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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #257A7A it is the complementary color #DA8585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #257A7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #257A7A shade: #2A7A75, #3B8C88, #4C9E9B, #5DB0AE and #6EC2C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #257A7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #257A7A shade: #257A7A, #146867, #035654, #004441 and #00322E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #257A7A shade: #257979, #257962, #25794C, #257935 and #2C7925

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #257A7A shade: #257979, #256279, #254C79, #253579 and #252579

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #257A7A shade matches the following richer shades: #257979, #188686 and #0C9393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #257A7A shade: #257979, #326C6C, #3F5F5F, #4C5353 and #584646

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #257A7A shade: #25794C, #257963, #257979, #256379 and #254C79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #257A7A shade: #123A3A, #1B5959, #257979, #2F9999 and #39B8B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #257A7A shade: #257A7A, #362579 and #795725

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #257A7A shade: #257A7A, #792579 and #797925

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #257A7A shade: #257A7A, #362579, #792525 and #687925

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #257A7A shade: #257A7A, #4F2579, #792525 and #4F7925

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 0 / 52

HEX #257A7A

RGB 37 122 122

HSL 180, 0.53%, 0.31%

LAB 46.6, -24.45, -7.35

 

Complementary color

CMYK 0 / 39 / 39 / 15

HEX #DA8585

RGB 218 133 133

HSL 0, 0.53%, 0.69%

LAB 64.46, 32.6, 13.95

 

CMYK 66 / 0 / 4 / 52

HEX #2A7A75

RGB 42 122 117

HSL 176.25, 0.49%, 0.32%

LAB 46.57, -25.13, -4.41

 

CMYK 58 / 0 / 3 / 45

HEX #3B8C88

RGB 59 140 136

HSL 177.04, 0.41%, 0.39%

LAB 53.45, -25.46, -5.3

 

CMYK 52 / 0 / 2 / 38

HEX #4C9E9B

RGB 76 158 155

HSL 177.8, 0.35%, 0.46%

LAB 60.21, -25.63, -6.09

 

CMYK 47 / 0 / 1 / 31

HEX #5DB0AE

RGB 93 176 174

HSL 178.55, 0.34%, 0.53%

LAB 66.85, -25.69, -6.81

 

CMYK 43 / 0 / 1 / 24

HEX #6EC2C1

RGB 110 194 193

HSL 179.29, 0.41%, 0.6%

LAB 73.38, -25.7, -7.48

 

CMYK 70 / 0 / 0 / 52

HEX #257A7A

RGB 37 122 122

HSL 180, 0.53%, 0.31%

LAB 46.6, -24.45, -7.35

 

CMYK 81 / 0 / 1 / 59

HEX #146867

RGB 20 104 103

HSL 179.29, 0.68%, 0.24%

LAB 39.63, -23.55, -6.35

 

CMYK 97 / 0 / 2 / 66

HEX #035654

RGB 3 86 84

HSL 178.55, 0.93%, 0.17%

LAB 32.51, -22.19, -5.18

 

CMYK 100 / 0 / 4 / 73

HEX #004441

RGB 0 68 65

HSL 177.35, 1%, 0.13%

LAB 25.31, -19.67, -3.65

 

CMYK 100 / 0 / 8 / 80

HEX #00322E

RGB 0 50 46

HSL 175.2, 1%, 0.1%

LAB 17.82, -16.74, -1.94

 

CMYK 69 / 0 / 0 / 53

HEX #257979

RGB 37 121 121

HSL 180, 0.53%, 0.31%

LAB 46.24, -24.24, -7.29

 

CMYK 69 / 0 / 19 / 53

HEX #257962

RGB 37 121 98

HSL 163.57, 0.53%, 0.31%

LAB 45.57, -30.87, 5.38

 

CMYK 69 / 0 / 37 / 53

HEX #25794C

RGB 37 121 76

HSL 147.86, 0.53%, 0.31%

LAB 45.07, -36.13, 17.58

 

CMYK 69 / 0 / 56 / 53

HEX #257935

RGB 37 121 53

HSL 131.43, 0.53%, 0.31%

LAB 44.7, -40.3, 29.84

 

CMYK 64 / 0 / 69 / 53

HEX #2C7925

RGB 44 121 37

HSL 115, 0.53%, 0.31%

LAB 44.72, -40.71, 37.73

 

