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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25746A it is the complementary color #DA8B95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25746A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25746A shade: #2A7465, #3B8678, #4C988B, #5DAA9E and #6EBCB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25746A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25746A shade: #25746A, #146257, #035044, #003E31 and #002C1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25746A shade: #25746A, #257455, #25743F, #25742A and #357425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25746A shade: #25746A, #256974, #255374, #253E74 and #252974

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25746A shade matches the following richer shades: #25746A, #188173 and #0C8D7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25746A shade: #25746A, #316861, #3D5C58, #4A4F4E and #564345

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25746A shade: #25743F, #257454, #25746A, #256A74 and #255474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25746A shade: #113631, #1B554E, #25746A, #2F9487 and #39B3A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25746A shade: #25746A, #2A2574 and #744A25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25746A shade: #25746A, #6A2574 and #746A25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25746A shade: #25746A, #2A2574, #74252F and #6F7425

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25746A shade: #25746A, #422574, #74252F and #577425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

Complementary color

CMYK 0 / 36 / 32 / 15

HEX #DA8B95

RGB 218 139 149

HSL 352.41, 0.52%, 0.7%

LAB 66.17, 31.36, 7.33

 

CMYK 64 / 0 / 13 / 55

HEX #2A7465

RGB 42 116 101

HSL 167.84, 0.47%, 0.31%

LAB 44.12, -26.7, 1.53

 

CMYK 56 / 0 / 10 / 47

HEX #3B8678

RGB 59 134 120

HSL 168.8, 0.39%, 0.38%

LAB 51.08, -26.85, 0.51

 

CMYK 50 / 0 / 9 / 40

HEX #4C988B

RGB 76 152 139

HSL 169.74, 0.33%, 0.45%

LAB 57.9, -26.86, -0.4

 

CMYK 45 / 0 / 7 / 33

HEX #5DAA9E

RGB 93 170 158

HSL 170.65, 0.31%, 0.52%

LAB 64.6, -26.8, -1.23

 

CMYK 41 / 0 / 6 / 26

HEX #6EBCB1

RGB 110 188 177

HSL 171.54, 0.37%, 0.58%

LAB 71.18, -26.7, -1.99

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 80 / 0 / 11 / 62

HEX #146257

RGB 20 98 87

HSL 171.54, 0.66%, 0.23%

LAB 37.06, -25.56, -0.31

 

CMYK 96 / 0 / 15 / 69

HEX #035044

RGB 3 80 68

HSL 170.65, 0.93%, 0.16%

LAB 29.85, -24.43, 1.07

 

CMYK 100 / 0 / 21 / 76

HEX #003E31

RGB 0 62 49

HSL 167.42, 1%, 0.12%

LAB 22.54, -21.98, 2.89

 

CMYK 100 / 0 / 32 / 83

HEX #002C1E

RGB 0 44 30

HSL 160.91, 1%, 0.09%

LAB 14.93, -19.02, 5.02

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 68 / 0 / 27 / 55

HEX #257455

RGB 37 116 85

HSL 156.46, 0.52%, 0.3%

LAB 43.57, -31.86, 10.26

 

CMYK 68 / 0 / 46 / 55

HEX #25743F

RGB 37 116 63

HSL 139.75, 0.52%, 0.3%

LAB 43.13, -36.6, 22.43

 

CMYK 68 / 0 / 64 / 55

HEX #25742A

RGB 37 116 42

HSL 123.8, 0.52%, 0.3%

LAB 42.84, -39.87, 33.24

 

CMYK 54 / 0 / 68 / 55

HEX #357425

RGB 53 116 37

HSL 107.85, 0.52%, 0.3%

LAB 43.33, -36.19, 36.32

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 68 / 9 / 0 / 55

HEX #256974

RGB 37 105 116

HSL 188.35, 0.52%, 0.3%

LAB 40.83, -17.33, -12.43

 

CMYK 68 / 28 / 0 / 55

HEX #255374

RGB 37 83 116

HSL 205.06, 0.52%, 0.3%

LAB 33.65, -4.34, -23.48

 

CMYK 68 / 47 / 0 / 55

HEX #253E74

RGB 37 62 116

HSL 221.01, 0.52%, 0.3%

LAB 27.02, 9.58, -33.97

 

CMYK 68 / 65 / 0 / 55

HEX #252974

RGB 37 41 116

HSL 236.96, 0.52%, 0.3%

LAB 20.98, 24.23, -43.72

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 81 / 0 / 11 / 49

HEX #188173

RGB 24 129 115

HSL 172, 0.69%, 0.3%

LAB 48.43, -31.69, -0.54

 

