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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #257563 it is the complementary color #DA8A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #257563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #257563 shade: #2A755E, #3B8771, #4C9984, #5DAB97 and #6EBDAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #257563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #257563 shade: #257563, #146350, #03513D, #003F2A and #002D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #257563 shade: #257462, #25744D, #257437, #277425 and #3D7425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #257563 shade: #257462, #257174, #255B74, #254674 and #253074

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #257563 shade matches the following richer shades: #257462, #188169 and #0C8D70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #257563 shade: #257462, #31685C, #3D5C55, #4A4F4E and #564347

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #257563 shade: #257437, #25744D, #257462, #257274 and #255C74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #257563 shade: #11362D, #1B5548, #257462, #2F947D and #39B397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #257563 shade: #257563, #252774 and #744225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #257563 shade: #257563, #622574 and #746225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #257563 shade: #257563, #252774, #742537 and #747225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #257563 shade: #257563, #3A2574, #742537 and #5F7425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 15 / 54

HEX #257563

RGB 37 117 99

HSL 166.5, 0.52%, 0.3%

LAB 44.26, -28.7, 2.91

 

Complementary color

CMYK 0 / 37 / 28 / 15

HEX #DA8A9C

RGB 218 138 156

HSL 346.5, 0.52%, 0.7%

LAB 66.12, 32.82, 3.32

 

CMYK 64 / 0 / 20 / 54

HEX #2A755E

RGB 42 117 94

HSL 161.6, 0.47%, 0.31%

LAB 44.27, -29.06, 5.92

 

CMYK 56 / 0 / 16 / 47

HEX #3B8771

RGB 59 135 113

HSL 162.63, 0.39%, 0.38%

LAB 51.21, -29.15, 4.77

 

CMYK 50 / 0 / 14 / 40

HEX #4C9984

RGB 76 153 132

HSL 163.64, 0.34%, 0.45%

LAB 58.02, -29.11, 3.76

 

CMYK 46 / 0 / 12 / 33

HEX #5DAB97

RGB 93 171 151

HSL 164.62, 0.32%, 0.52%

LAB 64.71, -28.99, 2.84

 

CMYK 42 / 0 / 10 / 26

HEX #6EBDAA

RGB 110 189 170

HSL 165.57, 0.37%, 0.59%

LAB 71.29, -28.84, 2

 

CMYK 68 / 0 / 15 / 54

HEX #257563

RGB 37 117 99

HSL 166.5, 0.52%, 0.3%

LAB 44.26, -28.7, 2.91

 

CMYK 80 / 0 / 19 / 61

HEX #146350

RGB 20 99 80

HSL 165.57, 0.66%, 0.23%

LAB 37.21, -28.1, 4.22

 

CMYK 96 / 0 / 25 / 68

HEX #03513D

RGB 3 81 61

HSL 164.62, 0.93%, 0.16%

LAB 30.01, -27.03, 5.77

 

CMYK 100 / 0 / 33 / 75

HEX #003F2A

RGB 0 63 42

HSL 160, 1%, 0.12%

LAB 22.73, -24.55, 7.79

 

CMYK 100 / 0 / 49 / 82

HEX #002D17

RGB 0 45 23

HSL 150.67, 1%, 0.09%

LAB 15.16, -21.46, 10.14

 

CMYK 68 / 0 / 16 / 55

HEX #257462

RGB 37 116 98

HSL 166.33, 0.52%, 0.3%

LAB 43.9, -28.49, 2.98

 

CMYK 68 / 0 / 34 / 55

HEX #25744D

RGB 37 116 77

HSL 150.38, 0.52%, 0.3%

LAB 43.39, -33.73, 14.72

 

CMYK 68 / 0 / 53 / 55

HEX #257437

RGB 37 116 55

HSL 133.67, 0.52%, 0.3%

LAB 43, -38, 26.7

 

CMYK 66 / 0 / 68 / 55

HEX #277425

RGB 39 116 37

HSL 118.48, 0.52%, 0.3%

LAB 42.85, -40, 35.65

 

CMYK 47 / 0 / 68 / 55

HEX #3D7425

RGB 61 116 37

HSL 101.77, 0.52%, 0.3%

LAB 43.68, -33.6, 36.8

 

CMYK 68 / 0 / 16 / 55

HEX #257462

RGB 37 116 98

HSL 166.33, 0.52%, 0.3%

LAB 43.9, -28.49, 2.98

 

CMYK 68 / 3 / 0 / 55

HEX #257174

RGB 37 113 116

HSL 182.28, 0.52%, 0.3%

LAB 43.45, -21.65, -8.47

 

CMYK 68 / 22 / 0 / 55

HEX #255B74

RGB 37 91 116

HSL 198.99, 0.52%, 0.3%

LAB 36.25, -9.26, -19.45

 

CMYK 68 / 40 / 0 / 55

HEX #254674

RGB 37 70 116

HSL 214.94, 0.52%, 0.3%

LAB 29.5, 4.13, -30.01

 

CMYK 68 / 59 / 0 / 55

HEX #253074

RGB 37 48 116

HSL 231.65, 0.52%, 0.3%

LAB 22.89, 19.37, -40.62

 

CMYK 68 / 0 / 16 / 55

HEX #257462

RGB 37 116 98

HSL 166.33, 0.52%, 0.3%

LAB 43.9, -28.49, 2.98

 

CMYK 81 / 0 / 19 / 49

HEX #188169

RGB 24 129 105

HSL 166.29, 0.69%, 0.3%

LAB 48.15, -34.52, 4.93

 

CMYK 91 / 0 / 21 / 45

HEX #0C8D70

RGB 12 141 112

HSL 166.51, 0.84%, 0.3%

LAB 52.17, -38.89, 6.6

 

