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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2572A0 it is the complementary color #DA8D5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2572A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2572A0 shade: #2A729B, #3B84AE, #4C96C1, #5DA8D4 and #6EBAE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2572A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2572A0 shade: #2572A0, #14608D, #034E7A, #003C67 and #002A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2572A0 shade: #2673A1, #2652A1, #2630A1, #3C26A1 and #5E26A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2572A0 shade: #2673A1, #2652A1, #2630A1 and #2626A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2572A0 shade matches the following richer shades: #2673A1, #1677B1 and #067BC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2572A0 shade: #2673A1, #366F91, #466B81, #566771 and #666361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2572A0 shade: #26A18D, #2695A1, #2674A1, #2653A1 and #2632A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2572A0 shade: #16435E, #1E5B80, #2673A1, #2E8BC3 and #469FD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2572A0 shade: #2572A0, #6C26A1 and #A19D26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2572A0 shade: #2572A0, #A12674 and #74A126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2572A0 shade: #2572A0, #6C26A1, #A15326 and #5BA126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2572A0 shade: #2572A0, #9126A1, #A15326 and #36A126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 29 / 0 / 37

HEX #2572A0

RGB 37 114 160

HSL 202.44, 0.62%, 0.39%

LAB 45.59, -7.02, -31.41

 

Complementary color

CMYK 0 / 35 / 56 / 15

HEX #DA8D5F

RGB 218 141 95

HSL 22.44, 0.62%, 0.61%

LAB 65.58, 24.63, 36.44

 

CMYK 73 / 26 / 0 / 39

HEX #2A729B

RGB 42 114 155

HSL 201.77, 0.57%, 0.39%

LAB 45.49, -8.16, -28.61

 

CMYK 66 / 24 / 0 / 32

HEX #3B84AE

RGB 59 132 174

HSL 201.91, 0.49%, 0.46%

LAB 52.38, -9.26, -28.91

 

CMYK 61 / 22 / 0 / 24

HEX #4C96C1

RGB 76 150 193

HSL 202.05, 0.49%, 0.53%

LAB 59.16, -10.08, -29.18

 

CMYK 56 / 21 / 0 / 17

HEX #5DA8D4

RGB 93 168 212

HSL 202.18, 0.58%, 0.6%

LAB 65.82, -10.71, -29.44

 

CMYK 52 / 19 / 0 / 9

HEX #6EBAE7

RGB 110 186 231

HSL 202.31, 0.72%, 0.67%

LAB 72.36, -11.2, -29.69

 

CMYK 77 / 29 / 0 / 37

HEX #2572A0

RGB 37 114 160

HSL 202.44, 0.62%, 0.39%

LAB 45.59, -7.02, -31.41

 

CMYK 86 / 32 / 0 / 45

HEX #14608D

RGB 20 96 141

HSL 202.31, 0.75%, 0.32%

LAB 38.62, -5.19, -31.06

 

CMYK 98 / 36 / 0 / 52

HEX #034E7A

RGB 3 78 122

HSL 202.18, 0.95%, 0.25%

LAB 31.52, -2.73, -30.63

 

CMYK 100 / 42 / 0 / 60

HEX #003C67

RGB 0 60 103

HSL 205.05, 1%, 0.2%

LAB 24.36, 0.89, -29.98

 

CMYK 100 / 50 / 0 / 67

HEX #002A54

RGB 0 42 84

HSL 210, 1%, 0.16%

LAB 16.97, 5.15, -29.31

 

CMYK 76 / 29 / 0 / 37

HEX #2673A1

RGB 38 115 161

HSL 202.44, 0.62%, 0.39%

LAB 45.97, -7.12, -31.4

 

CMYK 76 / 49 / 0 / 37

HEX #2652A1

RGB 38 82 161

HSL 218.54, 0.62%, 0.39%

LAB 36.02, 13.76, -47.2

 

