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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2587B2 it is the complementary color #DA784D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2587B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2587B2 shade: #2A87AD, #3B99C0, #4CABD3, #5DBDE6 and #6ECFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2587B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2587B2 shade: #2587B2, #14759F, #03638C, #005179 and #003F66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2587B2 shade: #2487B2, #2461B2, #243AB2, #3524B2 and #5B24B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2587B2 shade: #2487B2, #2461B2, #243AB2 and #2424B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2587B2 shade matches the following richer shades: #2487B2, #138DC3 and #0294D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2587B2 shade: #2487B2, #3680A0, #47798F, #58727E and #6A6C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2587B2 shade: #24B291, #24ADB2, #2487B2, #2462B2 and #243CB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2587B2 shade: #16536D, #1D6D90, #2487B2, #2CA0D4 and #4EB0DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2587B2 shade: #2587B2, #6B24B2 and #B2A424

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2587B2 shade: #2587B2, #B22487 and #87B224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2587B2 shade: #2587B2, #6B24B2, #B24F24 and #6BB224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2587B2 shade: #2587B2, #9624B2, #B24F24 and #41B224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 24 / 0 / 30

HEX #2587B2

RGB 37 135 178

HSL 198.3, 0.66%, 0.42%

LAB 52.88, -12.65, -30.48

 

Complementary color

CMYK 0 / 45 / 65 / 15

HEX #DA784D

RGB 218 120 77

HSL 18.3, 0.66%, 0.58%

LAB 60.67, 34.51, 40.05

 

CMYK 76 / 22 / 0 / 32

HEX #2A87AD

RGB 42 135 173

HSL 197.4, 0.61%, 0.42%

LAB 52.77, -13.82, -27.77

 

CMYK 69 / 20 / 0 / 25

HEX #3B99C0

RGB 59 153 192

HSL 197.59, 0.53%, 0.49%

LAB 59.45, -14.96, -28.21

 

CMYK 64 / 19 / 0 / 17

HEX #4CABD3

RGB 76 171 211

HSL 197.78, 0.61%, 0.56%

LAB 66.03, -15.82, -28.6

 

CMYK 60 / 18 / 0 / 10

HEX #5DBDE6

RGB 93 189 230

HSL 197.96, 0.73%, 0.63%

LAB 72.52, -16.48, -28.97

 

CMYK 56 / 17 / 0 / 2

HEX #6ECFF9

RGB 110 207 249

HSL 198.13, 0.92%, 0.7%

LAB 78.91, -17, -29.31

 

CMYK 79 / 24 / 0 / 30

HEX #2587B2

RGB 37 135 178

HSL 198.3, 0.66%, 0.42%

LAB 52.88, -12.65, -30.48

 

CMYK 87 / 26 / 0 / 38

HEX #14759F

RGB 20 117 159

HSL 198.13, 0.78%, 0.35%

LAB 46.14, -10.85, -29.98

 

CMYK 98 / 29 / 0 / 45

HEX #03638C

RGB 3 99 140

HSL 197.96, 0.96%, 0.28%

LAB 39.3, -8.53, -29.39

 

CMYK 100 / 33 / 0 / 53

HEX #005179

RGB 0 81 121

HSL 199.83, 1%, 0.24%

LAB 32.4, -5.29, -28.61

 

CMYK 100 / 38 / 0 / 60

HEX #003F66

RGB 0 63 102

HSL 202.94, 1%, 0.2%

LAB 25.3, -1.6, -27.83

 

CMYK 80 / 24 / 0 / 30

HEX #2487B2

RGB 36 135 178

HSL 198.17, 0.66%, 0.42%

LAB 52.86, -12.75, -30.52

 

CMYK 80 / 46 / 0 / 30

HEX #2461B2

RGB 36 97 178

HSL 214.23, 0.66%, 0.42%

LAB 41.44, 10.3, -48.58

 

