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Color name
HEX #257DA8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #257DA8 it is the complementary color #DA8257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #257DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #257DA8 shade: #2A7DA3, #3B8FB6, #4CA1C9, #5DB3DC and #6EC5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #257DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #257DA8 shade: #257DA8, #146B95, #035982, #00476F and #00355C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #257DA8 shade: #257CA7, #2559A7, #2536A7, #3725A7 and #5A25A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #257DA8 shade: #257CA7, #2559A7, #2536A7 and #2525A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #257DA8 shade matches the following richer shades: #257CA7, #1482B8 and #0488C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #257DA8 shade: #257CA7, #357797, #467186, #566B76 and #676665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #257DA8 shade: #25A78B, #25A1A7, #257EA7, #255BA7 and #2538A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #257DA8 shade: #164A64, #1D6385, #257CA7, #2C96C9 and #48A8D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #257DA8 shade: #257DA8, #6825A7 and #A79C25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #257DA8 shade: #257DA8, #A7257E and #7EA725

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #257DA8 shade: #257DA8, #6825A7, #A74E25 and #64A725

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #257DA8 shade: #257DA8, #8F25A7, #A74E25 and #3DA725

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 26 / 0 / 34

HEX #257DA8

RGB 37 125 168

HSL 199.69, 0.64%, 0.4%

LAB 49.36, -10.54, -30.19

 

Complementary color

CMYK 0 / 40 / 60 / 15

HEX #DA8257

RGB 218 130 87

HSL 19.69, 0.64%, 0.6%

LAB 62.98, 29.91, 37.5

 

CMYK 74 / 23 / 0 / 36

HEX #2A7DA3

RGB 42 125 163

HSL 198.84, 0.59%, 0.4%

LAB 49.26, -11.69, -27.43

 

CMYK 68 / 21 / 0 / 29

HEX #3B8FB6

RGB 59 143 182

HSL 199.02, 0.51%, 0.47%

LAB 56.04, -12.78, -27.82

 

CMYK 62 / 20 / 0 / 21

HEX #4CA1C9

RGB 76 161 201

HSL 199.2, 0.54%, 0.54%

LAB 62.71, -13.59, -28.17

 

CMYK 58 / 19 / 0 / 14

HEX #5DB3DC

RGB 93 179 220

HSL 199.37, 0.64%, 0.61%

LAB 69.28, -14.21, -28.5

 

CMYK 54 / 18 / 0 / 6

HEX #6EC5EF

RGB 110 197 239

HSL 199.53, 0.8%, 0.68%

LAB 75.75, -14.7, -28.81

 

CMYK 78 / 26 / 0 / 34

HEX #257DA8

RGB 37 125 168

HSL 199.69, 0.64%, 0.4%

LAB 49.36, -10.54, -30.19

 

CMYK 87 / 28 / 0 / 42

HEX #146B95

RGB 20 107 149

HSL 199.53, 0.76%, 0.33%

LAB 42.51, -8.76, -29.74

 

CMYK 98 / 32 / 0 / 49

HEX #035982

RGB 3 89 130

HSL 199.37, 0.95%, 0.26%

LAB 35.55, -6.42, -29.21

 

CMYK 100 / 36 / 0 / 56

HEX #00476F

RGB 0 71 111

HSL 201.62, 1%, 0.22%

LAB 28.52, -3.04, -28.47

 

CMYK 100 / 42 / 0 / 64

HEX #00355C

RGB 0 53 92

HSL 205.43, 1%, 0.18%

LAB 21.28, 0.85, -27.72

 

CMYK 78 / 26 / 0 / 35

HEX #257CA7

RGB 37 124 167

HSL 199.85, 0.64%, 0.4%

LAB 49.01, -10.32, -30.16

 

CMYK 78 / 47 / 0 / 35

HEX #2559A7

RGB 37 89 167

HSL 216, 0.64%, 0.4%

LAB 38.42, 11.34, -46.92

 

