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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #258ACE it is the complementary color #DA7531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #258ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #258ACE shade: #2A8AC9, #3B9CDC, #4CAEEF, #5DC0FF and #6ED2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #258ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #258ACE shade: #258ACE, #1478BB, #0366A8, #005495 and #004282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #258ACE shade: #258BD0, #255DD0, #252FD0, #4925D0 and #7725D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #258ACE shade: #258BD0, #255DD0, #252FD0 and #2525D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #258ACE shade matches the following richer shades: #258BD0 and #118FE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #258ACE shade: #258BD0, #3987BC, #4C83A8, #608095 and #747C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #258ACE shade: #25D0B9, #25B9D0, #258CD0, #255ED0 and #2530D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #258ACE shade: #185C8A, #1F74AD, #258BD0, #419EDD and #64B0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #258ACE shade: #258ACE, #8C25D0 and #D0D025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #258ACE shade: #258ACE, #D0258C and #8CD025

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #258ACE shade: #258ACE, #8C25D0, #D06925 and #69D025

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #258ACE shade: #258ACE, #BF25D0, #D06925 and #36D025

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 33 / 0 / 19

HEX #258ACE

RGB 37 138 206

HSL 204.14, 0.7%, 0.48%

LAB 55.1, -4.23, -42.94

 

Complementary color

CMYK 0 / 46 / 78 / 15

HEX #DA7531

RGB 218 117 49

HSL 24.14, 0.7%, 0.52%

LAB 59.75, 34.67, 52.87

 

CMYK 79 / 31 / 0 / 21

HEX #2A8AC9

RGB 42 138 201

HSL 203.77, 0.65%, 0.48%

LAB 54.95, -5.57, -40.34

 

CMYK 73 / 29 / 0 / 14

HEX #3B9CDC

RGB 59 156 220

HSL 203.85, 0.7%, 0.55%

LAB 61.55, -7.15, -40.6

 

CMYK 68 / 27 / 0 / 6

HEX #4CAEEF

RGB 76 174 239

HSL 203.93, 0.84%, 0.62%

LAB 68.05, -8.41, -40.84

 

CMYK 64 / 25 / 0 / 0

HEX #5DC0FF

RGB 93 192 255

HSL 203.33, 1%, 0.68%

LAB 74.35, -10.37, -39.63

 

CMYK 57 / 18 / 0 / 0

HEX #6ED2FF

RGB 110 210 255

HSL 198.62, 1%, 0.72%

LAB 79.97, -16.8, -30.89

 

CMYK 82 / 33 / 0 / 19

HEX #258ACE

RGB 37 138 206

HSL 204.14, 0.7%, 0.48%

LAB 55.1, -4.23, -42.94

 

CMYK 89 / 36 / 0 / 27

HEX #1478BB

RGB 20 120 187

HSL 204.07, 0.81%, 0.41%

LAB 48.47, -1.97, -42.61

 

CMYK 98 / 39 / 0 / 34

HEX #0366A8

RGB 3 102 168

HSL 204, 0.96%, 0.34%

LAB 41.77, 0.84, -42.2

 

CMYK 100 / 44 / 0 / 42

HEX #005495

RGB 0 84 149

HSL 206.17, 1%, 0.29%

LAB 35.02, 4.49, -41.62

 

CMYK 100 / 49 / 0 / 49

HEX #004282

RGB 0 66 130

HSL 209.54, 1%, 0.25%

LAB 28.14, 8.6, -41.03

 

CMYK 82 / 33 / 0 / 18

HEX #258BD0

RGB 37 139 208

HSL 204.21, 0.7%, 0.48%

LAB 55.49, -4.08, -43.45

 

CMYK 82 / 55 / 0 / 18

HEX #255DD0

RGB 37 93 208

HSL 220.35, 0.7%, 0.48%

LAB 42.42, 24.61, -64.41

 

CMYK 82 / 77 / 0 / 18

HEX #252FD0

RGB 37 47 208

HSL 236.49, 0.7%, 0.48%

LAB 31.76, 52.83, -81.92

 

CMYK 65 / 82 / 0 / 18

HEX #4925D0

RGB 73 37 208

HSL 252.63, 0.7%, 0.48%

LAB 32.47, 60.05, -80.68

 

CMYK 43 / 82 / 0 / 18

HEX #7725D0

RGB 119 37 208

HSL 268.77, 0.7%, 0.48%

LAB 37.48, 65.16, -72.24

 

CMYK 82 / 33 / 0 / 18

HEX #258BD0

RGB 37 139 208

HSL 204.21, 0.7%, 0.48%

LAB 55.49, -4.08, -43.45

 

CMYK 82 / 55 / 0 / 18

HEX #255DD0

RGB 37 93 208

HSL 220.35, 0.7%, 0.48%

LAB 42.42, 24.61, -64.41

 

CMYK 82 / 77 / 0 / 18

HEX #252FD0

RGB 37 47 208

HSL 236.49, 0.7%, 0.48%

LAB 31.76, 52.83, -81.92

 

CMYK 82 / 82 / 0 / 18

HEX #2525D0

RGB 37 37 208

HSL 240, 0.7%, 0.48%

LAB 30.08, 57.71, -84.7

 

CMYK 82 / 33 / 0 / 18

HEX #258BD0

RGB 37 139 208

HSL 204.21, 0.7%, 0.48%

LAB 55.49, -4.08, -43.45

 

CMYK 93 / 37 / 0 / 11

HEX #118FE4

RGB 17 143 228

HSL 204.17, 0.86%, 0.48%

LAB 57.43, -0.23, -51.6

 

CMYK 82 / 33 / 0 / 18

HEX #258BD0

RGB 37 139 208

HSL 204.21, 0.7%, 0.48%

LAB 55.49, -4.08, -43.45

 

