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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #255DD2 it is the complementary color #DAA22D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #255DD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #255DD2 shade: #2A5DCD, #3B6FE0, #4C81F3, #5D93FF and #6EA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #255DD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #255DD2 shade: #255DD2, #144BBF, #0339AC, #002799 and #001586

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #255DD2 shade: #255CD0, #252ED0, #4A25D0, #7825D0 and #A625D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #255DD2 shade: #255CD0, #252ED0 and #2525D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #255DD2 shade matches the following richer shades: #255CD0 and #1155E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #255DD2 shade: #255CD0, #3963BC, #4C6AA8, #607195 and #747881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #255DD2 shade: #25B9D0, #258CD0, #255ED0, #2530D0 and #4725D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #255DD2 shade: #183D8A, #1F4DAD, #255CD0, #4173DD and #648DE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #255DD2 shade: #255DD2, #B925D0 and #A2D025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #255DD2 shade: #255DD2, #D0255E and #5ED025

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #255DD2 shade: #255DD2, #B925D0, #D09725 and #3CD025

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #255DD2 shade: #255DD2, #D025B4, #D09725 and #25D041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 56 / 0 / 18

HEX #255DD2

RGB 37 93 210

HSL 220.58, 0.7%, 0.48%

LAB 42.57, 25.37, -65.31

 

Complementary color

CMYK 0 / 26 / 79 / 15

HEX #DAA22D

RGB 218 162 45

HSL 40.58, 0.7%, 0.52%

LAB 70.13, 10.51, 64.2

 

CMYK 80 / 55 / 0 / 20

HEX #2A5DCD

RGB 42 93 205

HSL 221.23, 0.66%, 0.48%

LAB 42.35, 23.92, -62.79

 

CMYK 74 / 50 / 0 / 12

HEX #3B6FE0

RGB 59 111 224

HSL 221.09, 0.73%, 0.55%

LAB 49.11, 21.37, -62.66

 

CMYK 69 / 47 / 0 / 5

HEX #4C81F3

RGB 76 129 243

HSL 220.96, 0.87%, 0.63%

LAB 55.79, 19.26, -62.48

 

CMYK 64 / 42 / 0 / 0

HEX #5D93FF

RGB 93 147 255

HSL 220, 1%, 0.68%

LAB 62.01, 15.16, -59.09

 

CMYK 57 / 35 / 0 / 0

HEX #6EA5FF

RGB 110 165 255

HSL 217.24, 1%, 0.72%

LAB 67.61, 7.75, -50.15

 

CMYK 82 / 56 / 0 / 18

HEX #255DD2

RGB 37 93 210

HSL 220.58, 0.7%, 0.48%

LAB 42.57, 25.37, -65.31

 

CMYK 90 / 61 / 0 / 25

HEX #144BBF

RGB 20 75 191

HSL 220.7, 0.81%, 0.41%

LAB 35.87, 28.69, -65.25

 

CMYK 98 / 67 / 0 / 33

HEX #0339AC

RGB 3 57 172

HSL 220.83, 0.97%, 0.34%

LAB 29.22, 32.53, -64.92

 

CMYK 100 / 75 / 0 / 40

HEX #002799

RGB 0 39 153

HSL 224.71, 1%, 0.3%

LAB 22.83, 36.84, -63.94

 

CMYK 100 / 84 / 0 / 47

HEX #001586

RGB 0 21 134

HSL 230.6, 1%, 0.26%

LAB 16.78, 40.52, -62.15

 

CMYK 82 / 56 / 0 / 18

HEX #255CD0

RGB 37 92 208

HSL 220.7, 0.7%, 0.48%

LAB 42.16, 25.26, -64.84

 

CMYK 82 / 78 / 0 / 18

HEX #252ED0

RGB 37 46 208

HSL 236.84, 0.7%, 0.48%

LAB 31.58, 53.35, -82.22

 

CMYK 64 / 82 / 0 / 18

HEX #4A25D0

RGB 74 37 208

HSL 252.98, 0.7%, 0.48%

LAB 32.55, 60.14, -80.53

 

CMYK 42 / 82 / 0 / 18

HEX #7825D0

RGB 120 37 208

HSL 269.12, 0.7%, 0.48%

LAB 37.61, 65.29, -72.03

 

CMYK 20 / 82 / 0 / 18

HEX #A625D0

RGB 166 37 208

HSL 285.26, 0.7%, 0.48%

LAB 44.21, 72.26, -60.98

 

CMYK 82 / 56 / 0 / 18

HEX #255CD0

RGB 37 92 208

HSL 220.7, 0.7%, 0.48%

LAB 42.16, 25.26, -64.84

 

CMYK 82 / 78 / 0 / 18

HEX #252ED0

RGB 37 46 208

HSL 236.84, 0.7%, 0.48%

LAB 31.58, 53.35, -82.22

 

CMYK 82 / 82 / 0 / 18

HEX #2525D0

RGB 37 37 208

HSL 240, 0.7%, 0.48%

LAB 30.08, 57.71, -84.7

 

CMYK 82 / 56 / 0 / 18

HEX #255CD0

RGB 37 92 208

HSL 220.7, 0.7%, 0.48%

LAB 42.16, 25.26, -64.84

 

CMYK 93 / 63 / 0 / 11

HEX #1155E4

RGB 17 85 228

HSL 220.66, 0.86%, 0.48%

LAB 41.56, 36.25, -77.26

 

CMYK 82 / 56 / 0 / 18

HEX #255CD0

RGB 37 92 208

HSL 220.7, 0.7%, 0.48%

LAB 42.16, 25.26, -64.84

 

