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Color name
HEX #258E2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #258E2C it is the complementary color #DA71D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #258E2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #258E2C shade: #2A8E27, #3BA03A, #4CB24D, #5DC460 and #6ED673

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #258E2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #258E2C shade: #258E2C, #147C19, #036A06, #005800 and #004600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #258E2C shade: #258E2C, #3A8E25, #568E25, #738E25 and #8E8D25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #258E2C shade: #258E2C, #258E48, #258E64, #258E81 and #257F8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #258E2C shade matches the following richer shades: #258E2C, #169C1F and #08AB13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #258E2C shade: #258E2C, #337F38, #417145, #506351 and #5E545E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #258E2C shade: #568E25, #3A8E25, #258E2C, #258E48 and #258E64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #258E2C shade: #144C17, #1C6D22, #258E2C, #2DAF36 and #39CC43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #258E2C shade: #258E2C, #25728E and #8E2548

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #258E2C shade: #258E2C, #2C258E and #8E2C25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #258E2C shade: #258E2C, #25728E, #8E2587 and #8E4125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #258E2C shade: #258E2C, #25528E, #8E2587 and #8E6025

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

Complementary color

CMYK 0 / 48 / 3 / 15

HEX #DA71D3

RGB 218 113 211

HSL 304, 0.59%, 0.65%

LAB 62.86, 54.28, -32.64

 

CMYK 70 / 0 / 73 / 44

HEX #2A8E27

RGB 42 142 39

HSL 118.25, 0.57%, 0.35%

LAB 51.82, -48.71, 44.38

 

CMYK 63 / 0 / 64 / 37

HEX #3BA03A

RGB 59 160 58

HSL 119.41, 0.47%, 0.43%

LAB 58.39, -49.63, 43.47

 

CMYK 57 / 0 / 57 / 30

HEX #4CB24D

RGB 76 178 77

HSL 120.59, 0.4%, 0.5%

LAB 64.89, -50.1, 42.27

 

CMYK 53 / 0 / 51 / 23

HEX #5DC460

RGB 93 196 96

HSL 121.75, 0.47%, 0.57%

LAB 71.32, -50.28, 40.97

 

CMYK 49 / 0 / 46 / 16

HEX #6ED673

RGB 110 214 115

HSL 122.88, 0.56%, 0.64%

LAB 77.67, -50.29, 39.66

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 84 / 0 / 80 / 51

HEX #147C19

RGB 20 124 25

HSL 122.88, 0.72%, 0.28%

LAB 45.13, -47.4, 42.79

 

CMYK 97 / 0 / 94 / 58

HEX #036A06

RGB 3 106 6

HSL 121.75, 0.94%, 0.21%

LAB 38.45, -44.58, 42.06

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 59 / 0 / 74 / 44

HEX #3A8E25

RGB 58 142 37

HSL 108, 0.59%, 0.35%

LAB 52.26, -45.15, 45.77

 

CMYK 39 / 0 / 74 / 44

HEX #568E25

RGB 86 142 37

HSL 92, 0.59%, 0.35%

LAB 53.45, -36.26, 47.35

 

CMYK 19 / 0 / 74 / 44

HEX #738E25

RGB 115 142 37

HSL 75.43, 0.59%, 0.35%

LAB 55.2, -24.76, 49.67

 

CMYK 0 / 1 / 74 / 44

HEX #8E8D25

RGB 142 141 37

HSL 59.43, 0.59%, 0.35%

LAB 57.01, -12.36, 52.15

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 74 / 0 / 49 / 44

HEX #258E48

RGB 37 142 72

HSL 140, 0.59%, 0.35%

LAB 52.07, -45.35, 28.91

 

CMYK 74 / 0 / 30 / 44

HEX #258E64

RGB 37 142 100

HSL 156, 0.59%, 0.35%

LAB 52.57, -39.72, 14.09

 

CMYK 74 / 0 / 9 / 44

HEX #258E81

RGB 37 142 129

HSL 172.57, 0.59%, 0.35%

LAB 53.3, -32.18, -1.54

 

CMYK 74 / 11 / 0 / 44

HEX #257F8E

RGB 37 127 142

HSL 188.57, 0.59%, 0.35%

LAB 48.91, -20.65, -15.68

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 86 / 0 / 80 / 39

HEX #169C1F

RGB 22 156 31

HSL 124.03, 0.75%, 0.35%

LAB 56.13, -56.88, 51.43

 