CMYK 80 / 67 / 0 / 30

HEX #243AB2

RGB 36 58 178

HSL 230.7, 0.66%, 0.42%

LAB 30.92, 35.98, -65.68

 

CMYK 70 / 80 / 0 / 30

HEX #3524B2

RGB 53 36 178

HSL 247.18, 0.66%, 0.42%

LAB 27.39, 50.08, -71.47

 

CMYK 49 / 80 / 0 / 30

HEX #5B24B2

RGB 91 36 178

HSL 263.24, 0.66%, 0.42%

LAB 31.11, 54.41, -65.19

 

CMYK 80 / 24 / 0 / 30

HEX #2487B2

RGB 36 135 178

HSL 198.17, 0.66%, 0.42%

LAB 52.86, -12.75, -30.52

 

CMYK 80 / 46 / 0 / 30

HEX #2461B2

RGB 36 97 178

HSL 214.23, 0.66%, 0.42%

LAB 41.44, 10.3, -48.58

 

CMYK 80 / 67 / 0 / 30

HEX #243AB2

RGB 36 58 178

HSL 230.7, 0.66%, 0.42%

LAB 30.92, 35.98, -65.68

 

CMYK 80 / 80 / 0 / 30

HEX #2424B2

RGB 36 36 178

HSL 240, 0.66%, 0.42%

LAB 26.31, 48.82, -73.29

 

CMYK 80 / 24 / 0 / 30

HEX #2487B2

RGB 36 135 178

HSL 198.17, 0.66%, 0.42%

LAB 52.86, -12.75, -30.52

 

CMYK 90 / 28 / 0 / 24

HEX #138DC3

RGB 19 141 195

HSL 198.41, 0.82%, 0.42%

LAB 55.2, -11.3, -36.57

 

CMYK 99 / 30 / 0 / 17

HEX #0294D4

RGB 2 148 212

HSL 198.29, 0.98%, 0.42%

LAB 57.99, -9.61, -41.79

 

CMYK 80 / 24 / 0 / 30

HEX #2487B2

RGB 36 135 178

HSL 198.17, 0.66%, 0.42%

LAB 52.86, -12.75, -30.52

 

CMYK 66 / 20 / 0 / 37

HEX #3680A0

RGB 54 128 160

HSL 198.11, 0.5%, 0.42%

LAB 50.41, -12.56, -23.88

 

CMYK 50 / 15 / 0 / 44

HEX #47798F

RGB 71 121 143

HSL 198.33, 0.34%, 0.42%

LAB 48.26, -10.46, -17.16

 

CMYK 30 / 10 / 0 / 51

HEX #58727E

RGB 88 114 126

HSL 198.95, 0.18%, 0.42%

LAB 46.47, -6.41, -9.7

 

CMYK 2 / 0 / 0 / 58

HEX #6A6C6C

RGB 106 108 108

HSL 180, 0.01%, 0.42%

LAB 45.46, -0.77, -0.27

 

CMYK 80 / 0 / 19 / 30

HEX #24B291

RGB 36 178 145

HSL 166.06, 0.66%, 0.42%

LAB 65.17, -44, 6.62

 

CMYK 80 / 3 / 0 / 30

HEX #24ADB2

RGB 36 173 178

HSL 182.11, 0.66%, 0.42%

LAB 64.54, -32.44, -12.63

 

CMYK 80 / 24 / 0 / 30

HEX #2487B2

RGB 36 135 178

HSL 198.17, 0.66%, 0.42%

LAB 52.86, -12.75, -30.52

 

CMYK 80 / 45 / 0 / 30

HEX #2462B2

RGB 36 98 178

HSL 213.8, 0.66%, 0.42%

LAB 41.73, 9.65, -48.12

 

CMYK 80 / 66 / 0 / 30

HEX #243CB2

RGB 36 60 178

HSL 229.86, 0.66%, 0.42%

LAB 31.4, 34.7, -64.89

 

