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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #256999 it is the complementary color #DA9666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #256999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #256999 shade: #2A6994, #3B7BA7, #4C8DBA, #5D9FCD and #6EB1E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #256999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #256999 shade: #256999, #145786, #034573, #003360 and #00214D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #256999 shade: #256898, #254998, #252A98, #3E2598 and #5D2598

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #256999 shade: #256898, #254998, #252A98 and #252598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #256999 shade matches the following richer shades: #256898, #166BA7 and #066EB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #256999 shade: #256898, #346689, #436379, #53606A and #625E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #256999 shade: #259889, #258998, #256A98, #254B98 and #252C98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #256999 shade: #153B55, #1D5177, #256898, #2D7FB9 and #3F94D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #256999 shade: #256999, #6A2598 and #989825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #256999 shade: #256999, #98256A and #6A9825

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #256999 shade: #256999, #6A2598, #985325 and #539825

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #256999 shade: #256999, #8C2598, #985325 and #309825

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 31 / 0 / 40

HEX #256999

RGB 37 105 153

HSL 204.83, 0.61%, 0.37%

LAB 42.45, -4.2, -32.18

 

Complementary color

CMYK 0 / 31 / 53 / 15

HEX #DA9666

RGB 218 150 102

HSL 24.83, 0.61%, 0.63%

LAB 67.78, 20.37, 35.47

 

CMYK 72 / 29 / 0 / 42

HEX #2A6994

RGB 42 105 148

HSL 204.34, 0.56%, 0.37%

LAB 42.36, -5.32, -29.34

 

CMYK 65 / 26 / 0 / 35

HEX #3B7BA7

RGB 59 123 167

HSL 204.44, 0.48%, 0.44%

LAB 49.36, -6.43, -29.56

 

CMYK 59 / 24 / 0 / 27

HEX #4C8DBA

RGB 76 141 186

HSL 204.55, 0.44%, 0.51%

LAB 56.22, -7.26, -29.77

 

CMYK 55 / 22 / 0 / 20

HEX #5D9FCD

RGB 93 159 205

HSL 204.64, 0.53%, 0.58%

LAB 62.95, -7.89, -29.97

 

CMYK 51 / 21 / 0 / 12

HEX #6EB1E0

RGB 110 177 224

HSL 204.74, 0.65%, 0.65%

LAB 69.57, -8.39, -30.18

 

CMYK 76 / 31 / 0 / 40

HEX #256999

RGB 37 105 153

HSL 204.83, 0.61%, 0.37%

LAB 42.45, -4.2, -32.18

 

CMYK 85 / 35 / 0 / 47

HEX #145786

RGB 20 87 134

HSL 204.74, 0.74%, 0.3%

LAB 35.37, -2.32, -31.92

 

CMYK 97 / 40 / 0 / 55

HEX #034573

RGB 3 69 115

HSL 204.64, 0.95%, 0.23%

LAB 28.15, 0.24, -31.59

 

CMYK 100 / 47 / 0 / 62

HEX #003360

RGB 0 51 96

HSL 208.13, 1%, 0.19%

LAB 20.87, 4.09, -31

 

CMYK 100 / 57 / 0 / 70

HEX #00214D

RGB 0 33 77

HSL 214.29, 1%, 0.15%

LAB 13.37, 8.7, -30.37

 

CMYK 76 / 32 / 0 / 40

HEX #256898

RGB 37 104 152

HSL 205.04, 0.61%, 0.37%

LAB 42.09, -3.96, -32.16

 

CMYK 76 / 52 / 0 / 40

HEX #254998

RGB 37 73 152

HSL 221.22, 0.61%, 0.37%

LAB 32.76, 16.15, -47.05

 

CMYK 76 / 72 / 0 / 40

HEX #252A98

RGB 37 42 152

HSL 237.39, 0.61%, 0.37%

LAB 24.69, 36.74, -60.21

 

CMYK 59 / 76 / 0 / 40

HEX #3E2598

RGB 62 37 152

HSL 253.04, 0.61%, 0.37%

LAB 25.61, 42.63, -58.64

 

CMYK 39 / 76 / 0 / 40

HEX #5D2598

RGB 93 37 152

HSL 269.22, 0.61%, 0.37%

LAB 29.2, 47.66, -52.6

 

CMYK 76 / 32 / 0 / 40

HEX #256898

RGB 37 104 152

HSL 205.04, 0.61%, 0.37%

LAB 42.09, -3.96, -32.16

 

CMYK 76 / 52 / 0 / 40

HEX #254998

RGB 37 73 152

HSL 221.22, 0.61%, 0.37%

LAB 32.76, 16.15, -47.05

 

CMYK 76 / 72 / 0 / 40

HEX #252A98

RGB 37 42 152

HSL 237.39, 0.61%, 0.37%

LAB 24.69, 36.74, -60.21

 

CMYK 76 / 76 / 0 / 40

HEX #252598

RGB 37 37 152

HSL 240, 0.61%, 0.37%

LAB 23.62, 39.74, -61.98

 

CMYK 76 / 32 / 0 / 40

HEX #256898

RGB 37 104 152

HSL 205.04, 0.61%, 0.37%

LAB 42.09, -3.96, -32.16

 

CMYK 87 / 36 / 0 / 35

HEX #166BA7

RGB 22 107 167

HSL 204.83, 0.77%, 0.37%

LAB 43.47, -1.64, -38.89

 

CMYK 97 / 40 / 0 / 29

HEX #066EB6

RGB 6 110 182

HSL 204.55, 0.94%, 0.37%

LAB 45.04, 1.56, -45.19

 