CMYK 69 / 0 / 0 / 53

HEX #257979

RGB 37 121 121

HSL 180, 0.53%, 0.31%

LAB 46.24, -24.24, -7.29

 

CMYK 69 / 19 / 0 / 53

HEX #256279

RGB 37 98 121

HSL 196.43, 0.53%, 0.31%

LAB 38.74, -11.64, -18.67

 

CMYK 69 / 37 / 0 / 53

HEX #254C79

RGB 37 76 121

HSL 212.14, 0.53%, 0.31%

LAB 31.68, 2.05, -29.7

 

CMYK 69 / 56 / 0 / 53

HEX #253579

RGB 37 53 121

HSL 228.57, 0.53%, 0.31%

LAB 24.7, 17.8, -40.86

 

CMYK 69 / 69 / 0 / 53

HEX #252579

RGB 37 37 121

HSL 240, 0.53%, 0.31%

LAB 20.43, 28.76, -47.83

 

CMYK 69 / 0 / 0 / 53

HEX #257979

RGB 37 121 121

HSL 180, 0.53%, 0.31%

LAB 46.24, -24.24, -7.29

 

CMYK 82 / 0 / 0 / 47

HEX #188686

RGB 24 134 134

HSL 180, 0.7%, 0.31%

LAB 50.65, -28.31, -8.4

 

CMYK 92 / 0 / 0 / 42

HEX #0C9393

RGB 12 147 147

HSL 180, 0.85%, 0.31%

LAB 55.13, -31.36, -9.25

 

CMYK 69 / 0 / 0 / 53

HEX #257979

RGB 37 121 121

HSL 180, 0.53%, 0.31%

LAB 46.24, -24.24, -7.29

 

CMYK 54 / 0 / 0 / 58

HEX #326C6C

RGB 50 108 108

HSL 180, 0.37%, 0.31%

LAB 41.98, -18.81, -5.8

 

CMYK 34 / 0 / 0 / 63

HEX #3F5F5F

RGB 63 95 95

HSL 180, 0.2%, 0.31%

LAB 37.96, -11.6, -3.74

 

CMYK 8 / 0 / 0 / 67

HEX #4C5353

RGB 76 83 83

HSL 180, 0.04%, 0.31%

LAB 34.7, -2.78, -0.96

 

CMYK 0 / 20 / 20 / 65

HEX #584646

RGB 88 70 70

HSL 0, 0.11%, 0.31%

LAB 31.57, 7.68, 2.91

 

CMYK 69 / 0 / 37 / 53

HEX #25794C

RGB 37 121 76

HSL 147.86, 0.53%, 0.31%

LAB 45.07, -36.13, 17.58

 

CMYK 69 / 0 / 18 / 53

HEX #257963

RGB 37 121 99

HSL 164.29, 0.53%, 0.31%

LAB 45.59, -30.6, 4.83

 

CMYK 69 / 0 / 0 / 53

HEX #257979

RGB 37 121 121

HSL 180, 0.53%, 0.31%

LAB 46.24, -24.24, -7.29

 

CMYK 69 / 18 / 0 / 53

HEX #256379

RGB 37 99 121

HSL 195.71, 0.53%, 0.31%

LAB 39.07, -12.23, -18.17

 

CMYK 69 / 37 / 0 / 53

HEX #254C79

RGB 37 76 121

HSL 212.14, 0.53%, 0.31%

LAB 31.68, 2.05, -29.7

 

CMYK 69 / 0 / 0 / 77

HEX #123A3A

RGB 18 58 58

HSL 180, 0.53%, 0.15%

LAB 21.8, -13.72, -4.17

 

CMYK 70 / 0 / 0 / 65

HEX #1B5959

RGB 27 89 89

HSL 180, 0.53%, 0.23%

LAB 34.19, -19.17, -5.78

 

CMYK 69 / 0 / 0 / 53

HEX #257979

RGB 37 121 121

HSL 180, 0.53%, 0.31%

LAB 46.24, -24.24, -7.29

 

CMYK 69 / 0 / 0 / 40

HEX #2F9999

RGB 47 153 153

HSL 180, 0.53%, 0.39%

LAB 57.74, -29.05, -8.72

 

CMYK 69 / 0 / 0 / 28

HEX #39B8B8

RGB 57 184 184

HSL 180, 0.53%, 0.47%

LAB 68.47, -33.47, -10.04

 

Description

Color code: HEX #257A7A | qconv.com Color code: HEX #257A7A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 122 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 122 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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