CMYK 70 / 47 / 0 / 26

HEX #3963BC

RGB 57 99 188

HSL 220.76, 0.53%, 0.48%

LAB 43.4, 15.54, -51.24

 

CMYK 55 / 37 / 0 / 34

HEX #4C6AA8

RGB 76 106 168

HSL 220.43, 0.38%, 0.48%

LAB 45.18, 7.7, -36.64

 

CMYK 36 / 24 / 0 / 42

HEX #607195

RGB 96 113 149

HSL 220.75, 0.22%, 0.48%

LAB 47.58, 2.9, -21.61

 

CMYK 10 / 7 / 0 / 49

HEX #747881

RGB 116 120 129

HSL 221.54, 0.05%, 0.48%

LAB 50.37, 0.42, -5.44

 

CMYK 82 / 11 / 0 / 18

HEX #25B9D0

RGB 37 185 208

HSL 188.07, 0.7%, 0.48%

LAB 69.22, -28.79, -22.14

 

CMYK 82 / 33 / 0 / 18

HEX #258CD0

RGB 37 140 208

HSL 203.86, 0.7%, 0.48%

LAB 55.79, -4.66, -42.98

 

CMYK 82 / 55 / 0 / 18

HEX #255ED0

RGB 37 94 208

HSL 220, 0.7%, 0.48%

LAB 42.69, 23.96, -63.97

 

CMYK 82 / 77 / 0 / 18

HEX #2530D0

RGB 37 48 208

HSL 236.14, 0.7%, 0.48%

LAB 31.95, 52.3, -81.61

 

CMYK 66 / 82 / 0 / 18

HEX #4725D0

RGB 71 37 208

HSL 251.93, 0.7%, 0.48%

LAB 32.3, 59.88, -80.97

 

CMYK 83 / 56 / 0 / 46

HEX #183D8A

RGB 24 61 138

HSL 220.53, 0.7%, 0.32%

LAB 27.75, 17.25, -46.59

 

CMYK 82 / 55 / 0 / 32

HEX #1F4DAD

RGB 31 77 173

HSL 220.56, 0.7%, 0.4%

LAB 35.23, 21.05, -55.65

 

CMYK 82 / 56 / 0 / 18

HEX #255CD0

RGB 37 92 208

HSL 220.7, 0.7%, 0.48%

LAB 42.16, 25.26, -64.84

 

CMYK 71 / 48 / 0 / 13

HEX #4173DD

RGB 65 115 221

HSL 220.77, 0.7%, 0.56%

LAB 50.22, 18.55, -59.15

 

CMYK 56 / 38 / 0 / 11

HEX #648DE4

RGB 100 141 228

HSL 220.78, 0.7%, 0.64%

LAB 59.31, 11.17, -48.47

 

CMYK 82 / 56 / 0 / 18

HEX #255DD2

RGB 37 93 210

HSL 220.58, 0.7%, 0.48%

LAB 42.57, 25.37, -65.31

 

CMYK 11 / 82 / 0 / 18

HEX #B925D0

RGB 185 37 208

HSL 291.93, 0.7%, 0.48%

LAB 47.22, 75.51, -55.97

 

CMYK 22 / 0 / 82 / 18

HEX #A2D025

RGB 162 208 37

HSL 76.14, 0.7%, 0.48%

LAB 77.83, -36.78, 71.62

 

CMYK 82 / 56 / 0 / 18

HEX #255DD2

RGB 37 93 210

HSL 220.58, 0.7%, 0.48%

LAB 42.57, 25.37, -65.31

 

CMYK 0 / 82 / 55 / 18

HEX #D0255E

RGB 208 37 94

HSL 340, 0.7%, 0.48%

LAB 46.37, 66.6, 11.43

 

CMYK 55 / 0 / 82 / 18

HEX #5ED025

RGB 94 208 37

HSL 100, 0.7%, 0.48%

LAB 74.59, -59.74, 67.5

 

CMYK 82 / 56 / 0 / 18

HEX #255DD2

RGB 37 93 210

HSL 220.58, 0.7%, 0.48%

LAB 42.57, 25.37, -65.31

 

CMYK 11 / 82 / 0 / 18

HEX #B925D0

RGB 185 37 208

HSL 291.93, 0.7%, 0.48%

LAB 47.22, 75.51, -55.97

 

CMYK 0 / 27 / 82 / 18

HEX #D09725

RGB 208 151 37

HSL 40, 0.7%, 0.48%

LAB 66.27, 11.81, 63.03

 

CMYK 71 / 0 / 82 / 18

HEX #3CD025

RGB 60 208 37

HSL 111.93, 0.7%, 0.48%

LAB 73.68, -67.25, 66.34

 

CMYK 82 / 56 / 0 / 18

HEX #255DD2

RGB 37 93 210

HSL 220.58, 0.7%, 0.48%

LAB 42.57, 25.37, -65.31

 

CMYK 0 / 82 / 13 / 18

HEX #D025B4

RGB 208 37 180

HSL 309.82, 0.7%, 0.48%

LAB 49.53, 75.62, -35.79

 

CMYK 0 / 27 / 82 / 18

HEX #D09725

RGB 208 151 37

HSL 40, 0.7%, 0.48%

LAB 66.27, 11.81, 63.03

 

CMYK 82 / 0 / 69 / 18

HEX #25D041

RGB 37 208 65

HSL 129.82, 0.7%, 0.48%

LAB 73.47, -68.43, 56.86

 

Description

Color code: HEX #255DD2 | qconv.com Color code: HEX #255DD2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 93 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 93 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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