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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #258B17 it is the complementary color #DA74E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #258B17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #258B17 shade: #2A8B12, #3B9D25, #4CAF38, #5DC14B and #6ED35E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #258B17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #258B17 shade: #258B17, #147904, #036700, #005500 and #004300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #258B17 shade: #258C16, #448C16, #648C16, #848C16 and #8C7416

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #258B17 shade: #258C16, #168C28, #168C48, #168C67 and #168C87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #258B17 shade matches the following richer shades: #258C16 and #1B9909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #258B17 shade: #258C16, #2F7F24, #397131, #43643E and #4D574B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #258B17 shade: #658C16, #458C16, #268C16, #168C26 and #168C45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #258B17 shade: #12450B, #1B6811, #258C16, #2EAF1C and #37D322

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #258B17 shade: #258B17, #16848C and #8C1655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #258B17 shade: #258B17, #16268C and #8C1626

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #258B17 shade: #258B17, #16848C, #7C168C and #8C1E16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #258B17 shade: #258B17, #16618C, #7C168C and #8C4116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 83 / 45

HEX #258B17

RGB 37 139 23

HSL 112.76, 0.72%, 0.32%

LAB 50.59, -49.82, 48.73

 

Complementary color

CMYK 6 / 50 / 0 / 9

HEX #DA74E8

RGB 218 116 232

HSL 292.76, 0.72%, 0.68%

LAB 64.34, 56.59, -42.05

 

CMYK 70 / 0 / 87 / 45

HEX #2A8B12

RGB 42 139 18

HSL 108.1, 0.77%, 0.31%

LAB 50.69, -49.1, 50.22

 

CMYK 62 / 0 / 76 / 38

HEX #3B9D25

RGB 59 157 37

HSL 109, 0.62%, 0.38%

LAB 57.25, -50.45, 50.77

 

CMYK 57 / 0 / 68 / 31

HEX #4CAF38

RGB 76 175 56

HSL 109.92, 0.52%, 0.45%

LAB 63.74, -51.23, 50.33

 

CMYK 52 / 0 / 61 / 24

HEX #5DC14B

RGB 93 193 75

HSL 110.85, 0.49%, 0.53%

LAB 70.16, -51.64, 49.43

 

CMYK 48 / 0 / 55 / 17

HEX #6ED35E

RGB 110 211 94

HSL 111.79, 0.57%, 0.6%

LAB 76.5, -51.82, 48.31

 

CMYK 73 / 0 / 83 / 45

HEX #258B17

RGB 37 139 23

HSL 112.76, 0.72%, 0.32%

LAB 50.59, -49.82, 48.73

 

CMYK 83 / 0 / 97 / 53

HEX #147904

RGB 20 121 4

HSL 111.79, 0.94%, 0.25%

LAB 43.99, -47.54, 47.29

 

CMYK 97 / 0 / 100 / 60

HEX #036700

RGB 3 103 0

HSL 118.25, 1%, 0.2%

LAB 37.33, -43.96, 42.78

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 74 / 0 / 84 / 45

HEX #258C16

RGB 37 140 22

HSL 112.37, 0.73%, 0.32%

LAB 50.93, -50.22, 49.33

 

CMYK 51 / 0 / 84 / 45

HEX #448C16

RGB 68 140 22

HSL 96.61, 0.73%, 0.32%

LAB 51.89, -42.43, 50.56

 

CMYK 29 / 0 / 84 / 45

HEX #648C16

RGB 100 140 22

HSL 80.34, 0.73%, 0.32%

LAB 53.52, -30.78, 52.63

 

CMYK 6 / 0 / 84 / 45

HEX #848C16

RGB 132 140 22

HSL 64.07, 0.73%, 0.32%

LAB 55.81, -16.96, 55.52

 

CMYK 0 / 17 / 84 / 45

HEX #8C7416

RGB 140 116 22

HSL 47.8, 0.73%, 0.32%

LAB 49.65, -0.12, 50.51

 

CMYK 74 / 0 / 84 / 45

HEX #258C16

RGB 37 140 22

HSL 112.37, 0.73%, 0.32%

LAB 50.93, -50.22, 49.33

 

CMYK 84 / 0 / 71 / 45

HEX #168C28

RGB 22 140 40

HSL 129.15, 0.73%, 0.32%

LAB 50.78, -51.08, 42.77

 

CMYK 84 / 0 / 49 / 45

HEX #168C48

RGB 22 140 72

HSL 145.42, 0.73%, 0.32%

LAB 51.15, -46.66, 27.69

 

CMYK 84 / 0 / 26 / 45

HEX #168C67

RGB 22 140 103

HSL 161.19, 0.73%, 0.32%

LAB 51.73, -40.02, 11.16

 

CMYK 84 / 0 / 4 / 45

HEX #168C87

RGB 22 140 135

HSL 177.46, 0.73%, 0.32%

LAB 52.59, -31.09, -6.09

 

CMYK 74 / 0 / 84 / 45

HEX #258C16

RGB 37 140 22

HSL 112.37, 0.73%, 0.32%

LAB 50.93, -50.22, 49.33

 

CMYK 82 / 0 / 94 / 40

HEX #1B9909

RGB 27 153 9

HSL 112.5, 0.89%, 0.32%

LAB 55.11, -56.42, 55.69

 

CMYK 74 / 0 / 84 / 45

HEX #258C16

RGB 37 140 22

HSL 112.37, 0.73%, 0.32%

LAB 50.93, -50.22, 49.33

 