CMYK 78 / 68 / 0 / 35

HEX #2536A7

RGB 37 54 167

HSL 232.15, 0.64%, 0.4%

LAB 28.96, 34.59, -62.31

 

CMYK 67 / 78 / 0 / 35

HEX #3725A7

RGB 55 37 167

HSL 248.31, 0.64%, 0.4%

LAB 26.52, 46.39, -66.28

 

CMYK 46 / 78 / 0 / 35

HEX #5A25A7

RGB 90 37 167

HSL 264.46, 0.64%, 0.4%

LAB 30.12, 50.99, -60.23

 

CMYK 78 / 26 / 0 / 35

HEX #257CA7

RGB 37 124 167

HSL 199.85, 0.64%, 0.4%

LAB 49.01, -10.32, -30.16

 

CMYK 78 / 47 / 0 / 35

HEX #2559A7

RGB 37 89 167

HSL 216, 0.64%, 0.4%

LAB 38.42, 11.34, -46.92

 

CMYK 78 / 68 / 0 / 35

HEX #2536A7

RGB 37 54 167

HSL 232.15, 0.64%, 0.4%

LAB 28.96, 34.59, -62.31

 

CMYK 78 / 78 / 0 / 35

HEX #2525A7

RGB 37 37 167

HSL 240, 0.64%, 0.4%

LAB 25.28, 44.78, -68.38

 

CMYK 78 / 26 / 0 / 35

HEX #257CA7

RGB 37 124 167

HSL 199.85, 0.64%, 0.4%

LAB 49.01, -10.32, -30.16

 

CMYK 89 / 29 / 0 / 28

HEX #1482B8

RGB 20 130 184

HSL 199.76, 0.8%, 0.4%

LAB 51.35, -9.03, -36.34

 

CMYK 98 / 32 / 0 / 22

HEX #0488C8

RGB 4 136 200

HSL 199.59, 0.96%, 0.4%

LAB 53.82, -7.16, -41.6

 

CMYK 78 / 26 / 0 / 35

HEX #257CA7

RGB 37 124 167

HSL 199.85, 0.64%, 0.4%

LAB 49.01, -10.32, -30.16

 

CMYK 65 / 21 / 0 / 41

HEX #357797

RGB 53 119 151

HSL 199.59, 0.48%, 0.4%

LAB 47.22, -10.64, -23.54

 

CMYK 48 / 16 / 0 / 47

HEX #467186

RGB 70 113 134

HSL 199.69, 0.31%, 0.4%

LAB 45.41, -8.83, -16.18

 

CMYK 27 / 9 / 0 / 54

HEX #566B76

RGB 86 107 118

HSL 200.63, 0.16%, 0.4%

LAB 43.95, -5.04, -8.7

 

CMYK 0 / 1 / 2 / 60

HEX #676665

RGB 103 102 101

HSL 30, 0.01%, 0.4%

LAB 43.25, 0.19, 0.7

 

CMYK 78 / 0 / 17 / 35

HEX #25A78B

RGB 37 167 139

HSL 167.08, 0.64%, 0.4%

LAB 61.56, -40.74, 4.78

 

CMYK 78 / 4 / 0 / 35

HEX #25A1A7

RGB 37 161 167

HSL 182.77, 0.64%, 0.4%

LAB 60.49, -29.94, -12.56

 

CMYK 78 / 25 / 0 / 35

HEX #257EA7

RGB 37 126 167

HSL 198.92, 0.64%, 0.4%

LAB 49.62, -11.47, -29.2

 

CMYK 78 / 46 / 0 / 35

HEX #255BA7

RGB 37 91 167

HSL 215.08, 0.64%, 0.4%

LAB 39.01, 10.03, -45.98

 

CMYK 78 / 66 / 0 / 35

HEX #2538A7

RGB 37 56 167

HSL 231.23, 0.64%, 0.4%

LAB 29.44, 33.3, -61.51

 