CMYK 68 / 0 / 16 / 55

HEX #257462

RGB 37 116 98

HSL 166.33, 0.52%, 0.3%

LAB 43.9, -28.49, 2.98

 

CMYK 53 / 0 / 12 / 59

HEX #31685C

RGB 49 104 92

HSL 166.91, 0.36%, 0.3%

LAB 40.12, -21.44, 1.19

 

CMYK 34 / 0 / 8 / 64

HEX #3D5C55

RGB 61 92 85

HSL 166.45, 0.2%, 0.3%

LAB 36.56, -13.13, 0.38

 

CMYK 6 / 0 / 1 / 69

HEX #4A4F4E

RGB 74 79 78

HSL 168, 0.03%, 0.3%

LAB 33.13, -2.24, -0.11

 

CMYK 0 / 22 / 17 / 66

HEX #564347

RGB 86 67 71

HSL 347.37, 0.12%, 0.3%

LAB 30.51, 8.91, 0.7

 

CMYK 68 / 0 / 53 / 55

HEX #257437

RGB 37 116 55

HSL 133.67, 0.52%, 0.3%

LAB 43, -38, 26.7

 

CMYK 68 / 0 / 34 / 55

HEX #25744D

RGB 37 116 77

HSL 150.38, 0.52%, 0.3%

LAB 43.39, -33.73, 14.72

 

CMYK 68 / 0 / 16 / 55

HEX #257462

RGB 37 116 98

HSL 166.33, 0.52%, 0.3%

LAB 43.9, -28.49, 2.98

 

CMYK 68 / 2 / 0 / 55

HEX #257274

RGB 37 114 116

HSL 181.52, 0.52%, 0.3%

LAB 43.78, -22.18, -7.98

 

CMYK 68 / 21 / 0 / 55

HEX #255C74

RGB 37 92 116

HSL 198.23, 0.52%, 0.3%

LAB 36.57, -9.86, -18.95

 

CMYK 69 / 0 / 17 / 79

HEX #11362D

RGB 17 54 45

HSL 165.41, 0.52%, 0.14%

LAB 19.83, -15.85, 1.74

 

CMYK 68 / 0 / 15 / 67

HEX #1B5548

RGB 27 85 72

HSL 166.55, 0.52%, 0.22%

LAB 32.25, -22.28, 2.08

 

CMYK 68 / 0 / 16 / 55

HEX #257462

RGB 37 116 98

HSL 166.33, 0.52%, 0.3%

LAB 43.9, -28.49, 2.98

 

CMYK 68 / 0 / 16 / 42

HEX #2F947D

RGB 47 148 125

HSL 166.34, 0.52%, 0.38%

LAB 55.34, -34.56, 3.76

 

CMYK 68 / 0 / 16 / 30

HEX #39B397

RGB 57 179 151

HSL 166.23, 0.52%, 0.46%

LAB 66.02, -40.17, 4.58

 

CMYK 68 / 0 / 15 / 54

HEX #257563

RGB 37 117 99

HSL 166.5, 0.52%, 0.3%

LAB 44.26, -28.7, 2.91

 

CMYK 68 / 66 / 0 / 55

HEX #252774

RGB 37 39 116

HSL 238.48, 0.52%, 0.3%

LAB 20.46, 25.59, -44.57

 

CMYK 0 / 43 / 68 / 55

HEX #744225

RGB 116 66 37

HSL 22.03, 0.52%, 0.3%

LAB 33.44, 18.8, 26.6

 

CMYK 68 / 0 / 15 / 54

HEX #257563

RGB 37 117 99

HSL 166.5, 0.52%, 0.3%

LAB 44.26, -28.7, 2.91

 

CMYK 16 / 68 / 0 / 55

HEX #622574

RGB 98 37 116

HSL 286.33, 0.52%, 0.3%

LAB 27.24, 40.24, -33.26

 

CMYK 0 / 16 / 68 / 55

HEX #746225

RGB 116 98 37

HSL 46.33, 0.52%, 0.3%

LAB 42.13, -0.38, 36.32

 

CMYK 68 / 0 / 15 / 54

HEX #257563

RGB 37 117 99

HSL 166.5, 0.52%, 0.3%

LAB 44.26, -28.7, 2.91

 

CMYK 68 / 66 / 0 / 55

HEX #252774

RGB 37 39 116

HSL 238.48, 0.52%, 0.3%

LAB 20.46, 25.59, -44.57

 

CMYK 0 / 68 / 53 / 55

HEX #742537

RGB 116 37 55

HSL 346.33, 0.52%, 0.3%

LAB 27.61, 36.11, 7.67

 

CMYK 0 / 2 / 68 / 55

HEX #747225

RGB 116 114 37

HSL 58.48, 0.52%, 0.3%

LAB 46.82, -9.55, 41.26

 

CMYK 68 / 0 / 15 / 54

HEX #257563

RGB 37 117 99

HSL 166.5, 0.52%, 0.3%

LAB 44.26, -28.7, 2.91

 

CMYK 50 / 68 / 0 / 55

HEX #3A2574

RGB 58 37 116

HSL 255.95, 0.52%, 0.3%

LAB 21.89, 30.78, -42.17

 

CMYK 0 / 68 / 53 / 55

HEX #742537

RGB 116 37 55

HSL 346.33, 0.52%, 0.3%

LAB 27.61, 36.11, 7.67

 

CMYK 18 / 0 / 68 / 55

HEX #5F7425

RGB 95 116 37

HSL 75.95, 0.52%, 0.3%

LAB 45.71, -20.15, 39.58

 

Description

Color code: HEX #257563 | qconv.com Color code: HEX #257563 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 117 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 117 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 15 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 15% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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