CMYK 63 / 0 / 72 / 50

HEX #2F7F24

RGB 47 127 36

HSL 112.75, 0.56%, 0.32%

LAB 46.86, -42.36, 40.47

 

CMYK 50 / 0 / 57 / 56

HEX #397131

RGB 57 113 49

HSL 112.5, 0.4%, 0.32%

LAB 42.62, -32.2, 29.6

 

CMYK 33 / 0 / 38 / 61

HEX #43643E

RGB 67 100 62

HSL 112.11, 0.23%, 0.32%

LAB 38.99, -20.31, 17.85

 

CMYK 11 / 0 / 14 / 66

HEX #4D574B

RGB 77 87 75

HSL 110, 0.07%, 0.32%

LAB 35.8, -6.54, 5.65

 

CMYK 28 / 0 / 84 / 45

HEX #658C16

RGB 101 140 22

HSL 79.83, 0.73%, 0.32%

LAB 53.58, -30.37, 52.71

 

CMYK 51 / 0 / 84 / 45

HEX #458C16

RGB 69 140 22

HSL 96.1, 0.73%, 0.32%

LAB 51.93, -42.11, 50.61

 

CMYK 73 / 0 / 84 / 45

HEX #268C16

RGB 38 140 22

HSL 111.86, 0.73%, 0.32%

LAB 50.95, -50.03, 49.36

 

CMYK 84 / 0 / 73 / 45

HEX #168C26

RGB 22 140 38

HSL 128.14, 0.73%, 0.32%

LAB 50.77, -51.28, 43.57

 

CMYK 84 / 0 / 51 / 45

HEX #168C45

RGB 22 140 69

HSL 143.9, 0.73%, 0.32%

LAB 51.1, -47.18, 29.23

 

CMYK 74 / 0 / 84 / 73

HEX #12450B

RGB 18 69 11

HSL 112.76, 0.73%, 0.16%

LAB 24.98, -29.18, 28.23

 

CMYK 74 / 0 / 84 / 59

HEX #1B6811

RGB 27 104 17

HSL 113.1, 0.72%, 0.24%

LAB 38.15, -39.98, 38.86

 

CMYK 74 / 0 / 84 / 45

HEX #258C16

RGB 37 140 22

HSL 112.37, 0.73%, 0.32%

LAB 50.93, -50.22, 49.33

 

CMYK 74 / 0 / 84 / 31

HEX #2EAF1C

RGB 46 175 28

HSL 112.65, 0.72%, 0.4%

LAB 62.78, -59.71, 58.61

 

CMYK 74 / 0 / 84 / 17

HEX #37D322

RGB 55 211 34

HSL 112.88, 0.72%, 0.48%

LAB 74.52, -69.13, 67.8

 

CMYK 73 / 0 / 83 / 45

HEX #258B17

RGB 37 139 23

HSL 112.76, 0.72%, 0.32%

LAB 50.59, -49.82, 48.73

 

CMYK 84 / 6 / 0 / 45

HEX #16848C

RGB 22 132 140

HSL 184.07, 0.73%, 0.32%

LAB 50.18, -25.56, -12.62

 

CMYK 0 / 84 / 39 / 45

HEX #8C1655

RGB 140 22 85

HSL 327.97, 0.73%, 0.32%

LAB 31.36, 51.76, -6.22

 

CMYK 73 / 0 / 83 / 45

HEX #258B17

RGB 37 139 23

HSL 112.76, 0.72%, 0.32%

LAB 50.59, -49.82, 48.73

 

CMYK 84 / 73 / 0 / 45

HEX #16268C

RGB 22 38 140

HSL 231.86, 0.73%, 0.32%

LAB 21.76, 33.59, -57.64

 

CMYK 0 / 84 / 73 / 45

HEX #8C1626

RGB 140 22 38

HSL 351.86, 0.73%, 0.32%

LAB 30.13, 48.12, 23.12

 

CMYK 73 / 0 / 83 / 45

HEX #258B17

RGB 37 139 23

HSL 112.76, 0.72%, 0.32%

LAB 50.59, -49.82, 48.73

 

CMYK 84 / 6 / 0 / 45

HEX #16848C

RGB 22 132 140

HSL 184.07, 0.73%, 0.32%

LAB 50.18, -25.56, -12.62

 

CMYK 11 / 84 / 0 / 45

HEX #7C168C

RGB 124 22 140

HSL 291.86, 0.73%, 0.32%

LAB 31.24, 56.19, -41.69

 

CMYK 0 / 79 / 84 / 45

HEX #8C1E16

RGB 140 30 22

HSL 4.07, 0.73%, 0.32%

LAB 30.79, 45.08, 33.55

 

CMYK 73 / 0 / 83 / 45

HEX #258B17

RGB 37 139 23

HSL 112.76, 0.72%, 0.32%

LAB 50.59, -49.82, 48.73

 

CMYK 84 / 31 / 0 / 45

HEX #16618C

RGB 22 97 140

HSL 201.86, 0.73%, 0.32%

LAB 38.92, -6.01, -29.97

 

CMYK 11 / 84 / 0 / 45

HEX #7C168C

RGB 124 22 140

HSL 291.86, 0.73%, 0.32%

LAB 31.24, 56.19, -41.69

 

CMYK 0 / 54 / 84 / 45

HEX #8C4116

RGB 140 65 22

HSL 21.86, 0.73%, 0.32%

LAB 36.77, 29.17, 39.12

 

Description

Color code: HEX #258B17 | qconv.com Color code: HEX #258B17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 139 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 139 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 83 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 83% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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