CMYK 76 / 32 / 0 / 40

HEX #256898

RGB 37 104 152

HSL 205.04, 0.61%, 0.37%

LAB 42.09, -3.96, -32.16

 

CMYK 62 / 26 / 0 / 46

HEX #346689

RGB 52 102 137

HSL 204.71, 0.45%, 0.37%

LAB 41.28, -5.59, -24.41

 

CMYK 45 / 18 / 0 / 53

HEX #436379

RGB 67 99 121

HSL 204.44, 0.29%, 0.37%

LAB 40.41, -5.31, -16

 

CMYK 22 / 9 / 0 / 58

HEX #53606A

RGB 83 96 106

HSL 206.09, 0.12%, 0.37%

LAB 39.99, -2.56, -7.35

 

CMYK 0 / 4 / 7 / 62

HEX #625E5B

RGB 98 94 91

HSL 25.71, 0.04%, 0.37%

LAB 40.18, 0.99, 2.28

 

CMYK 76 / 0 / 10 / 40

HEX #259889

RGB 37 152 137

HSL 172.17, 0.61%, 0.37%

LAB 56.74, -34.57, -1.1

 

CMYK 76 / 10 / 0 / 40

HEX #258998

RGB 37 137 152

HSL 187.83, 0.61%, 0.37%

LAB 52.46, -22.62, -16.13

 

CMYK 76 / 30 / 0 / 40

HEX #256A98

RGB 37 106 152

HSL 204, 0.61%, 0.37%

LAB 42.72, -5.18, -31.18

 

CMYK 76 / 51 / 0 / 40

HEX #254B98

RGB 37 75 152

HSL 220.17, 0.61%, 0.37%

LAB 33.33, 14.8, -46.11

 

CMYK 76 / 71 / 0 / 40

HEX #252C98

RGB 37 44 152

HSL 236.35, 0.61%, 0.37%

LAB 25.14, 35.5, -59.47

 

CMYK 75 / 31 / 0 / 67

HEX #153B55

RGB 21 59 85

HSL 204.38, 0.6%, 0.21%

LAB 23.48, -3.63, -19.59

 

CMYK 76 / 32 / 0 / 53

HEX #1D5177

RGB 29 81 119

HSL 205.33, 0.61%, 0.29%

LAB 32.87, -3.3, -26.59

 

CMYK 76 / 32 / 0 / 40

HEX #256898

RGB 37 104 152

HSL 205.04, 0.61%, 0.37%

LAB 42.09, -3.96, -32.16

 

CMYK 76 / 31 / 0 / 27

HEX #2D7FB9

RGB 45 127 185

HSL 204.86, 0.61%, 0.45%

LAB 50.97, -4.59, -37.49

 

CMYK 70 / 29 / 0 / 18

HEX #3F94D0

RGB 63 148 208

HSL 204.83, 0.61%, 0.53%

LAB 58.78, -6.19, -38.24

 

CMYK 76 / 31 / 0 / 40

HEX #256999

RGB 37 105 153

HSL 204.83, 0.61%, 0.37%

LAB 42.45, -4.2, -32.18

 

CMYK 30 / 76 / 0 / 40

HEX #6A2598

RGB 106 37 152

HSL 276, 0.61%, 0.37%

LAB 31.01, 50.11, -49.59

 

CMYK 0 / 0 / 76 / 40

HEX #989825

RGB 152 152 37

HSL 60, 0.61%, 0.37%

LAB 61.02, -13.71, 56.23

 

CMYK 76 / 31 / 0 / 40

HEX #256999

RGB 37 105 153

HSL 204.83, 0.61%, 0.37%

LAB 42.45, -4.2, -32.18

 

CMYK 0 / 76 / 30 / 40

HEX #98256A

RGB 152 37 106

HSL 324, 0.61%, 0.37%

LAB 36.06, 52.9, -12.44

 

CMYK 30 / 0 / 76 / 40

HEX #6A9825

RGB 106 152 37

HSL 84, 0.61%, 0.37%

LAB 57.71, -33.22, 51.92

 

CMYK 76 / 31 / 0 / 40

HEX #256999

RGB 37 105 153

HSL 204.83, 0.61%, 0.37%

LAB 42.45, -4.2, -32.18

 

CMYK 30 / 76 / 0 / 40

HEX #6A2598

RGB 106 37 152

HSL 276, 0.61%, 0.37%

LAB 31.01, 50.11, -49.59

 

CMYK 0 / 45 / 76 / 40

HEX #985325

RGB 152 83 37

HSL 24, 0.61%, 0.37%

LAB 42.76, 24.96, 38.35

 

CMYK 45 / 0 / 76 / 40

HEX #539825

RGB 83 152 37

HSL 96, 0.61%, 0.37%

LAB 56.51, -41.59, 50.35

 

CMYK 76 / 31 / 0 / 40

HEX #256999

RGB 37 105 153

HSL 204.83, 0.61%, 0.37%

LAB 42.45, -4.2, -32.18

 

CMYK 8 / 76 / 0 / 40

HEX #8C2598

RGB 140 37 152

HSL 293.74, 0.61%, 0.37%

LAB 36.3, 57.07, -40.79

 

CMYK 0 / 45 / 76 / 40

HEX #985325

RGB 152 83 37

HSL 24, 0.61%, 0.37%

LAB 42.76, 24.96, 38.35

 

CMYK 68 / 0 / 76 / 40

HEX #309825

RGB 48 152 37

HSL 114.26, 0.61%, 0.37%

LAB 55.3, -51.15, 48.73

 

Description

Color code: HEX #256999 | qconv.com Color code: HEX #256999 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 105 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 105 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 31 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 31% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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