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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #258501 it is the complementary color #DA7AFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #258501. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #258501 shade: #2A8500, #3B970F, #4CA922, #5DBB35 and #6ECD48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #258501. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #258501 shade: #258501, #147300, #036100, #004F00 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #258501 shade: #248401, #488401, #6B8401, #847901 and #845601

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #258501 shade: #248401, #018401, #018424, #018447 and #01846A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #258501 shade matches the following richer shades: #248401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #258501 shade: #248401, #29790B, #2E6E16, #336421 and #38592C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #258501 shade: #6C8401, #498401, #268401, #038401 and #018421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #258501 shade: #0E3200, #195B00, #248401, #30AD01 and #3BD601

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #258501 shade: #258501, #018479 and #84015A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #258501 shade: #258501, #012684 and #840126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #258501 shade: #258501, #018479, #5F0184 and #84010C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #258501 shade: #258501, #016784, #5F0184 and #841D01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 99 / 48

HEX #258501

RGB 37 133 1

HSL 103.64, 0.99%, 0.26%

LAB 48.47, -48.7, 51.71

 

Complementary color

CMYK 14 / 52 / 0 / 0

HEX #DA7AFE

RGB 218 122 254

HSL 283.64, 0.99%, 0.74%

LAB 66.5, 57.88, -50.77

 

CMYK 68 / 0 / 100 / 48

HEX #2A8500

RGB 42 133 0

HSL 101.05, 1%, 0.26%

LAB 48.6, -47.68, 52.05

 

CMYK 61 / 0 / 90 / 41

HEX #3B970F

RGB 59 151 15

HSL 100.59, 0.82%, 0.33%

LAB 55.17, -49.45, 54.99

 

CMYK 55 / 0 / 80 / 34

HEX #4CA922

RGB 76 169 34

HSL 101.33, 0.67%, 0.4%

LAB 61.68, -50.6, 56.21

 

CMYK 50 / 0 / 72 / 27

HEX #5DBB35

RGB 93 187 53

HSL 102.09, 0.56%, 0.47%

LAB 68.11, -51.31, 56.26

 

CMYK 46 / 0 / 65 / 20

HEX #6ECD48

RGB 110 205 72

HSL 102.86, 0.57%, 0.54%

LAB 74.47, -51.71, 55.68

 

CMYK 72 / 0 / 99 / 48

HEX #258501

RGB 37 133 1

HSL 103.64, 0.99%, 0.26%

LAB 48.47, -48.7, 51.71

 

CMYK 83 / 0 / 100 / 55

HEX #147300

RGB 20 115 0

HSL 109.57, 1%, 0.23%

LAB 41.86, -45.78, 46.49

 

CMYK 97 / 0 / 100 / 62

HEX #036100

RGB 3 97 0

HSL 118.14, 1%, 0.19%

LAB 35.14, -42.1, 41.02

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 73 / 0 / 99 / 48

HEX #248401

RGB 36 132 1

HSL 103.97, 0.98%, 0.26%

LAB 48.11, -48.56, 51.4

 

CMYK 45 / 0 / 99 / 48

HEX #488401

RGB 72 132 1

HSL 87.48, 0.98%, 0.26%

LAB 49.35, -38.56, 52.92

 

CMYK 19 / 0 / 99 / 48

HEX #6B8401

RGB 107 132 1

HSL 71.45, 0.98%, 0.26%

LAB 51.42, -24.53, 55.41

 

CMYK 0 / 8 / 99 / 48

HEX #847901

RGB 132 121 1

HSL 54.96, 0.98%, 0.26%

LAB 50.2, -7.2, 55.43

 

CMYK 0 / 35 / 99 / 48

HEX #845601

RGB 132 86 1

HSL 38.93, 0.98%, 0.26%

LAB 40.51, 13.02, 48.62

 

CMYK 73 / 0 / 99 / 48

HEX #248401

RGB 36 132 1

HSL 103.97, 0.98%, 0.26%

LAB 48.11, -48.56, 51.4

 

CMYK 99 / 0 / 99 / 48

HEX #018401

RGB 1 132 1

HSL 120, 0.98%, 0.26%

LAB 47.64, -52.75, 50.83

 

CMYK 99 / 0 / 73 / 48

HEX #018424

RGB 1 132 36

HSL 136.03, 0.98%, 0.26%

LAB 47.8, -50.68, 41.22

 

CMYK 99 / 0 / 46 / 48

HEX #018447

RGB 1 132 71

HSL 152.06, 0.98%, 0.26%

LAB 48.21, -45.55, 24.44

 

CMYK 99 / 0 / 20 / 48

HEX #01846A

RGB 1 132 106

HSL 168.09, 0.98%, 0.26%

LAB 48.95, -37.27, 5.45

 

CMYK 73 / 0 / 99 / 48

HEX #248401

RGB 36 132 1

HSL 103.97, 0.98%, 0.26%

LAB 48.11, -48.56, 51.4

 

CMYK 73 / 0 / 99 / 48

HEX #248401

RGB 36 132 1

HSL 103.97, 0.98%, 0.26%

LAB 48.11, -48.56, 51.4

 

CMYK 66 / 0 / 91 / 53

HEX #29790B

RGB 41 121 11

HSL 103.64, 0.83%, 0.26%

LAB 44.48, -43.28, 46.38

 