CMYK 95 / 0 / 89 / 33

HEX #08AB13

RGB 8 171 19

HSL 124.05, 0.91%, 0.35%

LAB 60.98, -62.93, 58.89

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 60 / 0 / 56 / 50

HEX #337F38

RGB 51 127 56

HSL 123.95, 0.43%, 0.35%

LAB 47.19, -38.98, 31.39

 

CMYK 42 / 0 / 39 / 56

HEX #417145

RGB 65 113 69

HSL 125, 0.27%, 0.35%

LAB 43.31, -26.4, 19.45

 

CMYK 19 / 0 / 18 / 61

HEX #506351

RGB 80 99 81

HSL 123.16, 0.11%, 0.35%

LAB 39.95, -11.15, 7.88

 

CMYK 0 / 11 / 0 / 63

HEX #5E545E

RGB 94 84 94

HSL 300, 0.06%, 0.35%

LAB 36.98, 6.14, -4.31

 

CMYK 39 / 0 / 74 / 44

HEX #568E25

RGB 86 142 37

HSL 92, 0.59%, 0.35%

LAB 53.45, -36.26, 47.35

 

CMYK 59 / 0 / 74 / 44

HEX #3A8E25

RGB 58 142 37

HSL 108, 0.59%, 0.35%

LAB 52.26, -45.15, 45.77

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 74 / 0 / 49 / 44

HEX #258E48

RGB 37 142 72

HSL 140, 0.59%, 0.35%

LAB 52.07, -45.35, 28.91

 

CMYK 74 / 0 / 30 / 44

HEX #258E64

RGB 37 142 100

HSL 156, 0.59%, 0.35%

LAB 52.57, -39.72, 14.09

 

CMYK 74 / 0 / 70 / 70

HEX #144C17

RGB 20 76 23

HSL 123.21, 0.58%, 0.19%

LAB 27.79, -30.25, 25.62

 

CMYK 74 / 0 / 69 / 57

HEX #1C6D22

RGB 28 109 34

HSL 124.44, 0.59%, 0.27%

LAB 40.08, -40.06, 33.92

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 74 / 0 / 69 / 31

HEX #2DAF36

RGB 45 175 54

HSL 124.15, 0.59%, 0.43%

LAB 62.91, -58, 50.03

 

CMYK 72 / 0 / 67 / 20

HEX #39CC43

RGB 57 204 67

HSL 124.08, 0.59%, 0.51%

LAB 72.54, -64.31, 55.16

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 74 / 20 / 0 / 44

HEX #25728E

RGB 37 114 142

HSL 196, 0.59%, 0.35%

LAB 44.77, -13.5, -22.02

 

CMYK 0 / 74 / 49 / 44

HEX #8E2548

RGB 142 37 72

HSL 340, 0.59%, 0.35%

LAB 33.01, 46.28, 4.75

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 69 / 74 / 0 / 44

HEX #2C258E

RGB 44 37 142

HSL 244, 0.59%, 0.35%

LAB 23.04, 37.06, -56.74

 

CMYK 0 / 69 / 74 / 44

HEX #8E2C25

RGB 142 44 37

HSL 4, 0.59%, 0.35%

LAB 33.32, 40.94, 27.58

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 74 / 20 / 0 / 44

HEX #25728E

RGB 37 114 142

HSL 196, 0.59%, 0.35%

LAB 44.77, -13.5, -22.02

 

CMYK 0 / 74 / 5 / 44

HEX #8E2587

RGB 142 37 135

HSL 304, 0.59%, 0.35%

LAB 35.64, 54.57, -31.39

 

CMYK 0 / 54 / 74 / 44

HEX #8E4125

RGB 142 65 37

HSL 16, 0.59%, 0.35%

LAB 37.23, 30.64, 31.98

 

CMYK 74 / 0 / 69 / 44

HEX #258E2C

RGB 37 142 44

HSL 124, 0.59%, 0.35%

LAB 51.75, -49.17, 42.19

 

CMYK 74 / 42 / 0 / 44

HEX #25528E

RGB 37 82 142

HSL 214.29, 0.59%, 0.35%

LAB 34.76, 6.2, -37.74

 

CMYK 0 / 74 / 5 / 44

HEX #8E2587

RGB 142 37 135

HSL 304, 0.59%, 0.35%

LAB 35.64, 54.57, -31.39

 

CMYK 0 / 32 / 74 / 44

HEX #8E6025

RGB 142 96 37

HSL 33.71, 0.59%, 0.35%

LAB 44.59, 13.02, 39.83

 

Description

Color code: HEX #258E2C | qconv.com Color code: HEX #258E2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 142 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 142 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 69 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 69% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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