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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25974E it is the complementary color #DA68B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25974E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25974E shade: #2A9749, #3BA95C, #4CBB6F, #5DCD82 and #6EDF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25974E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25974E shade: #25974E, #14853B, #037328, #006115 and #004F02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25974E shade: #25984E, #25982F, #399825, #599825 and #789825

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25974E shade: #25984E, #25986D, #25988C, #258498 and #256598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25974E shade matches the following richer shades: #25984E, #16A74A and #06B646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25974E shade: #25984E, #348952, #437957, #536A5B and #625B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25974E shade: #3A9825, #25982E, #25984D, #25986C and #25988A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25974E shade: #15552C, #1D773D, #25984E, #2DB95F and #3FD073

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25974E shade: #25974E, #255998 and #98252B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25974E shade: #25974E, #4D2598 and #984D25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25974E shade: #25974E, #255998, #982570 and #986425

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25974E shade: #25974E, #253698, #982570 and #988725

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 48 / 41

HEX #25974E

RGB 37 151 78

HSL 141.58, 0.61%, 0.37%

LAB 55.15, -47.73, 29.62

 

Complementary color

CMYK 0 / 52 / 19 / 15

HEX #DA68B1

RGB 218 104 177

HSL 321.58, 0.61%, 0.63%

LAB 59.87, 53.2, -17.93

 

CMYK 72 / 0 / 52 / 41

HEX #2A9749

RGB 42 151 73

HSL 137.06, 0.56%, 0.38%

LAB 55.18, -47.73, 32.29

 

CMYK 65 / 0 / 46 / 34

HEX #3BA95C

RGB 59 169 92

HSL 138, 0.48%, 0.45%

LAB 61.72, -48.28, 30.74

 

CMYK 59 / 0 / 41 / 27

HEX #4CBB6F

RGB 76 187 111

HSL 138.92, 0.45%, 0.52%

LAB 68.19, -48.52, 29.28

 

CMYK 55 / 0 / 37 / 20

HEX #5DCD82

RGB 93 205 130

HSL 139.82, 0.53%, 0.58%

LAB 74.57, -48.56, 27.92

 

CMYK 51 / 0 / 33 / 13

HEX #6EDF95

RGB 110 223 149

HSL 140.71, 0.64%, 0.65%

LAB 80.88, -48.47, 26.65

 

CMYK 75 / 0 / 48 / 41

HEX #25974E

RGB 37 151 78

HSL 141.58, 0.61%, 0.37%

LAB 55.15, -47.73, 29.62

 

CMYK 85 / 0 / 56 / 48

HEX #14853B

RGB 20 133 59

HSL 140.71, 0.74%, 0.3%

LAB 48.56, -46.52, 31.32

 

CMYK 97 / 0 / 65 / 55

HEX #037328

RGB 3 115 40

HSL 139.82, 0.95%, 0.23%

LAB 41.9, -44.55, 32.99

 

CMYK 100 / 0 / 78 / 62

HEX #006115

RGB 0 97 21

HSL 132.99, 1%, 0.19%

LAB 35.21, -41.06, 34.34

 

CMYK 100 / 0 / 97 / 69

HEX #004F02

RGB 0 79 2

HSL 121.52, 1%, 0.15%

LAB 28.37, -36.7, 34.76

 

CMYK 76 / 0 / 49 / 40

HEX #25984E

RGB 37 152 78

HSL 141.39, 0.61%, 0.37%

LAB 55.48, -48.1, 30.04

 

CMYK 76 / 0 / 69 / 40

HEX #25982F

RGB 37 152 47

HSL 125.22, 0.61%, 0.37%

LAB 55.13, -52.29, 44.55

 

CMYK 63 / 0 / 76 / 40

HEX #399825

RGB 57 152 37

HSL 109.57, 0.61%, 0.37%

LAB 55.54, -49.12, 49.06

 

CMYK 41 / 0 / 76 / 40

HEX #599825

RGB 89 152 37

HSL 92.87, 0.61%, 0.37%

LAB 56.8, -39.54, 50.72

 

CMYK 21 / 0 / 76 / 40

HEX #789825

RGB 120 152 37

HSL 76.7, 0.61%, 0.37%

LAB 58.59, -27.57, 53.07

 

CMYK 76 / 0 / 49 / 40

HEX #25984E

RGB 37 152 78

HSL 141.39, 0.61%, 0.37%

LAB 55.48, -48.1, 30.04

 

CMYK 76 / 0 / 28 / 40

HEX #25986D

RGB 37 152 109

HSL 157.57, 0.61%, 0.37%

LAB 56.04, -41.82, 13.81

 

CMYK 76 / 0 / 8 / 40

HEX #25988C

RGB 37 152 140

HSL 173.74, 0.61%, 0.37%

LAB 56.82, -33.71, -2.68

 

CMYK 76 / 13 / 0 / 40

HEX #258498

RGB 37 132 152

HSL 190.43, 0.61%, 0.37%

LAB 50.88, -19.99, -18.53

 

CMYK 76 / 34 / 0 / 40

HEX #256598

RGB 37 101 152

HSL 206.61, 0.61%, 0.37%

LAB 41.16, -2.12, -33.62

 

CMYK 76 / 0 / 49 / 40

HEX #25984E

RGB 37 152 78

HSL 141.39, 0.61%, 0.37%

LAB 55.48, -48.1, 30.04

 

CMYK 87 / 0 / 56 / 35

HEX #16A74A

RGB 22 167 74

HSL 141.52, 0.77%, 0.37%

LAB 60.16, -55.78, 37.8

 

CMYK 97 / 0 / 62 / 29

HEX #06B646

RGB 6 182 70

HSL 141.82, 0.94%, 0.37%

LAB 64.91, -62.12, 45.24

 