CMYK 80 / 24 / 0 / 57

HEX #16536D

RGB 22 83 109

HSL 197.93, 0.66%, 0.26%

LAB 32.83, -9.39, -20.42

 

CMYK 80 / 24 / 0 / 44

HEX #1D6D90

RGB 29 109 144

HSL 198.26, 0.66%, 0.34%

LAB 43.08, -10.93, -25.86

 

CMYK 80 / 24 / 0 / 30

HEX #2487B2

RGB 36 135 178

HSL 198.17, 0.66%, 0.42%

LAB 52.86, -12.75, -30.52

 

CMYK 79 / 25 / 0 / 17

HEX #2CA0D4

RGB 44 160 212

HSL 198.57, 0.66%, 0.5%

LAB 62.02, -13.86, -35.43

 

CMYK 64 / 20 / 0 / 14

HEX #4EB0DB

RGB 78 176 219

HSL 198.3, 0.66%, 0.58%

LAB 67.86, -15.63, -30.18

 

CMYK 79 / 24 / 0 / 30

HEX #2587B2

RGB 37 135 178

HSL 198.3, 0.66%, 0.42%

LAB 52.88, -12.65, -30.48

 

CMYK 40 / 80 / 0 / 30

HEX #6B24B2

RGB 107 36 178

HSL 270, 0.66%, 0.42%

LAB 33.14, 56.76, -61.8

 

CMYK 0 / 8 / 80 / 30

HEX #B2A424

RGB 178 164 36

HSL 54.08, 0.66%, 0.42%

LAB 66.63, -8.49, 62.49

 

CMYK 79 / 24 / 0 / 30

HEX #2587B2

RGB 37 135 178

HSL 198.3, 0.66%, 0.42%

LAB 52.88, -12.65, -30.48

 

CMYK 0 / 80 / 24 / 30

HEX #B22487

RGB 178 36 135

HSL 318.17, 0.66%, 0.42%

LAB 41.96, 63.37, -21.04

 

CMYK 24 / 0 / 80 / 30

HEX #87B224

RGB 135 178 36

HSL 78.17, 0.66%, 0.42%

LAB 67.37, -33.81, 61.93

 

CMYK 79 / 24 / 0 / 30

HEX #2587B2

RGB 37 135 178

HSL 198.3, 0.66%, 0.42%

LAB 52.88, -12.65, -30.48

 

CMYK 40 / 80 / 0 / 30

HEX #6B24B2

RGB 107 36 178

HSL 270, 0.66%, 0.42%

LAB 33.14, 56.76, -61.8

 

CMYK 0 / 56 / 80 / 30

HEX #B24F24

RGB 178 79 36

HSL 18.17, 0.66%, 0.42%

LAB 45.89, 37.78, 43.3

 

CMYK 40 / 0 / 80 / 30

HEX #6BB224

RGB 107 178 36

HSL 90, 0.66%, 0.42%

LAB 65.82, -44.29, 59.94

 

CMYK 79 / 24 / 0 / 30

HEX #2587B2

RGB 37 135 178

HSL 198.3, 0.66%, 0.42%

LAB 52.88, -12.65, -30.48

 

CMYK 16 / 80 / 0 / 30

HEX #9624B2

RGB 150 36 178

HSL 288.17, 0.66%, 0.42%

LAB 39.51, 64.16, -51.15

 

CMYK 0 / 56 / 80 / 30

HEX #B24F24

RGB 178 79 36

HSL 18.17, 0.66%, 0.42%

LAB 45.89, 37.78, 43.3

 

CMYK 63 / 0 / 80 / 30

HEX #41B224

RGB 65 178 36

HSL 107.75, 0.66%, 0.42%

LAB 64.24, -56.5, 57.89

 

Description

Color code: HEX #2587B2 | qconv.com Color code: HEX #2587B2 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 135 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 135 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 24 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 24% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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