CMYK 70 / 28 / 0 / 26

HEX #3987BC

RGB 57 135 188

HSL 204.27, 0.53%, 0.48%

LAB 53.84, -6.52, -34.66

 

CMYK 55 / 22 / 0 / 34

HEX #4C83A8

RGB 76 131 168

HSL 204.13, 0.38%, 0.48%

LAB 52.5, -7.27, -25.2

 

CMYK 36 / 14 / 0 / 42

HEX #608095

RGB 96 128 149

HSL 203.77, 0.22%, 0.48%

LAB 51.94, -5.9, -14.94

 

CMYK 10 / 4 / 0 / 49

HEX #747C81

RGB 116 124 129

HSL 203.08, 0.05%, 0.48%

LAB 51.51, -1.9, -3.75

 

CMYK 82 / 0 / 11 / 18

HEX #25D0B9

RGB 37 208 185

HSL 171.93, 0.7%, 0.48%

LAB 75.46, -46.1, -0.3

 

CMYK 82 / 11 / 0 / 18

HEX #25B9D0

RGB 37 185 208

HSL 188.07, 0.7%, 0.48%

LAB 69.22, -28.79, -22.14

 

CMYK 82 / 33 / 0 / 18

HEX #258CD0

RGB 37 140 208

HSL 203.86, 0.7%, 0.48%

LAB 55.79, -4.66, -42.98

 

CMYK 82 / 55 / 0 / 18

HEX #255ED0

RGB 37 94 208

HSL 220, 0.7%, 0.48%

LAB 42.69, 23.96, -63.97

 

CMYK 82 / 77 / 0 / 18

HEX #2530D0

RGB 37 48 208

HSL 236.14, 0.7%, 0.48%

LAB 31.95, 52.3, -81.61

 

CMYK 83 / 33 / 0 / 46

HEX #185C8A

RGB 24 92 138

HSL 204.21, 0.7%, 0.32%

LAB 37.27, -3.48, -31.36

 

CMYK 82 / 33 / 0 / 32

HEX #1F74AD

RGB 31 116 173

HSL 204.08, 0.7%, 0.4%

LAB 46.71, -4.04, -37.27

 

CMYK 82 / 33 / 0 / 18

HEX #258BD0

RGB 37 139 208

HSL 204.21, 0.7%, 0.48%

LAB 55.49, -4.08, -43.45

 

CMYK 71 / 29 / 0 / 13

HEX #419EDD

RGB 65 158 221

HSL 204.23, 0.7%, 0.56%

LAB 62.34, -7.13, -39.91

 

CMYK 56 / 23 / 0 / 11

HEX #64B0E4

RGB 100 176 228

HSL 204.38, 0.7%, 0.64%

LAB 69.01, -8.79, -33.27

 

CMYK 82 / 33 / 0 / 19

HEX #258ACE

RGB 37 138 206

HSL 204.14, 0.7%, 0.48%

LAB 55.1, -4.23, -42.94

 

CMYK 33 / 82 / 0 / 18

HEX #8C25D0

RGB 140 37 208

HSL 276.14, 0.7%, 0.48%

LAB 40.33, 68.14, -67.46

 

CMYK 0 / 0 / 82 / 18

HEX #D0D025

RGB 208 208 37

HSL 60, 0.7%, 0.48%

LAB 81.1, -17.89, 75.72

 

CMYK 82 / 33 / 0 / 19

HEX #258ACE

RGB 37 138 206

HSL 204.14, 0.7%, 0.48%

LAB 55.1, -4.23, -42.94

 

CMYK 0 / 82 / 33 / 18

HEX #D0258C

RGB 208 37 140

HSL 323.86, 0.7%, 0.48%

LAB 47.79, 70.74, -14.68

 

CMYK 33 / 0 / 82 / 18

HEX #8CD025

RGB 140 208 37

HSL 83.86, 0.7%, 0.48%

LAB 76.57, -45.1, 70.03

 

CMYK 82 / 33 / 0 / 19

HEX #258ACE

RGB 37 138 206

HSL 204.14, 0.7%, 0.48%

LAB 55.1, -4.23, -42.94

 

CMYK 33 / 82 / 0 / 18

HEX #8C25D0

RGB 140 37 208

HSL 276.14, 0.7%, 0.48%

LAB 40.33, 68.14, -67.46

 

CMYK 0 / 50 / 82 / 18

HEX #D06925

RGB 208 105 37

HSL 23.86, 0.7%, 0.48%

LAB 55.73, 36.45, 53.72

 

CMYK 50 / 0 / 82 / 18

HEX #69D025

RGB 105 208 37

HSL 96.14, 0.7%, 0.48%

LAB 74.98, -56.66, 68

 

CMYK 82 / 33 / 0 / 19

HEX #258ACE

RGB 37 138 206

HSL 204.14, 0.7%, 0.48%

LAB 55.1, -4.23, -42.94

 

CMYK 8 / 82 / 0 / 18

HEX #BF25D0

RGB 191 37 208

HSL 294.04, 0.7%, 0.48%

LAB 48.2, 76.57, -54.34

 

CMYK 0 / 50 / 82 / 18

HEX #D06925

RGB 208 105 37

HSL 23.86, 0.7%, 0.48%

LAB 55.73, 36.45, 53.72

 

CMYK 74 / 0 / 82 / 18

HEX #36D025

RGB 54 208 37

HSL 114.04, 0.7%, 0.48%

LAB 73.56, -68.23, 66.19

 

Description

Color code: HEX #258ACE | qconv.com Color code: HEX #258ACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 138 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 138 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 33 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 33% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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