CMYK 76 / 70 / 0 / 37

HEX #2630A1

RGB 38 48 161

HSL 235.12, 0.62%, 0.39%

LAB 27.02, 36.32, -61.87

 

CMYK 63 / 76 / 0 / 37

HEX #3C26A1

RGB 60 38 161

HSL 250.73, 0.62%, 0.39%

LAB 26.51, 44.59, -62.66

 

CMYK 42 / 76 / 0 / 37

HEX #5E26A1

RGB 94 38 161

HSL 267.32, 0.62%, 0.39%

LAB 30.25, 49.66, -56.37

 

CMYK 76 / 29 / 0 / 37

HEX #2673A1

RGB 38 115 161

HSL 202.44, 0.62%, 0.39%

LAB 45.97, -7.12, -31.4

 

CMYK 76 / 49 / 0 / 37

HEX #2652A1

RGB 38 82 161

HSL 218.54, 0.62%, 0.39%

LAB 36.02, 13.76, -47.2

 

CMYK 76 / 70 / 0 / 37

HEX #2630A1

RGB 38 48 161

HSL 235.12, 0.62%, 0.39%

LAB 27.02, 36.32, -61.87

 

CMYK 76 / 76 / 0 / 37

HEX #2626A1

RGB 38 38 161

HSL 240, 0.62%, 0.39%

LAB 24.86, 42.3, -65.42

 

CMYK 76 / 29 / 0 / 37

HEX #2673A1

RGB 38 115 161

HSL 202.44, 0.62%, 0.39%

LAB 45.97, -7.12, -31.4

 

CMYK 88 / 33 / 0 / 31

HEX #1677B1

RGB 22 119 177

HSL 202.45, 0.78%, 0.39%

LAB 47.67, -5.07, -38.09

 

CMYK 97 / 36 / 0 / 24

HEX #067BC1

RGB 6 123 193

HSL 202.46, 0.94%, 0.39%

LAB 49.56, -2.08, -44.34

 

CMYK 76 / 29 / 0 / 37

HEX #2673A1

RGB 38 115 161

HSL 202.44, 0.62%, 0.39%

LAB 45.97, -7.12, -31.4

 

CMYK 63 / 23 / 0 / 43

HEX #366F91

RGB 54 111 145

HSL 202.42, 0.46%, 0.39%

LAB 44.51, -7.82, -24.16

 

CMYK 46 / 17 / 0 / 49

HEX #466B81

RGB 70 107 129

HSL 202.37, 0.3%, 0.39%

LAB 43.36, -6.83, -16.3

 

CMYK 24 / 9 / 0 / 56

HEX #566771

RGB 86 103 113

HSL 202.22, 0.14%, 0.39%

LAB 42.57, -3.95, -7.74

 

CMYK 0 / 3 / 5 / 60

HEX #666361

RGB 102 99 97

HSL 24, 0.03%, 0.39%

LAB 42.17, 0.78, 1.55

 

CMYK 76 / 0 / 12 / 37

HEX #26A18D

RGB 38 161 141

HSL 170.24, 0.62%, 0.39%

LAB 59.73, -37.43, 1

 

CMYK 76 / 7 / 0 / 37

HEX #2695A1

RGB 38 149 161

HSL 185.85, 0.62%, 0.39%

LAB 56.57, -25.76, -15.07

 

CMYK 76 / 28 / 0 / 37

HEX #2674A1

RGB 38 116 161

HSL 201.95, 0.62%, 0.39%

LAB 46.28, -7.71, -30.91

 

CMYK 76 / 48 / 0 / 37

HEX #2653A1

RGB 38 83 161

HSL 218.05, 0.62%, 0.39%

LAB 36.31, 13.09, -46.74

 

CMYK 76 / 69 / 0 / 37

HEX #2632A1

RGB 38 50 161

HSL 234.15, 0.62%, 0.39%

LAB 27.48, 35.06, -61.11

 

