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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #257CF6 it is the complementary color #DA8309. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #257CF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #257CF6 shade: #2A7CF1, #3B8EFF, #4CA0FF, #5DB2FF and #6EC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #257CF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #257CF6 shade: #257CF6, #146AE3, #0358D0, #0046BD and #0034AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #257CF6 shade: #237BF6, #2342F6, #3D23F6, #7623F6 and #AF23F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #257CF6 shade: #237BF6, #2342F6 and #2323F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #257CF6 shade matches the following richer shades: #237BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #257CF6 shade: #237BF6, #357EE3, #4881D1, #5A84BE and #6D87AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #257CF6 shade: #23EBF6, #23B3F6, #237BF6, #2342F6 and #3B23F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #257CF6 shade: #0854BE, #0A65E6, #237BF6, #4A92F7 and #72AAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #257CF6 shade: #257CF6, #C823F6 and #CFF623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #257CF6 shade: #257CF6, #F6237B and #7BF623

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #257CF6 shade: #257CF6, #C823F6, #F69E23 and #50F623

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #257CF6 shade: #257CF6, #F623E4, #F69E23 and #23F634

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 50 / 0 / 4

HEX #257CF6

RGB 37 124 246

HSL 215.02, 0.92%, 0.55%

LAB 53.45, 19.3, -67.98

 

Complementary color

CMYK 0 / 40 / 96 / 15

HEX #DA8309

RGB 218 131 9

HSL 35.02, 0.92%, 0.45%

LAB 62.64, 26.37, 67.38

 

CMYK 83 / 49 / 0 / 5

HEX #2A7CF1

RGB 42 124 241

HSL 215.28, 0.88%, 0.55%

LAB 53.23, 17.79, -65.55

 

CMYK 77 / 44 / 0 / 0

HEX #3B8EFF

RGB 59 142 255

HSL 214.59, 1%, 0.62%

LAB 59.43, 13.5, -63.28

 

CMYK 70 / 37 / 0 / 0

HEX #4CA0FF

RGB 76 160 255

HSL 211.84, 1%, 0.65%

LAB 64.88, 4.92, -54.55

 

CMYK 64 / 30 / 0 / 0

HEX #5DB2FF

RGB 93 178 255

HSL 208.52, 1%, 0.68%

LAB 70.45, -2.71, -45.73

 

CMYK 57 / 23 / 0 / 0

HEX #6EC4FF

RGB 110 196 255

HSL 204.41, 1%, 0.72%

LAB 76.08, -9.46, -36.89

 

CMYK 85 / 50 / 0 / 4

HEX #257CF6

RGB 37 124 246

HSL 215.02, 0.92%, 0.55%

LAB 53.45, 19.3, -67.98

 

CMYK 91 / 53 / 0 / 11

HEX #146AE3

RGB 20 106 227

HSL 215.07, 0.84%, 0.48%

LAB 46.98, 22.47, -67.85

 

CMYK 99 / 58 / 0 / 18

HEX #0358D0

RGB 3 88 208

HSL 215.12, 0.97%, 0.41%

LAB 40.5, 26.16, -67.57

 

CMYK 100 / 63 / 0 / 26

HEX #0046BD

RGB 0 70 189

HSL 217.78, 1%, 0.37%

LAB 34.1, 30.47, -67

 

CMYK 100 / 69 / 0 / 33

HEX #0034AA

RGB 0 52 170

HSL 221.65, 1%, 0.33%

LAB 27.73, 34.95, -66.17

 

CMYK 86 / 50 / 0 / 4

HEX #237BF6

RGB 35 123 246

HSL 214.98, 0.92%, 0.55%

LAB 53.14, 19.79, -68.48

 

CMYK 86 / 73 / 0 / 4

HEX #2342F6

RGB 35 66 246

HSL 231.18, 0.92%, 0.55%

LAB 39.42, 54.86, -90.93

 

CMYK 75 / 86 / 0 / 4

HEX #3D23F6

RGB 61 35 246

HSL 247.39, 0.92%, 0.55%

LAB 35.69, 70.37, -97.1

 

CMYK 52 / 86 / 0 / 4

HEX #7623F6

RGB 118 35 246

HSL 263.6, 0.92%, 0.55%

LAB 40.75, 74.5, -88.56

 

CMYK 29 / 86 / 0 / 4

HEX #AF23F6

RGB 175 35 246

HSL 279.81, 0.92%, 0.55%

LAB 48.22, 81.27, -76.01

 

CMYK 86 / 50 / 0 / 4

HEX #237BF6

RGB 35 123 246

HSL 214.98, 0.92%, 0.55%

LAB 53.14, 19.79, -68.48

 

CMYK 86 / 73 / 0 / 4

HEX #2342F6

RGB 35 66 246

HSL 231.18, 0.92%, 0.55%

LAB 39.42, 54.86, -90.93

 

CMYK 86 / 86 / 0 / 4

HEX #2323F6

RGB 35 35 246

HSL 240, 0.92%, 0.55%

LAB 34.42, 69.41, -99.24

 

CMYK 86 / 50 / 0 / 4

HEX #237BF6

RGB 35 123 246

HSL 214.98, 0.92%, 0.55%

LAB 53.14, 19.79, -68.48

 

CMYK 86 / 50 / 0 / 4

HEX #237BF6

RGB 35 123 246

HSL 214.98, 0.92%, 0.55%

LAB 53.14, 19.79, -68.48

 

CMYK 77 / 44 / 0 / 11

HEX #357EE3

RGB 53 126 227

HSL 214.83, 0.76%, 0.55%

LAB 53.19, 12.39, -57.77

 