CMYK 76 / 0 / 49 / 40

HEX #25984E

RGB 37 152 78

HSL 141.39, 0.61%, 0.37%

LAB 55.48, -48.1, 30.04

 

CMYK 62 / 0 / 40 / 46

HEX #348952

RGB 52 137 82

HSL 141.18, 0.45%, 0.37%

LAB 50.96, -38.58, 22.1

 

CMYK 45 / 0 / 28 / 53

HEX #437957

RGB 67 121 87

HSL 142.22, 0.29%, 0.37%

LAB 46.39, -26.19, 13.17

 

CMYK 22 / 0 / 14 / 58

HEX #536A5B

RGB 83 106 91

HSL 140.87, 0.12%, 0.37%

LAB 42.62, -11.91, 5.63

 

CMYK 0 / 7 / 3 / 62

HEX #625B5F

RGB 98 91 95

HSL 325.71, 0.04%, 0.37%

LAB 39.42, 3.62, -1.29

 

CMYK 62 / 0 / 76 / 40

HEX #3A9825

RGB 58 152 37

HSL 109.04, 0.61%, 0.37%

LAB 55.57, -48.88, 49.1

 

CMYK 76 / 0 / 70 / 40

HEX #25982E

RGB 37 152 46

HSL 124.7, 0.61%, 0.37%

LAB 55.12, -52.39, 44.96

 

CMYK 76 / 0 / 49 / 40

HEX #25984D

RGB 37 152 77

HSL 140.87, 0.61%, 0.37%

LAB 55.47, -48.27, 30.55

 

CMYK 76 / 0 / 29 / 40

HEX #25986C

RGB 37 152 108

HSL 157.04, 0.61%, 0.37%

LAB 56.02, -42.06, 14.34

 

CMYK 76 / 0 / 9 / 40

HEX #25988A

RGB 37 152 138

HSL 172.7, 0.61%, 0.37%

LAB 56.77, -34.28, -1.63

 

CMYK 75 / 0 / 48 / 67

HEX #15552C

RGB 21 85 44

HSL 141.56, 0.6%, 0.21%

LAB 31.44, -30.37, 18.25

 

CMYK 76 / 0 / 49 / 53

HEX #1D773D

RGB 29 119 61

HSL 141.33, 0.61%, 0.29%

LAB 43.93, -39.7, 24.54

 

CMYK 76 / 0 / 49 / 40

HEX #25984E

RGB 37 152 78

HSL 141.39, 0.61%, 0.37%

LAB 55.48, -48.1, 30.04

 

CMYK 76 / 0 / 49 / 27

HEX #2DB95F

RGB 45 185 95

HSL 141.43, 0.61%, 0.45%

LAB 66.58, -56.12, 35.3

 

CMYK 70 / 0 / 45 / 18

HEX #3FD073

RGB 63 208 115

HSL 141.52, 0.61%, 0.53%

LAB 74.45, -58.36, 35.28

 

CMYK 75 / 0 / 48 / 41

HEX #25974E

RGB 37 151 78

HSL 141.58, 0.61%, 0.37%

LAB 55.15, -47.73, 29.62

 

CMYK 76 / 41 / 0 / 40

HEX #255998

RGB 37 89 152

HSL 212.87, 0.61%, 0.37%

LAB 37.49, 5.5, -39.45

 

CMYK 0 / 76 / 72 / 40

HEX #98252B

RGB 152 37 43

HSL 356.87, 0.61%, 0.37%

LAB 34.34, 47.37, 25.57

 

CMYK 75 / 0 / 48 / 41

HEX #25974E

RGB 37 151 78

HSL 141.58, 0.61%, 0.37%

LAB 55.15, -47.73, 29.62

 

CMYK 49 / 76 / 0 / 40

HEX #4D2598

RGB 77 37 152

HSL 260.87, 0.61%, 0.37%

LAB 27.21, 44.9, -55.95

 

CMYK 0 / 49 / 76 / 40

HEX #984D25

RGB 152 77 37

HSL 20.87, 0.61%, 0.37%

LAB 41.4, 28.29, 36.93

 

CMYK 75 / 0 / 48 / 41

HEX #25974E

RGB 37 151 78

HSL 141.58, 0.61%, 0.37%

LAB 55.15, -47.73, 29.62

 

CMYK 76 / 41 / 0 / 40

HEX #255998

RGB 37 89 152

HSL 212.87, 0.61%, 0.37%

LAB 37.49, 5.5, -39.45

 

CMYK 0 / 76 / 26 / 40

HEX #982570

RGB 152 37 112

HSL 320.87, 0.61%, 0.37%

LAB 36.31, 53.66, -15.85

 

CMYK 0 / 34 / 76 / 40

HEX #986425

RGB 152 100 37

HSL 32.87, 0.61%, 0.37%

LAB 46.87, 15.27, 42.57

 

CMYK 75 / 0 / 48 / 41

HEX #25974E

RGB 37 151 78

HSL 141.58, 0.61%, 0.37%

LAB 55.15, -47.73, 29.62

 

CMYK 76 / 64 / 0 / 40

HEX #253698

RGB 37 54 152

HSL 231.13, 0.61%, 0.37%

LAB 27.57, 29.01, -55.48

 

CMYK 0 / 76 / 26 / 40

HEX #982570

RGB 152 37 112

HSL 320.87, 0.61%, 0.37%

LAB 36.31, 53.66, -15.85

 

CMYK 0 / 11 / 76 / 40

HEX #988725

RGB 152 135 37

HSL 51.13, 0.61%, 0.37%

LAB 56.22, -4.57, 51.72

 

Description

Color code: HEX #25974E | qconv.com Color code: HEX #25974E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 151 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 151 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 48 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 48% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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