CMYK 77 / 29 / 0 / 63

HEX #16435E

RGB 22 67 94

HSL 202.5, 0.62%, 0.23%

LAB 26.71, -5.15, -20.41

 

CMYK 77 / 29 / 0 / 50

HEX #1E5B80

RGB 30 91 128

HSL 202.65, 0.62%, 0.31%

LAB 36.59, -5.98, -26.32

 

CMYK 76 / 29 / 0 / 37

HEX #2673A1

RGB 38 115 161

HSL 202.44, 0.62%, 0.39%

LAB 45.97, -7.12, -31.4

 

CMYK 76 / 29 / 0 / 24

HEX #2E8BC3

RGB 46 139 195

HSL 202.55, 0.62%, 0.47%

LAB 55.06, -7.85, -36.77

 

CMYK 67 / 25 / 0 / 17

HEX #469FD4

RGB 70 159 212

HSL 202.39, 0.62%, 0.55%

LAB 62.38, -9.95, -34.83

 

CMYK 77 / 29 / 0 / 37

HEX #2572A0

RGB 37 114 160

HSL 202.44, 0.62%, 0.39%

LAB 45.59, -7.02, -31.41

 

CMYK 33 / 76 / 0 / 37

HEX #6C26A1

RGB 108 38 161

HSL 274.15, 0.62%, 0.39%

LAB 32.14, 52.15, -53.21

 

CMYK 0 / 2 / 76 / 37

HEX #A19D26

RGB 161 157 38

HSL 58.05, 0.62%, 0.39%

LAB 63.2, -12.28, 58.19

 

CMYK 77 / 29 / 0 / 37

HEX #2572A0

RGB 37 114 160

HSL 202.44, 0.62%, 0.39%

LAB 45.59, -7.02, -31.41

 

CMYK 0 / 76 / 28 / 37

HEX #A12674

RGB 161 38 116

HSL 321.95, 0.62%, 0.39%

LAB 38.24, 56.19, -15.26

 

CMYK 28 / 0 / 76 / 37

HEX #74A126

RGB 116 161 38

HSL 81.95, 0.62%, 0.39%

LAB 61.08, -33.39, 55.03

 

CMYK 77 / 29 / 0 / 37

HEX #2572A0

RGB 37 114 160

HSL 202.44, 0.62%, 0.39%

LAB 45.59, -7.02, -31.41

 

CMYK 33 / 76 / 0 / 37

HEX #6C26A1

RGB 108 38 161

HSL 274.15, 0.62%, 0.39%

LAB 32.14, 52.15, -53.21

 

CMYK 0 / 48 / 76 / 37

HEX #A15326

RGB 161 83 38

HSL 21.95, 0.62%, 0.39%

LAB 44.09, 28.85, 39.65

 

CMYK 43 / 0 / 76 / 37

HEX #5BA126

RGB 91 161 38

HSL 94.15, 0.62%, 0.39%

LAB 59.76, -42.58, 53.29

 

CMYK 77 / 29 / 0 / 37

HEX #2572A0

RGB 37 114 160

HSL 202.44, 0.62%, 0.39%

LAB 45.59, -7.02, -31.41

 

CMYK 10 / 76 / 0 / 37

HEX #9126A1

RGB 145 38 161

HSL 292.2, 0.62%, 0.39%

LAB 37.81, 59.42, -43.78

 

CMYK 0 / 48 / 76 / 37

HEX #A15326

RGB 161 83 38

HSL 21.95, 0.62%, 0.39%

LAB 44.09, 28.85, 39.65

 

CMYK 66 / 0 / 76 / 37

HEX #36A126

RGB 54 161 38

HSL 112.2, 0.62%, 0.39%

LAB 58.43, -52.93, 51.54

 

Description

Color code: HEX #2572A0 | qconv.com Color code: HEX #2572A0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 114 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 114 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 29 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 29% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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