CMYK 66 / 38 / 0 / 18

HEX #4881D1

RGB 72 129 209

HSL 215.04, 0.6%, 0.55%

LAB 53.69, 6.76, -46.81

 

CMYK 53 / 31 / 0 / 25

HEX #5A84BE

RGB 90 132 190

HSL 214.8, 0.43%, 0.55%

LAB 54.44, 2.25, -34.77

 

CMYK 37 / 22 / 0 / 33

HEX #6D87AC

RGB 109 135 172

HSL 215.24, 0.28%, 0.55%

LAB 55.64, 0.12, -22.52

 

CMYK 86 / 4 / 0 / 4

HEX #23EBF6

RGB 35 235 246

HSL 183.13, 0.92%, 0.55%

LAB 85.21, -40.78, -18.29

 

CMYK 86 / 27 / 0 / 4

HEX #23B3F6

RGB 35 179 246

HSL 199.05, 0.92%, 0.55%

LAB 68.93, -13.09, -43.33

 

CMYK 86 / 50 / 0 / 4

HEX #237BF6

RGB 35 123 246

HSL 214.98, 0.92%, 0.55%

LAB 53.14, 19.79, -68.48

 

CMYK 86 / 73 / 0 / 4

HEX #2342F6

RGB 35 66 246

HSL 231.18, 0.92%, 0.55%

LAB 39.42, 54.86, -90.93

 

CMYK 76 / 86 / 0 / 4

HEX #3B23F6

RGB 59 35 246

HSL 246.82, 0.92%, 0.55%

LAB 35.57, 70.28, -97.3

 

CMYK 96 / 56 / 0 / 25

HEX #0854BE

RGB 8 84 190

HSL 214.95, 0.92%, 0.39%

LAB 38.04, 21.78, -61.13

 

CMYK 96 / 56 / 0 / 10

HEX #0A65E6

RGB 10 101 230

HSL 215.18, 0.92%, 0.47%

LAB 45.75, 26.5, -71.54

 

CMYK 86 / 50 / 0 / 4

HEX #237BF6

RGB 35 123 246

HSL 214.98, 0.92%, 0.55%

LAB 53.14, 19.79, -68.48

 

CMYK 70 / 41 / 0 / 3

HEX #4A92F7

RGB 74 146 247

HSL 215.03, 0.92%, 0.63%

LAB 60.54, 10.1, -57.09

 

CMYK 54 / 32 / 0 / 2

HEX #72AAF9

RGB 114 170 249

HSL 215.11, 0.92%, 0.71%

LAB 68.87, 3.85, -44.89

 

CMYK 85 / 50 / 0 / 4

HEX #257CF6

RGB 37 124 246

HSL 215.02, 0.92%, 0.55%

LAB 53.45, 19.3, -67.98

 

CMYK 19 / 86 / 0 / 4

HEX #C823F6

RGB 200 35 246

HSL 286.92, 0.92%, 0.55%

LAB 51.99, 84.9, -69.71

 

CMYK 16 / 0 / 86 / 4

HEX #CFF623

RGB 207 246 35

HSL 71.09, 0.92%, 0.55%

LAB 91.37, -36.3, 84.69

 

CMYK 85 / 50 / 0 / 4

HEX #257CF6

RGB 37 124 246

HSL 215.02, 0.92%, 0.55%

LAB 53.45, 19.3, -67.98

 

CMYK 0 / 86 / 50 / 4

HEX #F6237B

RGB 246 35 123

HSL 334.98, 0.92%, 0.55%

LAB 54.26, 78.52, 5.95

 

CMYK 50 / 0 / 86 / 4

HEX #7BF623

RGB 123 246 35

HSL 94.98, 0.92%, 0.55%

LAB 87.12, -65.37, 79.39

 

CMYK 85 / 50 / 0 / 4

HEX #257CF6

RGB 37 124 246

HSL 215.02, 0.92%, 0.55%

LAB 53.45, 19.3, -67.98

 

CMYK 19 / 86 / 0 / 4

HEX #C823F6

RGB 200 35 246

HSL 286.92, 0.92%, 0.55%

LAB 51.99, 84.9, -69.71

 

CMYK 0 / 36 / 86 / 4

HEX #F69E23

RGB 246 158 35

HSL 34.98, 0.92%, 0.55%

LAB 72.34, 24.29, 70.5

 

CMYK 67 / 0 / 86 / 4

HEX #50F623

RGB 80 246 35

HSL 107.2, 0.92%, 0.55%

LAB 85.88, -75.46, 77.83

 

CMYK 85 / 50 / 0 / 4

HEX #257CF6

RGB 37 124 246

HSL 215.02, 0.92%, 0.55%

LAB 53.45, 19.3, -67.98

 

CMYK 0 / 86 / 7 / 4

HEX #F623E4

RGB 246 35 228

HSL 305.12, 0.92%, 0.55%

LAB 58.41, 89.79, -48.9

 

CMYK 0 / 36 / 86 / 4

HEX #F69E23

RGB 246 158 35

HSL 34.98, 0.92%, 0.55%

LAB 72.34, 24.29, 70.5

 

CMYK 86 / 0 / 79 / 4

HEX #23F634

RGB 35 246 52

HSL 124.83, 0.92%, 0.55%

LAB 85.26, -80.59, 72.97

 

Description

Color code: HEX #257CF6 | qconv.com Color code: HEX #257CF6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 124 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 124 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 50 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 50% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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