CMYK 91 / 0 / 11 / 45

HEX #0C8D7D

RGB 12 141 125

HSL 172.56, 0.84%, 0.3%

LAB 52.52, -35.25, -0.41

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 53 / 0 / 7 / 59

HEX #316861

RGB 49 104 97

HSL 172.36, 0.36%, 0.3%

LAB 40.27, -20.07, -1.64

 

CMYK 34 / 0 / 4 / 64

HEX #3D5C58

RGB 61 92 88

HSL 172.26, 0.2%, 0.3%

LAB 36.65, -12.36, -1.35

 

CMYK 6 / 0 / 1 / 69

HEX #4A4F4E

RGB 74 79 78

HSL 168, 0.03%, 0.3%

LAB 33.13, -2.24, -0.11

 

CMYK 0 / 22 / 20 / 66

HEX #564345

RGB 86 67 69

HSL 353.68, 0.12%, 0.3%

LAB 30.45, 8.54, 1.91

 

CMYK 68 / 0 / 46 / 55

HEX #25743F

RGB 37 116 63

HSL 139.75, 0.52%, 0.3%

LAB 43.13, -36.6, 22.43

 

CMYK 68 / 0 / 28 / 55

HEX #257454

RGB 37 116 84

HSL 155.7, 0.52%, 0.3%

LAB 43.54, -32.11, 10.82

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 68 / 9 / 0 / 55

HEX #256A74

RGB 37 106 116

HSL 187.59, 0.52%, 0.3%

LAB 41.16, -17.88, -11.94

 

CMYK 68 / 28 / 0 / 55

HEX #255474

RGB 37 84 116

HSL 204.3, 0.52%, 0.3%

LAB 33.97, -4.96, -22.98

 

CMYK 69 / 0 / 9 / 79

HEX #113631

RGB 17 54 49

HSL 171.89, 0.52%, 0.14%

LAB 19.96, -14.6, -0.79

 

CMYK 68 / 0 / 8 / 67

HEX #1B554E

RGB 27 85 78

HSL 172.76, 0.52%, 0.22%

LAB 32.44, -20.49, -1.45

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 68 / 0 / 9 / 42

HEX #2F9487

RGB 47 148 135

HSL 172.28, 0.52%, 0.38%

LAB 55.62, -31.84, -1.57

 

CMYK 68 / 0 / 8 / 30

HEX #39B3A4

RGB 57 179 164

HSL 172.62, 0.52%, 0.46%

LAB 66.36, -36.75, -2.12

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 64 / 68 / 0 / 55

HEX #2A2574

RGB 42 37 116

HSL 243.8, 0.52%, 0.3%

LAB 20.35, 27.75, -44.74

 

CMYK 0 / 36 / 68 / 55

HEX #744A25

RGB 116 74 37

HSL 28.1, 0.52%, 0.3%

LAB 35.49, 14, 28.96

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 9 / 68 / 0 / 55

HEX #6A2574

RGB 106 37 116

HSL 292.41, 0.52%, 0.3%

LAB 28.51, 42.28, -31.17

 

CMYK 0 / 9 / 68 / 55

HEX #746A25

RGB 116 106 37

HSL 52.41, 0.52%, 0.3%

LAB 44.45, -5.02, 38.79

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 64 / 68 / 0 / 55

HEX #2A2574

RGB 42 37 116

HSL 243.8, 0.52%, 0.3%

LAB 20.35, 27.75, -44.74

 

CMYK 0 / 68 / 59 / 55

HEX #74252F

RGB 116 37 47

HSL 352.41, 0.52%, 0.3%

LAB 27.41, 35.39, 12.75

 

CMYK 4 / 0 / 68 / 55

HEX #6F7425

RGB 111 116 37

HSL 63.8, 0.52%, 0.3%

LAB 46.98, -12.96, 41.29

 

CMYK 68 / 0 / 9 / 55

HEX #25746A

RGB 37 116 106

HSL 172.41, 0.52%, 0.3%

LAB 44.12, -26.23, -1.47

 

CMYK 43 / 68 / 0 / 55

HEX #422574

RGB 66 37 116

HSL 262.03, 0.52%, 0.3%

LAB 22.8, 32.51, -40.64

 

CMYK 0 / 68 / 59 / 55

HEX #74252F

RGB 116 37 47

HSL 352.41, 0.52%, 0.3%

LAB 27.41, 35.39, 12.75

 

CMYK 25 / 0 / 68 / 55

HEX #577425

RGB 87 116 37

HSL 82.03, 0.52%, 0.3%

LAB 45.15, -23.6, 38.81

 

Description

Color code: HEX #25746A | qconv.com Color code: HEX #25746A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 116 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 116 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 9 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 9% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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