

RGB 37 159 146

HSL 173.61, 0.62%, 0.38%

LAB 59.22, -35.24, -2.57

 

CMYK 70 / 76 / 0 / 38

HEX #2F259D

RGB 47 37 157

HSL 245, 0.62%, 0.38%

LAB 24.83, 42.38, -63.02

 

CMYK 0 / 76 / 68 / 38

HEX #9D2533

RGB 157 37 51

HSL 353, 0.62%, 0.38%

LAB 35.46, 49.37, 22.14

 

CMYK 6 / 0 / 76 / 38

HEX #939D25

RGB 147 157 37

HSL 65, 0.62%, 0.38%

LAB 62.04, -18.51, 57.03

 

CMYK 77 / 0 / 8 / 38

HEX #259F92

RGB 37 159 146

HSL 173.61, 0.62%, 0.38%

LAB 59.22, -35.24, -2.57

 

CMYK 47 / 76 / 0 / 38

HEX #53259D

RGB 83 37 157

HSL 263, 0.62%, 0.38%

LAB 28.37, 47.24, -57.07

 

CMYK 0 / 76 / 68 / 38

HEX #9D2533

RGB 157 37 51

HSL 353, 0.62%, 0.38%

LAB 35.46, 49.37, 22.14

 

CMYK 29 / 0 / 76 / 38

HEX #6F9D25

RGB 111 157 37

HSL 83, 0.62%, 0.38%

LAB 59.55, -33.57, 53.8

 

Description

Color code: HEX #259F92 | qconv.com Color code: HEX #259F92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 159 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 159 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 8 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 8% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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