CMYK 78 / 26 / 0 / 61

HEX #164A64

RGB 22 74 100

HSL 200, 0.64%, 0.24%

LAB 29.38, -7.28, -20.1

 

CMYK 78 / 26 / 0 / 48

HEX #1D6385

RGB 29 99 133

HSL 199.62, 0.64%, 0.32%

LAB 39.37, -9.09, -25.01

 

CMYK 78 / 26 / 0 / 35

HEX #257CA7

RGB 37 124 167

HSL 199.85, 0.64%, 0.4%

LAB 49.01, -10.32, -30.16

 

CMYK 78 / 25 / 0 / 21

HEX #2C96C9

RGB 44 150 201

HSL 199.49, 0.64%, 0.48%

LAB 58.57, -12.17, -34.67

 

CMYK 67 / 22 / 0 / 16

HEX #48A8D7

RGB 72 168 215

HSL 199.72, 0.64%, 0.56%

LAB 65.19, -13.59, -32.12

 

CMYK 78 / 26 / 0 / 34

HEX #257DA8

RGB 37 125 168

HSL 199.69, 0.64%, 0.4%

LAB 49.36, -10.54, -30.19

 

CMYK 38 / 78 / 0 / 35

HEX #6825A7

RGB 104 37 167

HSL 270.92, 0.64%, 0.4%

LAB 31.93, 53.26, -57.19

 

CMYK 0 / 7 / 78 / 35

HEX #A79C25

RGB 167 156 37

HSL 54.92, 0.64%, 0.4%

LAB 63.45, -9.12, 58.94

 

CMYK 78 / 26 / 0 / 34

HEX #257DA8

RGB 37 125 168

HSL 199.69, 0.64%, 0.4%

LAB 49.36, -10.54, -30.19

 

CMYK 0 / 78 / 25 / 35

HEX #A7257E

RGB 167 37 126

HSL 318.92, 0.64%, 0.4%

LAB 39.66, 59.29, -19.22

 

CMYK 25 / 0 / 78 / 35

HEX #7EA725

RGB 126 167 37

HSL 78.92, 0.64%, 0.4%

LAB 63.51, -32.25, 57.87

 

CMYK 78 / 26 / 0 / 34

HEX #257DA8

RGB 37 125 168

HSL 199.69, 0.64%, 0.4%

LAB 49.36, -10.54, -30.19

 

CMYK 38 / 78 / 0 / 35

HEX #6825A7

RGB 104 37 167

HSL 270.92, 0.64%, 0.4%

LAB 31.93, 53.26, -57.19

 

CMYK 0 / 53 / 78 / 35

HEX #A74E25

RGB 167 78 37

HSL 18.92, 0.64%, 0.4%

LAB 43.94, 33.96, 40.29

 

CMYK 40 / 0 / 78 / 35

HEX #64A725

RGB 100 167 37

HSL 90.92, 0.64%, 0.4%

LAB 62.07, -42.06, 55.99

 

CMYK 78 / 26 / 0 / 34

HEX #257DA8

RGB 37 125 168

HSL 199.69, 0.64%, 0.4%

LAB 49.36, -10.54, -30.19

 

CMYK 14 / 78 / 0 / 35

HEX #8F25A7

RGB 143 37 167

HSL 288.92, 0.64%, 0.4%

LAB 37.76, 60.46, -47.48

 

CMYK 0 / 53 / 78 / 35

HEX #A74E25

RGB 167 78 37

HSL 18.92, 0.64%, 0.4%

LAB 43.94, 33.96, 40.29

 

CMYK 63 / 0 / 78 / 35

HEX #3DA725

RGB 61 167 37

HSL 108.92, 0.64%, 0.4%

LAB 60.57, -53.53, 54.04

 

Description

Color code: HEX #257DA8 | qconv.com Color code: HEX #257DA8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 125 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 125 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 26 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 26% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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