CMYK 58 / 0 / 80 / 57

HEX #2E6E16

RGB 46 110 22

HSL 103.64, 0.67%, 0.26%

LAB 40.88, -37.13, 39.94

 

CMYK 49 / 0 / 67 / 61

HEX #336421

RGB 51 100 33

HSL 103.88, 0.5%, 0.26%

LAB 37.71, -30.28, 32.01

 

CMYK 37 / 0 / 51 / 65

HEX #38592C

RGB 56 89 44

HSL 104, 0.34%, 0.26%

LAB 34.33, -21.71, 22.22

 

CMYK 18 / 0 / 99 / 48

HEX #6C8401

RGB 108 132 1

HSL 70.99, 0.98%, 0.26%

LAB 51.49, -24.09, 55.49

 

CMYK 45 / 0 / 99 / 48

HEX #498401

RGB 73 132 1

HSL 87.02, 0.98%, 0.26%

LAB 49.4, -38.2, 52.98

 

CMYK 71 / 0 / 99 / 48

HEX #268401

RGB 38 132 1

HSL 103.05, 0.98%, 0.26%

LAB 48.16, -48.16, 51.46

 

CMYK 98 / 0 / 99 / 48

HEX #038401

RGB 3 132 1

HSL 119.08, 0.98%, 0.26%

LAB 47.65, -52.6, 50.85

 

CMYK 99 / 0 / 75 / 48

HEX #018421

RGB 1 132 33

HSL 134.66, 0.98%, 0.26%

LAB 47.78, -50.97, 42.4

 

CMYK 72 / 0 / 100 / 80

HEX #0E3200

RGB 14 50 0

HSL 103.2, 1%, 0.1%

LAB 17.34, -23.48, 24.34

 

CMYK 73 / 0 / 100 / 64

HEX #195B00

RGB 25 91 0

HSL 103.52, 1%, 0.18%

LAB 33.33, -36.66, 39.74

 

CMYK 73 / 0 / 99 / 48

HEX #248401

RGB 36 132 1

HSL 103.97, 0.98%, 0.26%

LAB 48.11, -48.56, 51.4

 

CMYK 72 / 0 / 99 / 32

HEX #30AD01

RGB 48 173 1

HSL 103.6, 0.99%, 0.34%

LAB 62.1, -59.59, 62.71

 

CMYK 72 / 0 / 100 / 16

HEX #3BD601

RGB 59 214 1

HSL 103.66, 0.99%, 0.42%

LAB 75.47, -70.28, 73.49

 

CMYK 72 / 0 / 99 / 48

HEX #258501

RGB 37 133 1

HSL 103.64, 0.99%, 0.26%

LAB 48.47, -48.7, 51.71

 

CMYK 99 / 0 / 8 / 48

HEX #018479

RGB 1 132 121

HSL 174.96, 0.98%, 0.26%

LAB 49.36, -32.9, -2.72

 

CMYK 0 / 99 / 32 / 48

HEX #84015A

RGB 132 1 90

HSL 319.24, 0.98%, 0.26%

LAB 28.55, 54.34, -13.92

 

CMYK 72 / 0 / 99 / 48

HEX #258501

RGB 37 133 1

HSL 103.64, 0.99%, 0.26%

LAB 48.47, -48.7, 51.71

 

CMYK 99 / 71 / 0 / 48

HEX #012684

RGB 1 38 132

HSL 223.05, 0.98%, 0.26%

LAB 20.28, 29.35, -55.1

 

CMYK 0 / 99 / 71 / 48

HEX #840126

RGB 132 1 38

HSL 343.05, 0.98%, 0.26%

LAB 26.93, 50.04, 18.79

 

CMYK 72 / 0 / 99 / 48

HEX #258501

RGB 37 133 1

HSL 103.64, 0.99%, 0.26%

LAB 48.47, -48.7, 51.71

 

CMYK 99 / 0 / 8 / 48

HEX #018479

RGB 1 132 121

HSL 174.96, 0.98%, 0.26%

LAB 49.36, -32.9, -2.72

 

CMYK 28 / 99 / 0 / 48

HEX #5F0184

RGB 95 1 132

HSL 283.05, 0.98%, 0.26%

LAB 24.07, 54.31, -48.56

 

CMYK 0 / 99 / 91 / 48

HEX #84010C

RGB 132 1 12

HSL 354.96, 0.98%, 0.26%

LAB 26.6, 49.16, 34.45

 

CMYK 72 / 0 / 99 / 48

HEX #258501

RGB 37 133 1

HSL 103.64, 0.99%, 0.26%

LAB 48.47, -48.7, 51.71

 

CMYK 99 / 22 / 0 / 48

HEX #016784

RGB 1 103 132

HSL 193.28, 0.98%, 0.26%

LAB 40.2, -14.12, -23.15

 

CMYK 28 / 99 / 0 / 48

HEX #5F0184

RGB 95 1 132

HSL 283.05, 0.98%, 0.26%

LAB 24.07, 54.31, -48.56

 

CMYK 0 / 78 / 99 / 48

HEX #841D01

RGB 132 29 1

HSL 12.82, 0.98%, 0.26%

LAB 28.87, 42.34, 40.89

 

Description

Color code: HEX #258501 | qconv.com Color code: HEX #258501 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 133 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 133 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 99 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 99% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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